History painting is a genre in

painting Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and a ...

defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word ''historia'' in Latin and ''histoire'' in French, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from

history History (derived ) is the systematic study and the documentation of the human activity. The time period of event before the invention of writing systems is considered prehistory. "History" is an umbrella term comprising past events as well ...

, especially paintings from before about 1850. In modern English, "historical painting" is sometimes used to describe the painting of scenes from history in its narrower sense, especially for 19th-century art, excluding religious, mythological, and allegorical subjects, which are included in the broader term "history painting", and before the 19th century were the most common subjects for history paintings. History paintings almost always contain a number of figures, often a large number, and normally show some typical states on that is a moment in a narrative. The genre includes depictions of moments in religious narratives, above all the '' Life of Christ'', Middle eastern culture as well as narrative scenes from

mythology Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narra ...

, and also allegorical scenes. These groups were for long the most frequently painted; works such as

Michelangelo Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was ins ...

's Sistine Chapel ceiling are therefore history paintings, as are most very large paintings before the 19th century. The term covers large paintings in oil on canvas or

fresco Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plast ...

produced between the Renaissance and the late 19th century, after which the term is generally not used even for the many works that still meet the basic definition. History painting may be used interchangeably with historical painting, and was especially so used before the 20th century. Where a distinction is made, "historical painting" is the painting of scenes from secular history, whether specific episodes or generalized scenes. In the 19th century, historical painting in this sense became a distinct genre. In phrases such as "historical painting materials", "historical" means in use before about 1900, or some earlier date.

Prestige

Jacques-Louis David - Oath of the Horatii - Google Art Project

History paintings were traditionally regarded as the highest form of Western painting, occupying the most prestigious place in the hierarchy of genres, and considered the equivalent to the epic in literature. In his '' De Pictura'' of 1436,

Leon Battista Alberti Leon Battista Alberti (; 14 February 1404 – 25 April 1472) was an Italian Renaissance humanist author, artist, architect, poet, priest, linguist, philosopher, and cryptographer; he epitomised the nature of those identified now as polymaths. H ...

had argued that multi-figure history painting was the noblest form of art, as being the most difficult, which required mastery of all the others, because it was a visual form of history, and because it had the greatest potential to move the viewer. He placed emphasis on the ability to depict the interactions between the figures by gesture and expression. This view remained general until the 19th century, when artistic movements began to struggle against the establishment institutions of

academic art Academic art, or academicism or academism, is a style of painting and sculpture produced under the influence of European academies of art. Specifically, academic art is the art and artists influenced by the standards of the French Académie ...

, which continued to adhere to it. At the same time, there was from the latter part of the 18th century an increased interest in depicting in the form of history painting moments of drama from recent or contemporary history, which had long largely been confined to battle-scenes and scenes of formal surrenders and the like. Scenes from ancient history had been popular in the early Renaissance, and once again became common in the

Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including ...

and

Rococo Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, ...

periods, and still more so with the rise of

Neoclassicism Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism ...

. In some 19th or 20th century contexts, the term may refer specifically to paintings of scenes from secular history, rather than those from religious narratives, literature or mythology.

Development

The term is generally not used in art history in speaking of medieval painting, although the Western tradition was developing in large

altarpiece An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting ...

s, fresco cycles, and other works, as well as miniatures in

illuminated manuscripts An illuminated manuscript is a formally prepared document where the text is often supplemented with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers, liturgical services and psalms, the ...

. It comes to the fore in Italian Renaissance painting, where a series of increasingly ambitious works were produced, many still religious, but several, especially in Florence, which did actually feature near-contemporary historical scenes such as the set of three huge canvases on ''

The Battle of San Romano ''The Battle of San Romano'' is a set of three paintings by the Florentine painter Paolo Uccello depicting events that took place at the Battle of San Romano between Florentine and Sienese forces in 1432. They are significant as revealing the ...

'' by Paolo Uccello, the abortive ''

Battle of Cascina The Battle of Cascina was an engagement between Pisan and Florentine troops on 28 July 1364 near Cascina, modern-day Italy. Florence's victory followed a recent defeat to Pisan forces that had enabled mercenary John Hawkwood, who was in comma ...

