IGOROT, or CORDILLERANS, is the collective name of several
Austronesian ethnic groups in the
* 1 Etymology
* 2 Cordillera ethnic groups
* 2.1 Bontoc
* 2.2 Ibaloi
* 2.6 Kankanaey
* 2.6.1 "Hard" and "Soft" Kankanaey
* 3 Ethnic groups by linguistic classification * 4 History * 5 See also * 6 References * 7 Further reading * 8 External links
The word "Igorot" is an exonym , derived from the Austronesian term for "mountain people" (formed from the prefix i-, "dweller of" and golot, "mountain range"). During the Spanish colonial era , the term was variously recorded as Igolot, Ygolot, and Igorrote, compliant to Spanish orthography .
The endonyms IFUGAO or IPUGAO (also meaning "mountain people") are used more frequently within the Igorots themselves, as igorot is viewed by some as slightly pejorative.
CORDILLERA ETHNIC GROUPS
The Igorots may be roughly divided into two general subgroups: the larger group lives in the south, central and western areas, and is very adept at rice -terrace farming ; the smaller group lives in the east and north. Prior to Spanish colonisation of the islands, the peoples now included under the term did not consider themselves as belonging to a single, cohesive ethnic group.
They may be further subdivided into five ethnolinguistic groups: the Bontoc, Ibaloi, Isnag (or Isneg/Apayao), Kalinga, and the Kankanaey .
A Bontoc warrior (c. 1908)
The Bontoc live on the banks of the Chico River in the Central Mountain Province on the island of Luzon. They speak Bontoc and Ilocano . They formerly practiced head-hunting and had distinctive body tattoos. The Bontoc describe three types of tattoos: The chak-lag′, the tattooed chest of the head taker; pong′-o, the tattooed arms of men and women; and fa′-tĕk, for all other tattoos of both sexes. Women were tattooed on the arms only. In the past, the Bontoc engaged in none of the usual pastimes or games of chance practiced in other areas of the country, but did perform a circular rhythmic dance acting out certain aspects of the hunt, always accompanied by the gang′-sa or bronze gong. There was no singing or talking during the dance drama, but the women took part, usually outside the circumference. It was a serious but pleasurable event for all concerned, including the children. Present-day Bontocs are a peaceful agricultural people who have, by choice, retained most of their traditional culture despite frequent contacts with other groups.
The pre-Christian Bontoc belief system centers on a hierarchy of spirits, the highest being a supreme deity called Lumawig. Lumawig personifies the forces of nature and is the legendary creator, friend, and teacher of the Bontoc. A hereditary class of priests hold various monthly ceremonies for this deity for their crops, the weather, and for healing. The Bontoc also believe in the "anito"—spirits of the dead who must be consulted before anything important is done. Ancestral anitos are invited to family feasts when a death occurs to ensure the well-being of the deceased's soul. This is by offering some small amount of food to show that they are invited and not forgotten.
The Bontoc social structure used to be centered around village wards ("ato") containing about 14 to 50 homes. Traditionally, young men and women lived in dormitories and ate meals with their families. This gradually changed with the advent of Christianity. In general, however, it can be said that all Bontocs are very aware of their own way of life and are not overly eager to change.
Main article: Ibaloi people
The Ibaloi (also Ibaloy and Nabaloi) and Kalanguya (also Kallahan and
Ikalahan) are one of the indigenous peoples of the
Their native language belongs to the
Malayo-Polynesian branch of the
Baguio City , the major city of the Cordillera , dubbed the "Summer Capital of the Philippines," is located in southern Benguet.
The largest feast of the Ibaloi is the Pesshet, a public feast mainly sponsored by people of prestige and wealth. Pesshet can last for weeks and involves the killing and sacrifice of dozens of animals. One of the more popular dances of the Ibaloi is the Bendiyan Dance, participated in by hundreds of male and female dancers.
The country of the
Aside from their rice terraces, the Ifugaos, who speak four distinct dialects, are known for their rich oral literary traditions of hudhud and the alim. The Ifugaos’ highest prestige feasts are the hagabi, for the elite; and the uyauy, a feast for those immediately below the wealthiest.
ALIM AND HUDHUD ORAL TRADITIONS OF IFUGAO of
Main article: Isnag people An Isneg woman.
The Isnag, also Isneg or Apayao, live at the northwesterly end of northern Luzon, in the upper half of the Cordillera province of Apayao . The term "Isnag" derives from a combination of is meaning "recede" and unag meaning "interior." Thus, it means "people who live inland."
