Jacob de Wet II
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Jacob Jacobsz de Wet II (1641,
Haarlem Haarlem (; predecessor of ''Harlem'' in English) is a city and municipality in the Netherlands. It is the capital of the province of North Holland. Haarlem is situated at the northern edge of the Randstad, one of the most populated metropoli ...
– 1697,
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), also known as James de Witt, was a
Dutch Golden Age The Dutch Golden Age ( nl, Gouden Eeuw ) was a period in the history of the Netherlands, roughly spanning the era from 1588 (the birth of the Dutch Republic) to 1672 (the Rampjaar, "Disaster Year"), in which Dutch trade, science, and art and ...
painter known for a series of 110 portraits of Scottish monarchs, many of them
mythical Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrati ...
, produced for the Palace of Holyroodhouse,
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during the reign of Charles II.


Biography

According to the Netherlands Institute for Art History (RKD) he was one of five children of the painter
Jacob Willemszoon de Wet Jacob Willemszoon de Wet or Jacob Willemsz. de Wet the Elder (c. 1610 – between 1675 and 1691) was a Dutch Golden Age painter, whose works were largely influenced by Rembrandt. Biography De Wet was born and died in Haarlem. Little is known of ...
.Jacob de Wet II
in the RKD
His father taught him to paint and he was first recorded in his father's notebook at age 16 when his father wrote that he sold one of his son's paintings. In 1668 he moved to Amsterdam and married Helena Stalmans, with whom he had five children. In 1673 he secured the patronage of Sir William Bruce, King’s Surveyor and Master of Works in Scotland, and was brought to
Edinburgh Edinburgh ( ; gd, Dùn Èideann ) is the capital city of Scotland and one of its 32 Council areas of Scotland, council areas. Historically part of the county of Midlothian (interchangeably Edinburghshire before 1921), it is located in Lothian ...
to work on Charles II's restoration of the Palace of Holyroodhouse. For two years, de Wet painted decorative historical, mythical and allegorical scenes for the newly rebuilt state apartments at Holyrood, whilst also decorating his patron Bruce's house in
Balcaskie Balcaskie is a 17th-century country house in Fife, Scotland. It lies around 2 km north of St Monans, and is notable chiefly as the home and early work of architect Sir William Bruce. Robert Lorimer, an admirer of Bruce, called the house ...
,
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. In 1684 de Wet returned to work at Holyrood and signed a contract with Hugh Wallace, the Royal Cashkeeper, on 26 February which bound him to produce, for £120 per annum and within the period of two years, 110 portraits of Scottish monarchs from the legendary
King Fergus King Fergus (1775–1801) was a British Thoroughbred racehorse. He won several races, but achieved greater success as a sire. He was British Champion sire in 1797 and his progeny included St Leger Stakes winner Hambletonian, who was only defe ...
to the reigning Charles II. The contract stated that: For the next two years, de Wet worked in his Canongate studio painting a portrait a week for the royal collection. An earlier series of Scottish royal portraits, painted by George Jamesone for Charles I's Scottish coronation in 1633 and of which 26 currently survive, were sent to Holyrood and used by de Wet as a source for his own portraits. The inscriptions of names and accession dates follow George Buchanan's list of Scottish kings, however the dates are considerably muddled, either by a later restorer or the artist himself. The completed set (a portrait of James VII was also added upon his accession) was hung in the Great Gallery of Holyroodhouse and 97 are still on display today. Eleven of the portraits have disappeared, possibly destroyed by Lieutenant General Henry Hawley’s Dragoons, who were stationed at Holyrood after their defeat by
Bonnie Prince Charlie Bonnie, is a Scottish given name and is sometimes used as a descriptive reference, as in the Scottish folk song, My Bonnie Lies over the Ocean. It comes from the Scots language word "bonnie" (pretty, attractive), or the French bonne (good). That ...
at
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in 1746. After completing his royal portrait series, and after a further two years in Scotland which included painting 34 scenes from the Life of Christ for Patrick Lyon, 3rd Earl of Strathmore and Kinghorne on the ceiling of the Chapel of Glamis Castle, de Wet again returned to Amsterdam. He is known for religious works done in his father's workshop for the Catholic community of Haarlem, portraits of wealthy Catholics of Amsterdam such as Jan Six, as well as hunting still lifes and landscapes with figures. He died in Amsterdam and was buried there in the Nieuwe Kerk on 16 November 1697. His widow Helena dying in Haarlem on 27 October 1707.


External links


References


Jacob de Wet II
on
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{{DEFAULTSORT:Wet II, Jacob de Court painters 1641 births 1697 deaths Dutch Golden Age painters Dutch male painters Artists from Haarlem