Mario Sammarco
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(Giuseppe) Mario Sammarco (13 December 1868, although some sources say 1867 – 24 January 1930) was an Italian operatic
baritone A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the ...
noted for his acting ability.


Biography

Sammarco was born in
Palermo Palermo ( , ; scn, Palermu , locally also or ) is a city in southern Italy, the capital of both the autonomous region of Sicily and the Metropolitan City of Palermo, the city's surrounding metropolitan province. The city is noted for its ...
,
Sicily (man) it, Siciliana (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = Ethnicity , demographics1_footnotes = , demographi ...
, and studied locally with Antonio Cantelli. He made his operatic début in Palermo as Valentine in ''
Faust Faust is the protagonist of a classic German legend based on the historical Johann Georg Faust ( 1480–1540). The erudite Faust is highly successful yet dissatisfied with his life, which leads him to make a pact with the Devil at a crossroa ...
'' in 1888. He subsequently sang to acclaim in
Milan Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city ...
(at
La Scala La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performan ...
, Italy's most celebrated theatre),
Buenos Aires Buenos Aires ( or ; ), officially the Autonomous City of Buenos Aires ( es, link=no, Ciudad Autónoma de Buenos Aires), is the capital and primate city of Argentina. The city is located on the western shore of the Río de la Plata, on South ...
and London. Between 1904 and 1919 he appeared intermittently, in 26 different roles, at the
Royal Opera House The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal ...
,
Covent Garden Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist si ...
. In New York City, he was hired by Oscar Hammerstein I for his
Manhattan Opera Company The Manhattan Opera Company was an opera company based in New York City. Active from 1906 until 1910, it was founded by Oscar Hammerstein I. History The company began operations in 1906 at the Manhattan Opera House on 34th Street in New York City ...
as a replacement for the great French singing-actor
Maurice Renaud Maurice Arnold Renaud (24 July 1861 – 16 October 1933) was a cultured French operatic baritone. He enjoyed an international reputation for the superlative quality of his singing and the brilliance of his acting. Early years Renaud was born ...
. He sang with the Manhattan company in 1908–1910, becoming its principal Italian baritone, but he never 'graduated' to the rival
Metropolitan Opera The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is opera ...
. Sammarco next joined the
Chicago (''City in a Garden''); I Will , image_map = , map_caption = Interactive Map of Chicago , coordinates = , coordinates_footnotes = , subdivision_type = List of sovereign states, Count ...
Philadelphia Philadelphia, often called Philly, is the largest city in the Commonwealth of Pennsylvania, the sixth-largest city in the U.S., the second-largest city in both the Northeast megalopolis and Mid-Atlantic regions after New York City. Since ...
opera company. His career there continued smoothly enough until 1913 when he encountered a disapproving
Mary Garden A Mary garden is a small sacred garden enclosing a statue or shrine of the Virgin Mary, who is known to many Christians as the Blessed Virgin, Our Lady, or the Mother of God. In the New Testament, Mary is the mother of Jesus of Nazareth. Mary g ...
in a Chicago production of ''
Tosca ''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramati ...
''. The soprano requested that he be replaced; but after he named some of his former distinguished (and uncomplaining) Tosca partners, notably Emmy Destinn, the performances proceeded to be given to critical success. His final operatic appearances were at the
Teatro di San Carlo The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent ...
in Naples in 1919. Apart from Scarpia (his debut role at Covent Garden), he was a famous Rigoletto, Marcello, Germont, Renato, Enrico and Amleto, appearing opposite some of the finest singers of his day. No
bel canto Bel canto (Italian for "beautiful singing" or "beautiful song", )—with several similar constructions (''bellezze del canto'', ''bell'arte del canto'')—is a term with several meanings that relate to Italian singing. The phrase was not associat ...
specialist, he was at his best in ardent verismo works, creating the roles of Gerard in Giordano's ''
Andrea Chénier ''Andrea Chénier'' () is a verismo opera in four acts by Umberto Giordano, set to an Italian libretto by Luigi Illica, and first performed on 28 March 1896 at La Scala, Milan. The story is based loosely on the life of the French poet Andr ...
'' in 1896 and Cascart in Leoncavallo's ''
Zazà ''Zazà'' is an opera by Ruggero Leoncavallo, with a libretto by the composer. The story concerns the French music hall singer, Zazà, and her affair and subsequent decision to leave her lover, Milio, when she discovers that he is married. The mu ...
'' in 1900. Sammarco was active during an era that was thronged with Italian baritones of exceptional ability. It was no small achievement for him to carve out a lucrative international career in the face of powerful competition from the likes of Mattia Battistini,
Antonio Magini-Coletti Antonio Magini-Coletti (17 February 1855 – 21 July 1912) was a leading Italian baritone who had a prolific career in Europe and the United States during the late 19th century and the early part of the 20th century. A versatile artist, he appeare ...
,
Giuseppe Campanari Giuseppe Campanari (17 November 1855 – 31 May 1927) James Francis Cooke (1921) ''Great Singers on the Art of Singing'', Theodore Presser Co.Cooke (1921) gives his date of birth as 17 November 1858 but this is unlikely given the d.o.b. of his b ...
, Mario Ancona, Giuseppe Pacini,
Antonio Scotti Antonio Scotti (25 January 1866 – 26 February 1936) was an Italian baritone. He was a principal artist of the New York Metropolitan Opera for more than 33 seasons, but also sang with great success at London's Royal Opera House, Covent Garden, a ...
,
Eugenio Giraldoni Eugenio Giraldoni (20 May 1871, Marseille – 23 June 1924, Helsinki) was an Italian operatic baritone who enjoyed a substantial international career. In 1900, he created the role of Baron Scarpia in Giacomo Puccini's '' Tosca''. He was the son ...
,
Riccardo Stracciari Riccardo Stracciari (June 26, 1875 – October 10, 1955) was a leading Italian baritone. His repertoire consisted mainly of Italian operatic works, with Rossini's Figaro and Verdi's Rigoletto becoming his signature roles during a long and disti ...
, Titta Ruffo, Domenico Viglione Borghese,
Pasquale Amato Pasquale Amato (21 March 1878 – 12 August 1942) was an Italian operatic baritone. Amato enjoyed an international reputation but attained the peak of his fame in New York City, where he sang with the Metropolitan Opera from 1908 until 1921. ...
and
Carlo Galeffi Carlo Galeffi (4 June 1884 – 22 September 1961) was a leading Italian baritone, particularly associated with the operatic works of Giuseppe Verdi and the various verismo composers. Life and career Galeffi was born in Malamocco, the only ...
. He taught singing after retiring from the stage and died in Milan. One of his pupils was
Sándor Svéd Sándor Svéd (28 May 1906, Budapest — 9 June 1979), also known as Alexander Sved in the United States, was a Hungarian baritone who had an active international career in operas and concerts from 1928 until his retirement from the stage in 1958. ...
.


