The HUGO AWARDS are a set of awards given annually for the best
science fiction or fantasy works and achievements of the previous
year. The awards are named after
The Hugo Awards have been termed as "among the highest honors
bestowed in science fiction and fantasy writing". Works that have won
have been published in special collections, and the official logo of
the Hugo Awards is often placed on the winning books' cover as a
promotional tool. The 2016 awards were presented at the 74th Worldcon
, MidAmeriCon II, in Kansas City , United States, on August 20, 2016.
The 2017 Hugos will be presented at the 75th
For lists of winners and nominees for each category, see the list of award categories below.
* 1 Award
* 1.1 Retro Hugos
* 2 History
* 2.1 1950s * 2.2 1960s * 2.3 1970s * 2.4 1980s and 90s * 2.5 Since 2000
* 3 Categories * 4 Recognition * 5 See also * 6 References * 7 Sources * 8 External links
The World Science Fiction Society (WSFS) gives out the Hugo Awards
each year for the best science fiction or fantasy works and
achievements of the previous year. The award is named after Hugo
Gernsback , who founded the pioneering science fiction magazine
For each category of Hugo, the voter may rank "No Award" as one of their choices. Voters are instructed that they should do so if they feel that none of the nominees are worthy of the award, or if they feel the category should be abolished entirely. A vote for "No Award" other than as one's first choice signifies that the voter believes the nominee(s) ranked higher than "No Award" are worthy of a Hugo in that category, while those ranked lower are not. David Hartwell , Charles N. Brown , and Connie Willis pose with the 2008 Hugo Awards
The five works on the ballot for each category are the most-nominated by members that year, with no limit on the number of stories that can be nominated. From 1953 to 1958 the awards did not include any recognition of runner-up novels, but since 1959 all of the candidates have been recorded. Initial nominations are made by members in January through March, while voting on the ballot of five nominations is performed roughly in April through July, subject to change depending on when that year's Worldcon is held. Worldcons are generally held near the start of September, and take place in a different city around the world each year.
The idea of giving out awards at Worldcons was proposed by Harold Lynch for the 1953 convention. The idea was based on the Academy Awards , with the name "Hugo" being given by Robert A. Madle. The award trophy was created by Jack McKnight and Ben Jason in 1953, based on the design of hood ornaments of 1950s cars. It consisted of a finned rocket ship on a wooden base. Each subsequent trophy, with the exception of the 1958 trophy, has been similar to the original design. The rocket trophy was formally redesigned in 1984, and since then only the base of the trophy has changed each year. There is no monetary or other remuneration associated with the Hugo, other than the trophy.
Retrospective Hugo Awards, or Retro Hugos, were added in the mid-1990s. These awards are given by Worldcons held 50, 75, or 100 years after a Worldcon where no Hugos had been awarded, which were the conventions in 1939–41, 1946–52, and 1954, and are given for works that would have been eligible in that year, by the same process as the regular Hugos. Retro Hugos have only been given five times: in 1996, 2001, and 2004 for 50 years prior, and 2014 and 2016 for 75 years prior. The six Worldcons eligible in 1997–2000, 2002, and 2015 chose not to award them. The next opportunity will be in 2022 for 1947.
The first Hugo Awards were presented at the 11th Worldcon in Philadelphia in 1953, which awarded Hugos in seven categories. The awards presented that year were initially conceived as a one-off event, though the organizers hoped that subsequent conventions would also present them. At the time, Worldcons were completely run by their respective committees as independent events and had no oversight between years. Thus there was no mandate for any future conventions to repeat the awards, and no set rules for how to do so.
The 1954 Worldcon chose not to, but the awards were reinstated at the 1955 Worldcon, and thereafter became traditional. The award was called the Annual Science Fiction Achievement Award, with "Hugo Award" being an unofficial, but better known name. The nickname was accepted as an official alternative name in 1958, and since the 1992 awards the nickname has been adopted as the official name of the award.
In 1959, though there were still no formal guidelines governing the awards, several rules were instated which thereafter became traditional. These included having a ballot for nominating works earlier in the year and separate from the voting ballot; defining eligibility to include works published in the prior calendar year, rather than the previous rule of the "preceding year"; and allowing voters to select "no award" as an option, which then won that year in two categories: Dramatic Presentation and Best New Author . The eligibility change additionally sparked a separate rule, prohibiting the nomination of works which had been nominated for the 1958 awards, as the two time periods overlapped.
