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A mashup (also mesh, mash up, mash-up, blend, bootleg[1] [2] and bastard pop/rock) is a creative work, usually in a form of a song, created by blending two or more pre-recorded songs, usually by overlaying the vocal track of one song seamlessly over the instrumental track of another.[3] To the extent that such works are "transformative" of original content, in the United States they may find protection from copyright claims under the "fair use" doctrine of copyright law.[4]

Contents

1 Synonyms 2 History

2.1 Precursors

2.1.1 "The Flying Saucer" 2.1.2 Novelty records 2.1.3 Frank Zappa 2.1.4 John Oswald 2.1.5 Pink Project 2.1.6 Negativland 2.1.7 The Tape-beatles 2.1.8 Double Dee and Steinski 2.1.9 John Zorn 2.1.10 Evolution Control Committee

2.2 Renaissance

2.2.1 2 Many DJs and "A Stroke of Genie-us" 2.2.2 Software tools 2.2.3 Get Your Bootleg On, Mashuptown, Bootie, Boomselection, A.D.D 2.2.4 Bonna Music and "Enjoy the Sheket" 2.2.5 Good Copy Bad Copy 2.2.6 Glee 2.2.7 DJ Hero 2.2.8 RIP: A Remix Manifesto

2.3 Legal issues

2.3.1 Copyright Act of 1976 2.3.2 Fair Use Law

3 Subgenres

3.1 A vs B 3.2 Version vs Version 3.3 Abstract Mash Ups 3.4 Glitch pop 3.5 Audio-Viz Mash 3.6 Remixes 3.7 Bootleg albums 3.8 Cut-ups

4 Notable mash-up artists

4.1 Girl Talk 4.2 Djs from Mars 4.3 DJ Earworm 4.4 Mashd N Kutcher 4.5 dj BC 4.6 Max Tannone 4.7 The Kleptones 4.8 DJ Cummerbund 4.9 The Legion of Doom 4.10 The Hood Internet 4.11 Madeon

5 Notable mash-up albums 6 See also 7 References 8 Further reading

Synonyms[edit]

This section is in a list format that may be better presented using prose. You can help by converting this section to prose, if appropriate. Editing help is available. (January 2017)

Mashups are known by a number of different names:

Bootlegs (mostly in Europe, not to be confused with unofficial remixes) Boots (but not "booty" which is a branch of electro) Mash-ups Mashed hits Smashups (or smash-ups) Bastard pop (as in the combined songs are unofficial; this term is rarely used anymore) Blends Cutups (or cut ups, a term originally coined by William S. Burroughs to describe some of his literary experiments that involved literally "cutting up" different texts and rearranging the pieces to create a new piece.) Powermixing (usually the pace has to be sped up to allow for more song to be played and thus cannot play any single blend for the full length of the song) Crossovers, but it is in a form of mashup, or version vs. version.

