New Objectivity (a translation of the German ''Neue Sachlichkeit'', alternatively translated as "New Sobriety" or "New matter-of-factness") was an art movement that emerged in Germany in the early 1920s as a counter to expressionism. The term applies to a number of artistic forms, including film.

History

In film, New Objectivity reached its high point around 1929. It translated into realistic cinematic settings, straightforward camerawork and editing, a tendency to examine inanimate objects as a way to interpret characters and events, a lack of overt emotionalism, and social themes.

Notable directors

The director most associated with the movement is

Georg Wilhelm Pabst Georg Wilhelm Pabst (25 August 1885 – 29 May 1967) was an Austrian film director and screenwriter. He started as an actor and theater director, before becoming one of the most influential German-language filmmakers during the Weimar Republic. ...

. Pabst's films of the 1920s concentrate on subjects such as

abortion Abortion is the termination of a pregnancy by removal or expulsion of an embryo or fetus. An abortion that occurs without intervention is known as a miscarriage or "spontaneous abortion"; these occur in approximately 30% to 40% of pre ...

, prostitution, labor disputes,

homosexuality Homosexuality is romantic attraction, sexual attraction, or sexual behavior between members of the same sex or gender. As a sexual orientation, homosexuality is "an enduring pattern of emotional, romantic, and/or sexual attractions" to pe ...

, and

addiction Addiction is a neuropsychological disorder characterized by a persistent and intense urge to engage in certain behaviors, one of which is the usage of a drug, despite substantial harm and other negative consequences. Repetitive drug use o ...

. His cool and critical 1925 '' Joyless Street'' is a landmark of the objective style. Pabst's 1930 pacifist sound film '' Westfront 1918'' views the World War I experience in a bleak, matter-of-fact way. With its clear denunciation of war, it was soon banned as unsuitable for public viewing. Other directors in the style included Ernő Metzner,

Berthold Viertel Berthold Viertel (28 June 1885 – 24 September 1953) was an Austrian screenwriter and film director, known for his work in Germany, the UK and the US. Early career Viertel was born in Vienna, the capital of the Austro-Hungarian Empire, but later ...

, and

Gerhard Lamprecht Gerhard Lamprecht (6 October 1897 – 4 May 1974) was a German film director, screenwriter and film historian. He directed 63 films between 1920 and 1958. He also wrote for 26 films between 1918 and 1958. Life and career Lamprecht was fasci ...

Decline

The movement ended essentially in 1933 with the fall of the

Weimar Republic The Weimar Republic (german: link=no, Weimarer Republik ), officially named the German Reich, was the government of Germany from 1918 to 1933, during which it was a constitutional federal republic for the first time in history; hence it is ...

Films

Films with New Objectivity themes and visual style include: * '' Joyless Street'', 1925 * ''

Secrets of a Soul ''Secrets of a Soul'' (german: Geheimnisse einer Seele) is a 1926 silent German drama film directed by G. W. Pabst. Plot Martin Fellman, a learned professor, experiences nightmares that make him believe he is going insane. He fears that he is ...

'', 1926 * '' Uneasy Money'', 1926 * '' The Love of Jeanne Ney'', 1927 * '' Police Report: Hold-Up'', short subject, 1928 * ''

People on Sunday ''People on Sunday'' (german: Menschen am Sonntag) is a 1930 German silent drama film directed by Robert Siodmak and Edgar G. Ulmer from a screenplay by Robert and Curt Siodmak. The film follows a group of residents of Berlin on a summer's day d ...

'', 1930 * '' Westfront 1918'', 1930 An Endless Number of Great Deeds: Film Front Weimar: Representations of the First World War in German Films of the Weimar Period (1919-1933) by Bernadette Kester — Senses of Cinema
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References

{{film genres Cinema of Germany 1920s in film 1930s in film