In 1961, after the formation of the WSFS to oversee each Worldcon committee, formal rules were set down in the WSFS constitution mandating the presenting of the awards as one of the responsibilities of each Worldcon organizing committee. The rules restricted voting to members of the convention that the awards would be given at, while still allowing anyone to nominate works; nominations were restricted to members of the convention or the previous year's convention in 1963. The guidelines also specified the categories that would be awarded, which could only be changed by the World Science Fiction Society board. These categories were for Best Novel , Short Fiction (short stories, broadly defined), Dramatic Presentation, Professional Magazine , Professional Artist , and Best Fanzine (fan magazine). 1963 was also the second year in which "no award" won a category, again for Dramatic Presentation.
In 1964 the guidelines were changed to allow individual conventions to create additional categories, which was codified as up to two categories for that year. These additional awards were officially designated as Hugo Awards, but were not required to be repeated by future conventions. This was later adjusted to only allow one additional category; while these extra Hugo Awards have been given out in several categories, only a few were ever awarded for more than one year.
In 1967 categories for Novelette , Fan Writer , and Fan Artist were added, and a category for Best Novella was added the following year; these new categories had the effect of providing a definition for what word count qualified a work for what category, which was previously left up to voters. Novelettes had also been awarded prior to the codification of the rules. The fan awards were initially conceived as separate from the Hugo Awards, with the award for Best Fanzine losing its status, but were instead absorbed into the regular Hugo Awards by the convention committee.
While traditionally five works had been selected for nomination in each category out of the proposed nominees, in 1971 this was set down as a formal rule, barring ties. In 1973, the WSFS removed the category for Best Professional Magazine, and a Best Professional Editor award was instated as its replacement, in order to recognize "the increasing importance of original anthologies".
After that year the guidelines were changed again to remove the mandated awards and instead allow up to ten categories which would be chosen by each convention, though they were expected to be similar to those presented in the year before. Despite this change no new awards were added or previous awards removed before the guidelines were changed back to listing specific categories in 1977. 1971 and 1977 both saw "no award" win the Dramatic Presentation category for the third and fourth time; "no award" did not win any categories afterwards until 2015.
1980S AND 90S
In 1980 the category for Best Non-Fiction Book (later renamed Best Related Work ) was added, followed by a category for Best Semiprozine (semi-professional magazine) in 1984. In 1983, members of the Church of Scientology were encouraged by people such as Charles Platt to nominate as a bloc Battlefield Earth , written by the organization's founder L. Ron Hubbard , for the Best Novel award; it did not make the final ballot. Another campaign followed in 1987 to nominate Hubbard's Black Genesis ; it made the final ballot but finished behind "no award". 1989 saw a work—The Guardsman by Todd Hamilton and P. J. Beese—withdrawn by its authors from the final ballot after a fan bought numerous memberships under false names, all sent in on the same day, in order to get the work onto the ballot.
In 1990 the Best Original Art Work award was given as an extra Hugo Award, and was listed again in 1991, though not actually awarded, and established afterward as an official Hugo Award. It was then removed from this status in 1996, and has not been awarded since. The Retro Hugos were created in the mid-1990s, and were first awarded in 1996.
In 2003, the Dramatic Presentation award was split into two categories, Long Form and Short Form. This was repeated with the Best Professional Editor category in 2007. 2009 saw the addition of the Best Graphic Story category, while the most recent change to the Hugo Awards was in 2012, when an award for Best Fancast was added.
In 2015, two groups of science fiction writers, the "
Sad Puppies "
Brad R. Torgersen and
Larry Correia , and the "Rabid Puppies"
Vox Day , each put forward a similar slate of suggested
nominations which came to dominate the ballot. The Sad Puppies
campaign had run for two years prior on a smaller scale, with limited
success. The leaders of the campaigns characterized them as a reaction
to "niche, academic, overtly " nominees and the Hugo becoming "an
affirmative action award" that preferred female and non-white authors
and characters. In response, five nominees declined their nomination
before and, for the first time, two after the ballot was published.
Connie Willis declined to present the awards.
