John Diamond (dancer)
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John Diamond (1823 – October 20, 1857), aka Jack or Johnny, was an
Irish-American , image = Irish ancestry in the USA 2018; Where Irish eyes are Smiling.png , image_caption = Irish Americans, % of population by state , caption = Notable Irish Americans , population = 36,115,472 (10.9%) alone ...
dancer and blackface
minstrel A minstrel was an entertainer, initially in medieval Europe. It originally described any type of entertainer such as a musician, juggler, acrobat, singer or fool; later, from the sixteenth century, it came to mean a specialist entertainer ...
performer. Diamond entered show business at age 17 and soon came to the attention of circus promoter
P. T. Barnum Phineas Taylor Barnum (; July 5, 1810 – April 7, 1891) was an American showman, businessman, and politician, remembered for promoting celebrated hoaxes and founding the Barnum & Bailey Circus (1871–2017) with James Anthony Bailey. He was ...
. In less than a year, Diamond and Barnum had a falling-out, and Diamond left to perform with other blackface performers. Diamond's dance style merged elements of
English English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national ide ...
,
Irish Irish may refer to: Common meanings * Someone or something of, from, or related to: ** Ireland, an island situated off the north-western coast of continental Europe ***Éire, Irish language name for the isle ** Northern Ireland, a constituent unit ...
, and
African African or Africans may refer to: * Anything from or pertaining to the continent of Africa: ** People who are native to Africa, descendants of natives of Africa, or individuals who trace their ancestry to indigenous inhabitants of Africa *** Ethn ...
dance. For the most part, he performed in blackface and sang popular minstrel tunes or accompanied a singer or instrumentalist. Diamond's movements emphasized lower-body movements and rapid footwork with little movement above the waist. Diamond was most famous for a series of challenge dances. He regularly advertised that he could defeat all comers in a dancing contest, and he made good on his boasts. However, Diamond soon came to the attention of the dancer whom Barnum had replaced him with, a young black man known as
Master Juba Master Juba (ca. 1825 – ca. 1852 or 1853) was an African-American dancer active in the 1840s. He was one of the first black performers in the United States to play onstage for white audiences and the only one of the era to tour with a white mi ...
. Diamond and Juba fought dance-offs through the mid-1840s; records indicate that Juba won all but one. Accordingly, historian Robert Toll calls Diamond the "greatest ''white'' minstrel dancer".


Career

In 1840, Diamond won $500 in a
New York City New York, often called New York City or NYC, is the most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the most densely populated major city in the Un ...
jig The jig ( ga, port, gd, port-cruinn) is a form of lively folk dance in compound metre, as well as the accompanying dance tune. It is most associated with Irish music and dance. It first gained popularity in 16th-century Ireland and parts of ...
competition. Circus proprietor
P. T. Barnum Phineas Taylor Barnum (; July 5, 1810 – April 7, 1891) was an American showman, businessman, and politician, remembered for promoting celebrated hoaxes and founding the Barnum & Bailey Circus (1871–2017) with James Anthony Bailey. He was ...
took notice and hired the boy, touring him throughout the United States and Europe. Ever the showman, Barnum claimed that the dancer was a mere 12 years old (he was really 17) and billed him as the "King of Diamonds" in advertisements.Knowles 86. Diamond performed solo and as part of a pair with blackface singers and musicians. For a time, he was teamed with "the King of Banjo players, and the Emperor of Extravaganza Singers",
Billy Whitlock William M. Whitlock (1813 – 1878) was an American blackface performer. He began his career in entertainment doing blackface banjo routines in circuses and dime shows, and by 1843 he was well known in New York City. He is best known for h ...
. Their advertisements exclaimed, "Second night of the engagement of the little 'Wirginny Nigger,' only 12 years old, who can outdance the nation, and come some 'Heel and Toe Breakdowns,' that are a caution to all darkies, and no mistake!" Diamond earned a bad reputation among promoters and managers. One source claimed that his dancing was "considerably better than his temper and disposition." In February 1841, Diamond extorted money from P. T. Barnum and deserted his former mentor to go on a week-long binge of alcohol and women. Barnum sent a letter to his colleagues to caution them against hiring the dancer. Barnum claimed Diamond had "overdrawn the money due him to the amount of $95 and has during the last week expended a hundred dollars in brothels and haunts of dissipation & vice." Free of Barnum, Diamond played in pairs or groups of three or four blackface performers. In January 1843, he was in a circus with other blackface performers; the program promised "Negro extravaganzas, songs, dances, and locomotive imitations by Whitlock, Diamond, John Daniels and Gardner." The program does not make it clear whether they performed simultaneously or individually. After the
Virginia Minstrels The Virginia Minstrels or Virginia Serenaders was a group of 19th-century American entertainers who helped invent the entertainment form known as the minstrel show. Led by Dan Emmett, the original lineup consisted of Emmett, Billy Whitlock, ...
formed in 1843, Whitlock convinced Diamond to perform with them in order to increase the group's exposure. In 1845, Diamond was touring the United States with the Old Dominion Circus. In 1849, he was touring with the Olympic Circus. He was still performing regularly in the mid 1850s. Diamond eventually joined the
Ethiopian Serenaders The Ethiopian Serenaders was an American blackface minstrel troupe successful in the 1840s and 1850s. Through various line-ups they were managed and directed by James A. Dumbolton (1808–?), and are sometimes mentioned as the Boston Minstrels ...
minstrel troupe.