'' by Michelangelo and the ''

Battle of Anghiari The Battle of Anghiari was fought on 29 June 1440, between the forces of Milan and the League of some Italian states led by the Republic of Florence in the course of the Wars in Lombardy. The battle was a victory for the Florentines, securing ...

'' by

Leonardo da Vinci Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on ...

, neither of which were completed. Scenes from ancient history and mythology were also popular. Writers such as Alberti and the following century

Giorgio Vasari Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work '' The Lives of the Most Excellent Painters, Sculp ...

in his '' Lives of the Artists'', followed public and artistic opinion in judging the best painters above all on their production of large works of history painting (though in fact the only modern (post-classical) work described in '' De Pictura'' is

Giotto Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto ( , ) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/ Proto-Renaissance period. G ...

's huge '' Navicella'' in mosaic). Artists continued for centuries to strive to make their reputation by producing such works, often neglecting genres to which their talents were better suited. There was some objection to the term, as many writers preferred terms such as "poetic painting" (''poesia''), or wanted to make a distinction between the "true" ''istoria'', covering history including biblical and religious scenes, and the ''fabula'', covering pagan myth, allegory, and scenes from fiction, which could not be regarded as true. The large works of

Raphael Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual ...

were long considered, with those of Michelangelo, as the finest models for the genre. In the Raphael Rooms in the

Vatican Palace The Apostolic Palace ( la, Palatium Apostolicum; it, Palazzo Apostolico) is the official residence of the pope, the head of the Catholic Church, located in Vatican City. It is also known as the Papal Palace, the Palace of the Vatican and the V ...

, allegories and historical scenes are mixed together, and the Raphael Cartoons show scenes from the Gospels, all in the

Grand Manner Grand Manner refers to an idealized aesthetic style derived from classicism and the art of the High Renaissance. In the eighteenth century, British artists and connoisseurs used the term to describe paintings that incorporated visual metaphors in ...

that from the High Renaissance became associated with, and often expected in, history painting. In the Late Renaissance and

the painting of actual history tended to degenerate into panoramic battle-scenes with the victorious monarch or general perched on a horse accompanied with his retinue, or formal scenes of ceremonies, although some artists managed to make a masterpiece from such unpromising material, as Velázquez did with his ''

The Surrender of Breda ''La rendición de Breda'' (English: ''The Surrender of Breda'', also known as ''Las lanzas'' – ''The Lances'') is a painting by the Spanish Golden Age painter Diego Velázquez. It was completed during the years 1634–35, inspired by Velázque ...

''. An influential formulation of the hierarchy of genres, confirming the history painting at the top, was made in 1667 by

André Félibien André Félibien (May 161911 June 1695), ''sieur des Avaux et de Javercy'', was a French chronicler of the arts and official court historian to Louis XIV of France. Biography Félibien was born at Chartres. At the age of fourteen he went to Pari ...

, a historiographer, architect and theoretician of French classicism became the classic statement of the theory for the 18th century:

Celui qui fait parfaitement des païsages est au-dessus d'un autre qui ne fait que des fruits, des fleurs ou des coquilles. Celui qui peint des animaux vivants est plus estimable que ceux qui ne représentent que des choses mortes & sans mouvement; & comme la figure de l'homme est le plus parfait ouvrage de Dieu sur la Terre, il est certain aussi que celui qui se rend l'imitateur de Dieu en peignant des figures humaines, est beaucoup plus excellent que tous les autres ... un Peintre qui ne fait que des portraits, n'a pas encore cette haute perfection de l'Art, & ne peut prétendre à l'honneur que reçoivent les plus sçavans. Il faut pour cela passer d'une seule figure à la représentation de plusieurs ensemble; il faut traiter l'histoire & la fable; il faut représenter de grandes actions comme les historiens, ou des sujets agréables comme les Poëtes; & montant encore plus haut, il faut par des compositions allégoriques, sçavoir couvrir sous le voile de la fable les vertus des grands hommes, & les mystères les plus relevez.