Recordings

Sammarco possessed a strong voice with a powerful upper register; but of all the celebrated singers preserved on early recordings, Sammarco's are regarded as the most disappointing. The technical quality of his singing disappoints and the timbre of his voice can sound rough. On record, according to Scott and Steane, he has a singular inability to sing less than mezzo forte and seems to have no concept of legato. He impresses most when delivering declamatory passages in verismo operas (see Scott, cited below) including an early (celebrated or notorious) recording with the soprano Emma Carelli from Tosca, complete with peals of laughter. Many of the numerous 78-rpm
gramophone record A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts ne ...
s that he made prior to
World War I World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was List of wars and anthropogenic disasters by death toll, one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, ...
for the Fonotipia, Victor and Pathé companies—and for the forerunner of HMV—are now available on CD reissues from various labels.


Sources

*Celletti, Rodolfo (1964). Le Grandi Voci. Istituto per la Collaborazione Culturale (Rome) * Kutsch, K. J. and Riemens, Leo (1969). A Biographical Dictionary of Singers. Chilton Book Company (New York) *Warrack, John and West, Ewan (1992), ''The Oxford Dictionary of Opera'', 782 pages, *Scott, Michael (1977), ''The Record of Singing'' (Volume One). Duckworth (London), 243 pages, {{DEFAULTSORT:Sammarco, Mario 1868 births 1930 deaths Musicians from Palermo Italian operatic baritones Fonotipia Records artists 19th-century Italian male opera singers 20th-century Italian male opera singers