In addition, more traditional terms such as "edits" or (unauthorized) "remixes" are favored by many "bootleggers" (also known as 'leggers).[citation needed] History[edit] The practice of assembling new songs from purloined elements of other tracks stretches back to the beginnings of recorded music. If one extends the definition beyond the realm of pop, precursors can be found in musique concrète, as well as the classical practice of (re-)arranging traditional folk material and the jazz tradition of reinterpreting standards. In addition, many elements of mashup culture have antecedents in hip hop and the DIY ethic
DIY ethic
of punk as well as overlap with the free culture movement. Precursors[edit] "The Flying Saucer"[edit] In 1956, Bill Buchanan and Dickie Goodman released what they called a "break-in" song, (i.e. material from one song would "break-in" to another) called "The Flying Saucer". The track, a reinterpretation of Orson Welles' celebrated War of the Worlds mock-emergency broadcast interspliced with musical snippets comically dramatizing the portentous patter of the announcer, spawned a raft of imitations. Goodman had several other similar hits in the 1960s and 1970s. Novelty records[edit] There have been a number of novelty records and one-off hits that have included uncleared samples. The song "Your Woman" by White Town features an uncredited sample from a 1932 song "My Woman" by the Lew Stone Band taken from the soundtrack of the Dennis Potter series Pennies From Heaven. Other notable one-off bootlegs include DNA's dance remix of Suzanne Vega's "Tom's Diner" (1990) and "You Got The Love" by The Source featuring Candi Staton
Candi Staton
(1991). Vega received quite a few unsolicited mixes of her (a cappella) song, and eventually issued an entire CD of "Tom's Diner" mixes, one notable example being "Jeannie's Diner", in which a resung verse based on Vega's composition describes the premise of the situation comedy "I Dream of Jeannie". "Tom's Diner" is likely to be the first song that was "mash mixed" as we now know the process. One series was John Morales' (later one half of M and M productions) "Deadly Medleys", in which he mixed-up disco hits of the moment to form beat-consistent collages. In the late 1970s and early 1980s, Dutch producer Jaap Eggermont produced the Stars on 45
Stars on 45
series of records. These records attempted to cram as many hits as possible into the space of a three and a half-minute pop song, and are more accurately described as medleys. A similar series by Mirage in the late 1980s took this further by densely layering the songs on its "Jack Mix" records so that these were very close to later mashups. Singer-producer Jonathan King
Jonathan King
anticipated the mashup genre with several novelty singles. In 1987, King accused the Pet Shop Boys
Pet Shop Boys
of plagiarizing the melody of Cat Stevens' "Wild World" for their song "It's A Sin". To prove the point, King recorded a version of "Wild World" with an arrangement virtually identical to that of "It's A Sin". King performed an analogous stunt with a version of "He's So Fine" by The Chiffons
The Chiffons
arranged in the style of George Harrison's "My Sweet Lord", making a cheeky reference to the plagiarism suit over the similarities between the two songs. Little Roger and the Goosebumps released their single "Gilligan's Island (Stairway)", later renamed "Stairway to Gilligan's Island" in May 1978 on their own Splash Records label. The song combines the lyrics to the theme song of the television show Gilligan's Island
Gilligan's Island
with the music of "Stairway to Heaven" by Led Zeppelin. Later in 1978, Damaskas and Barnes & Barnes were inspired by Little Roger and the Goosebumps to record " A Day in the Life
A Day in the Life
of Green Acres," a song that combined the music of The Beatles' "A Day in the Life" with the lyrics to the theme song of the television show Green Acres. Frank Zappa[edit] In the 1970s, Frank Zappa
Frank Zappa
developed a technique he called "xenochrony" in which a guitar solo was extracted from its original context and placed into a completely different song. His recording engineer referred to this as "the Ampex guitar". In his rock opera Joe's Garage (1979), for example, Zappa's xenochrony can be heard on every track apart from Watermelon in Easter Hay. "Rubber Shirt" from the album Sheik Yerbouti
Sheik Yerbouti
consists of a bass track and a drum track taken from two different live performances melded together in the studio. John Oswald[edit] John Oswald has been devising illegitimate compositions since the late 1960s. His 1975 track "Power" married frenetic Led Zeppelin
Led Zeppelin
guitars to the impassioned exhortations of a Southern American evangelist at the same time that hip hop was discovering the potency of the same (and related) kinds of ingredients. Similarly, his 1990 track "Vane", which pitted two different versions of the song "You're So Vain" (the Carly Simon original and a cover by Faster Pussycat) against each other, was a blueprint for the contemporary mashup subgenre, glitch pop. Oswald coined the term "plunderphonics" to describe his illegitimate craft. In 1993, he released Plexure. Arguably his most ambitious composition to date, it attempted to microsample the history of CD music up to that point (1982–1992) in a 20-minute collage of bewildering complexity. The ambition of this piece would later be recalled by the British bootlegger Osymyso, whose "Intro-Inspection" captured the pop-junkie feel of Plexure. Osymyso, who at the time was unaware of Oswald's work, used the same structure of an accelerando (arranging his source material in order from the slowest tempo to the fastest) to link a few bars each of 100 songs, creating a simpler sound than the thousands of overlapping and morphing pop "electroquotations" in Plexure. Pink Project[edit] In 1982, Italo disco composer and producer Stefano Pulga, under the name Pink Project, had a substantial hit with "Disco Project", a completely re-recorded version of The Alan Parsons Project's instrumental track "Mammagamma" (from the album Eye in the Sky), using "Sirius" (from the same album) as an intro, and featuring the schoolchildren's choir vocals (also entirely re-recorded by female session vocalists) from Pink Floyd's "Another Brick in the Wall, Part 2" on top of the Parsons track. Technically more similar to a medley of cover versions (as it did not include any elements directly taken from the original records) than to a mashup, the record was nevertheless identified with the nascent genre by Italian radio DJs. Negativland[edit] Though Negativland
Negativland
are seldom acknowledged as musical antecedents of mashups, lacking perhaps the sense of fun many contemporary practitioners seek in their craft, their struggle against various forms of "censorship" (in their terms) and legal coercion (for instance, their single "U2" was one of the first pieces of music to be withdrawn for its use of unauthorised samples) has made them poster children for some mashup commentators who approach the issue from a more critical perspective, and with an eye to the complicated cultural issues raised by both accidental and deliberate plundering within music and culture generally. The Tape-beatles[edit] Also known as "Public Works", The Tape-beatles
The Tape-beatles
have used collage techniques to create works of materials appropriated from various sources. Double Dee and Steinski[edit] Working under the name Steinski, New York copywriter DJ Steve Stein began (in conjunction with engineer and fellow studio boffin Doug "Double Dee" DiFranco) the next chapter in the evolution of illicit pop by producing a trio of underground 12" singles (entitled "The Payoff Mix" (1983), "Lesson 2 (The James Brown Mix)" (1984) and "Lesson 3 (History of Hiphop)" (1985)) which exerted a powerful influence on an entire generation of "samplists". John Zorn[edit] The 1990 John Zorn
John Zorn
album Naked City features a version of Ornette Coleman's "Lonely Woman" set over the bassline of Roy Orbison's "Pretty Woman".[5] Evolution Control Committee[edit] In 1994, the experimental band Evolution Control Committee