He who produces perfect landscapes is above another who only produces fruit, flowers or seashells. He who paints living animals is more than those who only represent dead things without movement, and as man is the most perfect work of God on the earth, it is also certain that he who becomes an imitator of God in representing human figures, is much more excellent than all the others ... a painter who only does portraits still does not have the highest perfection of his art, and cannot expect the honour due to the most skilled. For that he must pass from representing a single figure to several together; history and myth must be depicted; great events must be represented as by historians, or like the poets, subjects that will please, and climbing still higher, he must have the skill to cover under the veil of myth the virtues of great men in allegories, and the mysteries they reveal".

By the late 18th century, with both religious and mytholological painting in decline, there was an increased demand for paintings of scenes from history, including contemporary history. This was in part driven by the changing audience for ambitious paintings, which now increasingly made their reputation in public exhibitions rather than by impressing the owners of and visitors to palaces and public buildings. Classical history remained popular, but scenes from national histories were often the best-received. From 1760 onwards, the Society of Artists of Great Britain, the first body to organize regular exhibitions in London, awarded two generous prizes each year to paintings of subjects from British history. The unheroic nature of modern dress was regarded as a serious difficulty. When, in 1770, Benjamin West proposed to paint ''

The Death of General Wolfe ''The Death of General Wolfe'' is a 1770 painting by Anglo-American artist Benjamin West, commemorating the 1759 Battle of Quebec, where General James Wolfe died at the moment of victory. The painting, containing vivid suggestions of martyrdom, ...

'' in contemporary dress, he was firmly instructed to use classical costume by many people. He ignored these comments and showed the scene in modern dress. Although

George III George III (George William Frederick; 4 June 173829 January 1820) was King of Great Britain and of Ireland from 25 October 1760 until the union of the two kingdoms on 1 January 1801, after which he was King of the United Kingdom of Great Br ...

refused to purchase the work, West succeeded both in overcoming his critics' objections and inaugurating a more historically accurate style in such paintings. Other artists depicted scenes, regardless of when they occurred, in classical dress and for a long time, especially during the

French Revolution The French Revolution ( ) was a period of radical political and societal change in France that began with the Estates General of 1789 and ended with the formation of the French Consulate in November 1799. Many of its ideas are conside ...

, history painting often focused on depictions of the heroic male nude. The large production, using the finest French artists, of propaganda paintings glorifying the exploits of

Napoleon Napoleon Bonaparte ; it, Napoleone Bonaparte, ; co, Napulione Buonaparte. (born Napoleone Buonaparte; 15 August 1769 – 5 May 1821), later known by his regnal name Napoleon I, was a French military commander and political leader wh ...

, were matched by works, showing both victories and losses, from the anti-Napoleonic alliance by artists such as Goya and J.M.W. Turner. Théodore Géricault's '' The Raft of the Medusa'' (1818–1819) was a sensation, appearing to update the history painting for the 19th century, and showing anonymous figures famous only for being victims of what was then a famous and controversial disaster at sea. Conveniently their clothes had been worn away to classical-seeming rags by the point the painting depicts. At the same time the demand for traditional large religious history paintings very largely fell away. David Wilkie Chelsea Pensioners Reading the Waterloo Dispatch

David Wilkie Chelsea Pensioners Reading the Waterloo Dispatch

In the mid-nineteenth century there arose a style known as

historicism Historicism is an approach to explaining the existence of phenomena, especially social and cultural practices (including ideas and beliefs), by studying their history, that is, by studying the process by which they came about. The term is widely ...

, which marked a formal imitation of historical styles and/or artists. Another development in the nineteenth century was the treatment of historical subjects, often on a large scale, with the values of

genre painting Genre painting (or petit genre), a form of genre art, depicts aspects of everyday life by portraying ordinary people engaged in common activities. One common definition of a genre scene is that it shows figures to whom no identity can be attache ...

