Kedareswara temple
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Kedareshwara Temple (also spelt "Kedaresvara" or "Kedareshvara") is a
Hoysala The Hoysala Empire was a Kannadiga power originating from the Indian subcontinent that ruled most of what is now Karnataka between the 10th and the 14th centuries. The capital of the Hoysalas was initially located at Belur, but was later moved ...
era construction in the historically important town of
Halebidu Halebidu ( IAST: Haḷēbīḍ, literally "old capital, city, encampment" or "ruined city") is a town located in Hassan District, Karnataka, India. Historically known as Dorasamudra (also Dwarasamudra), Halebidu became the regal capital of the ...
, in the Hassan district of
Karnataka Karnataka (; ISO: , , also known as Karunāḍu) is a state in the southwestern region of India. It was formed on 1 November 1956, with the passage of the States Reorganisation Act. Originally known as Mysore State , it was renamed ''Karnat ...
state, India. It is located a short distance away from the famous Hoysaleswara Temple. The temple was constructed by Hoysala King
Veera Ballala II Veera Ballala II ( kn, ವೀರ ಬಲ್ಲಾಳ 2) (r. 1173–1220 CE) was the most notable monarch of the Hoysala Empire. His successes against the Yadavas of Devagiri, the Southern Kalachuris, the Pandyas of Madurai and the wani ...
(r. 1173–1220 A.D.) and his Queen Ketaladevi, and the main deity is ''Ishwara'' (another name for the Hindu god
Shiva Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hindu ...
). The temple is protected as a monument of national importance by the
Archaeological Survey of India The Archaeological Survey of India (ASI) is an Indian government agency that is responsible for archaeological research and the conservation and preservation of cultural historical monuments in the country. It was founded in 1861 by Alexand ...
.*


Temple plan

According to art historian Adam Hardy, the temple was constructed before 1219 A.D and is constructed with Soap stone. The usage of Soap stone was first popularised by the
Western Chalukyas The Western Chalukya Empire ruled most of the western Deccan, South India, between the 10th and 12th centuries. This Kannadiga dynasty is sometimes called the ''Kalyani Chalukya'' after its regal capital at Kalyani, today's Basavakalyan in th ...
before it became standard with the Hoysala architects of the 12th and 13th centuries.Kamath (2001), pp.116, p.136 The temple stands on the platform called '' jagati'' which is typically five to six feet in height and which can be reached by a flight of steps. According to historian Kamath, this is a Hoysala innovation. Hoysala temples normally don't provide a path for
circumambulation Circumambulation (from Latin ''circum'' around and ''ambulātus ''to walk) is the act of moving around a sacred object or idol. Circumambulation of temples or deity images is an integral part of Hindu and Buddhist devotional practice (known in S ...
(''pradakshinapatha'') around the inner sanctum (''
garbhagriha A ''garbhagriha'' or ''sannidhanam'' is the ''sanctum sanctorum'', the innermost sanctuary of a Hindu and Jain temples where resides the '' murti'' (idol or icon) of the primary deity of the temple. In Jainism, the main deity is known as the ' ...
''). However, the platform provides this convenience in addition to giving the onlooker a good view of the wall relief and sculptures.Foekema (1996), p.25 The outlay of the main shrine (''
Vimana Vimāna are mythological flying palaces or chariots described in Hindu texts and Sanskrit epics. The "Pushpaka Vimana" of Ravana (who took it from Kubera; Rama returned it to Kubera) is the most quoted example of a vimana. Vimanas are also men ...
'') is star-shaped (stellate) with two smaller shrines that have perforated windows (called ''Jali'', literally, "sieve") on the sides. According to the art historian Gerard Foekema, star-shaped or "staggered square" (or cross in square) temple plans are quite common among Hoysala constructions creating multiple projections and recesses in the outer walls. In these projections, the Hoysala architects created repetitive decorative sculptures and reliefs called "architectural articulation".Foekema (1996), p.21Hardy (1995), p.329Kamath (2001), p. 115, p.136 Since the temple has three shrines, it qualifies as a ''trikuta'', a three shrined structure. Often in ''trikutas'', only the central shrine has a tower while the lateral shrines are virtually hidden behind the thick outer walls and appear to be a part of the hall itself.Foekema (1996), p.25 Despite being a
Shaiva Shaivism (; sa, शैवसम्प्रदायः, Śaivasampradāyaḥ) is one of the major Hindu traditions, which worships Shiva as the Supreme Being. One of the largest Hindu denominations, it incorporates many sub-traditions rangin ...
temple (related to god Shiva) it is well known for its friezes and panel relief that bare depictions from both the Shaiva and
Vaishnava Vaishnavism ( sa, वैष्णवसम्प्रदायः, Vaiṣṇavasampradāyaḥ) is one of the major Hindu denominations along with Shaivism, Shaktism, and Smartism. It is also called Vishnuism since it considers Vishnu as the ...
(related to the god Vishnu) legend. The three sanctums are connected to a "staggered square" (indented) central hall (''mahamantapa'') by individual vestibules called ''sukanasi''. A
porch A porch (from Old French ''porche'', from Latin ''porticus'' "colonnade", from ''porta'' "passage") is a room or gallery located in front of an entrance of a building. A porch is placed in front of the facade of a building it commands, and form ...
connects the central hall to the platform. The base of the temple wall ('' adhisthana'') around the common hall and the two lateral shrines consist of mouldings, each of which is treated with friezes in relief that depict animals and episodes from the Hindu lore (''
purana Purana (; sa, , '; literally meaning "ancient, old"Merriam-Webster's Encyclopedia of Literature (1995 Edition), Article on Puranas, , page 915) is a vast genre of Indian literature about a wide range of topics, particularly about legends an ...
''). Historian Kamath calls this "horizontal treatment".Kamath (2001), p.134 The image of the deity of worship is missing in all three sanctums and the superstructure over all three shrines are lost. Some noteworthy pieces of sculpture worthy of mention are the dancing
Bhairava Bhairava (Sanskrit: भैरव ) or Kala Bhairava is a Shaivite and Vajrayāna deity worshiped by Hindus and Buddhists. In Shaivism, he is a powerful manifestation, or avatar, of Shiva associated with annihilation. In Trika system ''Bhaira ...
(a form of Shiva), Govardhana (the god
Krishna Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is one ...
lifting a mountain), the god Vishnu as ''Varadaraja'', and a huntress.