Evolution Control Committee
released the first modern mashup tracks on their hand-made cassette album, Gunderphonic. These "Whipped Cream Mixes" combined a pair of Public Enemy a cappellas with instrumentals by Herb Alpert
Herb Alpert
and the Tijuana Brass. First released on home-made cassettes in early 1992, it was later pressed on 7" vinyl, and distributed by Eerie Materials in the mid-1990s, the tracks gained some degree of notoriety on college radio stations in the United States.[6] Renaissance[edit] 2 Many DJs and "A Stroke of Genie-us"[edit] The name Pop Will Eat Itself
Pop Will Eat Itself
was taken from an NME
NME
feature on the band Jamie Wednesday, written by David Quantick, which proposed the theory that because popular music simply recycles good ideas continuously, the perfect pop song could be written by [combining] the best of those ideas into one track. Hence, Pop Will Eat Itself.[7] The movement gained momentum again in 2001 with the release of the 2 Many DJs album, As Heard on Radio Soulwax
Soulwax
Pt. 2, by Soulwax's Dewaele brothers, which combined 45 different tracks; the same year a remix of Christina Aguilera's "Genie in a Bottle" was also released by Freelance Hellraiser, which coupled the pop star with the raucous guitars of "Hard To Explain" by New York's The Strokes
The Strokes
in an infectious concoction entitled "A Stroke of Genie-us".[8] Software tools[edit] As a result of this, industry standard tools such as the digital audio workstation Cubase
Cubase
and the sound editors Wavelab, Soundforge
Soundforge
and Cool Edit Pro quickly became ubiquitous. Moreover, new tools such as Ableton Live
Ableton Live
and Sonic Foundry's (now Sony's) ACID Pro were tweaked to accommodate the needs of this new "scene". Most notably, such features as beat-mapping (a technique that simplifies the synchronization of samples of different tempos) and online previewing (allowing the composer to audition a sample, playing at the right pitch and tempo, alongside their existing composition) made it easy for many people with musical ability but little professional studio experience to knock together new combinations in a fraction of the time it would take with traditional tools, such as the magnetic tape John Oswald (and even Coldcut) slaved over in their early days. Mark Vidler, known as Go Home Productions, summarized it by saying the benefits of such technology of AcidPro: "You don't need a distributor, because your distribution is the internet. You don't need a record label, because it's your bedroom, and you don't need a recording studio, because that's your computer. You do it all yourself." Get Your Bootleg On, Mashuptown, Bootie, Boomselection, A.D.D[edit] Around 2001–2002, the blog Boomselection[9] was launched. It publicised various challenges which resulted in hundreds, if not thousands, of new bootlegs being uploaded to sites around the world. While the scene began as a primarily British phenomenon, the U.S., France and Germany are currently the hotbeds of the modern mashup movement. However, there are notable bootleggers to be found in practically every corner of the globe – wherever an Internet connection and a record collection can be found – including Australia, Belgium, Switzerland, and Sweden. The Get Your Bootleg on site[10] (affectionately abbreviated to GYBO) became an important launchpad for new mashup tunes, and was the home of a lively community of bootleggers who offered critiques of new songs, tips for newbies, pointers on where to find a cappellas, legal advice, publicity for mashup events and general discussion of issues surrounding the mashup phenomenon. The name "Get Your Bootleg On" comes from the Missy Elliott
Missy Elliott
track "Get Ur Freak On", which alongside Eminem’s "Without Me" remains perhaps the most bootlegged, manipulated, remixed and reinterpreted song from the heyday of the genre. Other popular, frequently bootlegged artists include Britney Spears, Christina Aguilera, Madonna and Beyoncé. In early 2005, Boomselection retired itself after a long period of inactivity. The year also marked a series of cease-and-desist orders brought against a number of bootleg sites, and in early 2006 GYBO received its first such notice. To survive, the site prohibited the posting of direct links to copyrighted material within the forums, but allowed users to post links to their own sites containing such material, the defence being that now GYBO was no more in violation of copyright law than Google. For the most part, the community has rallied around the site, and continues to support it in its new form. The void left by Boomselection's demise was rapidly replaced by Mashuptown[11] which was started in early 2005 and is currently the biggest blog source of mashups on the Internet. The site has recently become the official supplier of mashups to Adam Curry's Daily Source Code podcast. Also in 2005, Bootie, the biggest bootleg mashup party in the world, began its monthly Bootie Top 10[12] where it posts for free download its ten best mashups, as selected by Bootie creators and DJs A Plus D. Launched in San Francisco in 2003, Bootie was the first club night in the United States dedicated solely to the burgeoning art form of the bootleg mashup, and now hosts monthly parties in several cities around the globe, including Los Angeles, Paris, Boston, Munich, and New York City. The party's slogan, "Music for the A.D.D. Generation" also inspired the creation of "A.D.D", Israel's first mash-up dedicated party.[13] Bonna Music and "Enjoy the Sheket"[edit] Legal mashups are hard to find, but in some relatively small music markets, legal mashups have been released. Some say that this is because publishers have understood the potential of clearing the rights of major international artist to be combined with local repertoires, to create a wider consumption for both artists on a given track. In Israel, for example, a group called Bonna Music remixed the Depeche Mode song "Enjoy the Silence" with Balagan's "Sheket" (Hebrew: שקט‎; "Silence"). The mashup was approved by Martin Gore
Martin Gore
and released officially a month before Depeche Mode's new album Playing the Angel in 2005. It was a major hit locally and when Depeche Mode's first single was released they were more welcome in a market where the local repertoire is dominant. Good Copy Bad Copy[edit] Good Copy Bad Copy
Good Copy Bad Copy
is a 2007 documentary about the current state of copyright and culture. It has a heavy focus on the mashup community, containing interviews with Girl Talk
Talk
and Danger Mouse that reveal an emerging understanding of digital works and the obstacle to their authoring copyright presents. Glee[edit] Main article: Glee (TV series) Mash-ups have been featured on many episodes of the popular American TV series Glee. They first appeared in the episode "Vitamin D", which featured mashing up Bon Jovi's "It's My Life" with Usher's "Confessions Part II" and Beyoncé
Beyoncé
Knowles's "Halo" with "Walking on Sunshine" by Katrina and the Waves. DJ Hero[edit] Main article: DJ Hero The 2009 video game DJ Hero
DJ Hero
brought mash-ups together with gameplay elements from the Guitar Hero
Guitar Hero
series using many of the same songs that are routinely cut-up in the online remixing scene. Notably, the tracks which use musical ideas from "Bitter Sweet Symphony" credit the sample source Andrew Oldham Orchestra rather than The Verve, even though the Verve's use of the sample and the surrounding legal controversy is what popularized the frequent use of the sample in mash-ups. RIP: A Remix Manifesto[edit] Main article: RiP!: A Remix Manifesto RIP!: A Remix Manifesto is an open source documentary created by Brett Gaylor and Greg Gillis (Girl Talk). The film consists of a remix of clips submitted by numerous contributors to the Open Source Cinema project. It focuses in particular on the legal "grey area" of remixing existing copyrighted works. Legal issues[edit] Copyright Act of 1976[edit]

