Hiberno‐English (from Latin Hibernia: "Ireland") or Irish English is the set of English dialects natively written and spoken within the island of Ireland (including both the Republic of Ireland and Northern Ireland).
English was brought to Ireland as a result of the Norman invasion of Ireland of the late 12th century. Initially, it was mainly spoken in an area known as the Pale around Dublin, with mostly Irish spoken throughout the rest of the country. By the Tudor period, Irish culture and language had regained most of the territory lost to the invaders: even in the Pale, "all the common folk… for the most part are of Irish birth, Irish habit, and of Irish language". Some small pockets remained predominantly English-speaking; because of their sheer isolation their dialects developed into a dialect known as Yola that was no longer mutually intelligible with other English varieties. However, the Tudor conquest and colonisation of Ireland in the 16th century marked a revival in the use of English. By the mid-19th century, English was the majority language spoken in the country.[a] It has retained this status to the present day, with even those whose first language is Irish being fluent in English as well. Today, there is only a little more than one percent of the population that speaks Irish natively. It is one of two official languages, along with Irish, of the Republic of Ireland, and is the country's de facto working language.
Hiberno-English's spelling and pronunciation standards align with British rather than American English. However, Hiberno-English's diverse accents and some of its grammatical structures are unique, with some influence by the Irish language and a tendency to be phonologically conservative, retaining older features no longer common in the accents of England or North America.
Phonologists today often divide Hiberno-English into four or five overarching classes of dialects or accents: Ulster accents, West and South-West Region accents (including, for example, the Cork accent), various Dublin accents, and a relatively recent supraregional accent.
Ulster English (or northern Irish English) here refers collectively to the varieties of the Ulster province, including Northern Ireland and neighbouring counties outside of Northern Ireland, which has been influenced by Ulster Irish as well as the Scots language, brought over by Scottish settlers during the Plantation of Ulster. Its main subdivisions are mid Ulster English as well as Ulster Scots English, the latter of which is more directly and strongly influenced by the Scots language. All Ulster English has more obvious pronunciation similarities with Scottish English than other Irish English dialects.
Ulster varieties distinctly pronounce:
South-West Irish English (often known, by specific county, as Cork English, Kerry English, or Limerick English) also features two major defining characteristics of its own: the raising of // to [ɪ] when before /n/ or /m/ (as in again or pen), and the noticeable intonation pattern of a slightly higher pitch followed by a significant drop in pitch on stressed long-vowel syllables (across multiple syllables or even within a single one), which is popularly heard, in rapid conversation, as a kind of undulating "sing-song" pattern.
Dublin English is highly internally diverse and refers collectively to the Irish English varieties of eastern Ireland (the province of Leinster). Modern-day Dublin English largely lies on a phonological continuum, ranging from a more traditional, lower-prestige, local urban accent on the one end to a more recently developing, higher-prestige, non-local (regional and even supraregional) accent on the other end, whose most advanced characteristics only first emerged in the late 1980s and 1990s. The accent that most strongly uses the traditional working-class features is often called local Dublin English. Most speakers from Dublin and its suburbs, however, have accent features falling variously along the entire middle as well as newer end of the spectrum, which together form what is called non-local Dublin English, spoken by middle- and upper-class natives of Dublin and the greater eastern Irish region surrounding the city. A subset of this variety, whose middle-class speakers mostly range in the middle of the continuum, is called mainstream Dublin English. Mainstream Dublin English has become the basis of an accent that has otherwise become supraregional (see more below) everywhere except in the north of the country. The majority of Dubliners born since the 1980s (led particularly by females) has shifted towards the most innovative non-local accent, here called new Dublin English, which has gained ground over mainstream Dublin English and which is the most extreme variety in rejecting the local accent's traditional features. The varieties at either extreme of the spectrum, local and new Dublin English, are both discussed in further detail below. In the most general terms, all varieties of Dublin English have the following identifying sounds that are often distinct from the rest of Ireland, pronouncing:
Local Dublin English (or popular Dublin English) here refers to a traditional, broad, working-class variety spoken in the Republic of Ireland's capital city of Dublin. It is the only Irish English variety that in earlier history was non-rhotic; however, it is today weakly rhotic, and it uniquely pronounces:
The local Dublin accent is also known for a phenomenon called "vowel breaking", in which the vowel sounds //, //, //, and // in closed syllables are "broken" into two syllables, approximating [ɛwə], [əjə], [uwə], and [ijə], respectively.
