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Jacopo d'Antonio Sansovino (2 July 1486 – 27 November 1570) was an Italian sculptor and architect, known best for his works around the Piazza San Marco
Piazza San Marco
in Venice. Andrea Palladio, in the Preface to his Quattro Libri was of the opinion that Sansovino's Biblioteca Marciana was the best building erected since Antiquity. Giorgio Vasari
Giorgio Vasari
uniquely printed his Vita of Sansovino separately.

Contents

1 Biography 2 Career 3 Gallery 4 See also 5 References

5.1 Further reading

Biography[edit] He was born in Florence
Florence
and apprenticed with Andrea Sansovino
Andrea Sansovino
whose name he subsequently adopted, changing his name from Jacopo Tatti. In Rome
Rome
he attracted the notice of Bramante and Raphael and made a wax model of the Deposition of Christ for Perugino
Perugino
to use. He returned to Florence
Florence
in 1511 where he received commissions for marble sculptures of St. James for the Duomo and a Bacchus, now in the Bargello. His proposals for sculpture to adorn the façade of the Church of San Lorenzo, however, were rejected by Michelangelo, who was in charge of the scheme, to whom he wrote a bitter letter of protest in 1518. In the period of 1510-17 he shared a studio with the painter Andrea del Sarto, with whom he shared models. Like all sixteenth-century Italian architects, Sansovino devoted considerable energy to elaborate but temporary structures related to courtly ritual. The triumphant entry of Pope Leo X
Pope Leo X
into Florence
Florence
in 1515 was a highpoint of this genre. He subsequently returned to Rome
Rome
where he stayed for nine years, leaving for Venice
Venice
in the year of the Sack of Rome. Career[edit] In 1529, Sansovino became chief architect and superintendent of properties (Protomaestro or Proto) to the Procurators of San Marco, making him one of the most influential artists in Venice. The appointment came with a salary of 80 ducats and an apartment near the clocktower in San Marco. Within a year his salary was raised to 180 ducats per year.[1] His masterworks embody prominent structures and buildings in central Venice
Venice
found near Piazza San Marco, specifically the rusticated Zecca (public mint), the highly decorated Loggetta and its sculptures adjoining the Campanile, and various statues and reliefs for the Basilica of San Marco. He also helped rebuild a number of buildings, churches, palaces, and institutional buildings including the churches of San Zulian, San Francesco della Vigna, San Martino, San Geminiano (now destroyed), Santo Spirito in Isola, and the church of the Incurabili. Among palaces and buildings are the Scuola Grande della Misericordia (early plans), Ca' de Dio, Palazzo Dolfin Manin, Palazzo Corner, Palazzo Moro, and the Fabbriche Nuove di Rialto.[2] His masterpiece is the Library of Saint Mark's, the Biblioteca Marciana, one of Venice's most richly decorated Renaissance structures, which stands in front of the Doge's palace, across the piazzetta. Construction spanned fifty years and cost over 30,000 ducats.[3] In it he successfully made the architectural language of classicism, traditionally associated with severity and restraint, palatable to the Venetians with their love of surface decoration. This paved the way for the graceful architecture of Andrea Palladio. He died in Venice
Venice
and his sepulchre is in the Baptistery of St. Mark's Basilica. His most important follower in the medium of sculpture was Alessandro Vittoria; another disciple was the architect and sculptor Danese Cataneo. Gallery[edit]

Jacopo Sansovino's works

Mars

Door Knocker with Nereid, Triton, and Putti,

St. Onofrio

St. John the Baptist Santa Maria Gloriosa dei Frari

Statue of Thomas Rangone by Jacopo Sansovino

See also[edit]

Renaissance Classicism

References[edit]

^ D. Howard page 9. ^ D. Howard. ^ D. Howard page 155.

Further reading[edit]

Boucher, Bruce. The Sculpture of Jacopo Sansovino. 2 vols. (New Haven: Yale University Press) 1991. Monograph and catalogue raisonné of the sculpture. Tafuri, Manfredo (Jessica Levine, translator). Venice
Venice
and the Renaissance. (Cambridge MA: MIT Press) (1985) 1989. Sansovino's cultural context. Deborah Howard. Jacopo Sansovino
Jacopo Sansovino
Architecture and Patronage in Renaissance Venice. Yale University Press 1975. http://www.britannica.com/EBchecked/topic/522717/Jacopo-Sansovino

Hart, Vaughan, Hicks, Peter, Sansovino's Venice
Venice
(New Haven: Yale University Press) 2017.

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Authority control

WorldCat Identities VIAF: 77111998 LCCN: n87881471 ISNI: 0000 0001 2140 5734 GND: 118794485 SUDOC: 031863647 BNF: cb12299923z (data) ULAN: 500019903 NLA: 35702441 RKD: 69659 SN

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