Lists the rights of copyright holders in the United States, including several copyright provision amendments. It became a law in October 1976 and was implemented in January 1978. Mashup artists are permitted to remake an original song as long as the new song is substantially similar to the original song. In turn, the mashup artist must pay the original artist $0.94 for every copy of the song they sell for a profit. Asking permission to use the song is not required, as long as payment is made.

Fair Use Law[edit]

There are 4 factors a piece of work being considered for infringement must go through:

1. Purpose and character of the use 2. Nature of the work being used 3. Amount and substantiality of the portion used in relation to the whole 4. Effect on the market for the original

Subgenres[edit] A vs B[edit] See also: List of mashup songs The original manifestation of mashups in the 2000s was putting an a cappella against a completely different backing track, in order to make a "third song". Following "A Stroke of Genie-us" in 2001, the genre has continued to focus on this basic premise. Another notable "versus" song is "Zombi – Zombie Nation" which combined Zombie Nation's "Kernkraft 400" with Goblin's Zombi theme and was featured on the official soundtrack of the film Shaun of the Dead. In addition, Go Home Productions, Party Ben and DJ BC, amongst many others, have produced a number of critically acclaimed songs in this vein, and in some instances have secured record deals on the back of these exercises, which arguably serve as "demo MP3s" of their musical and production skills. Another example of a legitimate release on the back of an unofficial one can be seen in Illicit's "Sneaky Armada",[14] which combined Groove Armada's "I See You Baby" with Teddy Pendergrass's "You Can't Hide From Yourself". This was subsequently re-played, re-vocalised and re-released on Azuli's Yola label as "Cheeky Armada"[15] in September 2001 when it reached number 72 in the UK Singles Chart.[16] Illicit also released numerous other unofficial "versus" songs during the same period.[17] However, not all mash-ups are as simple as A vs B. In some cases, DJs will mash 3, 4, 5, and even 6 songs to form one complete track. Mixing more than two tracks together can be a daunting task, and it requires a great deal of skill. Notably, DJ Earworm
DJ Earworm
has combined the yearly top 25 songs according to Billboard into a single mashup since 2007, which has spawned similar creations from popular DJs such as Robin Skouteris or Daniel Kim. These mashups are typically uploaded to YouTube
YouTube
and attract a lot of attention in the pop culture world. Girl Talk
Talk
is known for his style of multi-track mashing; most of his mashups contain samples from 20–30 different tracks. Girl Talk
Talk
is famous for his style of "cutting" through different songs and often building to the climax of a song, upon which the song settles into a groove before cutting away again. Version vs Version[edit] Mixing two or more versions of a song to create a duet or alternative version of a song is what a version vs version is set to accomplish. It can mix two different versions of a song, such as a ballad and original version, or a cover version of the song. Some of the more popular version to version mixes are language mixes, which is mixing multiple languages into one song. A slightly less popular style of this is mashing two different remixes or the original and a specific remix of a song together. Version vs Version mashups usually have the same original instrumental but sometimes it is changed to benefit the song. Abstract Mash Ups[edit] Music collages which refer to avant-garde music practice and Musique Concrète. These are not intended for the dance floor and are made using all types of music and sound as valid sound sources to be played simultaneously and often manipulated. Beat matching and stylistic or aesthetic similarities are not an important factor in these mash ups. Chaos, dissonance and harmony are all possible results. An early example of this can be heard on John Cage's multi-radio composition "Imaginary Landscapes No. 4" (1951) for 12 radios, 24 performers and a conductor. Perhaps the most famous Abstract Mash Up is The Beatles
The Beatles
"Revolution 9" featuring on their White Album from 1968 which includes samples of conversations, classical music and edited and manipulated samples played simultaneously. Other examples of the psychedelic nature of these mash ups can be heard on "Heart Beat, Pig Meat" by Pink Floyd
Pink Floyd
from the soundtrack to the film Zabriskie Point; " The Beatles
The Beatles
Play the Residents and the Residents Play the Beatles" and the album The Third Reich 'n Roll by The Residents
The Residents
and early turntable work by Christian Marclay. A current (2013) example of Abstract Mash Ups can be heard on radio shows by Joel Cahen (a.k.a. 'Spax') on Resonance fm
Resonance fm
in London. The series of shows which began in 2005, feature live abstract mash ups using MP3s, turntables, CDs, DVDs and field recordings as simultaneously played sound sources. The third season of this series, Soundsoup, March 2008–April 2010, veered the style towards a more narrative based one. Glitch pop[edit] Glitch pop is a subgenre of the mashup scene which marries the Digital Signal Processing (DSP) wizardry associated with Kid 606
Kid 606
