"La-La-La-Lies" is the fourth track on the Who's debut album '' My Generation''. It was written by lead guitarist Pete Townshend.

Background

Townshend wrote the song during the summer of 1965, and the band recorded it consistently with his home demos. According to Townshend, the song "wasn't as good as this before I did it with

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oon It's not my favourite one on the LP. It reminds me a bit of Sandie Shaw." Music journalist, Chris Charlesworth calls the melody "attractive." Charlesworth particularly highlights Moon's unusual drumming, in which Moon uses only his tom-toms during the verses and

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and incorporates cymbals only for the bridge and the solo. Allmusic critic Richie Unterberger calls it one of the "highlights" of ''My Generation''. But Steve Grantley and

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describe the song as being "so-so" and "pretty conventional." But they too acknowledge the power of Moon's "intermittent controlled" drum patterns and remark that it contains a preview of some elements of later Who songs, such as Townshend's "tentative crash chords." Who biographer John Atkins concurs that the song is rather conventional and describes it as a "straight

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song." Nicky Hopkins joins the band on piano for the song, and author Mike Segretto claims that his "hyper piano runs contribute much

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fuel to it. Segretto also believes that the " shuffling rhythm" was influenced by

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' " Heat Wave." Segretto claims that like " The Kids Are Alright," also from ''My Generation'', "La-La-La-Lies" "transform the romantic song into something defiant," in this case by declaring that his love is strong enough to withstand the "slander of jealous parties." In common with several songs off ''My Generation'', a theme of "La-La-La-Lies" is the "illusion of identity." '' Rolling Stone'' critic

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called it "as personal as anything Pete Townshend ever wrote." The lyrics criticize a friend who lies about the singer. This makes the song a little different from other similarly themed Who songs, as in many of the band's songs about lying their complaint is that someone is lying to them; in "La-La-La-Lies" the complaint is that someone is lying about them. Christopher Ketcham sees "La-La-La-Lies" as representing a related theme common to several Who songs: the difficulty of seeing "the other." Ketcham sees this as also being a theme of '' Quadrophenia'' and songs such as " My Generation" and " Who Are You."

Single release

In November 1966, the song was released in Britain as the fourth single from the '' My Generation'' album without the permission of The Who. This was done by the song's

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Shel Talmy, who owned the rights to the song, in the midst of his legal dispute with the band, in order to compete with the singles the band wanted to release. The single reached the Top 20 in

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, but did not chart in the United Kingdom. Charlesworth suggests that the song would have performed better on the chart had it not been competing with The Who's own " Happy Jack." It was backed with "

The Good's Gone "The Good's Gone" is a song by English rock band the Who, written by their guitarist Pete Townshend. Initially recorded and sequenced as the third track of their debut My Generation (album), ''My Generation'' in December 1965, it was released as the ...

References

{{Authority control 1965 singles Songs written by Pete Townshend The Who songs Song recordings produced by Shel Talmy 1965 songs Decca Records singles Brunswick Records singles