HOME
The Info List - Kamāl Ud-Dīn Behzād


--- Advertisement ---



Kamāl ud-Dīn Behzād
Kamāl ud-Dīn Behzād
(c. 1450 – c. 1535), also known as Kamal al-din Bihzad
Bihzad
or Kamaleddin Behzad (Persian: کمال‌الدین بهزاد‎), was a Persian painter and head of the royal ateliers in Herat
Herat
and Tabriz
Tabriz
during the late Timurid and early Safavid
Safavid
Persian periods.

Contents

1 Biography 2 Career and style 3 Behzad in literature 4 Gallery 5 See also 6 Notes 7 References 8 External links

Biography[edit] He was born and lived most of his life in Herat, a city in south-west of Afghanistan, during the time of the Timurids, and later in Tabriz under the Safavid
Safavid
dynasty. An orphan, he was raised by the prominent painter Mirak Naqqash, and was a protégé of Mir Ali Shir Nava'i. His major patrons in Herat
Herat
were the Timurid sultan Husayn Bayqarah
Husayn Bayqarah
(ruled 1469 - 1506) and other amirs in his circle. After the fall of the Hamad, he was employed by Shah Ismail I
Ismail I
Safavi in Tabriz, where, as director of the royal atelier, he had a decisive impact on the development of later Safavid
Safavid
painting. Behzad died in 1535 and his tomb is located in Herat, in Saeede Mukhtar which is located in north of Herat
Herat
city on the top of a hill. A statue of Behzad is placed in 2-Kamal Tomb. Career and style[edit] Behzad is the most famous of Persian miniature
Persian miniature
painters, though he is more accurately understood as the director of a workshop (or kitabkhāna) producing manuscript illuminations in a style he conceived.[1][2][3] Persian painting of the period frequently uses an arrangement of geometric architectural elements as the structural or compositional context in which the figures are arranged. Behzad is equally skilled with the organic areas of landscape, but where he uses the traditional geometric style Behzad stretches that compositional device in a couple ways. One is that he often uses open, unpatterned empty areas around which action moves. Also he pins his compositions to a mastery at moving the eye of the observer around the picture plane in a quirky organic flow. The gestures of figures and objects are not only uniquely natural, expressive and active, they are arranged to keep moving the eye throughout the picture plane. He uses value (dark-light contrast) more emphatically, and skillfully than other medieval miniaturists. Another quality common to his work is narrative playfulness: the almost hidden eye and partial face of Bahram as he peers out the blinds to watch the frolicking girls in the pool below, the upright goat that looks like a demon along the edge of the horizon in a story about an old woman confronting the sins of Sanjar, the amazing cosmopolitan variety of humans working on the wall in the sample image. This surprising individuality of character and narrative creativity are some qualities that distinguish Bezhad's works and that match their literary intent. Behzad also uses Sufi
Sufi
symbolism and symbolic colour to convey meaning. He introduced greater naturalism to Persian painting, particularly in the depiction of more individualised figures and the use of realistic gestures and expressions. Behzad's most famous works include "The Seduction of Yusuf" from Sa'di's Bustan of 1488, and paintings from the British Library's Nizami manuscript of 1494-95 - particularly scenes from Layla and Majnun and the Haft Paykar (see accompanying image). The attribution of specific paintings to Behzad himself is often problematic (and, many academics would now argue, unimportant),[1] but the majority of works commonly attributed to him date from 1488 to 1495. Behzad in literature[edit] He is also mentioned in Orhan Pamuk's novel "My Name is Red" as one of the greatest Persian miniature
Persian miniature
painters. Gallery[edit]

Battleground of Timur
Timur
and the Mamluk
Mamluk
Sultan
Sultan
of Egypt.

The construction of castle Khavarnaq ( Arabic
Arabic
الخورنق) in al-Hira, c. 1494-1495 C.E.

A miniature painting by Bihzad
Bihzad
illustrating the funeral of the elderly Attar of Nishapur
Attar of Nishapur
after he was held captive and killed by a Mongol invader.

Yusef and Zuleykha

A miniature painting from the Iskandarnama

A miniature painting from the Iskandarnama

The hunting ground.

Beheading of a King

Sultan
Sultan
Hussein

Timur
Timur
granting audience on the occasion of his accession

Dancing dervishes (c. 1480/1490)

See also[edit]

Wikimedia Commons has media related to Kamal-ud-din Bihzad.

Persian miniature List of Persian painters (in French) Behzad on the French Begzada

Notes[edit]

^ a b Roxburgh, David J., “Kamal al-Din Bihzad
Bihzad
and Authorship in Persianate Painting,” Muqarnas, Vol. XVII, 2000, pp. 119-146. ^ Lentz, Thomas, “Changing Worlds: Bihzad
Bihzad
and the New Painting,” Persian Masters: Five Centuries of Painting, ed., Sheila R. Canby, Bombay, 1990, pp. 39–54. ^ Lentz, Thomas, and Lowry, Glenn D., Timur
Timur
and the Princely Vision, Los Angeles, 1989.

References[edit]

Brend, Barbara, Islamic Art, London, 1991. Chapman, Sarah, “Mathematics and Meaning in the Structure and Composition of Timurid Miniature Painting”, Persica, Vol. XIX, 2003, pp. 33–68. Grabar, Oleg, "Mostly Miniatures: An introduction to Persion Painting" Princeton, 2000 Gray, Basil, Persian Painting, London, 1977. Hillenbrand, Robert, Islamic Art and Architecture, London, 1999. Lentz, Thomas, and Lowry, Glenn D., Timur
Timur
and the Princely Vision, Los Angeles, 1989. Lentz, Thomas, “Changing Worlds: Bihzad
Bihzad
and the New Painting,” Persian Masters: Five Centuries of Painting, ed., Sheila R. Canby, Bombay, 1990, pp. 39–54. Milstein, Rachel, “ Sufi
Sufi
Elements in Late Fifteenth Century Herat Painting”, Studies in Memory of Gaston Wiet, ed., M. Rosen-Ayalon, Jerusalem, 1977, pp. 357–70. Rice, David Talbot, Islamic Art, 2nd ed., London, 1975. Rice, David Talbot, Islamic Painting: a Survey, Edinburgh, 1971. Robinson, Basil W., Fifteenth Century Persian Painting: Problems and Issues, New York, 1991. Roxburgh, David J., “Kamal al-Din Bihzad
Bihzad
and Authorship in Persianate Painting,” Muqarnas, Vol. XVII, 2000, pp. 119–146.

External links[edit]

Video from the Asia Society, US

Authority control

WorldCat Identities VIAF: 96545639 ISNI: 0000 0001 2374 9979 GND: 118884565 SUDOC: 083215409 BNF: cb13166434v (data) ULA

.