and Tigerbeat6 records to the ostensibly familiar contours of pop. Sometimes this is done in a spirit of "homage"; sometimes it serves merely as a form of ridicule and even vilification; often it is both at the same time. An example of the "double science" at play in glitch pop is Skkatter's "Dirty Pop", which takes a song that is already an epic of carefully constructed digital micro-malfunctions (BT's deconstruction of *NSYNC's "Pop") and pushes it even further out to the margins of musical mayhem. Similarly, Australian bootlegger and glitch pop co-conspirator Dsico (real name Luke Collinson) has reworked a number of R&B tunes by such artists as The Neptunes
The Neptunes
and (again) *NSYNC
*NSYNC
in a spirit that is at once both satirical and steeped in fanboydom. In most cases these remixes render ostensibly mainstream songs "avant garde" and fresh, sometimes by working against the spirit of the original, but often by leveraging the sugar rush at the heart of much of the best contemporary pop, and adding sonic CGI to its emotional armoury. Audio-Viz Mash[edit] SiX DwArF is a non-commercial mashup artist from Scotland in the UK with a twist. He creates cross-genre mashup tunes but also invents mashup promo videos to go with them which feature on Mash TV, hosted on Veetle and on various video hosting sites. SiX DwArF also creates homemade promos to champion songs that do not already have one in which he feels deserves it, receiving praise from various artists. His modus operandi is: "There's no campaigns, zero commercial gain, no vested interests. Nothing is sacred. Don't do genre... it's stereotype by another name."[citation needed] Remixes[edit] Technically, all mashups are remixes. But while most are made up entirely of plundered material, some bootleggers have fused old a cappella tracks with completely new compositions of their own device. An example of popular remix artists that primarily remixes single songs but also mashes songs are The White Panda[18]. The Chicago-based duo has emerged as one of the biggest upcoming DJs. Another popular example with fans of Japanese pop is Evil Morning, an album which combines vocal tracks from Morning Musume
Morning Musume
and their associated artists with new instrumental tracks that rearrange or replay the original music in the style of hard rock or heavy metal. Bootleg albums[edit] DJ Danger Mouse's critically acclaimed remix project The Grey Album effectively launched a new pop subgenre. While The Beatles
The Beatles
had made appearances on several mash-up tracks prior to this album (for instance PPM's "A Life in the Day" and JPL's "Let It Be Missy Elliott (Beatlesmix)"), The Grey Album
The Grey Album
distinguished itself by being made up entirely of samples from The Beatles' White Album and vocals from Jay-Z's The Black Album. The project received considerable attention following EMI's legal threats towards distributors of the album.[19] Another album is Jon Moskowitz Presents Blue Eyes Meets Bed-Stuy, produced by DJ Cappel & Smitty (2005). This is a remix/mash-up album of The Notorious B.I.G.
The Notorious B.I.G.
and Frank Sinatra. The project was very well received, with major online and print coverage. It was conceived and executive produced by Jon Moskowitz. DJ Cappel and Smitty took The Notorious B.I.G.'s a cappellas and remixed them with notable Frank Sinatra songs, by contributing Sinatra's solos, hooks and choruses.[citation needed] The Best of Bootie mashup compilation series is compiled and produced each year by A Plus D, creators of the international mashup club Bootie. The compilations have been released in December every year since 2005, and are annual Internet sensations, with each album garnering over 5000GB+ of downloads.[20] Cut-ups[edit] While there is some overlap between the terms "cut up" and "mash up", the former has increasingly come to refer to pieces that rely on the humour (or pathos) of reconstructed spoken word and video material. This may be due to the fact that the term "cut up" was used decades earlier by novelist and artist William S. Burroughs
William S. Burroughs
to refer to his literary cutups as well as his tape recorder experiments, which featured spliced vocal tracks in the same way that his written cut-ups literally cut up and rearranged various texts. The best known cutups remix political speeches and rallies to satirical effect. Simon Hunt, under the pseudonym Pauline Pantsdown used the speeches of Pauline Hanson, an anti-immigration, controversial Australian politician to parodic effect in the songs I Don't Like It and Backdoor Man. Johan Söderberg's "Endless Love", in which George W. Bush
George W. Bush
and Tony Blair
Tony Blair
appear to serenade each other like lovebirds, Chris Morris' "Bushwhacked", a détournement of Bush's 2003 State of the Union Address, or Sarkoskanking by Polémix and La Voix Off, a cut-off of Nicolas Sarkozy's speeches. Notable cut up artists include Cassetteboy, Osymyso, rx, Cartel Communique and Evolution Control Committee. Notable mash-up artists[edit] Girl Talk[edit] One of the most well known artists in the mashup industry is Gregg Michael Gillis, otherwise known as Girl Talk. He studied engineering in college and then quit the industry in 2007 in order to focus solely on his music career. He is originally from Pittsburgh, PA and is one of many artists under the record label, Illegal Art, which specializes in music sampling. Other artists with Illegal Art include Junk Culture and People Like Us. Girl Talk
Talk
has released five albums with Illegal Art: Secret Diary, Unstoppable, Night Ripper, Feed the Animals, and All Day. Girl Talk
Talk
does not believe that they are violating any factor of the Fair Use Laws as the law does not specify for mashups and remixes and the length of the song that is used. Thus, Girl Talk
Talk