, the depiction of scenes of everyday life, and

anecdote An anecdote is "a story with a point", such as to communicate an abstract idea about a person, place, or thing through the concrete details of a short narrative or to characterize by delineating a specific quirk or trait. Occasionally humorous ...

. Grand depictions of events of great public importance were supplemented with scenes depicting more personal incidents in the lives of the great, or of scenes centred on unnamed figures involved in historical events, as in the

Troubadour style Taking its name from medieval troubadours, the Troubadour Style (french: Style troubadour) is a rather derisive term, in English usually applied to French historical painting of the early 19th century with idealised depictions of the Middle Ages a ...

. At the same time scenes of ordinary life with moral, political or satirical content became often the main vehicle for expressive interplay between figures in painting, whether given a modern or historical setting. By the later 19th century, history painting was often explicitly rejected by

avant-garde The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretica ...

movements such as the Impressionists (except for

Édouard Manet Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Bor ...

) and the

Symbolist Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realis ...

s, and according to one recent writer "

Modernism Modernism is both a philosophical and arts movement that arose from broad transformations in Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, an ...

was to a considerable extent built upon the rejection of History Painting... All other genres are deemed capable of entering, in one form or another, the 'pantheon' of modernity considered, but History Painting is excluded".

History painting and historical painting

The terms

Initially, "history painting" and "historical painting" were used interchangeably in English, as when Sir

Joshua Reynolds Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depend ...

in his fourth ''Discourse'' uses both indiscriminately to cover "history painting", while saying "...it ought to be called poetical, as in reality it is", reflecting the French term ''peinture historique'', one equivalent of "history painting". The terms began to separate in the 19th century, with "historical painting" becoming a sub-group of "history painting" restricted to subjects taken from history in its normal sense. In 1853

John Ruskin John Ruskin (8 February 1819 20 January 1900) was an English writer, philosopher, art critic and polymath of the Victorian era. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and pol ...

asked his audience: "What do you at present ''mean'' by historical painting? Now-a-days it means the endeavour, by the power of imagination, to portray some historical event of past days." So for example Harold Wethey's three-volume catalogue of the paintings of

Titian Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), ...

(Phaidon, 1969–75) is divided between "Religious Paintings", "Portraits", and "Mythological and Historical Paintings", though both volumes I and III cover what is included in the term "History Paintings". This distinction is useful but is by no means generally observed, and the terms are still often used in a confusing manner. Because of the potential for confusion modern academic writing tends to avoid the phrase "historical painting", talking instead of "historical subject matter" in history painting, but where the phrase is still used in contemporary scholarship it will normally mean the painting of subjects from history, very often in the 19th century. "Historical painting" may also be used, especially in discussion of painting techniques in conservation studies, to mean "old", as opposed to modern or recent painting. In 19th-century British writing on art the terms "subject painting" or "anecdotic" painting were often used for works in a line of development going back to

William Hogarth William Hogarth (; 10 November 1697 – 26 October 1764) was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like ...

of monoscenic depictions of crucial moments in an implied narrative with unidentified characters, such as

William Holman Hunt William Holman Hunt (2 April 1827 – 7 September 1910) was an English painter and one of the founders of the Pre-Raphaelite Brotherhood. His paintings were notable for their great attention to detail, vivid colour, and elaborate symbolism ...

's 1853 painting '' The Awakening Conscience'' or Augustus Egg's '' Past and Present'', a set of three paintings, updating sets by Hogarth such as '' Marriage à-la-mode''.

19th century

Richard Parkes Bonington - Henri III - WGA02429

History painting was the dominant form of academic painting in the various national academies in the 18th century, and for most of the 19th, and increasingly historical subjects dominated. During the Revolutionary and Napoleonic periods the heroic treatment of contemporary history in a frankly propagandistic fashion by

Antoine-Jean, Baron Gros Antoine-Jean Gros (; 16 March 177125 June 1835) was a French painter of historical subjects. He was given title of Baron Gros in 1824. Gros studied under Jacques-Louis David in Paris and began an independent artistic career during the French R ...

Jacques-Louis David Jacques-Louis David (; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away f ...

