Mallikarjuna Temple, Kuruvatti
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The Mallikarjuna temple is located in the town of Kuruvatti (also spelt Kuruvathi) in the Bellary district of
Karnataka Karnataka (; ISO: , , also known as Karunāḍu) is a state in the southwestern region of India. It was formed on 1 November 1956, with the passage of the States Reorganisation Act. Originally known as Mysore State , it was renamed ''Karnat ...
state,
India India, officially the Republic of India (Hindi: ), is a country in South Asia. It is the seventh-largest country by area, the second-most populous country, and the most populous democracy in the world. Bounded by the Indian Ocean on the so ...
. The temple was constructed in the early 12th century rule of the
Western Chalukya Empire The Western Chalukya Empire ruled most of the Deccan Plateau, western Deccan, South India, between the 10th and 12th centuries. This Kannada people, Kannadiga dynasty is sometimes called the ''Kalyani Chalukya'' after its regal capital at Kalya ...
(also known as the Later or Kalyani Chalukya empire). The temple is protected as a monument of national importance by the
Archaeological Survey of India The Archaeological Survey of India (ASI) is an Indian government agency that is responsible for archaeological research and the conservation and preservation of cultural historical monuments in the country. It was founded in 1861 by Alexand ...
. Art historian Adam Hardy classifies the architectural style and guild involved in the construction of the temple as a "trans- Tungabhadra branch" of the "mainstream
Lakkundi Lakkundi, also referred to as Lokkugundi, was a major city prior to the 14th-century, and is now a village in Gadag District of Karnataka, India. By 10th-century, it was already a major economic and commerce center with mint operations for South ...
school" of the Later Chalukya style of architecture. The art historian Ajay Sinha classifies the Kuruvatti style to be a third idiom, the other two being the Lakkundi and Itagi (or Ittagi) schools. He describes the overall achievement at Kuruvatti as "majestic", despite a lack of artistic over indulgence. The building material used is
soapstone Soapstone (also known as steatite or soaprock) is a talc-schist, which is a type of metamorphic rock. It is composed largely of the magnesium rich mineral talc. It is produced by dynamothermal metamorphism and metasomatism, which occur in the ...
Cousens (1926) and Foekema (1987) in Hardy (1995), p335Sinha (2000), p.142 According to Sinha, a 1099 A.D. inscription at the temple claims it was constructed in service of the god "Abhinava Someshvara" and that the temple also went by the name "Ahavamallesvara". He recants that both names are associated with the deceased Chalukya King Someshvara I who committed voluntary suicide at Kuruvatti in 1062. Sinha feels the temple may have been constructed between 1070 and 1100 in his memory by his heir apparent, the King
Vikramaditya VI Vikramaditya VI (r. 1076 – 1126 CE) became the Western Chalukya King after deposing his elder brother Someshvara II, a political move he made by gaining the support of Chalukya vassals during the Chola invasion of Chalukya territory.Sen ...
.


