John Henry Anderson
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John Henry Anderson (1814–1874) was a Scottish professional magician. Anderson is credited with helping bring the art of magic from street performances into theatres and presenting magic performances to entertain and delight the audience.


Career

Anderson was born near Torphins in Aberdeenshire.
Orphan An orphan (from the el, ορφανός, orphanós) is a child whose parents have died. In common usage, only a child who has lost both parents due to death is called an orphan. When referring to animals, only the mother's condition is usuall ...
ed at the age of ten, he started his career appearing on the stage with a travelling dramatic company in 1830. At seventeen, he began performing magic and in 1837, at the age of twenty-three, he performed at the castle of Lord Panmure, whose endorsement of Anderson inspired him to put a touring show together which lasted for three years. In 1840, Anderson settled in London, opening the New Strand Theatre.
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is said to have given him the stage name, The Great Wizard of the North. Anderson's success came from his extensive use of advertising and popular shows which captivated his audience. The Wizard was committed to philanthropy and expert showmanship, making him one of the earliest magicians to attain a high level of world renown. Anderson declared: "It is the duty of all magicians to give entertainment," and he was not content to perform an
illusion An illusion is a distortion of the senses, which can reveal how the mind normally organizes and interprets sensory stimulation. Although illusions distort the human perception of reality, they are generally shared by most people. Illusions may oc ...
to simply demonstrate that he could accomplish something that the audience could not explain. If the effect was not enthusiastically received, Anderson would remove it from his act. Anderson is famous for a lifetime of successful performances of the
bullet catch The bullet catch is a stage magic illusion in which a magician appears to catch a bullet fired directly at them ⁠— often in the mouth, sometimes in the hand or sometimes caught with other items such as a dinner plate. The bullet catch ma ...
illusion. Although he did not invent the trick, he made it widely popular and several of his rivals copied Anderson's version in their own shows. Anderson is also credited to be the first magician to pull a rabbit out of a tophat. The trick had existed before in different forms, yet, Anderson was the first magician that performed this classic trick on stage. In 1842, Anderson married Hannah Longherst from
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, an assistant with his show. The following year their son John Henry Jr. was born. In 1845, Anderson's mistress Miss Prentice gave birth to Philip Prentice Anderson, but died in childbirth. Anderson, however, supported the child for his entire life. Anderson would also have two daughters – Helen and Alice – who assisted in their father's show and later became successful magicians, and a second
illegitimate Legitimacy, in traditional Western common law, is the status of a child born to parents who are legally married to each other, and of a child conceived before the parents obtain a legal divorce. Conversely, ''illegitimacy'', also known as '' ...
son with a member of his touring troupe. 1845 also saw the completion of Anderson's second theatre, the City Theatre in
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. In November, only four months after opening, the theatre burned and Anderson's financial losses were considerable. Through the aid of his show business friends, Anderson was able to launch a new show at London's Covent Garden Theatre in 1846 and then toured Europe the following year, travelling to
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, Stockholm, and
St. Petersburg Saint Petersburg ( rus, links=no, Санкт-Петербург, a=Ru-Sankt Peterburg Leningrad Petrograd Piter.ogg, r=Sankt-Peterburg, p=ˈsankt pʲɪtʲɪrˈburk), formerly known as Petrograd (1914–1924) and later Leningrad (1924–1991), i ...
, where he met
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, who arranged a command performance for Anderson after an awkward chance meeting. In 1849, Anderson returned to London to perform for
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and Prince Albert. The following year, Anderson toured America, Canada, Australia, and Hawaii. Upon returning to
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, Anderson found that he had a rival in fellow magician
Robert Houdin The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honou ...
. Robert-Houdin's inventions were pirated by his trusted mechanic Le Grand who was arrested for making and selling duplicate illusions. Many of those illusions fell into the hands of his competitors like The Great Wizard of the North, Robin, and Compars Herrmann. It is not known whether Anderson or the others bought the illusions directly from LeGrand or from another source. But, they willingly performed the illusions after knowing that those were invented by Robert-Houdin. Herrmann too was performing in London with Robert-Houdin's pirated tricks. Anderson took Houdin's tricks and returned to America in 1853 and performed in
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. An illusion involving Anderson's dispensing of various alcoholic beverages to the audience caused a legal controversy regarding
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in that city. In 1859, after a brief period as an actor, Anderson began another world tour. In 1862, at the age of eighteen, John Henry Jr. left his father's troupe and began his own independent career as a conjuror. This started a bitter feud between father and son and the two never spoke again. Greatly in debt, Anderson returned to England in 1864. He would tour once more in 1866. Anderson died in 1874 at the Fleece hotel in Darlington, County Durham. He was buried next to his mother in the
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churchyard. Magician Harry Houdini, who was born in the same year as Anderson's death, revered Anderson as one of his inspirations and in 1909 arranged for the upkeep of the gravesite, which had fallen into disrepair.


Spiritualism

In 1854, Anderson held a farewell performance in Aberdeen. The success of this show was enough to inspire Anderson not to retire. Rather, he began to concentrate his efforts on exposing the tricks of
mediums Mediumship is the practice of purportedly mediating communication between familiar spirits or spirits of the dead and living human beings. Practitioners are known as "mediums" or "spirit mediums". There are different types of mediumship or spir ...
and spiritualist fraud. In his shows, he used his daughters to duplicate spiritualist effects. Anderson was one of the magicians of his day who exposed the frauds of the Davenport brothers. The show played at the
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in London and then moved to Covent Garden in 1855. The following year, after a gala performance, the theatre caught fire, destroying all of Anderson's
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and bankrupting him for the second time in his professional career. Anderson stated that spiritualism was a "delusion that has driven ten thousand persons mad in the United States."


Stage Name used by Hind after his Death

Sometime between 1879 and 1881, self styled "Professor of Magic" Philip Prentis Hind (1844–1920) began using Anderson as his last name and the stage name of Professor Anderson for his magician's act in Australia presenting himself as the successor to the original Wizard of the North. His act included his wife, Louisa, as a clairvoyant.


Publications

*''Shilling's Worth of Magic: Or Tricks to be Learnt in a Train'' (1853)
''The Fashionable Science of Parlour Magic: Being the Newest Tricks of Deception, Developed and Illustrated: With an Exposure of the Practices Made Use of by Professional Card Players, Blacklegs, and Gamblers: To which is Added, for the First Time, the Magic of Spirit Rapping, Writing Mediums, and Table Turning''
(1855) *''Capital Tricks and Deceptions with Cards'' (1894)


References

*Hay, Harry. ''Cyclopedia of Magic''. (1949) * Randi, James. ''Conjuring''. (1992) *Obituary, ''New York Times'', 5 February 1874, p. 2


External links



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's Errantry Concordance entry, "claiming" he was actually a practising wizard using stage magic as cover
John Henry Anderson
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'' {{DEFAULTSORT:Anderson, John Henry 1814 births 1874 deaths 19th-century Scottish businesspeople 19th-century Scottish male actors Critics of Spiritualism People from Kincardine and Mearns Scottish magicians Scottish male stage actors