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Julie Campbell, known as LoneLady, is a music artist from Manchester, England, influenced by the
post-punk Post-punk (originally called new musick) is a broad music genre, genre of Punk Music, punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde s ...
era, but later integrating dance and funk influences. She first started making music on a 4-track cassette recorder in her towerblock flat in Manchester while completing a Fine Art degree. Her stark, early first gigs featured Campbell alone playing electric guitar along to a drum machine. She would later have a 4-piece live band, however. Campbell came to the attention of Warp who signed her in 2009. Her first album, '' Nerve Up,'' was released in 2010 to widespread critical acclaim. ''
NME ''New Musical Express'' (''NME'') is a British music, film, gaming, and culture website and brand. Founded as a newspaper in 1952, with the publication being referred to as a 'rock inkie', the NME would become a magazine that ended up as a f ...
'' called it a "unique, brilliant debut ... we should celebrate LoneLady as the arrival of a fresh and invigorating voice whose talent transcends time and space and influence"; it also drew praise from music journalist
Paul Morley Paul Robert Morley is an English music journalist. He wrote for the ''New Musical Express'' from 1977 to 1983 and has since written for a wide range of publications as well as writing his own books. He was a co-founder of the record label ZTT Re ...
. Campbell's music is characterised by a lo-fi, economical approach; she has said that "Working with basic tools, mainly an 8-track cassette recorder, a telecaster and a drum machine forced me to be economical and inventive, and set an aesthetic blueprint for the way I like to work, to keep things stark and urgent." Inspired by psychogeography, with dance and funk influences coming to the fore, Campbell's second album ''
Hinterland Hinterland is a German word meaning "the land behind" (a city, a port, or similar). Its use in English was first documented by the geographer George Chisholm in his ''Handbook of Commercial Geography'' (1888). Originally the term was associated ...
'' was released in 2015, also to widespread critical acclaim. ''The Quietus'' called it a "vibrant and urgent combination of genealogy and vision – and it is this that truly makes it a masterpiece." All four singles released from ''Hinterland'' reached the 'A' Playlist on BBC 6 Music; Campbell also received a
Sky Arts Sky Arts (originally launched as Artsworld) is a British free-to-air television channel offering 24 hours a day of programmes dedicated to highbrow arts, including theatrical performances, movies, documentaries and music (such as opera perfor ...
nomination for Best Breakthrough Artist.