Carle Vernet Antoine Charles Horace Vernet, better known as Carle Vernet (14 August 175827 November 1836), was a French painter, the youngest child of Claude Joseph Vernet and the father of Horace Vernet. Biography Vernet was born in Bordeaux. At the age ...

and others was supported by the French state, but after the fall of Napoleon in 1815 the French governments were not regarded as suitable for heroic treatment and many artists retreated further into the past to find subjects, though in Britain depicting the victories of the

Napoleonic Wars The Napoleonic Wars (1803–1815) were a series of major global conflicts pitting the French Empire and its allies, led by Napoleon I, against a fluctuating array of European states formed into various coalitions. It produced a period of Fre ...

mostly occurred after they were over. Another path was to choose contemporary subjects that were oppositional to government either at home and abroad, and many of what were arguably the last great generation of history paintings were protests at contemporary episodes of repression or outrages at home or abroad: Goya's '' The Third of May 1808'' (1814), Théodore Géricault's '' The Raft of the Medusa'' (1818–19),

Eugène Delacroix Ferdinand Victor Eugène Delacroix ( , ; 26 April 1798 – 13 August 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.Noon, Patrick, et al., ''Crossing the Channel: Britis ...

's ''

The Massacre at Chios ''The Massacre at Chios'' (french: Scène des massacres de Scio) is the second major oil painting by the French artist Eugène Delacroix. The work is more than four meters tall, and shows some of the horror of the wartime destruction visited on ...

'' (1824) and '' Liberty Leading the People'' (1830). These were heroic, but showed heroic suffering by ordinary civilians. Romantic artists such as Géricault and Delacroix, and those from other movements such as the English

Pre-Raphaelite Brotherhood The Pre-Raphaelite Brotherhood (later known as the Pre-Raphaelites) was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, Jame ...

continued to regard history painting as the ideal for their most ambitious works. Others such as

Jan Matejko Jan Alojzy Matejko (; also known as Jan Mateyko; 24 June 1838 – 1 November 1893) was a Polish painter, a leading 19th-century exponent of history painting, known for depicting nodal events from Polish history. His works include large scale ...

in Poland, Vasily Surikov in Russia, José Moreno Carbonero in Spain and Paul Delaroche in France became specialized painters of large historical subjects. The ''

style troubadour Taking its name from medieval troubadours, the Troubadour Style (french: Style troubadour) is a rather derisive term, in English usually applied to French historical painting of the early 19th century with idealised depictions of the Middle Ages ...

'' ("

troubadour A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a '' trobair ...

style") was a somewhat derisive French term for earlier paintings of medieval and Renaissance scenes, which were often small and depicting moments of anecdote rather than drama;

Ingres Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the a ...

Richard Parkes Bonington Richard Parkes Bonington (25 October 1802 – 23 September 1828) was an English Romantic landscape painter, who moved to France at the age of 14 and can also be considered as a French artist, and an intermediary bringing aspects of English sty ...

and Henri Fradelle painted such works. Sir

Roy Strong Sir Roy Colin Strong, (born 23 August 1935) is an English art historian, museum curator, writer, broadcaster and landscape designer. He has served as director of both the National Portrait Gallery and the Victoria and Albert Museum in London. ...

calls this type of work the "Intimate Romantic", and in French it was known as the "peinture de genre historique" or "peinture anecdotique" ("historical genre painting" or "anecdotal painting"). Church commissions for large group scenes from the Bible had greatly reduced, and historical painting became very significant. Especially in the early 19th century, much historical painting depicted specific moments from historical literature, with the novels of Sir

Walter Scott Sir Walter Scott, 1st Baronet (15 August 1771 – 21 September 1832), was a Scottish novelist, poet, playwright and historian. Many of his works remain classics of European and Scottish literature, notably the novels '' Ivanhoe'', '' Rob Roy ...

