John Prip
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John Axel Prip, also known as Jack Prip (1922–2009), was an American master metalsmith, industrial designer, and educator. He was known for setting standards of excellence in American metalsmithing. His works and designs have become famous for bringing together the formal, technical tradition of
Danish design Danish design is a style of functionalistic design and architecture that was developed in mid-20th century. Influenced by the German Bauhaus school, many Danish designers used the new industrial technologies, combined with ideas of simplicity ...
into harmony with the American desire for innovation. Several of his designs for the Reed and Barton Company are still in production today.


Early childhood and education

John Prip was born on July 8, 1922 in New York City, of a Danish father Folmer Trolle Prip and an American mother Marian Evelyn Cherry. As a child, he moved to Denmark with his family, where his father ran a silversmithing factory that had been his grandfather's. Prip was a fourth generation metalsmith. At age 15 in 1937, Prip began an apprenticeship with master silversmith Evald Nielsen, while attending high school. The next five years were spent polishing stakes, sweeping up, and laboriously reproducing classical renderings; the apprenticeship ended in 1942. He completed the required journeyman's piece, which was awarded silver medal/Hertz Award and he was awarded a diploma from Copenhagen Technical School. The apprenticeship experience taught diligence and a deeply rooted technical skill, but simultaneously imposed a restricted aesthetic. In a way it was the unlearning of these traditional forms and procedures that pushed the young silversmith into bold experiments and motivated the innovations that distinguished his career.


Career


Alfred University

Following World War II in 1948, Prip returned to the United States with his family. He came over on the same boat with a woodworker named
Tage Frid Tage Frid (30 May 1915 – 4 May 2004) was a Danish-born woodworker, educator and author who influenced the development of the studio furniture movement in the United States. His design work was often in the Danish-modern style, best known for h ...
, who was to become a lifelong colleague and friend. They had both been invited to teach at Alfred University, in a new department called the School of American Craftsmen (SAC). At the time, there were few places to study and limited knowledge of metalsmithing techniques in the United States. Prip's position was unique: his Danish training provided him with firm technical grounding, while his American environment encouraged the attitude of exploration and innovation that became a hallmark of his career.


Rochester, New York

When the school moved to the
Rochester Institute of Technology Rochester Institute of Technology (RIT) is a private research university in the town of Henrietta in the Rochester, New York, metropolitan area. The university offers undergraduate and graduate degrees, including doctoral and professional ...
two years later, Jack and his family, which now included daughter Janet, moved along with it. It was during this time in the early 1950s that Prip and the crafts movement were eagerly searching for their own style. In 1953, Prip along with Ronald Hayes Pearson,
Frans Wildenhain Frans Wildenhain also known as Franz Rudolf Wildenhain (June 5, 1905 – January 25, 1980) was a Bauhaus-trained German potter and sculptor, who taught for many years at the School for American Craftsmen (now School for American Crafts) at the Ro ...
, Tage Frid, established a gallery in Rochester, New York called, ''Shop One''. This gallery was a unique institution in its time, providing not only a business venture originated and managed by craftsmen, but also a forum for the presentation of top quality avant-garde craftwork. Its mission was to educate the public to the special beauty of handmade objects. In 1957, after three years with ''Shop One'', Prip again felt the need to move on.


Reed and Barton Company

Through some fortunate connections he was hired by Reed and Barton Company, a
holloware Holloware (hollowware, or hollow-ware ) is metal tableware such as sugar bowls, creamers, coffee pots, teapots, soup tureens, hot food covers, water jugs, platters, butter pat plates, and other items that accompany dishware on a table. It d ...
and flatware manufacturer in Massachusetts. The title invented for the role he conceived was Artist-Craftsman-Residence. He was given a workspace, materials, and access to the 900-worker factory. It was understood that Prip had a responsibility to address himself to work that might eventually profit the company, but beyond that guidance no restrictions were imposed. Prip was to stay at Reed and Barton for three years, leaving in 1960. One indication of his success there is the fact that 20 years later several of his designs are still in production.


Late career and Rhode Island School of Design

In 1971, he was a founding member of the . He was also a member of the Society of American Silversmiths. Prip returned to teaching part-time at the
School of the Museum of Fine Arts, Boston The School of the Museum of Fine Arts at Tufts University (Museum School, SMFA at Tufts, or SMFA; formerly the School of the Museum of Fine Arts, Boston) is the art school of Tufts University, a private research university in Boston, Massachusett ...
, from 1960 to 1962. In 1962, Prip taught at University of Southern California, Los Angeles (UCLA). From 1963 until 1981, Prip taught at the
Rhode Island School of Design The Rhode Island School of Design (RISD , pronounced "Riz-D") is a private art and design school in Providence, Rhode Island. The school was founded as a coeducational institution in 1877 by Helen Adelia Rowe Metcalf, who sought to increase the ...
.