Challenge dances

In the 1840s, Diamond began a series of challenge dances wherein he dared his rivals to best him in a contest of skill. Diamond publicized his challenges in popular newspapers. Such trials usually had three judges, one who judged time, one style, and one execution. A typical challenge read:
Master Diamond, who delineates the Ethiopian character superior to any other white person, hereby challenges any person in the world to trial of skill at Negro dancing, in all its varieties, for a wager of from $200.00–$1,000.00.Playbill, New Theatre, Mobile, February 24, 1841. Quoted in Knowles 87.
Diamond won match after match in city after city, and his fame grew exponentially. He earned a host of imitators and copycats, many of whom took his name and pretended to be him. After their inamicable split, Barnum had replaced Diamond with a young, unknown black man named William Henry Lane. The new protégé took the stage name "Master Juba" and centered his act on imitations of "all the principal dancers in the United States", followed by his own style. Diamond was always the last dancer Juba imitated, as the Irish-American was Juba's only real rival. Diamond and Juba's war of steps reached a fever pitch when the two agreed to a challenge dance against one another. A series of widely advertised Diamond–Juba dance-offs followed:
Excitement among the Sporting Community—Match between John Diamond and Juba.

The favorites are now the dancers, and he who can cut, shuffle, and attitudanize with the greatest facility is reckoned the best fellow and pockets the most money.

Match dances are very frequently got up, and seem to give general satisfaction, if we are allowed to judge from the crowds who throng to witness them.

We have not had a ''real,'' scientific, out-and-out trial of skill since that between
Dick Pelham Richard Ward "Dick" Pelham (February 13, 1815 – October 1876), born Richard Ward Pell, was an American blackface performer. He was born in New York City. Pelham regularly did blackface acts in the early 1840s both solo and as part of a duo or ...
and John Diamond at the Chatham; but it appears we are soon to have another of these refined and elevating exhibitions.

A match has been made between John Diamond and a little negro called "Juba," by some of the sporting community, and is to come off in the course of a few weeks. The stake is large, and an unparalleled display will be the result.
The Diamond–Juba dance-offs continued through the mid-1840s. Existing records show that Diamond lost all but one.


Dance style

Diamond's repertoire was a mixture of
African American African Americans (also referred to as Black Americans and Afro-Americans) are an ethnic group consisting of Americans with partial or total ancestry from sub-Saharan Africa. The term "African American" generally denotes descendants of ens ...
,
English English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national ide ...
, and
Irish Irish may refer to: Common meanings * Someone or something of, from, or related to: ** Ireland, an island situated off the north-western coast of continental Europe ***Éire, Irish language name for the isle ** Northern Ireland, a constituent unit ...
steps. He danced the "five mile out of town dance", the "Long Island breakdown", the "Negro camptown hornpipe", the "ole Virginna breakdown", and the "smokehouse dance". A playbill claimed that his "rattle snake jig" had 120 steps. The steps and maneuvers that made up these dances had equally colorful names; his
hornpipe The hornpipe is any of several dance forms played and danced in Britain and Ireland and elsewhere from the 16th century until the present day. The earliest references to hornpipes are from England with Hugh Aston's Hornepype of 1522 and others ...
featured the "double shuffle", the "heel and toe", the "pigeon wing", and "running on his heels". His energetic breakdowns were among his more famous dances. Diamond performed in blackface, but some of his dances were strictly British or Irish in origin and were danced without makeup. Examples of these were an Irish jig called the "fireman's hornpipe" and the "naval hornpipe in the character of a Yankee sailor". Diamond's dances were characterized by little upper-body movement and rapid footwork. He left his upper body relaxed so as to bring attention to his feet. One characteristic step was to lean forward and dangle his hands loosely, look to the side, and slide across the stage with a heel–toe alternation. Noah M. Ludlow, a theatre manager, wrote that "He could twist his feet and legs, while dancing, into more fantastic forms than I ever witnessed before or since in any human being." His playbills proclaimed Diamond a performer of "the greatest display of heel and toe genus ever witnessed" and that "Now de heels, if dares any music in you, its got to come out". Diamond's rapid footwork rapped out percussive patterns on the floor. He advertised that he could create music with his heels. Diamond's act also incorporated singing, either by a partner or by Diamond himself. When partnered with a banjoist, Diamond danced and leapt about the stage while the musician played. These acts involved precise choreography. His repertoire consisted of popular blackface numbers, such as " Jim-a-Long-Josey". He performed stump speeches as well, such as his "Negro speech in Congress".New Theatre playbill, Mobile, February 24, 1841. Printed in Nathan 61.


Notes


References

* Cockrell, Dale (1997). ''Demons of Disorder: Early Blackface Minstrels and Their World''. Cambridge University Press. . * Day, Charles (1996). "Fun in Black", ''Inside the Minstrel Mask: Readings in Nineteenth-century Blackface Minstrelsy''. Wesleyan University Press. . * Hill, Errol G., and James V. Hatch (2003). ''A History of African American Theatre''. Cambridge University Press. . * Knowles, Mark (2002). ''Tap Roots: The Early History of Tap Dancing''. McFarland & Company. . * Mahar, William J. (1999). ''Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture''. Chicago: University of Illinois Press. . * Nathan, Hans (1962). ''Dan Emmett and the Rise of Early Negro Minstrelsy''. Norman: University of Oklahoma Press. . * Toll, Robert C. (1974). ''Blacking Up: The Minstrel Show in Nineteenth-century America''. New York: Oxford University Press. .
''Vaudeville, old and new'' By Frank Cullen, Florence Hackman, Donald McNeilly
{{DEFAULTSORT:Diamond, John American male dancers Blackface minstrel performers American people of Irish descent 1823 births 1857 deaths 19th-century American dancers 19th-century American singers