Evolving as a fashionable outgrowth of the mainstream non-local Dublin English, new Dublin English (also, advanced Dublin English and, formerly, fashionable Dublin English) is a youthful variety that originally began in the early 1990s among the "avant-garde" and now those aspiring to a non-local "urban sophistication". New Dublin English itself, first associated with affluent and middle-class inhabitants of southside Dublin, is probably now spoken by a majority of Dubliners born since the 1980s. It has replaced (yet was largely influenced by) moribund D4 English (often known as "Dublin 4" or "DART speak" or, mockingly, "Dortspeak"), which originated around the 1970s from Dubliners who rejected traditional notions of Irishness, regarding themselves as more trendy and sophisticated; however, particular aspects of the D4 accent became quickly noticed and ridiculed as sounding affected, causing these features to fall out of fashion by the 1990s.
This "new mainstream" accent of Dublin's youth, rejecting traditional working-class Dublin, pronounces:
Supraregional southern Irish English (sometimes, simply, supraregional Irish English or supraregional Hiberno-English) here refers to a variety crossing regional boundaries throughout all of the Republic of Ireland, except the north. As mentioned earlier, mainstream Dublin English of the early- to mid-1900s is the direct influence and catalyst for this variety. Most speakers born in the 1980s or later are showing fewer features of the twentieth-century mainstream supraregional form and more characteristics of an advanced supraregional variety that aligns clearly with the rapidly spreading new Dublin accent (see more above, under "Non-local Dublin English").
Ireland's surparegional dialect pronounces:
The following charts list the vowels typical of each Irish English dialect as well as the several distinctive consonants of Irish English. Phonological characteristics of overall Irish English are given as well as categorisations into five major divisions of Hiberno-English: northern Ireland (or Ulster); West & South-West Ireland; local Dublin; new Dublin; and supraregional (southern) Ireland. Features of mainstream non-local Dublin English fall on a range between "local Dublin" and "new Dublin".
The defining monophthongs of Irish English:
The following pure vowel sounds are defining characteristics of Irish English:
All pure vowels of various Hiberno-English dialects:
|flat /æ/||[äː~a]||[æ]||[a]||[æ~a]||add, land, trap|
|/ɑː/ and broad /æ/||[äː~ɑː]||[æː~aː]||[aː]1||bath, calm, dance|
|conservative /ɒ/||[ɒ]||[ä]||[ɑ~ɒ~ɔ]4||[ɑ]||lot, top, wasp|
|divergent /ɒ/||[ɔː~ɒː]||[aː~ä]||[ɔː]||[ɒ]||dog, loss, off|
|/ɔː/||[ɔː~ɒː]||[aː~ä]||[ɒː~ɔː~oː]4||[ɒː]||all, bought, saw|
|/ɛ/||[ɛ]2||dress, met, bread|
|/ə/||[ə]||about, syrup, arena|
|/ɪ/4||[ë~ɘ~ɪ̈]||[ɪ]||hit, skim, tip|
|/iː/4||[i(ː)]3||beam, chic, fleet|
|/ʌ/||[ʌ̈~ʊ]||[ʊ]||[ɤ~ʊ]||[ʌ̈~ʊ]||bus, flood, what|
|/ʊ/||[ʉ]||[ʊ]||book, put, should|
|/uː/||[ʉ(ː)]||[ʊu~uː~] 3||[uː]||food, glue, new|
The defining diphthongs of Hiberno-English:
The following gliding vowel (diphthong) sounds are defining characteristics of Irish English:
All diphthongs of various Hiberno-English dialects:
|/aɪ/||[ɛɪ~ɜɪ]||[æɪ~ɐɪ]||[əɪ~ɐɪ]1||[ɑɪ~ɐɪ]||[aɪ~ɑɪ]||bright, ride, try|
|/aʊ/||[ɐʏ~ɛʉ]||[ɐʊ~ʌʊ]||[ɛʊ]1||[aʊ~ɛʊ]||now, ouch, scout|
|/eɪ/||[eː(ə)]||[eː]||lame, rein, stain|
|/ɔɪ/||[ɔɪ]||[əɪ~ɑɪ]||[aɪ~äɪ]||[ɒɪ~oɪ]||[ɒɪ]||boy, choice, moist|
|/oʊ/||[oː]||[ʌo~ʌɔ]||[əʊ]||[oʊ~əʊ]||goat, oh, show|
Footnotes:' ^1 Due to the local Dublin accent's phenomenon of "vowel breaking", /aɪ/ may be realised in that accent as [əjə] in a closed syllable, and, in the same environment, /aʊ/ may be realised as [ɛwə].