History

Julie Campbell was born in
Ashton-under-Lyne Ashton-under-Lyne is a market town in Tameside, Greater Manchester, England. The population was 45,198 at the 2011 census. Historically in Lancashire, it is on the north bank of the River Tame, in the foothills of the Pennines, east of Manche ...
and grew up in
Audenshaw Audenshaw is a market town in Tameside, Greater Manchester, England, east of Manchester. Historically part of Lancashire, in 2011 it had a population of 11,419. The name derives from Aldwin, a Saxon personal name, and the Old English suffix ...
, an area in East
Manchester Manchester () is a city in Greater Manchester, England. It had a population of 552,000 in 2021. It is bordered by the Cheshire Plain to the south, the Pennines to the north and east, and the neighbouring city of Salford to the west. The t ...
. Since the age of 18 she has lived just outside Manchester's city centre. Her early lo-fi home recordings were released on CDR and 7-inch via small local label Filthy Home Recordings. She came to the attention of Warp, signing with them in 2009. '' Nerve Up'' (2010) was recorded in a crumbling room of a mill in
Miles Platting Miles Platting is an inner city part of Manchester, England, northeast of Manchester city centre along the Rochdale Canal and A62 road, bounded by Monsall to the north, Collyhurst to the west, Newton Heath to the east, and Bradford, Holt To ...
, a run-down area of East Manchester, co-produced by Campbell and Guy Fixsen (Laika, My Bloody Valentine). The room was purpose built using breeze-blocks and salvaged scrap. Campbell's love of raw industrial spaces has been present from day one, infiltrating into her psyche and her music, and this has also meant a tendency to avoid professional recording studios. For her live shows, Campbell arranges parts and shows her musicians what to play. Campbell toured ''Nerve Up'' in the UK and Europe, which included a support tour with art-pop pioneers
Wire Overhead power cabling. The conductor consists of seven strands of steel (centre, high tensile strength), surrounded by four outer layers of aluminium (high conductivity). Sample diameter 40 mm A wire is a flexible strand of metal. Wire is c ...
. After touring Campbell contributed vocals and guitar to various other projects. Due to these projects and fluctuating management, it would be 2015 before Campbell's second album ''
Hinterland Hinterland is a German word meaning "the land behind" (a city, a port, or similar). Its use in English was first documented by the geographer George Chisholm in his ''Handbook of Commercial Geography'' (1888). Originally the term was associated ...
'' appeared, a delay that Campbell is unhappy about. ''Hinterland'' (Warp, 2015) is driven by Campbell's increasing interest in psychogeography and
Brutalist architecture Brutalist architecture is an architectural style that emerged during the 1950s in the United Kingdom, among the reconstruction projects of the post-war era. Brutalist buildings are characterised by minimalist constructions that showcase the ba ...
. "It seems like these places reflect a part of me; that I belong there..there’s a communication...walking in these places feels a little bit ritualistic. Its about what surrounds you every day, transforming the unremarkable and derelict into something that has magic and meaning." Landscapes obsess ''Hinterland'' - the word itself translates as "the land behind" or "unknown region" - every song is about a landscape of one kind or another; Mancunian wildernesses, childhood playspaces, the landscape of the mind. The 6-minute-long dance-influenced "Groove It Out" was released on 12-inch and download November 2014 and featured a remix by Ekoplekz. The second single "Bunkerpop" was released in February 2015 on 12-inch and download and featured a remix by Wrangler. Campbell's second album ''Hinterland'' was released in 2015. More rhythm-oriented, the songs are longer, with simple drum machine at its core, setting up the groove. Embellished with Campbell's intricate and propulsive guitar playing and various instruments including electronic drums, cello and clavinet, ''Hinterland'' expands Campbell's previously stark approach into more colourful dimensions, and shows funk and dance influences coming to the fore. Campbell plays all instruments except real drums and she recorded, mixed and produced ''Hinterland'' to near-completion in Concrete Retreat, her home studio. "I recorded and mixed the songs in my home studio using a Tascam 8-track cassette recorder and Garageband. During this process it became clear that these recordings had an intimacy and integrity of their own; and I felt it was unnecessary to try and re-create an arid facsimile in professional studio." - Campbell. Though the songs were, essentially finished, Campbell travelled to Keyclub Recording Co, an analogue recording studio in an industrial region in Michigan, for some finishing touches. Working with Bill Skibbe, a layer of real drums and Linn LM-1 drums were added, together with a few subtle processes to add an additional depth of tone and character. In July 2015, Campbell was invited by The Barbican, London, to be part of Station To Station, a month-long live art happening, where Campbell continued her ongoing explorations about concrete and its effects on the psyche. In a week long-studio residency open to the public, this featured a modular synth tutorial by Ben Edwards (John Foxx, Wrangler), an on-site 12-inch vinyl pressing of new song "Fear Colours", and culminated in a performance in the gallery space accompanied by wrap-around audio-visual projections. Throughout 2015, Campbell invited
Stephen Mallinder Stephen William Mallinder (born 1 January 1955) is an English artist and musician who was a founding member of Cabaret Voltaire, and went on to work as Sassi & Loco, the Ku-Ling Bros., Hey, Rube!, Wrangler, and Creep Show. Biography Mallinder ...
(founder member of Cabaret Voltaire) along on tour in the UK and Europe, to play a series of guest DJ sets. In October 2015, LoneLady shared the bill with Factory Floor at Abbeydale Picturehouse, a crumbling former cinema, for Sensoria 2015, an annual festival in Sheffield named after a Cabaret Voltaire song.


Discography


Albums

*'' Nerve Up'' (2010, Warp) *''
Hinterland Hinterland is a German word meaning "the land behind" (a city, a port, or similar). Its use in English was first documented by the geographer George Chisholm in his ''Handbook of Commercial Geography'' (1888). Originally the term was associated ...
'' (2015, Warp) *''
Former Things A former is an object, such as a template, gauge or cutting die, which is used to form something such as a boat's hull. Typically, a former gives shape to a structure that may have complex curvature. A former may become an integral part of the f ...
'' (2021, Warp)


Singles

*"Immaterial" (Warp, 2009) *"Intuition" (Warp, 2010) *"Groove It Out" (Warp, 2014) *"Bunkerpop" (Warp, 2015) *"Hinterland" (Warp, 2015) *"Silvering" (Warp, 2015) *"(There is) No Logic" (Warp, 2021)


References

{{DEFAULTSORT:LoneLady Year of birth missing (living people) Living people people from Ashton-under-Lyne Musicians from Manchester Warp (record label) artists Alumni of Manchester Metropolitan University