a particular favourite, in France and other European countries as much as Great Britain. By the middle of the century medieval scenes were expected to be very carefully researched, using the work of historians of costume, architecture and all elements of decor that were becoming available. And example of this is the extensive research of Byzantine architecture, clothing and decoration made in Parisian museums and libraries by Moreno Carbonero for his masterwork ''The Entry of Roger de Flor in Constantinople''. The provision of examples and expertise for artists, as well as revivalist industrial designers, was one of the motivations for the establishment of museums like the

Victoria and Albert Museum The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and nam ...

in London. New techniques of

printmaking Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed techniqu ...

such as the chromolithograph made good quality reproductions both relatively cheap and very widely accessible, and also hugely profitable for artist and publisher, as the sales were so large. Historical painting often had a close relationship with

Nationalism Nationalism is an idea and movement that holds that the nation should be congruent with the State (polity), state. As a movement, nationalism tends to promote the interests of a particular nation (as in a in-group and out-group, group of peo ...

, and painters like Matejko in Poland could play an important role in fixing the prevailing historical narrative of national history in the popular mind. In France, '' L'art Pompier'' ("Fireman art") was a derisory term for official academic historical painting, and in a final phase, "History painting of a debased sort, scenes of brutality and terror, purporting to illustrate episodes from Roman and Moorish history, were Salon sensations. On the overcrowded walls of the exhibition galleries, the paintings that shouted loudest got the attention".White, 91 Orientalist painting was an alternative genre that offered similar exotic costumes and decor, and at least as much opportunity to depict sex and violence.

Gallery

File:San Romano Battle (Paolo Uccello, London) 01.jpg, Paolo Uccello, 1438–1440, ''

'', Uffizi,

Florence Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico ...

File:CARRACCI, Annibale - An allegory of Truth and Time (1584-5).JPG,

Annibale Carracci Annibale Carracci (; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of t ...

, '' An Allegory of Truth and Time'' (1584–85), an allegorical history painting File:'Allegory of Magnificence' by Eustache LeSueur, Dayton Art Institute.JPG, ''Allegory of Magnificence'',

Eustache Le Sueur Eustache Le Sueur or Lesueur (19 November 161730 April 1655) was a French artist and one of the founders of the French Academy of Painting. He is known primarily for his paintings of religious subjects. He was a leading exponent of the neoclas ...

, c. 1654 File:Charles Le Brun - Entry of Alexander into Babylon.JPG, Charles Le Brun, 1664, ''Entry of Alexander into Babylon'',

Louvre The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the '' Venus de Milo''. A central ...

, Paris File:Sebastiano Ricci 057b.jpg, Sebastiano Ricci, ''Allegory of France as Minerva Trampling Ignorance and Crowning Virtue'', 1717–18 File:David - The Death of Socrates.jpg,

, 1787, ''

The Death of Socrates ''The Death of Socrates'' (french: La Mort de Socrate) is an oil on canvas painted by French painter Jacques-Louis David in 1787. The painting was part of the neoclassical style, popular in the 1780s, that depicted subjects from the Classical a ...

'',

École Nationale Supérieure des Beaux-Arts The Beaux-Arts de Paris is a French '' grande école'' whose primary mission is to provide high-level arts education and training. This is classical and historical School of Fine Arts in France. The art school, which is part of the Paris Scien ...

, Paris File:Vincenzo Camuccini - La morte di Cesare.jpg, Vincenzo Camuccini, ''

Assassination of Julius Caesar Julius Caesar, the Roman dictator, was assassinated by a group of senators on the Ides of March (15 March) of 44 BC during a meeting of the Senate at the Curia of Pompey of the Theatre of Pompey in Rome where the senators stabbed Caesar 23 t ...

'', 1805 File:Jacques-Louis David 006.jpg,

, ''

The Coronation of Napoleon ''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the ...

'', c. 1807 File:Peinture Palais de Justice de Toulouse.jpg, ''Justice and Divine Vengeance Pursuing Crime'', Pierre-Paul Prud'hon, c. 1805–1808 File:El dos de mayo de 1808 en Madrid.jpg, Francisco de Goya, 1814, '' The Second of May 1808'',

Museo del Prado The Prado Museum ( ; ), officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It is widely considered to house one of the world's finest collections of European art, dating from th ...

