This is a list of compositions by

John Philip Sousa John Philip Sousa ( ; November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era known primarily for American military marches. He is known as "The March King" or the "American March King", to dis ...

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By genre

''Sources'':

Concert Pieces

* The Summer Girl (1901) * Willow Blossoms (1916)

Fantasies

* You’re the Flower of my Heart – Sweet Adeline (1930) * In The Sweet Bye and Bye (1876) * Sounds from the Revivals (1876) * The International Congress (1876) * Medley (1877) * Adamsonia (1879) * Home Sweet Home (1879) * In Parlor and Street (1880) * Out of Work (1880) * Tyrolienne (1880) * Under the Eaves (1880) * The Blending of the Blue and the Gray (1887) * Songs of Grace and Glory (1892) * The Salute of the Nations (1893) * Rose, Thistle and Shamrock (1901) * In the Realm of the Dance (1902) * A Day at Great Lakes (1915) * On the 5:15 (1916) * In Pulpit and Pew (1917) * A Study in Rhythms (1920) * An Old-Fashioned Girl (1922) * Music of the Minute (1922) * The Merry-Merry Chorus (1923) * On With The Dance (1923) * Assembly of the Artisans (1924) * Jazz America (1925) * Where My Dreams Come True (1929)

Humoresques

* Look for the Silver Lining (1885) * A Little Peach in the Orchard Grew (1885) * The Stag Party (1885) * Good-Bye (1892) * The Band Came Back (1895) * Showing Off Before Company (1919) * Swanee (1920) * Gallagher and Shean (1923) * What Do You Do Sunday, Mary? (1924) * The Mingling of the Wets and the Drys (1926) * Follow the Swallow (1926) * Oh, How I’ve Waited For You (1926) * Among My Souvenirs (1928)

Marches

Operettas

Overtures

* Rivals (1877) * Tally-Ho! (1886) * Vautour (1886) * The Lamb's Gambol (1914)

Songs and Other Vocal Works

* Fall Tenderly, Roses (1869) * Day and Night (1873) * Wilt Thou Be True (1873) * Te Deum in B-Flat (1874) * O My Country (1874) * Only a Dream (1876) * Only Thee (1876) * Ah Me! (1876) * The Song of the Sea (1876) * The Magic Glass (1877) * The Free Lunch Cadets (1877) * Love Me Little, Love Me Long (1877) * Lonely (1877) * Hoping (1877) * ‘Deed I Has to Laugh (1877) * Mavourneen Asthore (1878) * Smick, Smack, Smuck (1878) * When He Is Near (1880) * Pretty Patty Honeywood (1881) * A Rare Old Fellow (1881) * Star of Light (1882) * We’ll Follow Where the White Plume Waves (1884) * The Window Blind (1887) * Sweet Miss Industry (1887) * My Own, My Geraldine (1887) * O Ye Lilies White (1887) * I Wonder (1888) * O’Reilly’s Kettledrum (1889) * Do We? We Do (1889) * Love That Comes When May-Roses Blow (1889) * 2:15 (1889) * There’s Something Mysterious (1889) * You’ll Miss Lots of Fun When You’re Married (1890) * Nail the Flag to the Mast (1890) * Reveille (1890) * Stuffed Stork (1894) * Maid of the Meadow (1897) * The Trooping of the Colors (1898) ('' pageant)'' * Oh, Why Should the Spirit of Mortal Be Proud? (1899) ''(

hymn A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn ...

)'' * It’s a Thing We Are Apt to Forget (1900) * The Messiah of Nations (1902) ''(hymn)'' * I’ve Made My Plans for the Summer (1907) * The Belle of Bayou Teche (1911) * The Milkmaid (1914) * We March, We March to Victory (1914) ''(hymn)'' * Boots (1916) * I Love Jim (1916) * Come Laugh and Be Merry (1916) * The Song of the Dagger (1916) * Blue Ridge, I’m Coming Back to You (1917) * The Love That Lives Forever (1917) * When the Boys Come Sailing Home! (1918) * We Are Coming (1918) * The Toast (1918) * Pushing On (1918) * Lovely Mary Donnelly (1918) * In Flanders Fields the Poppies Grow (1918) * The Fighting Race (1919) * Non-Committal Declarations (1920) ''(vocal trio)'' * The Last Crusade (1920) ''(

ballad A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or '' ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and ...

)'' * While Navy Ships Are Coaling (1923) * The Journal (1924) * A Serenade in Seville (1924) * There’s a Merry Brown Thrush (1926) * Crossing the Bar (1926) * Forever and a Day (1927) * Love’s Radiant Hour (1928) * Annabel Lee (1931) *

Suites

* The Last Days of Pompeii (1893) * Three Quotations (1895) * Looking Upward (1902) * At the King's Court (1904) * People Who Live in a Glass House (1909) * Dwellers of a Western World (1910) * Tales of a Traveler (1911) * Impressions at the Movies (1915) * Camera Studies (1920) * Leaves From My Notebook (1922) * Cubaland (1925)

Tone Poem

* Sheridan's Ride (1890) * The Chariot Race (1891)

Trumpet and Drum

* Four Marches For Regimental Drums And Trumpets (1884) * Funeral March (1886) * Gallant And Gay We'll March Away (1886) * Good-Bye, Sweet Nannie Magee (1886) * Hannah, My True Love (1886) * Here's To Your Health, Sir! (1886) * Hurrah! We Are Almost There (1886) * Waltz (1886) * With Steady Step (1886)

Waltzes and Other Dances

* Moonlight on the Potomac (1872) * Cuckoo (1873) ''(

galop In dance, the galop, named after the fastest running gait of a horse (see Gallop), a shortened version of the original term galoppade, is a lively country dance, introduced in the late 1820s to Parisian society by the Duchesse de Berry and popul ...

)'' * La Reine D’Amour (1874) * Alexander (1876) ''(

gavotte The gavotte (also gavot, gavote, or gavotta) is a French dance, taking its name from a folk dance of the Gavot, the people of the Pays de Gap region of Dauphiné in the southeast of France, where the dance originated, according to one source. A ...

)'' * Myrrha (1876) ''(gavotte)'' * Sardanapalus (1877) * Silver Spray (1878) ''(

schottische The schottische is a partnered country dance that apparently originated in Bohemia. It was popular in Victorian era ballrooms as a part of the Bohemian folk-dance craze and left its traces in folk music of countries such as Argentina (" chotis"Sp ...

)'' * Paroles D’Amour (1880) * Intaglio Waltzes (1884) * Wissahickon (1885) * Presidential Polonaise (1886) * Sandalphon Waltzes (1886) * La Reine de la Mer (1886) * The Coquette (1887) ''(caprice)'' * The Colonial Dames (1896) * The Lady of the White House (1897) * Queen of the Harvest (1899) ''(

quadrille The quadrille is a dance that was fashionable in late 18th- and 19th-century Europe and its colonies. The quadrille consists of a chain of four to six '' contredanses''. Latterly the quadrille was frequently danced to a medley of opera melodie ...

)'' * The Gliding Girl (1912) ''(

tango Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay. The tango was born in the impoverished port areas of these countries as the result of a combina ...

)'' * With Pleasure (Dance Hilarious) (1912) * Love’s But A Dance, Where Time Plays The Fiddle (1923) ''(

foxtrot The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band (usually vocal) music. The dance is similar in its look to waltz, although the rhythm is in a tim ...

)'' * Peaches and Cream (1924) ''(foxtrot)'' * The Coeds of Michigan (1925)

References

{{DEFAULTSORT:List Of Compositions By John Philip Sousa Sousa, John Philip