The municipalities in the Isneg domain include Pudtol, Kabugao, Calanasan and Conner (Peralta 1988:1). Two major river systems, the Abulog and the Apayao, run through Isnag country, which until recent times has been described as a region of "dark tropical forests," and endowed with other natural resources.
In one early account, the Isneg were described as of slender and graceful stature, with manners that were kindly, hospitable, and generous, possessed with the spirit of self-reliance and courage, and clearly artistic in their temperament. The Isnag’s ancestors are believed to have been the proto-Austronesians who came from South China thousands of years ago. Later, they came in contact with groups practicing jar burial, from whom they adopted the custom. They later also came into contact with Chinese traders plying the seas south of the Asian mainland. From the Chinese they bought the porcelain pieces and glass beads which now form part of the Isnag’s priceless heirlooms. The Isnag have been known to be a head-taking society since recorded history.
As a dry rice farmer, the male head of a household annually clears a fresh section of tropical forest where his wife will plant and harvest their rice. Isneg women also cook the meals, gather wild vegetables and weave bamboo mats and baskets, while the men cut timber, build houses and take extended hunting and fishing trips. Often when a wild pig or deer is killed, its meat is skewered on bamboo and distributed to neighbors and relatives. Nearly all Isneg households also harvest a small grove of coffee trees since the main cash crop of the area is coffee.
* Ymandaya (Isnag) - Calanasan (Bayag) * Imallod (Isnag) - Kabugao , Conner , Pudtol , and some part of Luna (Macatel)
The Isnag speak Isneg and Ilocano .
Isnags are also found in the eastern part of the Province of Ilocos Norte specifically the municipalities of Adams, Carasi, Dumalneg, Solsona, and Piddig and northwestern part of the Province of Cagayan specifically the municipalities of Sta. Praxedes, Claveria, and Sanchez Mira.
Children from Lubuagan, Kalinga perform the muscle dance.
The Kalinga, also known as Limos or Limos-Liwan Kalinga, inhabit the drainage basin of the middle Chico River in Kalinga Province . The Kalinga are sub-divided into Southern and Northern groups; the latter is considered the most heavily ornamented people of the northern Philippines.
The Kalinga practice both wet and dry rice farming. They also developed an institution of peace pacts called Bodong which has minimised traditional warfare and headhunting and serves as a mechanism for the initiation, maintenance, renewal and reinforcement of kinship and social ties.
They also speak the Kalinga , Ilocano , and Limos languages. Kalinga society is very kinship-oriented, and relatives are held responsible for avenging any injury done to a member. Disputes are usually settled by the regional leaders, who listen to all sides and then impose fines on the guilty party. These are not formal council meetings, but carry a good deal of authority.
The Kankanaey domain includes Western Mountain Province, northern Benguet and southeastern Ilocos Sur. Like most Igorot ethnic groups, the Kankanaey built sloping terraces to maximize farm space in the rugged terrain of the Cordilleras.
Kankanaey houses are built like the other Igorot houses, which reflect their social status. Two famous institutions of the Kankanaey of Mountain Province are the dap-ay, or the men's dormitory and civic center, and the ebgan, or the girls' dormitory where courtship between young men and women took place.
Kankanaey's major dances include tayaw, pat-tong, takik (a wedding dance), and balangbang. The tayaw is a community dance that is usually done in weddings it maybe also danced by the Ibaloi but has a different style. Pattong, also a community dance from Mountain Province which every municipality has its own style, while Balangbang is the dance's modern term. There are also some other dances like the sakkuting, pinanyuan (another wedding dance) and bogi-bogi (courtship dance).
"Hard" And "Soft" Kankanaey
The name Kankanaey came from the language which they speak. The only difference amongst the Kankanaey are the way they speak such as intonation and word usage.
In intonation, there is distinction between those who speak Hard Kankanaey (Applai) and Soft Kankanaey. Speakers of Hard Kankanaey are from the towns of Sagada and Besao in the western Mountain Province as well as their environs. They speak Kankanaey with a hard intonation where they differ in some words from the soft-speaking Kankanaey.
Soft-speaking Kankanaey come from Northern and other parts of Benguet, and from the municipalities of Sabangan, Tadian and Bauko in Mountain Province. In words for example an Applai might say otik or beteg (pig) and the soft-speaking Kankanaey use busaang or beteg as well. The Kankanaey may also differ in some words like egay or aga, maid or maga. They also differ in their ways of life and sometimes in culture.
The Kankanaey are also internally identified by the language they speak and the province from whence they came. Kankanaey people from Mountain Province may call the Kankanaey from Benguet as iBenget while the Kankanaey of Benguet may call their fellow Kankanaey from Mountain Province iBontok.
