Last Supper in Christian art
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Last Supper Image:The Last Supper - Leonardo Da Vinci - High Resolution 32x16.jpg, 400px, alt=''The Last Supper'' by Leonardo da Vinci - Clickable Image, Depictions of the Last Supper in Christian art have been undertaken by artistic masters for centuries, ...
of
Jesus Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label= Hebrew/ Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other names and titles), was a first-century Jewish preacher and relig ...
and the
Twelve Apostles In Christian theology and ecclesiology, the apostles, particularly the Twelve Apostles (also known as the Twelve Disciples or simply the Twelve), were the primary disciples of Jesus according to the New Testament. During the life and minist ...
has been a popular subject in
Christian art Christian art is sacred art which uses subjects, themes, and imagery from Christianity. Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrati ...
, often as part of a cycle showing the '' Life of Christ''. Depictions of the Last Supper in Christian art date back to
early Christianity Early Christianity (up to the First Council of Nicaea in 325) spread from the Levant, across the Roman Empire, and beyond. Originally, this progression was closely connected to already established Jewish centers in the Holy Land and the Jewis ...
and can be seen in the
Catacombs of Rome The Catacombs of Rome ( it, Catacombe di Roma) are ancient catacombs, underground burial places in and around Rome, of which there are at least forty, some rediscovered only in recent decades. Though most famous for Christian burials, either ...
.''Vested Angels: Eucharistic Allusions in Early Netherlandish Paintings'' by Maurice B. McNamee 1998 pp. 22–3
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/ref> The Last Supper was depicted both in the
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and
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Churches. By the
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ide ...
, it was a favorite subject in Italian art. It was also one of the few subjects to be continued in
Lutheran Lutheranism is one of the largest branches of Protestantism, identifying primarily with the theology of Martin Luther, the 16th-century German monk and reformer whose efforts to reform the theology and practice of the Catholic Church launched ...
altarpieces An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting ...
for a few decades after the
Protestant Reformation The Reformation (alternatively named the Protestant Reformation or the European Reformation) was a major movement within Western Christianity in 16th-century Europe that posed a religious and political challenge to the Catholic Church and i ...
.Schiller, 40–41 There are two major scenes shown in depictions of the Last Supper: the dramatic announcement of the
betrayal of Jesus The kiss of Judas, also known as the Betrayal of Christ, is the act with which Judas identified Jesus to the multitude with swords and clubs who had come from the chief priests and elders of the people to arrest him, according to the Synoptic ...
, and the institution of the
Eucharist The Eucharist (; from Greek , , ), also known as Holy Communion and the Lord's Supper, is a Christian rite that is considered a sacrament in most churches, and as an ordinance in others. According to the New Testament, the rite was institu ...
. After the meal the further scenes of Jesus washing the feet of his apostles and the farewell of Jesus to his disciples are also sometimes depicted.


