Lottie Collins
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Lottie Collins (16 August 1865 – 1 May 1910) was an English singer and dancer, most famous for introducing the song "
Ta-ra-ra Boom-de-ay "Ta-ra-ra Boom-de-ay" is a vaudeville and music hall song. Its first known public performance was in Henry J. Sayers' 1891 revue ''Tuxedo'' in Boston, Massachusetts. The song became widely known in the version sung by Lottie Collins in London music ...
!" in England.


Early life

She was born Charlotte Louisa Collins in the
East End of London The East End of London, often referred to within the London area simply as the East End, is the historic core of wider East London, east of the Roman and medieval walls of the City of London and north of the River Thames. It does not have uni ...
in 1865. Her father was a woodworker and music hall entertainer.Jewish Virtual Library
/ref> She started out in music hall at the age of 11 or 12 in 1877 in a skipping rope dance act with her younger sisters, Eliza (Lizzie) and Mary Ann (Marie) as ''The Three Sisters Collins''.Lottie Collins profile
, PeoplePlayUK Theatre website


Career

In 1886, Collins became a solo act in music hall. She also played in theatre, appearing the same year as Mariette in the Gaiety Theatre's
burlesque A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects.
, ''
Monte Cristo Jr. ''Monte Cristo Jr.'' was a Victorian burlesque with a libretto written by Richard Henry, a pseudonym for the writers Richard Butler and Henry Chance Newton. The score was composed by Meyer Lutz, Ivan Caryll, Hamilton Clarke, Tito Mattei, G. ...
'' She first toured America in 1889 with the Howard Atheneum Company, during which she accepted the proposal of Samuel P. Cooney whom she married in St. Louis.New York Times, 10 November 1898: "Lottie Collins Tries Suicide" According to her obituary in the ''New York Times'' she and Cooney had three children.New York Times, 3 May 1910:'Lottie Collins Dead' While touring in
vaudeville Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition ...
in the United States she heard the song "
Ta-ra-ra Boom-de-ay "Ta-ra-ra Boom-de-ay" is a vaudeville and music hall song. Its first known public performance was in Henry J. Sayers' 1891 revue ''Tuxedo'' in Boston, Massachusetts. The song became widely known in the version sung by Lottie Collins in London music ...
!" After she sang it at the Tivoli Music Hall in London in November 1891, it became her signature piece. She would sing the first verse demurely and then launch into the chorus and an uninhibited and exhausting
skirt dance A skirt dance is a form of dance popular in Europe and America, particularly in burlesque and vaudeville theater of the 1890s, in which women dancers would manipulate long, layered skirts with their arms to create a motion of flowing fabric, often ...
with high kicks (especially on the word "BOOM") that exposed her stockings held up by sparkling garters, and bare thighs. She sang the song at performances of the Gaiety Theatre's burlesque ''
Cinder Ellen up too Late ''Cinder Ellen up too Late'' is a musical Victorian burlesque, burlesque written by Frederick Hobson Leslie (writing under the pseudonym A. C. Torr) and W. T. Vincent, with music arranged by Meyer Lutz from compositions by Lionel Monckton, Sidney ...
'' beginning on 14 March 1892 and according to her obituary, at the height of the craze was performing it five times nightly at different venues in London. She returned to America in September 1892 to perform "Ta-ra-ra-Boom-de-ay" as an
entr'acte (or ', ;Since 1932–35 the French Academy recommends this spelling, with no apostrophe, so historical, ceremonial and traditional uses (such as the 1924 René Clair film title) are still spelled ''Entr'acte''. German: ' and ', Italian: ''inte ...
at the Standard Theatre, New York, but received a bad review from the critic of the ''New York Times'', who described her as 'a mature woman', referred to her as 'Charlotte Collins' and mentioned she had been detained in quarantine when arriving 'on an infected ship'. Another of Collins's dance sketches in the 1890s was ''The Little Widow'', and she also had a hit with the song ''Daddy Wouldn't Buy Me A Bow-wow''. On 29 November 1897 she opened in New York again at the Garden Theatre, part of a triple bill with two short plays. She became an icon of the " Naughty Nineties" and her risqué style led to some criticism, against which she defended herself. A century later, her garters were sold by auction at
Sotheby's Sotheby's () is a British-founded American multinational corporation with headquarters in New York City. It is one of the world's largest brokers of fine and decorative art, jewellery, and collectibles. It has 80 locations in 40 countries, and ...
.


Family

Lottie had three daughters, Lottie Lucia, José and Cleopatra. *
José Collins Charlotte Josephine Collins (23 May 1887 – 6 December 1958) was an English actress and singer known by her stage name, José Collins, who was celebrated for her performances in musical comedies, such as the long-running ''The Maid of the Mo ...
went on to be a musical comedy star. In 1902 she married her second husband, the composer-producer James W. Tate. *Lottie Lucia (or Lucia Lottie) Collins, a
mezzo soprano A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle ...
, appeared in vaudeville on the Australian
Tivoli circuit The Tivoli Circuit was a successful and popular Australian vaudeville entertainment circuit featuring revue, opera, ballet, dance, singing, musical comedy, old time black and white minstrel and even Shakespeare which flourished from 1893 to th ...
, March–August 1911. She was at the time married to one J. A. R. Cargill; they divorced in 1912. She returned to Australia in 1921 to play "principal boy" pantomime roles. She had undergone a form of marriage with one John Sydney Phillips in London in October 1917, but discovered when she arrived in Sydney that he already had a wife and was penniless.


Death

In 1898 she apparently attempted suicide by cutting her wrists and neck with a penknife, but her wounds were minor and she was discharged from hospital the same day. She died on 1 May 1910 at St Pancras of heart disease and is buried at
St Pancras and Islington Cemetery St Pancras and Islington Cemetery is a cemetery in East Finchley, North London. Although it is situated in the London Borough of Barnet, it is run as two cemeteries, owned by two other London Boroughs, Camden (formerly St Pancras) and Isling ...
,
East Finchley East Finchley is an area in North London, immediately north of Hampstead Heath. Like neighbouring Muswell Hill it straddles the London Boroughs of Barnet and Haringey, with most of East Finchley falling into the London Borough of Barnet. It ha ...
, London.GRO Register of Deaths: June 1910 1b 7 PANCRAS - Charlotte Louisa Tate aged 43


References


External links

*
Music Hall and Variety Artistes Burial Places
at www.arthurlloyd.co.uk
Ta-ra-ra-boom-de-ay melody
*
Lottie Collins
University of Arizona Libraries, Special Collections(American Vaudeville Museum Archive) {{DEFAULTSORT:Collins, Lottie 1865 births 1910 deaths Music hall performers Vaudeville performers People from St Pancras, London Burials at St Pancras and Islington Cemetery