The Hard and Soft Kankanaey also differ in the way they dress. Women's dress of the Soft dialect generally has a colour combination of black, white and red. The design of the upper attire is a criss-crossed style of black, white and red colors. The skirt or tapis is a combination of stripes of black, white and red.
Hard dialect women dress in mainly red and black with less white, with the skirt or tapis which is mostly called bakget and gateng. The men formerly wore a g-string known as a wanes for the Kanakaney's of Besao and Sagada. The design of the wanes may vary according to social status or municipality.
ETHNIC GROUPS BY LINGUISTIC CLASSIFICATION
Political map of the
Cordillera Administrative Region
Below is a list of northern
* NORTHERN LUZON LANGUAGES
* Northern Cordilleran
* Central Cordilleran
* Southern Cordilleran
* Ibaloi (southern Benguet Province )
* Kalanguya Keley-i * Kalanguya Kayapa * Kalanguya Tinoc
The gold found in the land of the
Igorot were an attraction for the
Spanish. Originally gold was exchanged at
Pangasinan by the Igorot.
The gold was used to buy consumable products by the Igorot. Both gold
and desire to Christianize the
Igorot were given as reasons for
Spanish conquest. In 1572 the Spanish started hunting for the gold.
Benguet Province was entered by the Spanish with the intention for
obtaining gold. The fact that the Igorots managed to stay out of
Spanish dominion vexed the Spaniards. The gold evaded the hands of
the Spaniards due to
Igorot opposition. A seated
Bulul , the
anthropomorphical representations of rice divinities protecting the
seeds and the harvest of
Samuel E. Kane wrote about his life amongst the Bontoc, Ifugao, and
Kalinga after the
In 1904, a group of Igorot people were brought to St. Louis, Missouri , United States for the St. Louis World\'s Fair . They constructed the Igorot Village in the Philippine Exposition section of the fair, which became one of the most popular exhibits. The poet T. S. Eliot , who was born and raised in St. Louis, visited and explored the Village. Inspired by their tribal dance and others, he wrote the short story, "The Man Who Was King" (1905). In 1905, 50 tribespeople were on display at a Brooklyn, New York amusement park for the summer, ending in the custody of the unscrupulous Truman K. Hunt, a showman "on the run across America with the tribe in tow."
* ^ Editors, The (2015-03-26). "
Igorot people". Britannica.com.
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* ^ A B Carol R. Ember; Melvin Ember (2003). Encyclopedia of sex
and gender: men and women in the world\'s cultures, Volume 1.
Springer. p. 498. ISBN 978-0-306-47770-6 .
* ^ "IGOROT Ethnic Groups - sagada-igorot.com".
* ^ "The Bontoc Igorot".
* ^ "Kalanguya Archives - Intercontinental Cry".
* ^ "Kallahan, Keley-i".
* ^ "Kalanguya".
* ^ Project, Joshua. "Kalanguya, Tinoc in Philippines".
* ^ Barbara A. West (19 May 2010). Encyclopedia of the Peoples of
Asia and Oceania. Infobase Publishing. pp. 300–. ISBN
* ^ "
* Boeger, Astrid. 'St. Louis 1904'. In Encyclopedia of World's Fairs
and Expositions, ed. John E. Findling and Kimberly D. Pelle.
* Conklin, Harold C., Pugguwon Lupaih, Miklos Pinther, and the
American Geographical Society of New York. (1980). American
Geographical Society of New York, ed. Ethnographic Atlas of Ifugao: A
Study of Environment, Culture, and Society in Northern Luzon. Yale
University Press. ISBN 0-300-02529-7 . CS1 maint: Multiple names:
authors list (link )
* Jones, Arun W, “A View from the Mountains: Episcopal Missionary
Depictions of the
Igorot of Northern Luzon, The Philippines,
1903-1916” in Anglican and Episcopal History 71.3 (Sep 2002):
* Narita, Tatsushi."How Far is
T. S. Eliot from Here?: The Young
Poet's Imagined World of Polynesian Matahiva". In How Far is America
from Here?, ed. Theo D'haen, Paul Giles, Djelal Kadir and Lois
Parkinson Zamora. Amsterdam and New York: Rodopi, 2005, pp. 271–282.
* Narita, Tatsushi. T. S. Eliot, the World Fair of St. Louis and
'Autonomy' (Published for Nagoya Comparative Culture Forum). Nagoya:
Kougaku Shuppan Press, 2013.
* Rydell, Robert W. All the World's a Fair: Visions of Empire at
American International Expositions, 1876–1916. The University of
Chicago Press, 1984.
* Cornélis De Witt Willcox (1912). The head hunters of northern
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