Impact (typeface)
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Impact is a
sans-serif In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called " serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than s ...
typeface A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are thousands o ...
in the industrial or grotesk style designed by Geoffrey Lee in 1965 and released by the
Stephenson Blake Stephenson Blake is an engineering company based in Sheffield, England. The company was active from the early 19th century as a type founder, remaining until the 1990s as the last active type foundry in Britain, since when it has diversified in ...
foundry of Sheffield. It is well known for having been included in the
core fonts for the Web Core fonts for the Web was a project started by Microsoft in 1996 to create a standard pack of fonts for the World Wide Web. It included the proprietary fonts Andalé Mono, Arial, Arial Black, Comic Sans MS, Courier New, Georgia, Impact, Times Ne ...
package and distributed with
Microsoft Windows Windows is a group of several proprietary graphical operating system families developed and marketed by Microsoft. Each family caters to a certain sector of the computing industry. For example, Windows NT for consumers, Windows Server for ...
since
Windows 98 Windows 98 is a consumer-oriented operating system developed by Microsoft as part of its Windows 9x family of Microsoft Windows operating systems. The second operating system in the 9x line, it is the successor to Windows 95, and was released to ...
. In the 2010s, it gained popularity for its use in
image macro An image macro is a piece of digital media featuring a picture, or artwork, with some form of text superimposed. The text frequently appears at the top and bottom of the image. Image macros are one of the most common forms of internet memes, and ...
s and other
internet meme An Internet meme, commonly known simply as a meme ( ), is an idea, behavior, style, or image that is spread via the Internet, often through social media platforms. What is considered a meme may vary across different communities on the Internet ...
s.


Design

Lee was an advertising design director and designed Impact with posters and publicity material in mind. Its thick strokes, compressed letterspacing, and minimal interior counterform are specifically aimed, as its name suggests, to "have an impact". Impact has a high
x-height upright 2.0, alt=A diagram showing the line terms used in typography In typography, the x-height, or corpus size, is the distance between the baseline and the mean line of lowercase letters in a typeface. Typically, this is the height of the le ...
, reaching nearly to three-quarters the capital line. Ascenders are short, and descenders even shorter. With narrow apertures and folded-up letterforms, the lower-case can be quite hard to read printed small, especially for people with vision problems. The face is intended for headlines and display use rather than body text. As a display design, it was not released with an italic or bold weight. During the 1960s, there was a trend towards condensed, bold, "industrial" sans-serifs like Schmalfette Grotesk and Compacta, largely pioneered by West German magazine ''
Twen ''Twen'' was a West German magazine that was published from 1959 to 1971, and known for its innovative design and typography. History and profile ''Twen'' was launched in 1959 as a bimonthly magazine and the first issue appeared in April 1959. ...
'', and Impact was intended to fit this trend. Writing in 2004, the year before his death, Lee explained that the design goal was "to get as much ink on paper as possible in a given size with the maximum possible x-height" and to provide a home-grown metal type alternative to European designs in the style (e.g. Schmalfette Grotesk, illustrated in ''Lettera'', a contemporary anthology series of lettering), which were complicated for British businesses to license and use. Lee wrote that "many of us admired the vitality and colour of what we knew only as Schmalfette, and used it by old-fashioned cut and paste. Use was limited as it was never made in metal as far as I know, and existed then in capitals and numerals only". (Schmalfette Grotesk was later digitised, with an added lower-case, as Haettenschweiler by Eraman Ltd.) Other designs along the same lines from around the same period included the
Letraset Letraset was a company known mainly for manufacturing sheets of typefaces and other artwork elements using the dry transfer method. Letraset has been acquired by the Colart group and become part of its subsidiary Winsor & Newton. Corporate his ...
face Compacta, Matthew Carter's slightly earlier masthead of ''
Private Eye ''Private Eye'' is a British fortnightly satirical and current affairs news magazine, founded in 1961. It is published in London and has been edited by Ian Hislop since 1986. The publication is widely recognised for its prominent critici ...
'' (which is caps-only but based on a never-released typeface with a lower case), and the phototypesetting Helvetica Compressed, also by Carter and released a few years later.


Release

Released at the end of the age of
metal type In typesetting, a sort or type is a block with a typographic character etched on it, which is lined up with others to print text. In movable-type printing, the sort or type is cast from a matrix mold and assembled by hand with other sorts be ...
as
phototypesetting Phototypesetting is a method of setting type. It uses photography to make columns of type on a scroll of photographic paper. It has been made obsolete by the popularity of the personal computer and desktop publishing (digital typesetting). T ...
gained popularity, it was one of Stephenson Blake's last typefaces released in metal. The design rights were acquired by
Monotype Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass. The ...
, which ultimately licensed the design to Microsoft as part of a package of fonts for use with Windows in the 1980s and 1990s. The original design contained wider alternate forms for the letters 'J' and 'r', intended for letter positions at the start and end of words, which have generally not been included in digitisations. The common digitisation also simplifies the design somewhat, omitting the subtle bevelling of tittles on 'i' and 'j' and flared stroke ends seen on the original metal type release. An eccentricity preserved in the digitisation is the
ampersand The ampersand, also known as the and sign, is the logogram , representing the conjunction "and". It originated as a ligature of the letters ''et''—Latin for "and". Etymology Traditionally in English, when spelling aloud, any letter tha ...
, which is only as high as the x-height, not the cap height. Lee digitised and self-released a variant, Impact Wide, in 2002 for online sale. This release includes the alternate characters and an italic style. In July 2010, Ascender Corp introduced Impact 2010, an enhanced version with additional
OpenType OpenType is a format for scalable computer fonts. It was built on its predecessor TrueType, retaining TrueType's basic structure and adding many intricate data structures for prescribing typographic behavior. OpenType is a registered trademark ...
typographic features designed by Terrance Weinzierl and Steve Matteson. These included quirky interlocking characters,
text figures Text figures (also known as non-lining, lowercase, old style, ranging, hanging, medieval, billing, or antique figures or numerals) are numerals designed with varying heights in a fashion that resembles a typical line of running text, hence the ...
and proportional and tabular figures.


References


External links

* Original Impact brochure "The Impact of Impact": page
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{{DEFAULTSORT:Impact (Typeface) Grotesque sans-serif typefaces Neo-grotesque sans-serif typefaces Windows XP typefaces Typefaces and fonts introduced in 1965 Display typefaces Stephenson Blake typefaces