Setting

The earliest known written reference to the Last Supper is in Paul's
First Epistle to the Corinthians The First Epistle to the Corinthians ( grc, Α΄ ᾽Επιστολὴ πρὸς Κορινθίους) is one of the Pauline epistles, part of the New Testament of the Christian Bible. The epistle is attributed to Paul the Apostle and a co-au ...
( 11:23–26), which dates to the middle of the first century, between AD 54–55.''The Encyclopedia of Christianity, Volume 4'' by Erwin Fahlbusch, 2005 pp. 52–5
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/ref> The Last Supper was likely a retelling of the events of the last meal of Jesus among the early Christian community, and became a ritual which referred to that meal. The earliest depictions of such meals occur in the
fresco Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plast ...
es of the Catacomb of Rome, where figures are depicted reclining around semi-circular tables. In spite of near unanimous assent, the historicity of the evidence, one lone scholar comments that "The motif of the Last supper appears neither among the paintings of the catacombs nor the sculptures on sarcophagi ... The few frescos in the catacombs representing a meal in which Christ and some of the disciples participate show not the Last supper but refer to the future meal promised by the exalted Christ in his heavenly kingdom", seeing the subject as beginning to be depicted in the 6th century. A clearer case is the mosaic in the Church of Sant' Apollinare Nuovo in Ravenna, Italy, where a similar meal scene is part of a cycle depicting the life of Jesus and involves clear representation of him and his disciples.
Byzantine The Byzantine Empire, also referred to as the Eastern Roman Empire or Byzantium, was the continuation of the Roman Empire primarily in its eastern provinces during Late Antiquity and the Middle Ages, when its capital city was Constantinopl ...
artists sometimes used semi-circular tables in their depictions, but more frequently they focused on the Communion of the Apostles, rather than the reclining figures having a meal. The ''Last Supper'' was also one of the few subjects to be continued in
Lutheran Lutheranism is one of the largest branches of Protestantism, identifying primarily with the theology of Martin Luther, the 16th-century German monk and reformer whose efforts to reform the theology and practice of the Catholic Church launched ...
altarpieces An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting ...
for a few decades after the
Protestant Reformation The Reformation (alternatively named the Protestant Reformation or the European Reformation) was a major movement within Western Christianity in 16th-century Europe that posed a religious and political challenge to the Catholic Church and i ...
, sometimes showing portraits of leading Protestant theologians as the apostles. By the
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ide ...
, the Last Supper was a favorite subject in Italian art, especially in the
refectories A refectory (also frater, frater house, fratery) is a dining room, especially in monasteries, boarding schools and academic institutions. One of the places the term is most often used today is in graduate seminaries. The name derives from the Lat ...
of monasteries. These depictions typically portrayed the reactions of the disciples to the announcement of the betrayal of Jesus. Most of the Italian depictions use an oblong table, and not a semi-circular one, and sometimes Judas is shown by himself clutching his money bag. With an oblong table, the artist had to decide whether to show the apostles on both sides, so with some seen from behind, or all on one side of the table facing the viewer. Sometimes only Judas is on the side nearest the viewer, allowing the bag to be seen. The placement on both sides was further complicated when halos were obligatory; was the halo to be placed as though in front of the rear-facing apostles faces, or as though fixed to the back of their head, obscuring the view?
Duccio Duccio di Buoninsegna ( , ; – ) was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Du ...
, daringly for the time, just omits the halos of the apostles nearest the viewer. As artists became increasingly interested in realism and the depiction of space, a three-sided interior setting became more clearly shown and elaborate, sometimes with a landscape view behind, as in the wall-paintings by
Leonardo da Vinci Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on ...
and
Perugino Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. ...
. Artists who showed the scene on a ceiling or in a
relief Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term '' relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that th ...
sculpture had further difficulties in devising a composition. Typically, the only apostles easily identifiable are Judas Iscariot, often with his bag containing
thirty pieces of silver Thirty pieces of silver was the price for which Judas Iscariot betrayed Jesus, according to an account in the Gospel of Matthew 26:15 in the New Testament. Before the Last Supper, Judas is said to have gone to the chief priests and agreed to hand ...
visible,
John the Evangelist John the Evangelist ( grc-gre, Ἰωάννης, Iōánnēs; Aramaic: ܝܘܚܢܢ; Ge'ez: ዮሐንስ; ar, يوحنا الإنجيلي, la, Ioannes, he, יוחנן cop, ⲓⲱⲁⲛⲛⲏⲥ or ⲓⲱ̅ⲁ) is the name traditionally given ...
, normally placed on Jesus's right side, usually "reclining in Jesus' bosom" as his Gospel says (see below), or even asleep, and
Saint Peter ) (Simeon, Simon) , birth_date = , birth_place = Bethsaida, Gaulanitis, Syria, Roman Empire , death_date = Between AD 64–68 , death_place = probably Vatican Hill, Rome, Italia, Roman Empire , parents = John (or Jonah; Jona) , occupat ...
on Jesus's left. The food on the table often includes a paschal lamb; in Late Antique and Byzantine versions fish was the main dish. In later works the bread may become more like a communion host, and more food, eating, and figures of servers appear.