feels that they should not have to pay the sustained artists a fee for the work they are using. However, others feel that Girl Talk
Talk
is violating the Fair Use Law and should be penalized. Djs from Mars[edit] With the rise of electronic dance music in the mainstream media, Italian duo Djs from Mars
Djs from Mars
became a notable act in mash-up making. Most well known for mixing opposite genres, on a 128BPM club beat, the duo has toured the world extensively and their mashups have been played by DJs such as David Guetta, Bob Sinclar, Martin Solveig, among others. Wearing box-masks over their heads, the satirical duo has been mixing Lady Gaga
Lady Gaga
with Metallica, Skrillex
Skrillex
with Oasis and over 30 different songs into one with their "Megashuffle MultiBootleg". Djs from Mars' success was confirmed in March 2011, when the pair opened a show for Tiesto, in Atlantic City. DJ Earworm[edit] Jordan Roseman (a.k.a. DJ Earworm) gained popularity when he came out with his mashup "United States of Pop" in 2007. The mashup contains the top 25 songs of the year according to the Billboard Year-End Hot 100 singles of 2007. He has since released one at the end of each year. Earworm has also released mashups he has done for Capital FM's Summertime Ball since 2010. In addition, Earworm was asked to create multiple mixes for the 2012 Summer Olympics
2012 Summer Olympics
to be played at various venues throughout London. Mashd N Kutcher[edit] Mashd N Kutcher are an Australian live electronic act established in 2014. The duo found acclaim through the mashup releases ‘Mash Machine’, combining vocal rock and pop anthems with current electronic club music. Most well known for their mashup style ‘Collab’ videos, the duo amassed over 1 million followers on Facebook, and are known for their live mashup performances throughout North America and Europe, regularly supporting DJ acts such as Borgore, Tiesto
Tiesto
and DJ Snake. In 2016 Mashd N Kutcher signed with Universal Music Group
Universal Music Group
and have achieved multiple gold record status with their singles ‘Do It Now’ and ‘My Sunshine’. dj BC[edit] Bob Cronin (a.k.a. dj BC) has been heard on radio stations from New York to Paris. He is known for founding both Mash Ave and Bootie Boston. dj BC is associated with the fictional band The Beastles
The Beastles
which BC created in 2004. The band is a combination of music from The Beatles and the Beastie Boys. BC's band has released three albums, dj BC presents The Beastles, Let It Beast, and Ill Submarine. Other notable works from BC are Glassbreaks, in which the music of Philip Glass is combined with artists such as Lil Jon
Lil Jon
and Kanye West, and Wu Orleans, a mashup of Wu-Tang Clan
Wu-Tang Clan
and the local music found in New Orleans, Louisiana for the first anniversary of Hurricane Katrina. Max Tannone[edit] Max Tannone
Max Tannone
is a New York-based producer who has released multiple mashup albums. He is most well known for his first album entitled Jaydiohead
Jaydiohead
released in 2009. The album combined the music of Jay-Z
Jay-Z
and Radiohead. Tannone has since released seven more albums, Doublecheck Your Head, Mos Dub, Dub Kweli, Selene, Ghostfunk, Mic Check 1234!, and Champagne Jerry - For Real, You Guys. The Kleptones[edit] The Kleptones is a one-man musical group led by English producer Eric Kleptone. Their first release was in 2003 with their album Yoshimi Battles the Hip-Hop Robots. It was not until 2004 though that they received attention with their album A Night at the Hip-Hopera. The album combined the music of Queen with various music selections from rap, movies, and other various sources. In 2005, Eric Kleptone was awarded the Webby Award
Webby Award
for Artist of the Year by the International Academy of Digital Arts and Sciences.[21] DJ Cummerbund[edit] NY-based DJ Craigory Morgoone (a.k.a. DJ Cummerbund) received worldwide attention and critical acclaim after releasing his mashup "The Sound of Smash Mouth" which featured a variety of sad movie scenes to accompany the melancholy amalgamation of All Star by Smash Mouth and a cover of The Sound of Silence
The Sound of Silence
by American heavy metal band Disturbed.[22] Since then, he continues to release mashups[23][24] via YouTube
YouTube
and occasionally perform live DJ sets in the NY metro area. The Legion of Doom[edit] The Legion of Doom is an electronic production team consisting of Chad Blinman and Trever Keith. The group is most known for their album Incorporated which featured a variety of A vs B style mashups. The album was originally leaked online due to multiple artists not wanting their music being used in mashups.[25][26] The album has since been released through Illegal Art. The Hood Internet[edit] The Hood Internet is a Chicago
Chicago
duo consisting of Aaron Brink and Steve Reidell. The duo specializes in combining hip hop and indie rock music. They have released one studio album, FEAT released under the Decon
Decon
record label. In 2009 at the BRIT Awards
BRIT Awards
the musical group The Ting Tings performed a pairing of songs that The Hood Internet had released the year earlier. The pairing was The Ting Tings' "Shut Up and Let Me Go" and "American Boy" by Estelle.[27] Madeon[edit] French DJ and producer Hugo Pierre Leclercq (a.k.a. Madeon) received acclaim when his YouTube
YouTube
video "Pop Culture", in which Leclercq performs a live mashup, went viral. He has since released three more mashups along with multiple remixes, singles, and production and songwriting credits. In addition, he has released two EPs, The City and Japan Only EP. Notable mash-up albums[edit]

