Napoleonic propaganda
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During his rise to power and throughout his reign,
Napoleon Napoleon Bonaparte ; it, Napoleone Bonaparte, ; co, Napulione Buonaparte. (born Napoleone Buonaparte; 15 August 1769 – 5 May 1821), later known by his regnal name Napoleon I, was a French military commander and political leader who ...
not only benefitted from circumstance but also cultivated his own image through the use of propaganda. Napoleon excelled at garnering public support and capitalizing on his victories to convey a persona associated with success and heroism.Hanley, ''The Genesis of Napoleonic Propaganda'', 23. He utilized propaganda in a wide range of media including theater, art, newspapers and bulletins to “promote the precise image he desired.” Napoleon’s bulletins from the battlefield were published in newspapers and were well read throughout the country. He used these publications to exaggerate his victories and spread his glorified interpretation of these successes throughout France.


Medallions

In addition to more standard methods of propaganda, such as the press, Napoleon capitalized on the popularity of medallions for his own purposes. Specifically, Napoleon used medallions as tools to promote his desired image both before and after he became Emperor. In the end, he commissioned more medals than
Louis XV Louis XV (15 February 1710 – 10 May 1774), known as Louis the Beloved (french: le Bien-Aimé), was King of France from 1 September 1715 until his death in 1774. He succeeded his great-grandfather Louis XIV at the age of five. Until he reached ...
and
Louis XVI Louis XVI (''Louis-Auguste''; ; 23 August 175421 January 1793) was the last King of France before the fall of the monarchy during the French Revolution. He was referred to as ''Citizen Louis Capet'' during the four months just before he was ...
combined. Of particular importance was Napoleon’s first set of medallions, the “Five Battles” Series, produced to commemorate his victories during the first Italian campaign.


Five Battles Series

The Millesimo-Dego medallion features Hercules holding a club and the Hydra of Lerna’s head. In the other hand
Hercules Hercules (, ) is the Roman equivalent of the Greek divine hero Heracles, son of Jupiter and the mortal Alcmena. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures. The Romans adapted the ...
is holding a torch of blazing fire, ready to slaughter this beast. Around the borders of the medals reads “Bataille De Millesimo Combat de Dego.” The Hercules figure on these coins represents victory but was also a symbol chosen by the French Republic to represent the nation, thereby connecting Napoleon to both triumph and France. The Po-Adda-Mincio medal depicts Napoleon Bonaparte leading his soldiers across the Adda on the bridge at Lodi. This medallion glorifies the
battle A battle is an occurrence of combat in warfare between opposing military units of any number or size. A war usually consists of multiple battles. In general, a battle is a military engagement that is well defined in duration, area, and force ...
in which most of Lombardy, an Italian province, was captured by the French army. Subsequently, Napoleon was named General-in-chief at
Milan Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city h ...
, the Lombard capital. The coin celebrates not only Napoleon’s victory but his ascension to greater power. The
Battle of Castiglione The Battle of Castiglione saw the French Army of Italy under General Napoleon Bonaparte attack an army of the Habsburg monarchy led by ''Feldmarschall'' Dagobert Sigmund von Wurmser on 5 August 1796. The outnumbered Austrians were defeated ...
and the combat at Peschiera medallion pays tribute to Napoleon’s victories in Italy. Napoleon faced an Austrian army in both locations and defeated them, strengthening the French Army’s position in the region. The coin displays three naked warriors, two locked in combat while the third lies slain on the ground. Of the two living figures, one, representing Napoleon’s army, stands ready to strike the final blow to the vanquished Austrians. In some versions Napoleon’s name is inscribed on the coin connecting Bonaparte to the victory and promoting his own personal image. The Capitulation of
Mantua Mantua ( ; it, Mantova ; Lombard and la, Mantua) is a city and '' comune'' in Lombardy, Italy, and capital of the province of the same name. In 2016, Mantua was designated as the Italian Capital of Culture. In 2017, it was named as the Eur ...
coin commemorates the capture of the Northern Italian city by Napoleon. The medal depicts a woman handing the keys of the city to a Roman warrior. On the reverse, ‘A L’Arméé D’Italie Victorieuse’ is inscribed in addition to Napoleon’s name on some editions of the coin. Symbols from antiquity were used throughout the revolutionary period to tie the new French Republic to the glory of
Ancient Rome In modern historiography, ancient Rome refers to Roman civilisation from the founding of the city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD. It encompasses the Roman Kingdom (753–509 BC ...
. By using Roman soldiers on the medallions, Napoleon not only connects himself to the grandeur of ancient times, but also promotes his image as a victorious leader of
Revolutionary France The French Revolution ( ) was a period of radical political and societal change in France that began with the Estates General of 1789 and ended with the formation of the French Consulate in November 1799. Many of its ideas are considere ...
. The Tagliamento-Trieste medallion immortalizes Napoleon’s 1797 crossing of the Tagliomento River and the capture of
Trieste Trieste ( , ; sl, Trst ; german: Triest ) is a city and seaport in northeastern Italy. It is the capital city, and largest city, of the autonomous region of Friuli Venezia Giulia, one of two autonomous regions which are not subdivided into prov ...
. The medal shows a god-like figure reclining near a river while a charging army rushes a fleeing group of men. The attacking army is headed by a man on horseback, presumably Napoleon. Like the other medallions, one version has Napoleon’s name inscribed on the side.Hanley, ''The Genesis of Napoleonic Propaganda'', 158. The medallion bolsters Napoleon’s image by directly connecting him to yet another victory.


References


Works cited

*Censer, Jack R. and Lynn Hunt (2001). ''Liberty, Equality, Fraternity: Exploring the French Revolution''. University Park: Pennsylvania State University Press. . *Hanley, Wayne (2005). ''The Genesis of Napoleonic Propaganda 1796-1799''. New York: Columbia University Press. . *Hunt, Lynn (1984). ''Politics, Culture, and Class in the French Revolution''. Berkeley and Los Angeles: University of California Press. .


Further reading

*Ellis, Geoffrey. (1997) ''Napoleon''. (London: Longman). *Laskey, Captain John C. (1818) ''A Description of the Series of Medals Struck at the National Medal Mint by Order of Napoleon Bonaoparte commemorating the Most Remarkable Battles and Events During his Dynasty''. London: Blackhorse Court. *Lyon, Martyn. (1994) ''Napoleon Bonaparte and the Legacy of the French Revolution''. (Chicago: University of Chicago Press). *Holtman, Robert. (1950). ''Napoleonic Propaganda''. (Baton Rouge: Louisiana State University Press.) {{Napoleon Propaganda by topic Propaganda