Major scenes

There are two major episodes or moments depicted in Last Supper scenes, each with specific variants. There are also other, less frequently depicted scenes, such as the washing of the feet of the disciples.''Gospel Figures in Art'' by Stefano Zuffi 2003 p. 25
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/ref>


The Betrayal

The first episode, much the most common in Western
Medieval art The medieval art of the Western world covers a vast scope of time and place, over 1000 years of art in Europe, and at certain periods in Western Asia and Northern Africa. It includes major art movements and periods, national and regional art, ge ...
, is the dramatic and dynamic moment of Jesus' announcement of his betrayal. In this the various reactions produced by the Apostles and the depictions of their emotions provide a rich subject for artistic exploration,''Gospel Figures in Art'' by Stefano Zuffi 2003 pp. 254–25
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/ref> following the text of Chapter 13 of the
Gospel of John The Gospel of John ( grc, Εὐαγγέλιον κατὰ Ἰωάννην, translit=Euangélion katà Iōánnēn) is the fourth of the four canonical gospels. It contains a highly schematic account of the ministry of Jesus, with seven "sig ...
(21–29, a "sop" is a piece of bread dipped in sauce or wine):
21 When Jesus had thus said, he was troubled in the spirit, and testified, and said, Verily, verily, I say unto you, that one of you shall betray me. 22 The disciples looked one on another, doubting of whom he spake. 23 There was at the table reclining in Jesus' bosom one of his disciples, whom Jesus loved. 24 Simon Peter therefore beckoneth to him, and saith unto him, Tell swho it is of whom he speaketh. 25 He leaning back, as he was, on Jesus' breast saith unto him, Lord, who is it? 26 Jesus therefore answereth, He it is, for whom I shall dip the sop, and give it him. So when he had dipped the sop, he taketh and giveth it to Judas, he sonof Simon Iscariot. 27 And after the sop, then entered Satan into him. Jesus therefore saith unto him, What thou doest, do quickly. 28 Now no man at the table knew for what intent he spake this unto him. 29 For some thought, because Judas had the bag, that Jesus said unto him, Buy what things we have need of for the feast; or, that he should give something to the poor. 30 He then having received the sop went out straightway: and it was night.
Especially in Eastern depictions, Judas may only be identifiable because he is stretching out his hand for the food, as the other apostles sit with hands out of sight, or because he lacks a halo. In the West he often has red hair. Sometimes Judas takes the sop in his mouth directly from Jesus' hand, and when he is shown eating it a small devil may be shown next to or on it. The betrayal scene may also be combined with the other episodes of the meal, sometimes with a second figure of Christ washing Peter's feet.