Notes


Gallery

File:A view of Kedareshwara Temple in Halebidu.jpg, Another view of Kedareshwara temple at Halebidu File:Profile of Kedareshwara Temple in Halebidu2.jpg, Another profile view of the Kedareshawara temple at Halebidu File:View of entrance into a sanctum in the Kedareshwara temple at Halebidu.JPG, Ornate
doorjamb A jamb (from French ''jambe'', "leg"), in architecture, is the side-post or lining of a doorway or other aperture. The jambs of a window outside the frame are called “reveals.” Small shafts to doors and windows with caps and bases are known ...
and lintel over entrance into a sanctum in the Kedareshwara temple at Halebidu File:Profile of square mantapa and stellate shrine on Jagati in the mantapa of Kedareshwara temple at Halebidu.JPG, Profile of square mantapa and stellate shrine in the Kedareshwara temple at Halebidu File:Ornate aedicula in the mantapa of the Kedareshwara temple at Halebidu.JPG, Ornate aedicula inside mantapa in the Kedareshwara temple at Halebidu File:Molding frieze and outer wall decoration relief in Kedareshwara temple at Halebidu.JPG, Molding frieze and outer wall decoration in the Kedareshwara temple at Halebidu File:Molding frieze and wall relief sculpture follow the stellate plan of the shrine in the Kedareshwara temple at Halebidu.JPG, Close up of stellate points showing moulding and wall relief sculpture of Hindu deities in the Kedareshwara temple at Halebidu File:Lathe turned pillars support bay ceiling in the mantapa of Kedareshwara temple at Halebidu.JPG, Lathe turned pillars support bay ceiling in the Kedareshwara temple at Halebidu File:Hindu deities and aedicules in relief in the Kedareshwara temple at Halebidu.JPG, Relief of Hindu deities below lower eve and miniature decorative towers above it (below upper eve) in the Kedareshwara temple at Halebidu File:Hindu deity sculpture in the mantapa of Kedareshwara temple at Halebidu.JPG, Sculpture of a Hindu deity in the Kedareshwara temple at Halebidu File:Decorative domical ceiling in mantapa of Kedareshwara temple at Halebidu.JPG, Bay ceiling in the Kedareshwara temple at Halebidu File:Decorative ceiling in mantapa of the Kedareshwara temple at Halebidu 1.JPG, Bay ceiling in the Kedareshwara temple at Halebidu


References

*Gerard Foekema, A Complete Guide to Hoysala Temples, Abhinav, 1996 * *Adam Hardy, Indian Temple Architecture: Form and Transformation : the Karṇāṭa Drāviḍa Tradition, 7th to 13th Centuries, Abhinav, 1995 . * *


External links

{{coord missing, Karnataka Hindu temples in Hassan district 12th-century Hindu temples Hoysala Empire Shiva temples in Karnataka