Albums by A-Trak

2007: fr:Dirty South Dance

Albums by Girl Talk

2003: Unstoppable 2006: Night Ripper 2008: Feed the Animals 2010: All Day

Albums by The Kleptones

2003: Yoshimi Battles the Hip-Hop Robots
Yoshimi Battles the Hip-Hop Robots
(rappers over The Flaming Lips' Yoshimi Battles the Pink Robots) 2004: A Night at the Hip Hopera
A Night at the Hip Hopera
(rappers over Queen) 2010: Uptime / Downtime

Albums by Max Tannone

2009: Jaydiohead 2009: Doublecheck Your Head 2010: Mos Dub 2010: Dub Kweli

Albums by wait what

2010: the notorious xx

Albums by TenDJiz

2011: De La Soulviet De La Soul
De La Soul
with Soviet soul and jazz[28] 2012: Commonasm
Commonasm
– Common and Nas
Nas
with Soviet soul and jazz[29]

Albums by Neil Cicierega

2014: Mouth Sounds 2014: Mouth Silence 2017: Mouth Moods

Other notable albums and individual tracks

The American Edit
American Edit
album by Dean Gray
Dean Gray
(a collaboration between Party Ben and Team9) was based on the album American Idiot
American Idiot
by Green Day
Green Day
and carried the original version of one of the most well-known mashups, "Boulevard of Broken Songs". "Toca's Miracle" by Fragma – mashup of Coco Star's "I Need a Miracle" and Fragma's "Toca Me". The Grey Album
The Grey Album
by Danger Mouse (2004) – mashup of Jay Z's The Black Album with The Beatles' The White Album "Doctor Pressure" originally created by Phil 'n' Dog in 2004, eventually released by Mylo in 2005. "Numb/Encore" by Linkin Park
Linkin Park
& Jay Z, the most popular of the six mash-ups on their album Collision Course. The song was a hit amongst radio stations and eventually went on to win a Grammy.[30] "Love" by the Beatles (for the Cirque du Soleil
Cirque du Soleil
show, Love) in 2006. "Everyday Chemistry" a mashup album consisting of several solo Beatle songs to make one album credited to The Beatles. And this album is to have been supposedly found in an alternate universe by a man with the name 'James Richards'

See also[edit]

Mashup (culture) Mashup (video) Sound collage Plunderphonics WhoSampled Parody
Parody
music Quodlibet Pastiche "One Song to the Tune of Another"

References[edit]

^ [1] Archived 17 June 2006 at the Wayback Machine. ^ "Bootiemashup.com - About". Retrieved 13 November 2017.  ^ Geoghegan, Michael and Klass, Dan (2005). Podcast
Podcast
Solutions: The Complete Guide to Podcasting, p.45. ISBN 1-59059-554-8. ^ Code of Best Practices in Fair Use for Online Video Archived 2 June 2010 at the Wayback Machine., American University, Center for Social Media ^ Dancing in Your Head. Books.google.co.uk. Retrieved 18 December 2014.  ^ [2][dead link] ^ "Who the hell is Clint Mansell?". Sickamongthepure.com. Archived from the original on 10 October 2004. Retrieved 18 December 2014.  ^ Wolk, Douglas (21 January 2008). "Barely Legal". Villagevoice.com. Retrieved 18 December 2014.  ^ "DYMTEST". Boomselection.info. Retrieved 18 December 2014.  ^ "GYBO - Index page". Gybo5.com. Retrieved 18 December 2014.  ^ "Mashuptown.com". Retrieved 18 December 2014.  ^ "Bootie Blog". Bootieusa.com. Archived from the original on 22 December 2009. Retrieved 18 December 2014.  ^ Jam, Billy (May 23, 2007). "Music For Generation ADD: Mashups quietly mature into a thriving subculture". New York Press. Archived from the original on July 25, 2008.  ^ "Sneaky Armada". Discogs.com. Retrieved 18 December 2014.  ^ "Cheeky Armada". Discogs.com. Retrieved 18 December 2014.  ^ Roberts, David. Guinness Book of British Hit Singles & Albums. Guinness World Records Ltd 17th edition (2004), p. 267 ISBN 0-85112-199-3 ^ "Not On Label (Illicit Remix Series)". Discogs.com. Retrieved 18 December 2014.  ^ "The White Panda". www.thewhitepanda.com. Retrieved 2017-12-11.  ^ Rambarran, Shara (2013). "'99 Problems' but Danger Mouse Ain't One: The Creative and Legal Difficulties of Brian Burton, 'Author' of The Grey Album". Popular Musicology.  ^ "Mashup best-of 2006 album". Boing Boing. Retrieved 18 December 2014.  ^ [3] Archived 3 October 2012 at the Wayback Machine. ^ "Shed A Tear For This Sad Remix Of Smash Mouth's 'All Star'". nerdist.com. Retrieved 15 May 2016.  ^ "'PantsFeet' Is The Cool New Nickelback Jam That Will Speak To Your Soul". digg.com. Retrieved 13 October 2016.  ^ "Rush's YYZ finally gets a vocal in mysterious Milkshake mash-up". teamrock.com. Retrieved 1 December 2016.  ^ "The Legion of Doom  » Blog Archive  » 'Incorporated' goes live". The-legion-of-doom.com. Archived from the original on 10 February 2012. Retrieved 18 December 2014.  ^ "The Legion of Doom leak own album". Punknews.org. Retrieved 18 December 2014.  ^ "The Hood Internet". Thehoodinternet.com. Archived from the original on 19 December 2014. Retrieved 18 December 2014.  ^ " De La Soul
De La Soul
+ Soviet soul and jazz = De La Soulviet" – Los Angeles Times, 28 October 2011 ^ " TenDJiz
TenDJiz
Talks Soviet Jazz and Hip-Hop Mashup Album CommoNasm" – Miami New Times, Jule 9, 2012 ^ ""Numb/Encore" wins a Grammy", ' Jay-Z
Jay-Z
And Linkin Park
Linkin Park
Win Best Rap/Sung Collaboration Grammy'. Rockdirt.com 9 February 2006