The Eucharist

The second scene shows the institution of the
Eucharist The Eucharist (; from Greek , , ), also known as Holy Communion and the Lord's Supper, is a Christian rite that is considered a sacrament in most churches, and as an ordinance in others. According to the New Testament, the rite was institu ...
, which may be shown as either the moment of the
consecration Consecration is the solemn dedication to a special purpose or service. The word ''consecration'' literally means "association with the sacred". Persons, places, or things can be consecrated, and the term is used in various ways by different grou ...
of the bread and wine, with all still seated, or their distribution in the first
Holy Communion The Eucharist (; from Greek , , ), also known as Holy Communion and the Lord's Supper, is a Christian rite that is considered a sacrament in most churches, and as an ordinance in others. According to the New Testament, the rite was instituted ...
, technically known in art history as the ''Communion of the Apostles'' (though in depictions set at the table the distinction is often not made), which is common in very early depictions and throughout
Byzantine art Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted u ...
, and in the West reappears from the 14th century onwards. The depictions of both scenes are generally solemn and mystical; in the latter Jesus may be standing and delivers the communion bread and wine to each apostle, like a priest giving the
sacrament A sacrament is a Christian rite that is recognized as being particularly important and significant. There are various views on the existence and meaning of such rites. Many Christians consider the sacraments to be a visible symbol of the rea ...
of Holy Communion. In early and
Eastern Orthodox Eastern Orthodoxy, also known as Eastern Orthodox Christianity, is one of the three main branches of Chalcedonian Christianity, alongside Catholicism and Protestantism. Like the Pentarchy of the first millennium, the mainstream (or " canonical ...
depictions the apostles may queue up to receive it, as though in a church, with Jesus standing under or next to a ciborium, the small open structure over the altar, which was much more common in Early Medieval churches. An example of this type is in
mosaic A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly pop ...
in the
apse In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an '' exedra''. ...
of the
Saint Sophia Cathedral in Kiev Saint Sophia Cathedral in Kyiv, Ukraine, is an architectural monument of Kyivan Rus. The former cathedral is one of the city's best known landmarks and the first heritage site in Ukraine to be inscribed on the World Heritage List along with the K ...
, under a very large standing Virgin. File:Last Supper (Pisani).jpg, The Last Supper (Pisani), The Main Altarpiece of the Corpus Christi Parish Church in Għasri, Malta File:Comunione degli apostoli, cella 35.jpg, ''Communion of the Apostles'', by
Fra Angelico Fra Angelico (born Guido di Pietro; February 18, 1455) was an Italian painter of the Early Renaissance, described by Vasari in his '' Lives of the Artists'' as having "a rare and perfect talent".Giorgio Vasari, ''Lives of the Artists''. Pengu ...
, with
donor portrait A donor portrait or votive portrait is a portrait in a larger painting or other work showing the person who commissioned and paid for the image, or a member of his, or (much more rarely) her, family. ''Donor portrait'' usually refers to the portr ...
, 1440–41 File:Última Cena - Juan de Juanes.jpg, ''The first Eucharist'', by
Juan de Juanes Vicente Juan Masip (also known as Joan de Joanes) (15071579) was a Spanish painter of the Renaissance period. He is commonly considered the foremost member of the Valencian school of painters. Masip was born in La Font de la Figuera. His fathe ...
, mid-late 16th century File:Jacopo Tintoretto - The Last Supper - WGA22649.jpg,
Tintoretto Tintoretto ( , , ; born Jacopo Robusti; late September or early October 1518Bernari and de Vecchi 1970, p. 83.31 May 1594) was an Italian painter identified with the Venetian school. His contemporaries both admired and criticized the speed wit ...
, ''
Last Supper Image:The Last Supper - Leonardo Da Vinci - High Resolution 32x16.jpg, 400px, alt=''The Last Supper'' by Leonardo da Vinci - Clickable Image, Depictions of the Last Supper in Christian art have been undertaken by artistic masters for centuries, ...
'', 1592–94, showing the ''Communion of the Apostles'' File:Valentin de Boulogne, Last Supper.jpg,
Valentin de Boulogne Valentin de Boulogne (before 3 January 1591 – 19 August 1632), sometimes referred to as Le Valentin, was a French painter in the tenebrist style. Origins Valentin was born in Coulommiers, France, where he was baptised in the parish of Sain ...
, 1625–26


