''Maria Padilla'' is a ''

melodramma ''Melodramma'' (plural: ''melodrammi'') is a 17th-century Italian term for a text to be set as an opera, or the opera itself. In the 19th century, it was used in a much narrower sense by English writers to discuss developments in the early Italia ...

'', or

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...

, in three acts by Gaetano Donizetti.

Gaetano Rossi Gaetano Rossi (; 18 May 1774 – 25 January 1855) was an Italian opera librettist for several of the well-known ''bel canto''-era composers including Gioachino Rossini, Gaetano Donizetti, and Saverio Mercadante in Italy and Giacomo Meyerbeer in one ...

and the composer wrote the Italian libretto after François Ancelot's play. It premiered on 26 December 1841 at La Scala, Milan. The plot is loosely based on the historical figure

María de Padilla María Díaz de Padilla ( 1334 –Seville, July 1361) was the mistress of King Peter of Castile. Family She was a Castilian noblewoman, daughter of Juan García de Padilla (died between 1348 and 1351) and his wife María de Henestrosa (d ...

, the mistress of Pedro the Cruel, King of Castile.

Performance history

The American premiere took place in 1990 when the young Renée Fleming made her major debut with

Opera Omaha Opera Omaha is a major regional opera company in Omaha, Nebraska. Founded in 1958, the professional company is widely known for the International Fall Festival events it held in the 1980s and 1990s, which garnered international attention and served ...

. Among other performances, the opera was presented by the

Buxton Festival The Buxton Festival is an annual summer festival of opera, music and (since 2000) a literary series, held in Buxton, Derbyshire, England since its beginnings in July 1979. The 2020 festival would have run but was cancelled due to the Covid-19 cri ...

in 2003 and by the Minnesota Opera in 2005.

Roles

Synopsis

:Place: Castile :Time: 14th century Maria tells her sister Ines that she hopes to marry Don Pedro, the ruler of Castile. When he sneaks into her room disguised as Mendez, Maria tells him that she knows his true identity and demands marriage to save her honour. Don Pedro acquiesces, although the marriage must be kept secret. After their elopement, a faction of the Don Pedro's court wants him marry Bianca, a Bourbon princess, in order to avoid a civil war. He appears to be negotiating this, despite his secret marriage to Maria. Meanwhile, Maria's father, Don Ruiz di Padilla, appears at the court. Believing that she is merely Don Pedro's mistress, he challenges the prince to a duel, but is led away in disgrace. Maria visits her father and tries to explain that she is the secret wife of Don Pedro, but her father refuses to listen. Much to Maria's horror, Bianca arrives at the court, and is welcomed by Maria's enemies there as Don Pedro's bride and their queen. Instead, Don Pedro proclaims Maria as his queen and she dies of joy. (In the original ending which was changed by the censors, Maria grabbed the crown from Bianca's head and then committed suicide.)

Recordings

References

'', Vol. One. London: Macmillan Publishers, Inc. *Ashbrook, William and Sarah Hibberd (2001), in Holden, Amanda (ed.), ''The New Penguin Opera Guide'', New York: Penguin Putnam. . pp. 224 – 247. *Black, John (1982), ''Donizetti's Operas in Naples, 1822–1848''. London: The Donizetti Society. *Loewenberg, Alfred (1970). ''Annals of Opera, 1597–1940'', 2nd edition. Rowman and Littlefield * Osborne, Charles, (1994), ''The Bel Canto Operas of Rossini, Donizetti, and Bellini'', Portland, Oregon: Amadeus Press. * Sadie, Stanley, (ed.); John Tyrell (exec. ed.) (2004), ''

The New Grove Dictionary of Music and Musicians ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theo ...

''. 2nd edition. London: Macmillan. (hardcover). (eBook). * Weinstock, Herbert (1963), ''Donizetti and the World of Opera in Italy, Paris, and Vienna in the First Half of the Nineteenth Century'', New York: Pantheon Books.

External links