Madrid Madrid ( , ) is the capital and most populous city of Spain. The city has almost 3.4 million inhabitants and a metropolitan area population of approximately 6.7 million. It is the second-largest city in the European Union (EU), and ...

File:Delacroix sardanapalus 1828 950px.jpg,

, 1827, ''

Death of Sardanapalus ''The Death of Sardanapalus'' (''La Mort de Sardanapale'') is an oil painting on canvas by Eugène Delacroix, dated 1827. It currently hangs in the Musée du Louvre, Paris. A smaller replica, painted by Delacroix in 1844, is now in the Philadelph ...

'', Louvre, Paris File:Karl Brullov - The Last Day of Pompeii - Google Art Project.jpg,

Karl Bryullov Karl Pavlovich Bryullov (russian: Карл Па́влович Брюлло́в; 12 December 1799 – 11 June 1852), original name Charles Bruleau, also transliterated Briullov and Briuloff, and referred to by his friends as "Karl the Great", was a ...

, ''

The Last Day of Pompeii ''The Last Day of Pompeii'' is a large history painting by Karl Bryullov produced in 1830–1833 on the subject of the eruption of Mount Vesuvius in AD 79. It is notable for its positioning between Neoclassicism, the predominant style in Russia a ...

'', 1827–1833 File:Eugène Delacroix - Le 28 Juillet. La Liberté guidant le peuple.jpg,

, '' Liberty Leading the People'', 1830, Louvre, Paris File:Washington Crossing the Delaware by Emanuel Leutze, MMA-NYC, 1851.jpg, Emanuel Leutze, '' Washington Crossing the Delaware'', 1851,

Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...

, New York File:John Everett Millais - Christ in the House of His Parents (`The Carpenter's Shop') - Google Art Project.jpg,

John Everett Millais Sir John Everett Millais, 1st Baronet, ( , ; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest ...

, ''

Christ In The House Of His Parents ''Christ in the House of His Parents'' (1849–50) is a painting by John Everett Millais depicting the Holy Family in Saint Joseph's carpentry workshop. The painting was extremely controversial when first exhibited, prompting many negative revi ...

'', 1854–1860,

Tate Britain Tate Britain, known from 1897 to 1932 as the National Gallery of British Art and from 1932 to 2000 as the Tate Gallery, is an art museum on Millbank in the City of Westminster in London, England. It is part of the Tate network of galleries in ...

, London File:William Holman Hunt - The Finding of the Saviour in the Temple.jpg,

, '' The Finding of the Saviour in the Temple'', 1854–1860, Birmingham Museum & Art Gallery,

Birmingham Birmingham ( ) is a city and metropolitan borough in the metropolitan county of West Midlands in England. It is the second-largest city in the United Kingdom with a population of 1.145 million in the city proper, 2.92 million in the We ...

File:Adolph Menzel - Flötenkonzert Friedrichs des Großen in Sanssouci - Google Art Project.jpg,

Adolph Menzel Adolph Friedrich Erdmann von Menzel (8 December 18159 February 1905) was a German Realist artist noted for drawings, etchings, and paintings. Along with Caspar David Friedrich, he is considered one of the two most prominent German painters of th ...

, ''Flute concerto of

Fredrick the Great Frederick II (german: Friedrich II.; 24 January 171217 August 1786) was King in Prussia from 1740 until 1772, and King of Prussia from 1772 until his death in 1786. His most significant accomplishments include his military successes in the Sil ...

'', c. 1852 File:Jan Matejko, Stańczyk.jpg,

, '' Stanczyk'', 1862,

Warsaw National Museum The National Museum in Warsaw ( pl, Muzeum Narodowe w Warszawie), popularly abbreviated as MNW, is a national museum in Warsaw, one of the largest museums in Poland and the largest in the capital. It comprises a rich collection of ancient art ...