Washing of feet and farewell

The
washing of feet Maundy (from Old French ''mandé'', from Latin ''mandatum'' meaning "command"), or Washing of the Saints' Feet, Washing of the Feet, or Pedelavium or Pedilavium, is a religious rite observed by various Christian denominations. The Latin wor ...
was an element of hospitality normally performed by servants or slaves, and a mark of great respect if performed by the host. It is recorded in John , as preceding the meal, and subsequently became a feature of
Holy Week Holy Week ( la, Hebdomada Sancta or , ; grc, Ἁγία καὶ Μεγάλη Ἑβδομάς, translit=Hagia kai Megale Hebdomas, lit=Holy and Great Week) is the most sacred week in the liturgical year in Christianity. In Eastern Churches, w ...
liturgy Liturgy is the customary public ritual of worship performed by a religious group. ''Liturgy'' can also be used to refer specifically to public worship by Christians. As a religious phenomenon, liturgy represents a communal response to and partic ...
and year-round monastic hospitality at various times and places, being regularly performed by the
Byzantine emperor This is a list of the Byzantine emperors from the foundation of Constantinople in 330 AD, which marks the conventional start of the Eastern Roman Empire, to its fall to the Ottoman Empire in 1453 AD. Only the emperors who were recognized as ...
s on
Maundy Thursday Maundy Thursday or Holy Thursday (also known as Great and Holy Thursday, Holy and Great Thursday, Covenant Thursday, Sheer Thursday, and Thursday of Mysteries, among other names) is the day during Holy Week that commemorates the Washing of th ...
for example, and at times being part of English
Royal Maundy Royal Maundy is a religious service in the Church of England held on Maundy Thursday, the day before Good Friday. At the service, the British monarch or a royal official ceremonially distributes small silver coins known as "Maundy money" (legal ...
ceremonies performed by the monarch. For a while it formed part of the
Baptism Baptism (from grc-x-koine, βάπτισμα, váptisma) is a form of ritual purification—a characteristic of many religions throughout time and geography. In Christianity, it is a Christian sacrament of initiation and adoption, almost ...
ceremony in some places. It mostly appears in cycles of the
Passion of Jesus In Christianity, the Passion (from the Latin verb ''patior, passus sum''; "to suffer, bear, endure", from which also "patience, patient", etc.) is the short final period in the life of Jesus Christ. Depending on one's views, the "Passion" m ...
, often next to the Last Supper meal and given equal prominence, as in the 6th century St Augustine Gospels and 12th century Ingeborg Psalter, and also may appear in cycles of the ''Life of Saint Peter''. Where space is limited only Jesus and Peter may be shown, and many scenes show the amazement of Peter, following John. A number of scenes appear on 4th century
sarcophagi A sarcophagus (plural sarcophagi or sarcophaguses) is a box-like funeral receptacle for a corpse, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word ''sarcophagus'' comes from the Greek ...
, in one case placed to correspond with a scene of
Pontius Pilate Pontius Pilate (; grc-gre, Πόντιος Πιλᾶτος, ) was the fifth governor of the Roman province of Judaea, serving under Emperor Tiberius from 26/27 to 36/37 AD. He is best known for being the official who presided over the trial of ...
washing his hands. Some types show Jesus standing as he is confronted by Peter; in others he is bending or kneeling to perform the washing. The subject had various theological interpretations which affected the composition, but gradually became less common in the West by the Late Middle Ages, though there are at least two large examples by
Tintoretto Tintoretto ( , , ; born Jacopo Robusti; late September or early October 1518Bernari and de Vecchi 1970, p. 83.31 May 1594) was an Italian painter identified with the Venetian school. His contemporaries both admired and criticized the speed wit ...
, one originally paired with a ''Last Supper''. The last episode, far less commonly shown, is the farewell of Jesus to his disciples, in which Judas Iscariot is no longer present, having left the supper; it is mostly found in Italian ''
trecento The Trecento (, also , ; short for , "1300") refers to the 14th century in Italian cultural history. Period Art Commonly, the Trecento is considered to be the beginning of the Renaissance in art history. Painters of the Trecento included Giot ...
'' painting. The depictions here are generally melancholy, as Jesus prepares his disciples for his departure. File:Christ washing the Apostles' feet - Otto III Gospels.png, ''Christ washing the Apostles' feet'' in the
Gospels of Otto III The Gospels of Otto III (Munich, Bayer. Staatsbib., Clm. 4453) is considered a superb example of Ottonian art because of the scope, planning, and execution of the work. The book has 276 parchment pages (334 by 242 mm, 13.1 by 9.5 inches) and ...
, 10th–11th century File:Washing of the Feet - Capella dei Scrovegni - Padua 2016.jpg, ''Christ Reasoning with Peter'' as he washes his feet, by
Giotto di Bondone Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto ( , ) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/Proto-Renaissance period. Gi ...
(
Scrovegni Chapel The Scrovegni Chapel ( it, Cappella degli Scrovegni ), also known as the Arena Chapel, is a small church, adjacent to the Augustinian monastery, the ''Monastero degli Eremitani'' in Padua, region of Veneto, Italy. The chapel and monastery a ...
), c. 1304–06 File:Duccio di Buoninsegna 029.jpg, Last Supper and Washing of Feet, ''Maestà'' by Duccio, 1308–11 File:FarewellApostles.jpg, Jesus " saying farewell", ''Maestà'' by Duccio, 1308–11


