Laßt uns sorgen, laßt uns wachen, BWV 213
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' (Let us take care, let us watch over), BWV213, is a secular cantata by
Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard wo ...
. Bach composed it in
Leipzig Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urban zone) as of 2021 places the city as Germany's eighth most populous, as ...
on a text by
Picander Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many of the cantatas which Johann Sebastian Bach composed in Leipzig. Henrici was born in Stolpen. He stud ...
and first performed it on 5 September 1733. It is also known as ' (The choice of Hercules) and ' (Hercules at the crossroads).


History and text

The work is a
dramma per musica Dramma per musica ( Italian, literally: ''drama for music'', plural: ''drammi per musica'') is a libretto. The term was used by dramatists in Italy and elsewhere between the mid-17th and mid-19th centuries. In modern times the same meaning of ''dra ...
describing the story of "
Hercules at the crossroads Hercules at the crossroads, also known as the Choice of Hercules and the Judgement of Hercules, is an ancient Greek parable attributed to Prodicus and known from Xenophon. It concerns the young Heracles/Hercules who is offered a choice between Vic ...
". Bach composed the cantata for the 11th birthday of Crown Prince Friedrich Christian of Saxony, to a text by
Picander Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many of the cantatas which Johann Sebastian Bach composed in Leipzig. Henrici was born in Stolpen. He stud ...
. It was first performed in
Leipzig Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urban zone) as of 2021 places the city as Germany's eighth most populous, as ...
on 5 September 1733 at Zimmermann's coffeehouse, where Bach's ''
Coffee Cantata ' (Be still, stop chattering), BWV 211, also known as the ''Coffee Cantata'', is a secular cantata by Johann Sebastian Bach. He composed it probably between 1732 and 1735. Although classified as a cantata, it is essentially a miniature comic ...
'' was also first performed. Bach used the
aria In music, an aria ( Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompa ...
"" in a revised form in '' Und es waren Hirten in derselben Gegend'', Part II of his ''
Christmas Oratorio The ''Christmas Oratorio'' (German: ''Weihnachtsoratorium''), , is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It is in six parts, each part a cantata intended for performance on one of ...
''. Bach also reused the aria "" to form the aria '' Ich will nur dir zu Ehren leben'' in Part 4 of his ''
Christmas Oratorio The ''Christmas Oratorio'' (German: ''Weihnachtsoratorium''), , is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It is in six parts, each part a cantata intended for performance on one of ...
''. A duet of the cantata and the duet "" from his Mass in B minor share a common lost base. The cantata is counted among the works for celebrations of the
Leipzig University Leipzig University (german: Universität Leipzig), in Leipzig in Saxony, Germany, is one of the world's oldest universities and the second-oldest university (by consecutive years of existence) in Germany. The university was founded on 2 December ...
, ''Festmusiken zu Leipziger Universitätsfeiern''.


Scoring and structure

The cantata has four vocal soloists:
Lust Lust is a psychological force producing intense desire for something, or circumstance while already having a significant amount of the desired object. Lust can take any form such as the lust for sexuality (see libido), money, or power. It c ...
( soprano), Hercules ( alto),
Virtue Virtue ( la, virtus) is moral excellence. A virtue is a trait or quality that is deemed to be morally good and thus is valued as a foundation of principle and good moral being. In other words, it is a behavior that shows high moral standards ...
(
tenor A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is wide ...
), and Mercury ( bass). It is also scored for a four-part choir, two
horns Horns or The Horns may refer to: * Plural of Horn (instrument), a group of musical instruments all with a horn-shaped bells * The Horns (Colorado), a summit on Cheyenne Mountain * ''Horns'' (novel), a dark fantasy novel written in 2010 by Joe Hill ...
, oboe d'amore, two
oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. ...
s, two
violin The violin, sometimes known as a '' fiddle'', is a wooden chordophone ( string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument ( soprano) in the family in regu ...
s, two
viola ; german: Bratsche , alt=Viola shown from the front and the side , image=Bratsche.jpg , caption= , background=string , hornbostel_sachs=321.322-71 , hornbostel_sachs_desc=Composite chordophone sounded by a bow , range= , related= *Violin family ...
s (or viola and bassoon), and basso continuo. The cantata has 13 movements: # Chorus: # Recitative (alto): # Aria (soprano): # Duet recitative (soprano, tenor): # Aria (alto): # Recitative (tenor): # Aria (tenor): # Recitative (tenor): # Aria (alto): # Duet recitative (alto, tenor): # Duet aria (alto, tenor): # Recitative (bass): # Chorus:


