Norwegian photography
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As in many countries, the science, craft, and art of
photography Photography is the art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employe ...
in
Norway Norway, officially the Kingdom of Norway, is a Nordic country in Northern Europe, the mainland territory of which comprises the western and northernmost portion of the Scandinavian Peninsula. The remote Arctic island of Jan Mayen and the ...
has evolved as a result of changing technology, improving economic conditions, and the level of acceptance of photography as an art form in its own right.


History

The first known photography in Norway dates from 1839, when Hans Thøger Winther bought his first camera. The oldest image on file is one of his pictures from 1840. Daguerreotypes became popular in the 1840s, and several entrepreneurial photographers established studios in major cities for portrait photography and also took portable studios to smaller population centers. Winther published a number of articles on photography in newspapers and published a book in 1845 titled: :''"Instructions on how in various ways to produce and establish IMAGES OF LIGHT on paper, such as portraits of living persons, prospects of nature, copies of paintings, plastic copper items, stone prints, leaves of plants, etc., partly by using a camera obscura, partly with an instrument for copying"'' Portrait photography became more affordable and commonplace throughout the 19th century, and around 1860 landscape photography took root in Norway. Marcus Selmer is considered to be the first landscape photographer with considerable production, but Knud Knudsen and the Swede
Axel Lindahl Axel Theodor Lindahl (27 July 1841 – 11 December 1906) was a Swedish photographer notable for his early photography of Norwegian landscapes. Lindahl was born in Mariestad in southwestern Sweden. With his brother Udo he opened his own pho ...
made the most systematic efforts in traveling and capturing landscapes. From the late 19th century until
World War I World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, the United States, and the Ottoman Empire, with fightin ...
, photographers set up shop throughout Norway. Many women were among them. In 1901, Anders Beer Wilse returned from the
United States The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country primarily located in North America. It consists of 50 states, a federal district, five major unincorporated territori ...
. He became one of the most famous photographers in Norway. In addition to documenting natural landscapes and
ethnology Ethnology (from the grc-gre, ἔθνος, meaning 'nation') is an academic field that compares and analyzes the characteristics of different peoples and the relationships between them (compare cultural, social, or sociocultural anthropology). ...
throughout Norway, he was also an accomplished portrait and architecture photographer. Although dominated primarily by Germany, German influences in the late 19th century, Pictorialism caught on in Norway when it did elsewhere in the world and was promoted by Oslo camera club, founded in 1921. Photographers whose work represent Norwegian pictorialism include Robert Collett, Aage Remfeldt, Thomas Blehr, and Waldemar Eide. Around World War I, portrait photography in Norway became more of an expressive art as a result of the work of Waldemar Eide, Dimitri Koloboff, Gunnar Theodor Sjøwall, Aage Remfeldt, Hans Johnsrud and Anders Beer Wilse.


Craft


Photojournalism

In confluence with the growth of the socialist movement in Norway, the Neue Sachlichkeit movement also influenced Norwegian photography. With the rise of photojournalism, the ethnological legacy of Norwegian photography gave rise to a growing interest in making social and political commentary through the camera.


Artistic expression

In 1971, the first photographic work (by Kåre Kivijärvi) was accepted at the prestigious Autumn Exhibition in Oslo, marking the widespread acceptance of photography as an art form.


Photographic archives

Efforts to preserve photographic works in Norway is coordinated through the Norwegian Ministry of Culture, has been made the responsibility of the Norwegian Archive, Library and Museum Authority, the Preus Museum, and the National Library of Norway. Archives are funded through the Norwegian Cultural Council, public funding of related topical areas, and revenue generated by reproductions and other services. In 1928, the first initiative to create a national photographic archive was started through the formation of an iconographic commission. This was initially intended as a means to preserve historical visual records, but over time the interest increased in photographic archives that also preserved the craft, art, and technology of photography. In addition to central archives in the National Library's facilities and at the Preus Museum, there are 25 regional archives, organized by Counties of Norway, counties. A number of local libraries, museums, and other institutions also maintain photography archives.


References


Brief summary of the history of photography in Norway
{{Europe topic, Photography in Photography in Norway, Culture of Norway, Photography, Norwegian