Temple plan

The Mallikarjuna temple has a single shrine with a superstructure or tower (''ekakuta vimana''Foekema (1996), p25) with porched entrances from three sides. According to the art historian Adam Hardy, the existing tower (''
shikhara ''Shikhara'' ( IAST: '), a Sanskrit word translating literally to "mountain peak", refers to the rising tower in the Hindu temple architecture of North India, and also often used in Jain temples. A ''shikhara'' over the ''garbhagriha'' chambe ...
'') is a later day re-construction. But the art historian Henry Cousens feels the superstructure and its ''
Kalasha A kalasha, also spelled kalash or kalasa, also called ghat or ghot ( sa, कलश , Telugu: కలశము Kannada: ಕಳಶ literally "pitcher, pot"), is a metal (brass, copper, silver or gold) pot with a large base and small mouth, large eno ...
'' (decorative structure at the peak of tower) are original, though the tower has been whitewashed in more recent times.Cousens (1926), p103 The temple consists of a sanctum (''
garbhagriha A ''garbhagriha'' or ''sannidhanam'' is the ''sanctum sanctorum'', the innermost sanctuary of a Hindu and Jain temples where resides the '' murti'' (idol or icon) of the primary deity of the temple. In Jainism, the main deity is known as the ' ...
''), an antechamber (also called vestibule or ''
antarala Antarala (Sanskrit Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the ...
'') which connects the sanctum to a gathering hall (''sabhamantapa''), two halls (''mukhamantapa'') on either side, and independent of the main temple complex and to the east, a hall (''nandi mantapa'') containing a sculpture of Nandi (the bull, a companion of the Hindu god
Shiva Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hindu ...
). The outer walls of the shrine and hall ( mantapa) have been provided with projections and recesses giving rise to niches, in which, in
relief Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term '' relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that th ...
, are
pilaster In classical architecture, a pilaster is an architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wal ...
s (including a new Chalukyan variety), miniature decorative towers ( turrets or '' aedicule''), sculptures of Hindu gods, and women displaying stylized feminine features ('' salabanjika'' or ''madanika''). According to Cousens, the presence of miniature decorative towers on the shrine walls is noteworthy because most other Western Chalukya constructions have these reliefs only on the superstructure over the shrine. Cousens feels the specimens of ''
makara ''Makara'' ( sa, मकर, translit=Makara) is a legendary sea-creature in Hindu mythology. In Hindu astrology, Makara is equivalent to the Zodiac sign Capricorn. Makara appears as the vahana (vehicle) of the river goddess Ganga, Narmada, a ...
'' (mythical beasts) on the shrine walls are exceptionally delicate with "tails of flowing arabesque" standing out free from the background material. Inside, the entrance to the antechamber has a highly decorated lintel with motifs of aquatic creatures (''makara'' ''
torana ''Torana'' ( sa, तोरण; '' awr-uh-nuh') is a free-standing ornamental or arched gateway for ceremonial purposes in Hindu, Buddhist and Jain architecture of the Indian subcontinent. Toranas can also be widely seen in Southeast Asia and ...
'').


Gallery

File:Profile of Mallikarjuna temple at Kuruvatti.JPG, Profile of Mallikarjuna temple at Kuruvatti File:Ganesh sculpture in Mallikarjuna temple at Kuruvatti.JPG, A sculpture of the Hindu god
Ganesha Ganesha ( sa, गणेश, ), also known as Ganapati, Vinayaka, and Pillaiyar, is one of the best-known and most worshipped Deva_(Hinduism), deities in the Hindu deities, Hindu pantheon and is the Supreme God in Ganapatya sect. His image is ...
in Mallikarjuna temple at Kuruvatti File:Ornate shrine entrance door jamb in Mallikarjuna temple at Kuruvatti.JPG, Ornate shrine entrance
doorjamb A jamb (from French ''jambe'', "leg"), in architecture, is the side-post or lining of a doorway or other aperture. The jambs of a window outside the frame are called “reveals.” Small shafts to doors and windows with caps and bases are known ...
inMallikarjuna temple at Kuruvatti File:Pillar in mantapa (hall) in Mallikarjuna temple at Kuruvatti.JPG, Lathe turned pillar with ornate base in Mallikarjuna temple at Kuruvatti File:Pillared mantapa (hall) in Mallikarjuna temple at Kuruvatti.JPG, Pillared ''mantapa'' in Mallikarjuna temple at Kuruvatti File:Sculpture on porch in Mallikarjuna temple at Kuruvatti.JPG, '' Yali'' balustrade on a porch in Mallikarjuna temple at Kuruvatti File:Shrine wall frieze and relief in Mallikarjuna temple at Kuruvatti.JPG, Shrine wall relief, molding frieze and miniature decorative tower in Mallikarjuna temple at Kuruvatti File:Wall relief in Mallikarjuna temple at Kuruvatti.JPG, Wall relief, turret, pilasters with miniature decorative towers in Mallikarjuna temple at Kuruvatti File:Wall relief in Mallikarjuna temple at Kuruvatti 1.JPG, Wall relief, turret, pilasters with miniature decorative towers in Mallikarjuna temple at Kuruvatti


See also

* Basaveshwara temple, Kuruvathi * Mallikarjuna Temple, Basaralu


Notes


References

* * * Adam Hardy, ''Indian Temple Architecture: Form and Transformation: The Karṇāṭa Drāviḍa Tradition, 7th to 13th Centuries'', Abhinav, 1995, New Delhi. . * Ajay Sinha, Imagining architects: creativity in the religious monuments of India, University of Delaware, Associated University Press, 2000, Cranbury, New Jersey . * * Gerard Foekema, ''A Complete Guide to Hoysala Temples, Abhinav'', 1996 .


External links

{{coord missing, Karnataka Hindu temples in Bellary district 12th-century Hindu temples