Warsaw Warsaw ( pl, Warszawa, ), officially the Capital City of Warsaw,, abbreviation: ''m.st. Warszawa'' is the capital and largest city of Poland. The metropolis stands on the River Vistula in east-central Poland, and its population is officiall ...

File:Wernerprokla.jpg,

Anton von Werner Anton Alexander von Werner (9 May 18434 January 1915) was a German painter known for his history paintings of notable political and military events in the Kingdom of Prussia.Fulbrook, Mary and John Breuilly (1997) ''German History Since 1800'' ...

, ''

Proclamation of the German Empire The proclamation of the German Empire, also known as the ''Deutsche Reichsgründung'', took place in January 1871 after the joint victory of the German states in the Franco-Prussian War. As a result of the November Treaties of 1870, the southe ...

'', 1885 File:Ilja Jefimowitsch Repin 009.jpg,

Ilya Repin Ilya Yefimovich Repin (russian: Илья Ефимович Репин, translit=Il'ya Yefimovich Repin, p=ˈrʲepʲɪn); fi, Ilja Jefimovitš Repin ( – 29 September 1930) was a Russian painter, born in what is now Ukraine. He became one of the ...

, '' Reply of the Zaporozhian Cossacks'', 1880–1891, State Russian Museum, St. Petersburg File:Surikov streltsi.jpg, Vasily Surikov, '' Morning of Streltsy's execution'', 1881, Tretyakov Gallery,

Moscow Moscow ( , US chiefly ; rus, links=no, Москва, r=Moskva, p=mɐskˈva, a=Москва.ogg) is the capital and largest city of Russia. The city stands on the Moskva River in Central Russia, with a population estimated at 13.0 million ...

File:The Maid of Orléans.PNG,

, ''The Maid of Orléans'', 1886,

National Museum, Poznań The National Museum in Poznań ( pl, Muzeum Narodowe w Poznaniu), Poland, abbreviated MNP, is a state-owned cultural institution and one of the largest museums in Poland. It houses a rich collection of Polish painting from the 16th century on, a ...

File:Entrada de Roger de Flor en Constantinopla (Palacio del Senado de España).jpg, José Moreno Carbonero, 1888, ''The Entry of Roger de Flor in Constantinople'', Senate Palace,

Notes

References

*Barlow, Paul
"The Death of History Painting in Nineteenth-Century Art?" PDF
''Visual Culture in Britain'', Volume 6, Number 1, Summer 2005, pp. 1–13(13) *

Blunt, Anthony Anthony Frederick Blunt (26 September 1907 – 26 March 1983), styled Sir Anthony Blunt KCVO from 1956 to November 1979, was a leading British art historian and Soviet spy. Blunt was professor of art history at the University of London, dire ...

, ''Artistic Theory in Italy, 1450-1660'', 1940 (refs to 1985 edn), OUP, * Bull, Malcolm, ''The Mirror of the Gods, How Renaissance Artists Rediscovered the Pagan Gods'', Oxford UP, 2005, *Green, David and Seddon, Peter, ''History Painting Reassessed: The Representation of History in Contemporary Art'', 2000, Manchester University Press,
google books
*Harding, James. ''Artistes pompiers: French academic art in the 19th century'', 1979, New York: Rizzoli *Harrison, Charles, ''An Introduction to Art'', 2009, Yale University Press,
google books
* Rothenstein, John, ''An Introduction to English Painting'', 2002 (reissue), I.B.Tauris, * Strong, Roy. ''And when did you last see your father? The Victorian Painter and British History'', 1978, Thames and Hudson, *White, Harrison C., ''Canvases and Careers: Institutional Change in the French Painting World'', 1993 (2nd edn), University of Chicago Press,
google books
*Wright, Beth Segal, ''Scott's Historical Novels and French Historical Painting 1815-1855'', '' The Art Bulletin'', Vol. 63, No. 2 (Jun., 1981), pp. 268–287,
JSTOR

External links

{{DEFAULTSORT:History Painting * Paintings

Prestige

Development

History painting and historical painting

The terms

19th century

Gallery

See also

Notes

References

Further reading

External links