The slates were characterized by
In response to the campaigns, a set of new rules, called "E Pluribus Hugo", were passed in 2015 and ratified in 2016 to modify the nominations process. Intended to ensure that organized minority groups cannot dominate every finalist position in a category, the new rules define a voting system in which nominees are eliminated one by one, with each vote for an eliminated work then spread out over the uneliminated works they nominated, until only the final shortlist remains. These rules were ratified in 2016 to be used for the first time in 2017. A rule mandating that the final nominees must appear on at least five percent of ballots was also eliminated, to ensure that all categories could reach a full five nominees even when the initial pool of works was very large.
CURRENT CATEGORIES YEAR STARTED CURRENT DESCRIPTION
BEST NOVEL 1953 Stories of 40,000 words or more
BEST NOVELLA 1968 Stories of between 17,500 and 40,000 words
BEST NOVELETTE 1955 Stories of between 7,500 and 17,500 words
BEST SHORT STORY 1955 Stories of less than 7,500 words
BEST RELATED WORK 1980 Works which are either non-fiction or noteworthy for reasons other than the fictional text
BEST GRAPHIC STORY 2009 Stories told in graphic form
Best Dramatic Presentation (Long and Short Forms) 1958 Dramatized productions, divided since 2003 between works longer or shorter than 90 minutes
BEST SEMIPROZINE 1984 Semi-professional magazines
BEST FANZINE 1955 Non-professional magazines
Best Professional Editor (Long and Short Forms) 1973 Editors of written works, divided since 2007 between editors of novels or editors of magazines and anthologies
BEST PROFESSIONAL ARTIST 1953 Professional artists
BEST FAN ARTIST 1967 Fan artists
BEST FAN WRITER 1967 Fan writers
BEST FANCAST 2012 Audiovisual fanzines
FORMER CATEGORIES YEARS ACTIVE DESCRIPTION
BEST PROFESSIONAL MAGAZINE 1953–1972 Professional magazines
BEST COVER ARTIST 1953 Artists of covers for books and magazines
BEST INTERIOR ILLUSTRATOR 1953 Artists of works inside magazines
EXCELLENCE IN FACT ARTICLES 1953 Authors of factual articles
BEST NEW SF AUTHOR OR ARTIST 1953 New authors or artists
#1 FAN PERSONALITY 1953 Favorite fan
BEST FEATURE WRITER 1956 Writers of magazine features
BEST BOOK REVIEWER 1956 Writers of book reviews
MOST PROMISING NEW AUTHOR 1956 New authors
OUTSTANDING ACTIFAN 1958 Favorite fan
BEST NEW AUTHOR 1959 New authors
BEST SF BOOK PUBLISHER 1964–1969 Book publishers
BEST ALL-TIME SERIES 1966 Series of works
OTHER FORMS 1988 Printed fictional works which were not novels, novellas, novelettes, or short stories
BEST ORIGINAL ART WORK 1990, 1992–1996 Works of art
BEST WEB SITE 2002, 2005 Websites
The only discontinued awards which were instated in the WSFS constitution as permanent categories were the Best Professional Magazine and Best Original Art Work Hugo Awards. Worldcon committees may also give out special awards during the Hugo ceremony, which are not voted on. Unlike the additional Hugo categories which Worldcons may present, these awards are not officially Hugo Awards and do not use the same trophy, though they once did. An additional award, the John W. Campbell Award for Best New Writer , is presented at the Hugo Award ceremony and voted by the same process, but is not formally a Hugo Award.
The official logo of the Hugo Awards is often placed on the winning
books' cover as a promotional tool.
* ^ A B Kellogg, Carolyn (2011-04-25). "2011
* ^ "1964 Hugo Statistics" (PDF). World Science Fiction Society.
* ^ Standlee, Kevin (2015-04-04). "2015
* Aldiss, Brian ; Wingrove, David (1988) . Trillion Year Spree: The
History of Science Fiction. Paladin . ISBN 0-586-08684-6 .
* Bacon-Smith, Camille (2000). Science Fiction Culture. University
of Pennsylvania Press. ISBN 0-8122-1530-3 .
* Barron, Neil (2004). Anatomy of Wonder: A Critical Guide to
Science Fiction (5th ed.). Libraries Unlimited . ISBN 1-59158-171-0 .
* Card, Orson Scott (1990-07-15). How to Write Science Fiction and
Fantasy. Writer\'s Digest Books . ISBN 0-89879-416-1 .
* Curtis, Richard (1996). "15". Mastering the Business of Writing.
Allworth Press . ISBN 1-880559-55-2 .
* Franson, Donald; DeVore, Howard (1978). A History of the Hugo,
Nebula and International