Kāpi is a popular

rāga A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a ...

Carnatic music Carnatic music, known as or in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It ...

, the classical music of

South India South India, also known as Dakshina Bharata or Peninsular India, consists of the peninsular southern part of India. It encompasses the Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, and Telangana, as well as the union terr ...

. ''Kāpi'' is a

janya ''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 ''melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a varie ...

rāgam of ''

Kharaharapriya Kharaharapriya is a rāga in Carnatic music. It is the 22nd ''melakarta'' rāga (parent scale) in the 72 ''melakarta'' rāga system. It is possible that the name of the ragam was originally ''Harapriya'' but it was changed to conform to the Kat ...

'' with a meandering vakra scale. Typically performed at slow and medium speeds, it is capable of inducing moods of devotion, pathos and sadness in the listeners. ''Kāpi'' is different from the Hindustani raag and

thaat A Thaat () is a "Parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term ''Melakartha raga'' of Carnatic Music. The concept of the ''thaat'' is not exactly equivalent to the western musical scale because t ...

'' Kafi.'' The equivalent raag in Hindustani is Pilu.

Structure and Lakshana

Kāpi is an audava-vakra sampoorna rāgam with an ascending pentatonic scale and a descending scale with seven notes, but not in a descending order. Use of Kakali Nishadam and Anthara Gandharam make it a Bhashanga Raagam. * : * : The presence of different ''nishāda'' swarās (N₂ and N₃) lends a distinctive quality to Kāpi, along with the fact that it uses a set of vakra swarās (N₂ D₂ N₂). There is also a mild presence of shuddha daivatham (D₁) that renders an invaluable feeling of devotion to the raagam. This, and the presence of Anthara Gandharam (G₃) makes it difficult to pinpoint the exact nature of the avarohana of the raagam. In the song Jagadhodharana composed by Sangeeta Pitamaha Sri Purandara Dasa, the note Suddha Dhaivatham (Dha1) also occurs as a foreign note(anya swara) Kapi ragam gives the feeling Devotion, Sentiment and happiness

Compositions

Some of the popular compositions in Kāpi are: * ''Jagadoddhārana Adisidaleshode'', ''Bannisi gopi'' -

Purandaradasa Purandara Dasa (IAST: Purandara dāsa) ( 1470 – 1565) was a Haridasa philosopher and a follower of Madhwacharya 's Dwaitha philosophy -saint from present-day Karnataka, India. He was a composer, singer and one of the chief founding-prop ...

* ''Mee Valla Gunadosha Memi, Intha Sowkhya'' -

Thyagaraja Thyagaraja (Telugu: త్యాగరాజ) (4 May 1767 – 6 January 1847), also known as Thyāgayya and in full as Kakarla Thyagabrahmam, was a composer and vocalist of Carnatic music, a form of Indian classical music. Tyagaraja and his ...

* ''Venkatachalapate Ninu Nammiti'' - Muthuswami Dikshitar ** * ''Viharamanasa Rame'', ''Smarasi Pura'', ''Sree Madhavamanu'' -

Swathi Thirunal ( ml, സ്വാതി തിരുനാള്‍ രാമവർമ്മ) (16 April 1813 – 26 December 1846) was the Maharaja of the Kingdom of Travancore. He is also considered as a brilliant music composer and is credited with over 4 ...

* ''Enna thavam seydanai Yashoda'' -

Papanasam Sivan Paapanaasam Raamayya Sivan (26 September 1890 – 1 October 1973) was an Indian composer of Carnatic music and a singer. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1971. He was also a film score composer in Kannada cinema ...

* ''Bhaja maadhavam anisham'' -

Mysore Vasudevacharya Mysore Vasudevacharya (28 May 1865 – 17 May 1961) was an Indian musician and composer of Carnatic music compositions who belonged to the direct line of Thyagaraja's disciples. Vasudevachar's compositions (numbering over 200) were mostly in Telu ...

* ''Maya Gopabala'' - K C Kesava Pillai * ''Jaanaki ramana dasaratha nandana'' - Vanamaamalai Jeeyar Swami * ''Javo Mat Thum'' (Upaakhyanam) -

* ''Chinnanchiru Kiliye (First two stanzas)'' -

Subramanya Bharathi C. Subramania Bharathi Birth name: C. Subramaniyan, the person's given name: Subramaniyan, father's given name: Chinnaswami. (C. Subramaniyan by the prevalent patronymic initials as prefix naming system in Tamil Nadu and it is Subramaniyan C ...

* ''Kurai Ondrum Illai'' (''Two'' ''charanam'' ''verses'') - Chakravarti Rajagopalachari * ''Karthikeyanai'' - Mayuram Viswanatha Sastri * ''Aravinda Padamalar'' - Ambujam Krishna * ''Charanamule Nammiti'' -

Bhadrachala Ramadasu Kancharla Gopanna ( te, కంచర్ల గోపన్న) ( – 1688), popularly known as Bhakta Ramadasu or Bhadrachala Ramadasu ( te, భద్రాచల రామదాసు), was a 17th-century devotee of the Hindu god Rama, a sai ...

* ''Kanaka Simham'' -

Kalyani Varadarajan Kalyani Varadarajan (8 October 1923 – 28 October 2003), commonly known as Kalyani, was one of Carnatic music's famous twentieth-century composers. She created carnatic compositions in all 72 melakarta ragas, besides scores of janya ragas. Ea ...

*''Kanna Vaa Manivanna Vaa'' (''First two verses'') - Ambujam Krishna * ''Nee mattume en nenjil nirkirai'' - Perumal Murugan and K Arun Prakash ** Kāpi of Muthuswami Dikshitar is quite different from the traditional Kāpi and often cited as karNATaka Kāpi The Moorchana of Kāpi as per Venkatamakhin is S R2 G2 M1 P D2 N2 S/ N2 D2 P M1 G2 G2 R2 S

Film Songs

Language:
Tamil Tamil may refer to: * Tamils, an ethnic group native to India and some other parts of Asia Sri Lankan Tamils, Tamil people native to Sri Lanka also called ilankai tamils Tamil Malaysians, Tamil people native to Malaysia * Tamil language, na ...

Notes

References