Key examples

Pietro Perugino's depiction (c. 1490) in
Florence Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico ...
shows Judas sitting separately, and is considered one of Perugino's best pieces. It is located in the convent that housed noble Florentine girls. Upon its rediscovery was initially attributed to
Raphael Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual ...
. Leonardo da Vinci's depiction (late 1490s) which is considered the first work of
High Renaissance In art history, the High Renaissance was a short period of the most exceptional artistic production in the Italian states, particularly Rome, capital of the Papal States, and in Florence, during the Italian Renaissance. Most art historians stat ...
art due to its high level of harmony, uses the first theme.''Experiencing Art Around Us'' by Thomas Buser 2005 pp. 382–38
Google books link
/ref> Leonardo balanced the varying emotions of the individual apostles when Jesus stated that one of them would betray him, and portrayed the various attributes of anger, surprise and shock. It is likely that Leonardo da Vinci was already familiar with Ghirlandaio's ''Last Supper'', as well as that of Castagno, and painted his own ''Last Supper'' in a more dramatic form to contrast with the stillness of these works, so that more emotion would be displayed. Tintoretto's depiction (1590–1592) at the Basilica di San Giorgio Maggiore in Venice, also depicts the announcement of the betrayal, and includes secondary characters carrying or taking the dishes from the table. There are far more numerous secondary figures in the huge painting now called ''
The Feast in the House of Levi ''The Feast in the House of Levi'' or ''Christ in the House of Levi'' is a 1573 oil painting by Italian painter Paolo Veronese and one of the largest canvases of the 16th century, measuring . It is now in the Gallerie dell'Accademia in Venice. I ...
'' by Veronese. This was delivered in 1573 as a ''Last Supper'' to the Dominicans of
Santi Giovanni e Paolo, Venice The Basilica dei Santi Giovanni e Paolo, known in Venetian as San Zanipolo, is a church in the Castello ''sestiere'' of Venice, Italy. One of the largest churches in the city, it has the status of a minor basilica. After the 15th century the fu ...
for their refectory, but Veronese was called before the
Inquisition The Inquisition was a group of institutions within the Catholic Church whose aim was to combat heresy, conducting trials of suspected heretics. Studies of the records have found that the overwhelming majority of sentences consisted of penances, ...
to explain why it contained "buffoons, drunken Germans, dwarfs and other such scurrilities" as well as extravagant costumes and settings, in what is indeed a fantasy version of a Venetian patrician feast. Veronese was told that he must change his painting within a three-month period - in fact he simply changed the title to the present one, still an episode from the Gospels, but a less doctrinally central one, and no more was said. The
altarpiece An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting ...
of the main church in
Martin Luther Martin Luther (; ; 10 November 1483 – 18 February 1546) was a German priest, theologian, author, hymnwriter, and professor, and Augustinian friar. He is the seminal figure of the Protestant Reformation and the namesake of Lutherani ...
's home of
Wittenberg Wittenberg ( , ; Low Saxon: ''Wittenbarg''; meaning ''White Mountain''; officially Lutherstadt Wittenberg (''Luther City Wittenberg'')), is the fourth largest town in Saxony-Anhalt, Germany. Wittenberg is situated on the River Elbe, north of ...
is by
Lucas Cranach the Elder Lucas Cranach the Elder (german: Lucas Cranach der Ältere ;  – 16 October 1553) was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is kno ...
(with his son and workshop), with a traditional representation of the ''Last Supper'' in the main panel, except that the apostle having a drink poured is a portrait of Luther, and the server may be one of Cranach. By the time the painting was installed in 1547, Luther was dead. Other panels show the Protestant theologians
Philipp Melanchthon Philip Melanchthon. (born Philipp Schwartzerdt; 16 February 1497 – 19 April 1560) was a German Lutheran reformer, collaborator with Martin Luther, the first systematic theologian of the Protestant Reformation, intellectual leader of the Lut ...
and
Johannes Bugenhagen Johannes Bugenhagen (24 June 1485 – 20 April 1558), also called ''Doctor Pomeranus'' by Martin Luther, was a German theologian and Lutheran priest who introduced the Protestant Reformation in the Duchy of Pomerania and Denmark in the 16th ce ...
, pastor of the church, though not in biblical scenes. Other figures in the panels are probably portraits of figures from the town, now unidentifiable. Another work, the ''Altarpiece of the Reformers'' in
Dessau Dessau is a town and former municipality in Germany at the confluence of the rivers Mulde and Elbe, in the '' Bundesland'' (Federal State) of Saxony-Anhalt. Since 1 July 2007, it has been part of the newly created municipality of Dessau-Roßl ...
, by
Lucas Cranach the Younger Lucas Cranach the Younger (german: Lucas Cranach der Jüngere ; October 4, 1515 – January 25, 1586) was a German Renaissance painter and portraitist, the son of Lucas Cranach the Elder and brother of Hans Cranach. Life and career Lucas Cranach ...
(1565, see gallery) shows all the apostles except Judas as Protestant churchmen or nobility, and it is now the younger Cranach shown as the cupbearer. However such works are rare, and Protestant paintings soon reverted to more traditional depictions. In
Rubens Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque traditio ...
' ''Last Supper'', a dog with a bone can be seen in the scene, probably a simple pet. It may represent faith, dogs are traditionally symbols of and are representing faith. According to J. Richard Judson the dog near Judas, it perhaps representing greed, or representing the evil, as the companion of Judas, as in John 13:27. ''
The Sacrament of the Last Supper ''The Sacrament of the Last Supper'' is a painting by Salvador Dalí. Completed in 1955, after nine months of work, it remains one of his most popular compositions. Since its arrival at the National Gallery of Art in Washington, D.C. in 1955, it ...
'',
Salvador Dalí Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquess of Dalí of Púbol (; ; ; 11 May 190423 January 1989) was a Spanish Surrealism, surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarr ...
's depiction, combines the typical Christian themes with modern approaches of
Surrealism Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to ...
and also includes geometric elements of symmetry and
polygon In geometry, a polygon () is a plane figure that is described by a finite number of straight line segments connected to form a closed '' polygonal chain'' (or ''polygonal circuit''). The bounded plane region, the bounding circuit, or the two ...
al proportion.''The Mathematics of Harmony'' by Alexey Stakhov, Scott Olsen 2009 pp. 177–17
Google books link
/ref>


