Monymusk reliquary
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The Monymusk Reliquary is an eighth century Scottish house-shape reliquaryMoss (2014), p. 286 made of wood and metal characterised by an Insular fusion of Gaelic and
Pictish Pictish is the extinct Brittonic language spoken by the Picts, the people of eastern and northern Scotland from Late Antiquity to the Early Middle Ages. Virtually no direct attestations of Pictish remain, short of a limited number of geographica ...
design and Anglo-Saxon metalworking, probably by Ionan monks. It is now in the
National Museum of Scotland The National Museum of Scotland in Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Scottish Museum (opened in ...
in Edinburgh. It is an early example of the
house-shaped shrine House-shaped shrine (or church or tomb-shaped shrines)Crawford (1923), p. 82 are early medieval portable metal reliquary formed in the shape of the roof of a rectangular building. They originate from both Ireland and Scotland and mostly date from ...
that became popular across Europe later in the Middle Ages, perhaps influenced by Insular styles. The Monymusk Reliquary is now empty. Its dimensions are W 112mm x D 51mm x H 89mm. Past scholars suggested that Monymusk Reliquary was the Brecbennach of St. Columba ( modern Gaelic ''Breac Bannoch'' or "embossed peaked-thing"), a sacred battle ensign of the Scottish army, used for saintly assistance, and mentioned in various charters associated with Arbroath Abbey. However, this identification of the Monymusk Reliquary with the ''Brecbennach'' is unlikely, and the Monymusk Reliquary is therefore not the object mentioned in historical records. Very few Insular reliquaries survive, although many are mentioned in contemporary records.


Style

It is characterised by a mixture of Pictish artistic designs and Irish artistic traditions (perhaps first brought to Scotland by Irish missionaries in the sixth century), fused with Anglo-Saxon metalworking techniques, an artistic movement now classified as Insular or
Hiberno-Saxon art Insular art, also known as Hiberno-Saxon art, was produced in the post-Roman era of Great Britain and Ireland. The term derives from ''insula'', the Latin term for "island"; in this period Britain and Ireland shared a largely common style dif ...
. The casket is
wood Wood is a porous and fibrous structural tissue found in the stems and roots of trees and other woody plants. It is an organic materiala natural composite of cellulose fibers that are strong in tension and embedded in a matrix of lignin ...
en, but is covered with
silver Silver is a chemical element with the symbol Ag (from the Latin ', derived from the Proto-Indo-European ''h₂erǵ'': "shiny" or "white") and atomic number 47. A soft, white, lustrous transition metal, it exhibits the highest electrical ...
and
copper Copper is a chemical element with the symbol Cu (from la, cuprum) and atomic number 29. It is a soft, malleable, and ductile metal with very high thermal and electrical conductivity. A freshly exposed surface of pure copper has a pinkis ...
-
alloy An alloy is a mixture of chemical elements of which at least one is a metal. Unlike chemical compounds with metallic bases, an alloy will retain all the properties of a metal in the resulting material, such as electrical conductivity, ductilit ...
. It was made around 750, probably by Ionan monks. It shows a combination of the Pictish and Insular styles which appear in manuscripts such as the
Lindisfarne Gospels The Lindisfarne Gospels (London, British Library Cotton MS Nero D.IV) is an illuminated manuscript gospel book probably produced around the years 715–720 in the monastery at Lindisfarne, off the coast of Northumberland, which is now in the B ...
(c. 715 AD). The silver plates on the front and lid of the casket are decorated with beasts leaping and twisting, and biting at their tails on a spotted field, characteristic of
animal style Animal style art is an approach to decoration found from China to Northern Europe in the early Iron Age, and the barbarian art of the Migration Period, characterized by its emphasis on animal motifs. The zoomorphic style of decoration was used ...
in
Celtic art Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and styli ...
. The stippled punch marks are characteristically Irish in style.


The Brecbennoch

The Monymusk Reliquary was once believed to have contained relics of St. Columba, the most popular saint in medieval Scotland, since from the 19th century it was believed to be the "Brecbennoch of St. Columba", a sacred battle ensign of the Scottish army, though this is now doubted by scholars. The Brecbennoch may have been handed to the abbot of
Arbroath Abbey Arbroath Abbey, in the Scottish town of Arbroath, was founded in 1178 by King William the Lion for a group of Tironensian Benedictine monks from Kelso Abbey. It was consecrated in 1197 with a dedication to the deceased Saint Thomas Becket, who ...
during the reign of
William I William I; ang, WillelmI (Bates ''William the Conqueror'' p. 33– 9 September 1087), usually known as William the Conqueror and sometimes William the Bastard, was the first Norman king of England, reigning from 1066 until his death in 10 ...
(r. 1165 - 1214), who in turn passed it to someone else's care at Forglen. The custodian was charged with the care of the reliquary, so that it could be used for saintly assistance by the Scots in battle. It was carried by the Scottish army who were victorious against the army of King
Edward II of England Edward II (25 April 1284 – 21 September 1327), also called Edward of Caernarfon, was King of England and Lord of Ireland from 1307 until he was deposed in January 1327. The fourth son of Edward I, Edward became the heir apparent to t ...
at the Battle of Bannockburn (1314).


History

The Monymusk Reliquary was perhaps at Forglen until the sixteenth century, when both Forglen and
Monymusk Monymusk ( gd, Monadh Musga) is a planned village in the Marr area of Aberdeenshire, Scotland. History Malcolm Canmore first established Celtic foundation on the site in 1078 The Culdees of Munimusc are recorded as inhabiting the site in 117 ...
came into the hands of the
Forbes ''Forbes'' () is an American business magazine owned by Integrated Whale Media Investments and the Forbes family. Published eight times a year, it features articles on finance, industry, investing, and marketing topics. ''Forbes'' also r ...
family. In 1712 it was transferred to Sir Francis Grant of Cullen. It stayed in the Grant collection until 1933, when it was due to be auctioned, but was acquired by the
National Museum of Scotland The National Museum of Scotland in Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Scottish Museum (opened in ...
first, with the help of the Art Fund. It is arguably one of the most important pieces in the museum's collection. File:NMSMonymuskReliquary1.jpg, The casket and lid are each carved from a solid piece of wood, and covered in thin bronze and silver plates. File:Monymusk ReliquaryDSCF6385.jpg, Side view File:NMSMonymuskReliquary3.jpg, From the style of its ornament, the reliquary is thought to have been made towards the beginning of the 8th century. File:NMSMonymuskReliquary4.jpg, The silver plates are decorated with very faint interlacing animals and with bronze mounts featuring red enamel.


References


Bibliography

* Moss, Rachel. ''Medieval c. 400—c. 1600: Art and Architecture of Ireland''. Yale University Press, 2014. * Wormald, Jenny (ed.), ''Scotland: A History'', (Oxford, 2005), Plate 2, opp. p. 42


Further reading

* *


External links


The Monymusk Reliquary
at the National Museum of Scotland

(archive link) {{Insular art Collections of the National Museums of Scotland Culture of medieval Scotland Christian reliquaries House-shaped shrines