Death and legacy

Prip died in 2009 in Providence, Rhode Island. His daughter Janet Prip is a jeweler, sculptor, and metalsmith. His work is in public museum collections including the Smithsonian American Art Museum, the Brooklyn Museum, the Art Institute of Chicago,
Dallas Museum of Art The Dallas Museum of Art (DMA) is an art museum located in the Arts District of downtown Dallas, Texas, along Woodall Rodgers Freeway between St. Paul and Harwood. In the 1970s, the museum moved from its previous location in Fair Park to the Art ...
, Museum of Fine Arts, Boston, the James A. Michener Art Museum,
Minnesota Museum of American Art The Minnesota Museum of American Art ("The M") is an American art museum located in the Historic Pioneer Endicott building in Saint Paul, Minnesota. The museum holds more than 5,000 artworks that showcase the unique voice of American artists from ...
, and the Museum of Fine Arts, Houston.


Selected exhibitions

* 2005: "Modernism in American Silver: 20th-Century Design,"
Dallas Museum of Art The Dallas Museum of Art (DMA) is an art museum located in the Arts District of downtown Dallas, Texas, along Woodall Rodgers Freeway between St. Paul and Harwood. In the 1970s, the museum moved from its previous location in Fair Park to the Art ...
(traveled) * 1988: "John Prip: Master Metalsmith", American Craft Museum (now Museum of Arts and Design), New York City, New York *1986: "Scandinavian Craft Today: Poetry of the Physical," American Craft Museum, New York City, New York (traveled) * 1980: "For the Tabletop," American Craft Museum, New York, NY * 1979: "Silver in American Life," Yale University Art Gallery (traveled through 1982) * 1977: Philadelphia Museum of Art Invitational, PA * 1975: "Forms in Metal-275 Years of Metalsmithing in America," Museum of Contemporary Crafts, New York, NY (travelled) * 1974: "American Metalsmiths," Museum of Contemporary Crafts, New York, NY * 1973: "'73 International Jewellery Arts Exhibition," Tokyo, Japan * 1972: "John Prip/Metal," Museum of Contemporary Crafts, New York, NY * 1971: "Holloware '71" Invitational, Fine Arts Gallery, State University of New York College at Brockport, Brockport, NY * "Schmuck-Objekte, Goldschmiede Finden Neue Formen,"
Museum Bellerive A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make these ...
, Zürich, Switzerland * 1970: "Goldsmith '70" Invitational, Minnesota Museum of Art, St. Paul, MN (traveled) "Artists Craftsmen '70" Invitational * 1969: "Objects: U.S.A. The Johnson Collection of Contemporary Crafts (traveled through 1972) * 1968: Tyler Invitational, Temple University, Philadelphia, PA * 1965: "The New England Silversmith," Museum of Art, Rhode Island School of Design, Providence, RI * 1964: "30 Americans," Museum of Contemporary Crafts, New York, NY "The American Craftsman," Museum of Contemporary Crafts, New York, NY "Craftsmanship Defined," Philadelphia Museum College of Art, PA "Designed for Production: The Craftsman's Approach," Museum of Contemporary Crafts, New York, NY * 1962: "A Craftsman's Role in Modern Industry: John Prip at Reed & Barton," Museum of Contemporary Crafts, New York, NY * 1958: Museum of Contemporary Crafts, New York, NY United States Pavilion, Brussels World's Fair, Belgium * 1956: "Craftsmanship in a Changing World," Museum of Contemporary Crafts, New York, NY Finger Lakes Annual, Rochester, NY (First Prize) * 1955: Museum of Contemporary Crafts, New York, NY * 1954: "American Designers," Museum of Modern Art, New York, NY Finger Lakes Annual, Rochester, NY (D'Amanda Award) * 1953: "Designer Craftsmen, U.S.A. 1953," Brooklyn Museum, NY (traveled) * 1952: Finger Lakes Annual, Rochester, NY (First Prize) 5th Annual Arts & Crafts Competition and Graphic Arts Exhibition, Los Angeles, CA (First Prize) * 1949: 4th Annual Decorative Arts and Ceramics Exhibition, Wichita Art Association, KS (First Prize)


Awards and honors

* 1992: gold medal for consummate craftsmanship from the American Craft Council *1986: awarded National Endowment for the Arts grant * 1977: elected Fellow of the American Crafts Council * 1968–1977: elected trustee, Performing and Visual Arts Society, New York City, New York * 1964: featured artist/craftsman, New York World's Fair, sponsored by American Educational Council panel and participant, First World Congress of Craftsmen at Columbia University * 1956: Lillian Fairchild Award for Creative Achievement, Memorial Art Gallery, Rochester, NY Juror: "Midwest Designer/Craftsmen," Milwaukee, WI


References


External links


Oral history interview with John Prip, 1980 Oct. 20 and 1981 Nov. 21
from
Archives of American Art The Archives of American Art is the largest collection of primary resources documenting the history of the visual arts in the United States. More than 20 million items of original material are housed in the Archives' research centers in Washingt ...
, Smithsonian Institution {{DEFAULTSORT:Prip, John 1922 births 2009 deaths American goldsmiths American silversmiths American people of Danish descent Artists from New York (state) American male artists 20th-century American artists Rochester Institute of Technology faculty School of the Museum of Fine Arts at Tufts faculty Rhode Island School of Design faculty American expatriates in Denmark 20th-century American male artists