Further reading[edit]

Paul Morley
Paul Morley
(2003). Words and Music: A History of Pop in the Shape of a City. Bloomsbury. ISBN 0-7475-5778-0. Jeremy J. Beadle (1993). Will Pop Eat Itself? Faber & Faber. ISBN 0-571-16241-X. Roseman, Jordan (2006). Audio Mashup Construction Kit. ISBN 0-471-77195-3. Hughes, J. & Lang, K. (2006). Transmutability: Digital Decontextualization, Manipulation, and Recontextualization as a New Source of Value in the Production and Consumption of Culture Products. In Proceedings of the 39th Annual Hawaii International Conference on System Sciences – Volume 08. Sinnreich, Aram (2010). Mashed Up: Music, Technology & the Rise of Configurable Culture [4]. ISBN 1-55849-829-X.

v t e

Intellectual property
Intellectual property
activism

Issues

Copyright infringement Digital rights management Gripe site Legal aspects of file sharing Mashup

digital music videos

Monopolies of knowledge Music piracy Orphan works Patents

biological software software patent debate trolling

Public domain

Concepts

All rights reversed Alternative compensation system Anti-copyright notice Business models for open-source software Copyleft Commercial use of copyleft works Commons-based peer production Free content Free software license Libertarian positions Open content Open design Open Music Model Open patent Open-source hardware Open-source software Prize system

contests

Share-alike Video on demand

Movements

Access to Knowledge movement Anti-copyright Cultural environmentalism Free culture movement Free software movement

Organizations

Copyright Alliance Creative Commons

Electronic Frontier Foundation Free Software Foundation Open Rights Group Organization for Transformative Works The Pirate Bay Piratbyrån Pirate Party Sci-Hub Students for Free Culture

People

Alexandra Elbakyan Rick Falkvinge Lawrence Lessig Richard Stallman Peter Sunde Peter Suber Aaron Swartz

Documentaries

Steal This Film
Steal This Film
(2006, 2007) Good Copy Bad Copy
Good Copy Bad Copy
(2007) RiP!: A Remix Manifesto (2008) TPB AFK: The Pirate Bay
The Pirate Bay
Away From Keyboard (2013) The Internet's Own Boy
The Internet's Own Boy
(2014)

v t e

Appropriation in the arts

By field

Music

Appropriation Bootleg recording Contrafact

List

Contrafactum Cover version Interpolation List of musical medleys Music mashup Music plagiarism Musical quotation Parody
Parody
music Pasticcio Plunderphonics Potpourri DJ mix Quodlibet Remix Sampling Sound collage Trope Variation

Literature / theatre

Assemblage Cut-up technique Joke theft Trope Found poetry Flarf poetry Verbatim theatre

Painting / comics / photography

Collage Swipe Comic strip switcheroo Photographic mosaic Combine painting

By source material

Mona Lisa Michelangelo's David Michelangelo's Pietà

Cinema / television / video

Video mashup Re-cut trailer TV format Found footage Remake Parody
Parody
film Collage
Collage
film

General concepts

Intertextual figures

Allusion Calque Plagiarism Pastiche Parody Quotation Translation

Adaptation

Drama Film Literary Theatre

Other concepts

Assemblage (art) Bricolage Citation Derivative work Détournement Found object Homage Imitation in art Mashup Reprise Source criticism in the arts

Related artistic concepts

Originality Artistic inspiration Afflatus Genius
Genius
(literature) Genre Genre
Genre
studies Parody
Parody
advertisement In-joke Tribute act Fan fiction Simulacrum Archetypal literary criticism Readymades of Marcel Duchamp Anti-art Pop art Aesthetic interpretation Western canon

Standard blocks and forms

Jazz standard Stock character Plot device Dramatic structure Formula fiction Monomyth Archetype

Epoch-marking works

L.H.O.O.Q.
L.H.O.O.Q.
(1919) "Pierre Menard, Author
Author
of the Quixote" (1939) Reality Hunger: A Manifesto (2010)

Theorization

Mimesis Dionysian imitatio De Copia Rerum Romantic movement Russian formalism Modernist movement Postmodern movement Palimpsests: Literature in the Second Degree

Related non-artistic concepts

Cultural appropriation Appropriation in sociology Articulation in sociology Trope (literature) Academic dishonesty Authorship Genius Intellectual property Reconte

.