Music

The opening movement presents a choir of deities giving homage to the young Hercules, with "
lullaby A lullaby (), or cradle song, is a soothing song or piece of music that is usually played for (or sung to) children (for adults see music and sleep). The purposes of lullabies vary. In some societies they are used to pass down cultural knowledg ...
-like" chordal instrumental accompaniment. In the first
recitative Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat ...
, Hercules establishes the "crossroads" at which he finds himself: a choice between the right path and following his desires. Lust responds with a lullaby-like
aria In music, an aria ( Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompa ...
to lure Hercules. The duet recitative "encapsulates the age-old good angel/bad angel,
good cop/bad cop Good cop/bad cop is a psychological tactic used in negotiation and interrogation, in which a team of two people take opposing approaches interrogating their subject. One interrogator adopts a hostile or accusatory demeanor, emphasizing threats ...
dichotomy", leading into an aria in which Hercules is "vacillating between them". The aria adopts the "echo" form prominent in early Italian opera: another alto voice engages in imitative exchanges with Hercules and with the instrumental lines. Virtue proceeds with a secco recitative and "ebullient" aria entreating Hercules to follow the right path that he might "soar on his wings like an eagle to the stars". Virtue concludes with another secco recitative warning Hercules not to succumb to Lust's temptations. Hercules sings a
da capo aria The da capo aria () is a musical form for arias that was prevalent in the Baroque era. It is sung by a soloist with the accompaniment of instruments, often a small orchestra. The da capo aria is very common in the musical genres of opera and orato ...
expressing his conviction to follow Virtue's advice. The accompanying instrumental lines represent the "writhing of serpents ... being torn apart" by his choice. He then sings a duet recitative with Virtue: "metaphorically she 'weds' herself to him and they end together with a vow of unity". This moves into a long duet aria "with all the quiet tranquility of a love song but, perhaps, one that commits minds and emotions rather than bodies". The character of Mercury appears for the first time in the penultimate movement, accompanied by a "haze of God-like mysticism" created by the strings. The closing chorus is combined with a bass
arioso In classical music, arioso (also aria parlante ) is a category of solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means ''airy''. The term arose in the 16th ...
in which Mercury addresses the Crown Prince directly. The movement is stylistically a
gavotte The gavotte (also gavot, gavote, or gavotta) is a French dance, taking its name from a folk dance of the Gavot, the people of the Pays de Gap region of Dauphiné in the southeast of France, where the dance originated, according to one source. A ...
with a balanced structure contrasting orchestra and chorus with the bass solo.


Recordings

* Figuralchor der Gedächtniskirche Stuttgart /
Bach-Collegium Stuttgart Bach-Collegium Stuttgart is an internationally known German instrumental ensemble, founded by Helmuth Rilling in 1965 to accompany the Gächinger Kantorei in choral music with orchestra. Its members are mostly orchestra musicians from Germany and ...
,
Helmuth Rilling Helmuth Rilling (born 29 May 1933) is a German choral conductor and an academic teacher. He is the founder of the Gächinger Kantorei (1954), the Bach-Collegium Stuttgart (1965), the Oregon Bach Festival (1970), the Internationale Bachakademie ...
. ''J. S. Bach: Hercules auf dem Scheidwege · Cembalokonzert BWV 1058''. Cantate-Musicaphon, 1967. * Choir & Orchestra of the Age of Enlightenment, Gustav Leonhardt. ''J. S. Bach: Secular Cantata BWV 211 & 213''. Philips, 1994. * RIAS-Kammerchor / Akademie für Alte Musik Berlin,
René Jacobs René Jacobs (born 30 October 1946) is a Belgian musician. He came to fame as a countertenor, but later in his career he became known as a conductor of baroque and classical opera. Biography Countertenor Born in Ghent, Jacobs began his music ...
. ''J. S. Bach: Cantate Profanes''. Harmonia Mundi France, 1994. *
Amsterdam Baroque Orchestra & Choir The Amsterdam Baroque Orchestra & Choir is a Dutch early-music group based in Amsterdam. The Amsterdam Baroque Orchestra & Choir was created in two stages by the conductor, organist and harpsichordist Ton Koopman. He founded the Amsterdam Baroq ...
,
Ton Koopman Antonius Gerhardus Michael Koopman (; born 2 October 1944), known professionally as Ton Koopman, is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orches ...
. ''J. S. Bach: Complete Cantatas Vol. 5''. Erato, 1996.


Notes


References


Cited sources

*


External links

* * *
Laßt uns sorgen, laßt uns wachen
history, scoring, Bach website

English translation,
University of Vermont The University of Vermont (UVM), officially the University of Vermont and State Agricultural College, is a public land-grant research university in Burlington, Vermont. It was founded in 1791 and is among the oldest universities in the United ...
{{DEFAULTSORT:Lasst uns sorgen lasst uns wachen, BWV 213 Secular cantatas by Johann Sebastian Bach 1733 compositions