Gallery

File:Christ washes apostles' feet (Monreale).jpg, Byzantine mosaic of washing the disciples' feet, at the
Monreale Cathedral Monreale Cathedral ( it, Cattedrale di Santa Maria Nuova di Monreale; Duomo di Monreale) is a Catholic church in Monreale, Metropolitan City of Palermo, Sicily, southern Italy. One of the greatest existent examples of Norman architecture, it was ...
, Italy File:Italo-Byzantinischer Meister 002.jpg, Judas reaches for the food; School of
Monte Cassino Monte Cassino (today usually spelled Montecassino) is a rocky hill about southeast of Rome, in the Latin Valley, Italy, west of Cassino and at an elevation of . Site of the Roman town of Casinum, it is widely known for its abbey, the first ho ...
, c. 1100, Sant'Angelo in Formis,
Capua Capua ( , ) is a city and ''comune'' in the province of Caserta, in the region of Campania, southern Italy, situated north of Naples, on the northeastern edge of the Campanian plain. History Ancient era The name of Capua comes from the Etrus ...
, still using Roman couches. File:The Last Supper (San Marco).jpg,
Saint Mark's Basilica The Patriarchal Cathedral Basilica of Saint Mark ( it, Basilica Cattedrale Patriarcale di San Marco), commonly known as St Mark's Basilica ( it, Basilica di San Marco; vec, Baxéłega de San Marco), is the cathedral church of the Catholic Pa ...
, Venice, 13th century, Judas reaching out Image:Giotto - Scrovegni - -29- - Last Supper.jpg,
Giotto Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto ( , ) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/ Proto-Renaissance period. G ...
,
Scrovegni Chapel The Scrovegni Chapel ( it, Cappella degli Scrovegni ), also known as the Arena Chapel, is a small church, adjacent to the Augustinian monastery, the ''Monastero degli Eremitani'' in Padua, region of Veneto, Italy. The chapel and monastery a ...
, 1305, with flat perspectival haloes; the view from behind causes difficulties, and John's halo has to be reduced in size. File:Meister des Hausbuches 003.jpg, ''Christ Washing the Feet of the Apostles'' by Meister des Hausbuches, 1475; only Judas (near right) lacks a halo File:Ottheinrich Folio040v Mt26D.jpg, Ottheinrich Folio, p. 40v: Last Supper, Mt 26:20–29 File:Dieric Bouts - The Last Supper - WGA03003.jpg, ''Last Supper'' by
Dieric Bouts Dieric Bouts (born c. 1415 – 6 May 1475) was an Early Netherlandish painter. Bouts may have studied under Rogier van der Weyden, and his work was influenced by van der Weyden and Jan van Eyck. He worked in Leuven from 1457 (or possibly earlier) ...
, 1464-1467 File:Ghirlandaio, ultima cena di san marco.jpg, ''Last Supper'' by
Domenico Ghirlandaio Domenico di Tommaso Curradi di Doffo Bigordi (, , ; 2 June 1448 – 11 January 1494), professionally known as Domenico Ghirlandaio, also spelled as Ghirlandajo, was an Italian Renaissance painter born in Florence. Ghirlandaio was part of t ...
, 1480, depicting Judas separately File:Cenacolo di Fuligno, pietro perugino.JPG, ''Last Supper'' by
Pietro Perugino Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. E ...
