''Images pour orchestre'', L. 122, is an

orchestral An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, ce ...

composition Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include v ...

in three sections by

Claude Debussy (Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionism in music, Impressionist composer, although he vigorously rejected the term. He was among the most infl ...

, written between 1905 and 1912. Debussy had originally intended this set of ''Images'' as a two-piano sequel to the first set of ''Images'' for solo piano, as described in a letter to his publisher Durand as of September 1905. However, by March 1906, in another letter to Durand, he had begun to think of arranging the work for orchestra rather than two pianos.

Scoring

''Images pour orchestre'' is scored for a large orchestra consisting of 2 piccolos, 2

flutes The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless ...

, 2

oboes The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A ...

oboe d'amore The oboe d'amore (; Italian for "oboe of love"), less commonly , is a double reed woodwind musical instrument in the oboe family. Slightly larger than the oboe, it has a less assertive and a more tranquil and serene tone, and is considered the m ...

cor anglais The cor anglais (, or original ; plural: ''cors anglais''), or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially an al ...

, 3

clarinets The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. ...

bass clarinet The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays notes an octave ...

, 3

bassoons The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuos ...

contrabassoon The contrabassoon, also known as the double bassoon, is a larger version of the bassoon, sounding an octave lower. Its technique is similar to its smaller cousin, with a few notable differences. Differences from the bassoon The reed is consi ...

, 4 horns, 4

trumpets The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B ...

(in C), 3

trombones The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate ...

tuba The tuba (; ) is the lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece. It first appeared in the mid-19th century, making it one of the ne ...

timpani Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionall ...

field drum The snare (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in ...

tambourine The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called " zills". Classically the term tambourine denotes an instrument with a drumhead, tho ...

castanets Castanets, also known as ''clackers'' or ''palillos'', are a percussion instrument (idiophone), used in Spanish, Kalo, Moorish, Ottoman, Italian, Sephardic, Swiss, and Portuguese music. In ancient Greece and ancient Rome there was a simil ...

, 2

harps The High Accuracy Radial Velocity Planet Searcher (HARPS) is a high-precision echelle planet-finding spectrograph installed in 2002 on the ESO's 3.6m telescope at La Silla Observatory in Chile. The first light was achieved in February 2003. ...

celesta The celesta or celeste , also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five- octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box ...

triangle A triangle is a polygon with three edges and three vertices. It is one of the basic shapes in geometry. A triangle with vertices ''A'', ''B'', and ''C'' is denoted \triangle ABC. In Euclidean geometry, any three points, when non- colline ...

xylophone The xylophone (; ) is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Like the glockenspiel (which uses metal bars), the xylophone essentially consists of a set of tuned wooden keys arranged in ...

cymbals A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs soun ...

, 3

bells Bells may refer to: * Bell, a musical instrument Places * Bells, North Carolina * Bells, Tennessee * Bells, Texas * Bells Beach, Victoria, an internationally famous surf beach in Australia * Bells Corners, Ontario Music * Bells, directly st ...

, and strings.

Sections

I. ''Gigues'' (1909–1912)

The original title of '' Gigues'' was ''Gigues tristes''. Debussy used his memories of England as inspiration for the music, in addition to the song "Dansons la gigue" by Charles Bordes and the Tyneside folk tune " The Keel Row", which are used as key

themes Theme or themes may refer to: * Theme (arts), the unifying subject or idea of the type of visual work * Theme (Byzantine district), an administrative district in the Byzantine Empire governed by a Strategos * Theme (computing), a custom graphical ...

. Revolving around ''Gigues'' are musical

cells Cell most often refers to: * Cell (biology), the functional basic unit of life Cell may also refer to: Locations * Monastic cell, a small room, hut, or cave in which a religious recluse lives, alternatively the small precursor of a monastery w ...

which give a sense of unity to the piece. Most are short motifs which appear once or twice or are reused in fragments throughout the piece. Other themes are long solo passages written particularly for the oboe d'amour. There is debate over the role of

André Caplet André Caplet (23 November 1878 – 22 April 1925) was a French composer and conductor of classical music. He was a friend of Claude Debussy and completed the orchestration of several of Debussy's compositions as well as arrangements of severa ...

in the orchestration of ''Gigues''. Robert Orledge and

Williametta Spencer Williametta Spencer (born August 15, 1927) is a composer, musicologist, and teacher who plays harpsichord, organ, and piano. She is best known for her award-winning choral work ''At the Round Earth’s Imagined Corners''. Life and career Spencer w ...

have accepted that Caplet assisted with the orchestration. According to François Lesure, however, the manuscript score in the

Bibliothèque nationale A library is a collection of materials, books or media that are accessible for use and not just for display purposes. A library provides physical (hard copies) or digital access (soft copies) materials, and may be a physical location or a vi ...

(MS 1010) shows no evidence of Caplet's involvement.

II. ''Ibéria'' (1905–1908)

''Ibéria'' is the most popular of the three orchestral ''Images'' and itself forms a

triptych A triptych ( ; from the Greek adjective ''τρίπτυχον'' "''triptukhon''" ("three-fold"), from ''tri'', i.e., "three" and ''ptysso'', i.e., "to fold" or ''ptyx'', i.e., "fold") is a work of art (usually a panel painting) that is divided ...

within the triptych. Its sections are: Impressions of

Spain , image_flag = Bandera de España.svg , image_coat = Escudo de España (mazonado).svg , national_motto = '' Plus ultra'' (Latin)(English: "Further Beyond") , national_anthem = (English: "Royal March") , ...

inspired this music. Richard Langham Smith has commented on Debussy's own wish to incorporate ideas of juxtaposing elements of the visual arts in musical terms, including a quote from Debussy to Caplet from a letter of 26 February 1910: "You can't imagine how naturally the transition works between 'Parfums de la nuit' and 'Le Matin d'un jour de fête. ''Ça n'a pas l'air d'être écrit''."' Matthew Brown has briefly commented on Debussy's use of techniques such as incomplete progressions, parenthetical episodes, and interpolations in ''Ibéria''.

III. ''Rondes de printemps'' ("Round dances of spring") (1905–1909)

This is one of Debussy's most modern works. He used two folk tunes, "Nous n'irons plus au bois" and "Do, do l'enfant do" in this movement. Brown, Dempster and Headlam have analyzed the tonal structure of this movement. The first song plays a prominent role from the start of the time until the end of the movement, in the solos and in the accompaniments and countermelodies. Debussy had already quoted the song ''Nous n'irons plus au bois'' in ''Images oubliées'' of 1894 for piano and in ''Jardins sous la pluie'' from '' Estampes'' (1903).

References

External links

*
"Claude Achille Debussy – Iberia: Images for Orchestra, No. 2", Unknown author, 1935 article
{{italic title Suites by Claude Debussy Compositions by Claude Debussy 1908 compositions 1909 compositions 1912 compositions Compositions for symphony orchestra Orchestral suites