Further information:
Hindustani etymology and
Tatsam (तत्सम "same as that") words: These are words which are spelled the same in Hindi as in Sanskrit (except for the absence of final case inflections).
[82] They include words inherited from Sanskrit via
loan translation (
calqueing) and occasionally
phono-semantic matching of
English.
[85]
Prakrit
Hindi has naturally inherited a large portion of its vocabulary from Śaurasenī Prākṛt, in the form of tadbhava words. This process usually involves compensatory lengthening of vowels preceding consonant clusters in Prakrit, e.g. Sanskrit tīkṣṇa > Prakrit tikkha > Hindi tīkhā.
Sanskrit
Much of Modern Standard Hindi's vocabulary is borrowed from Sanskrit as tatsam borrowings, especially in technical and academic fields. The formal Hindi standard, from which much of the Persian, Arabic and English vocabulary has been replaced by neologisms compounding tatsam words, is called Śuddh Hindi (pure Hindi), and is viewed as a more prestigious dialect over other more colloquial forms of Hindi.
Excessive use of tatsam words sometimes creates problems for native speakers. They may have Sanskrit consonant clusters which do not exist in native Hindi, causing difficulties in pronunciation.[86]
As a part of the process of Sanskritization, new words are coined using Sanskrit components to be used as replacements for supposedly foreign vocabulary. Usually these neologisms are calques of English words already adopted into spoken Hindi. Some terms such as dūrbhāṣ "telephone", literally "far-speech" and dūrdarśan "television", literally "far-sight" have even gained some currency in formal Hindi in the place of the English borrowings (ṭeli)fon and ṭīvī.[87]
Persian
Hindi also features significant Persian influence, standardised from spoken Hindustani.[35][88][page needed] Early borrowings, beginning in the mid-12th century, were specific to Islam (e.g. Muhammad, islām) and so Persian was simply an intermediary for Arabic. Later, under the Śaurasenī Prākṛt, in the form of tadbhava words. This process usually involves compensatory lengthening of vowels preceding consonant clusters in Prakrit, e.g. Sanskrit tīkṣṇa > Prakrit tikkha > Hindi tīkhā.
SanskritMuch of Modern Standard Hindi's vocabulary is borrowed from Sanskrit as tatsam borrowings, especially in technical and academic fields. The formal Hindi standard, from which much of the Persian, Arabic and English vocabulary has been replaced by neologisms compounding tatsam words, is called Śuddh Hindi (pure Hindi), and is viewed as a more prestigious dialect over other more colloquial forms of Hindi.
Excessive use of tatsam words sometimes creates problems
Excessive use of tatsam words sometimes creates problems for native speakers. They may have Sanskrit consonant clusters which do not exist in native Hindi, causing difficulties in pronunciation.[86]
As a part of the process of Sanskritization, new words are coined using Sanskrit components to be used as replacements for supposedly foreign vocabulary. Usually these neologisms are calques of English words already adopted into spoken Hindi. Some terms such as dūrbhāṣ "telephone", literally "far-speech" and dūrdarśan "television", literally "far-sight" have even gained some currency in formal Hindi in the place of the English borrowings (ṭeli)fon and ṭīvī.[87]
Hindi also features significant Persian influence, standardised from spoken Hindustani.[35][88][page needed] Early borrowings, beginning in the mid-12th century, were specific to Islam (e.g. Muhammad, islām) and so Persian was simply an intermediary for Arabic. Later, under the Delhi Sultanate and Mughal Empire, Persian became the primary administrative language in the Hindi heartland. Persian borrowings reached a heyday in the 17th century, pervading all aspects of life. Even grammatical constructs, namely the izafat, were assimilated into Hindi.[89]
Post-Partition the Indian government advocated for a policy of Sanskritization leading to a marginalisation of the Persian element in Hindi. However, many Persian words (e.g. muśkil "difficult", bas "enough", havā "air", x(a)yāl "thought") have remained entrenched in Modern Standard Hindi, and a larger amount are still used in Urdu poetry written in the Devanagari script.
Arabic also shows influence in Hindi, often via Persian but sometimes directly.[90]
Media
Hindi literature is broadly divided into four prominent forms or styles, being Bhakti (devotional – Kabir, Raskhan); Śṛṇgār (beauty – Keshav, Bihari); Vīgāthā (epic); and Ādhunik (modern).
Medieval Hindi literature is marked by the influence of Bhakti movement and the composition of long, epic poems. It was primarily written in other vMedieval Hindi literature is marked by the influence of Bhakti movement and the composition of long, epic poems. It was primarily written in other varieties of Hindi, particularly Avadhi and Braj Bhasha, but to a degree also in Delhavi, the basis for Modern Standard Hindi. During the British Raj, Hindustani became the prestige dialect.
Chandrakanta, written by Devaki Nandan Khatri in 1888, is considered the first authentic work of prose in modern Hindi.[91] The person who brought realism in the Hindi prose literature was Munshi Premchand, who is considered as the most revered figure in the world of Hindi fiction and progressive movement. Literary, or Sāhityik, Hindi was popularised by the writings of Swami Dayananda Saraswati, Bhartendu Harishchandra and others. The rising numbers of newspapers and magazines made Hindustani popular with the educated people.[citation needed]
The Dvivedī Yug ("Age of Dwivedi") in Hindi literature lasted from 1900 to 1918. It is named after Mahavir Prasad Dwivedi, who played a major role in establishing Modern Standard Hindi in poetry and broadening the acceptable subjects of Hindi poetry from the traditional ones of religion and romantic love.
In the 20th century, Hindi literature saw a romantic upsurge. This is known as Chāyāvād (shadow-ism) and the literary figures belonging to this school are known as Chāyāvādī. Jaishankar Prasad, Suryakant Tripathi 'Nirala', Mahadevi Varma and Sumitranandan Pant, are the four major Chāyāvādī poets.
Uttar Ādhunik is the post-modernist period of Hindi literature, marked by a questioning of early trends that copied the West as well as the excessive ornamentation of the Chāyāvādī movement, and by a return to simple language and natural themes.
Hindi literature, music, and film have all been disseminated via the internet. In 2015, Google reported a 94% increase in Hindi-content consumption year-on-year, adding that 21% of users in India prefer content in Hindi.[92] Many Hindi newspapers also offer digital editions.
Sample text
The following is a sample text in High Hindi, of the Article 1 of the Universal Declaration of Human Rights (by the United Nations):
- Hindi
- अनुच्छेद 1 (एक) – सभी मनुष्यों को गौरव और अधिकारों के विषय में जन्मजात स्वत