, depicting Judas separately, 1493–1496 File:Última Cena - Da Vinci 5.jpg, Leonardo da Vinci's ''Last Supper'', 1498 File:Last Supper by Theophanes the Cretan.jpg, Judas reaches for the food; Theophanes the Cretan, 16th century File:Lucas Cranach d.Ä. - Reformationsaltar, St. Marien zu Wittenberg, Mitteltafel.jpg, Protestant version by
Lucas Cranach the Elder Lucas Cranach the Elder (german: Lucas Cranach der Ältere ;  – 16 October 1553) was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is kno ...
, 1547, central panel of altarpiece of St. Mary's Church,
Wittenberg Wittenberg ( , ; Low Saxon: ''Wittenbarg''; meaning ''White Mountain''; officially Lutherstadt Wittenberg (''Luther City Wittenberg'')), is the fourth largest town in Saxony-Anhalt, Germany. Wittenberg is situated on the River Elbe, north of ...
, Germany. 16th century File:Das-Abendmahl-1565.jpg, Protestant version by
Lucas Cranach the Younger Lucas Cranach the Younger (german: Lucas Cranach der Jüngere ; October 4, 1515 – January 25, 1586) was a German Renaissance painter and portraitist, the son of Lucas Cranach the Elder and brother of Hans Cranach. Life and career Lucas Cranach ...
, 1565, with leading Reformers portrayed as the Apostles, and the
Elector of Saxony The Electorate of Saxony, also known as Electoral Saxony (German: or ), was a territory of the Holy Roman Empire from 1356–1806. It was centered around the cities of Dresden, Leipzig and Chemnitz. In the Golden Bull of 1356, Emperor Charles ...
kneeling. File:The Feast in the House of Levi by Paolo Veronese (edited 2).jpg,
Paolo Veronese Paolo Caliari (152819 April 1588), known as Paolo Veronese ( , also , ), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as '' The Wedding at Cana'' (1563) and ''T ...
, now called ''
The Feast in the House of Levi ''The Feast in the House of Levi'' or ''Christ in the House of Levi'' is a 1573 oil painting by Italian painter Paolo Veronese and one of the largest canvases of the 16th century, measuring . It is now in the Gallerie dell'Accademia in Venice. I ...
'', 1573


See also

*
Ascension of Jesus in Christian art The Ascension of Jesus to Heaven as stated in the New Testament has been a frequent subject in Christian art, as well as a theme in theological writings.''Encyclopedia of World Religions'' by Johannes P. Schade 2007, entry under Ascensio/ref> Th ...
*
Christian art Christian art is sacred art which uses subjects, themes, and imagery from Christianity. Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrati ...
*
Art in Roman Catholicism Catholic art is art produced by or for members of the Catholic Church. This includes visual art ( iconography), sculpture, decorative arts, applied arts, and architecture. In a broader sense, Catholic music and other art may be included as wel ...
* The Reformation and art


Notes


References

*Noble, Bonny, ''Lucas Cranach the Elder: Art and Devotion of the German Reformation'', University Press of America, 2009, , * Schiller, Gertrud, ''Iconography of Christian Art, Vol. II'', 1972 (English trans from German), Lund Humphries, London, {{Life of Jesus in Christian art Jesus in art Iconography of Jesus Christian iconography