"Lepanto" is a

poem Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in ...

by G. K. Chesterton celebrating the victory of the Holy League in the

Battle of Lepanto The Battle of Lepanto was a naval engagement that took place on 7 October 1571 when a fleet of the Holy League, a coalition of Catholic states (comprising Spain and its Italian territories, several independent Italian states, and the Soverei ...

written in irregular stanzas of rhyming, roughly paeonic

tetrameter In poetry, a tetrameter is a line of four metrical feet. The particular foot can vary, as follows: * '' Anapestic tetrameter:'' ** "And the ''sheen'' of their ''spears'' was like ''stars'' on the ''sea''" (Lord Byron, "The Destruction of Sennach ...

couplets A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the ...

, often ending in a quatrain of four

dimeter In poetry, a dimeter is a metrical line of verse with two feet. The particular foot The foot ( : feet) is an anatomical structure found in many vertebrates. It is the terminal portion of a limb which bears weight and allows locomotion. In m ...

lines. The poem tells of the defeat of the Ottoman fleet of Ali Pasha by the Christian crusader,

Don John of Austria John of Austria ( es, Juan, link=no, german: Johann; 24 February 1547 – 1 October 1578) was the natural son born to Holy Roman Emperor Charles V late in life when he was a widower. Charles V met his son only once, recognizing him in a secret ...

. The poem was written in 1911 and published in Chesterton's 1915 collection ''Poems''. The poem's stirring verses helped inspire soldiers such as John Buchan during

World War I World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, the United States, and the Ottoman Empire, with fightin ...

Context

"Lepanto" was published in 1915, and is in line with the author's other works of early decades of the century as representing a spirited rejection of the ''

fin de siècle () is a French term meaning "end of century,” a phrase which typically encompasses both the meaning of the similar English idiom "turn of the century" and also makes reference to the closing of one era and onset of another. Without context, ...

Decadent The word decadence, which at first meant simply "decline" in an abstract sense, is now most often used to refer to a perceived decay in standards, morals, dignity, religious faith, honor, discipline, or skill at governing among the members of ...

Fatalism Fatalism is a family of related philosophical doctrines that stress the subjugation of all events or actions to fate or destiny, and is commonly associated with the consequent attitude of resignation in the face of future events which are tho ...

which was the dominating philosophy in his youth. As in the author's " The Ballad of the White Horse," the non-Christian forces are made representative of the determinist or fatalist philosophy that (in Chesterton's view) denied the value of human struggle and

free will Free will is the capacity of agents to choose between different possible courses of action unimpeded. Free will is closely linked to the concepts of moral responsibility, praise, culpability, sin, and other judgements which apply only to ac ...

, and which he variously personified as pagan or Germanic (as in "The Ballad of the White Horse") or Mohammedan or

Calvinist Calvinism (also called the Reformed Tradition, Reformed Protestantism, Reformed Christianity, or simply Reformed) is a major branch of Protestantism that follows the theological tradition and forms of Christian practice set down by John Ca ...

(as in this poem). In

, the Turkish

Ottoman Empire The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University) ...

had become an ally of the

Prussia Prussia, , Old Prussian: ''Prūsa'' or ''Prūsija'' was a German state on the southeast coast of the Baltic Sea. It formed the German Empire under Prussian rule when it united the German states in 1871. It was ''de facto'' dissolved by an ...

n enemy whom Chesterton saw as the perfect epitome of Paganism, Germanism, Imperialism, and Determinist Materialism. In this context, the victory of

Christian Europe Christendom historically refers to the Christian states, Christian-majority countries and the countries in which Christianity dominates, prevails,SeMerriam-Webster.com : dictionary, "Christendom"/ref> or is culturally or historically intertwine ...

over its Turkish enemy depicted by Chesterton in vividly blood-stained terms became readily acceptable to those sympathetic to the British cause as a straightforward allegory of right — the

Allied nations The Allies, formally referred to as the United Nations from 1942, were an international military coalition formed during the Second World War (1939–1945) to oppose the Axis powers, led by Nazi Germany, Imperial Japan, and Fascist Italy ...

representing the traditional morality of

Christendom Christendom historically refers to the Christian states, Christian-majority countries and the countries in which Christianity dominates, prevails,SeMerriam-Webster.com : dictionary, "Christendom"/ref> or is culturally or historically intertwine ...

— triumphing over wrong — the

Central Powers The Central Powers, also known as the Central Empires,german: Mittelmächte; hu, Központi hatalmak; tr, İttifak Devletleri / ; bg, Централни сили, translit=Tsentralni sili was one of the two main coalitions that fought in ...

representing the rejection of that morality in the name of the previously mentioned "-isms". In the same context, the figure of Don John, "tiny and unafraid," was taken as representing England itself, a tiny nation standing against what then seemed to many Englishmen (and others) a vast hegemony of powerful, un-Christian states.

References

External links

* {{G. K. Chesterton 1911 poems Poems by G. K. Chesterton Works about battles and military operations Fiction set in the 1570s Ottoman Empire in fiction Historical poems Battle of Lepanto