The defining r-coloured vowels of Hiberno-English:
The following r-coloured vowel features are defining characteristics of Hiberno-English:
All r-coloured vowels of various Hiberno-English dialects:
|/ɑːr/||[ɑɻ~ɑɹ]||[æːɹ~aɹ]||[äːɹ~ɑɹ]4||car, guard, park|
|/ɪər/||[iːɹ~iɚ]||fear, peer, tier|
|/ɛər/||[(ɛ)ɚː]||[ɛːɹ~eɹ]5||bare, bear, there|
|/ɜːr/6||[ɚː]||[ɛːɹ] or [ʊːɹ]6||[ɚː]5||burn, first, learn|
|/ər/||[ɚ]7||doctor, martyr, pervade|
|/ɔːr/8||[ɒːɚ~ɔːɹ]||[äːɹ~ɑːɹ]||[ɒːɹ~oːɹ]||for, horse, war|
|[oːɚ~oːɹ]||[ɔːɹ]||[ɒːɹ]||[oːɹ]||four, hoarse, wore|
|/ʊər/||[uːɹ~uɚ]9||moor, poor, tour|
|/jʊər/||[juːɹ~juɚ]9||cure, Europe, pure|
^2 Every major accent of Irish English is rhotic (pronounces "r" after a vowel sound). The local Dublin accent is the only one that during an earlier time was non-rhotic, though it usually very lightly rhotic today, with a few minor exceptions. The rhotic consonant in this and most other Irish accents is an approximant [ɹ̠].
^3 The "r" sound of the mainstream non-local Dublin accent is more precisely a velarised approximant [ɹˠ], while the "r" sound of the more recently emerging non-local Dublin (or "new Dublin") accent is more precisely a retroflex approximant [ɻ].
^5 In non-local Dublin's more recently emerging (or "new Dublin") accent, /ɛər/ and /ɜr/ may both be realised more rounded as [øːɻ].
^6 In local Dublin, West/South-West, and other very conservative and traditional Irish English varieties ranging from the south to the north, the phoneme /ɜr/ is split into two distinct phonemes depending on spelling and preceding consonants, which have sometimes been represented as /ɛr/ versus /ʊr/, and often more precisely pronounced as [ɛːɹ] versus [ʊːɹ]. As an example, the words earn and urn are not pronounced the same, as they are in most dialects of English around the world. In the local Dublin and West/South-West accents, /ɜr/ when after a labial consonant (e.g. fern), when spelled as "ur" or "or" (e.g. word), or when spelled as "ir" after an alveolar stop (e.g. dirt) are pronounced as [ʊːɹ]; in all other situations, /ɜr/ is pronounced as [ɛːɹ]. Example words include:
In non-local Dublin, younger, and supraregional Irish accents, this split is seldom preserved, with both of the /ɜr/ phonemes typically merged as [ɚː].
^7 In rare few local Dublin varieties that are non-rhotic, /ər/ is either lowered to [ɐ] or backed and raised to [ɤ].
^8 The distinction between /ɔːr/ and /oʊr/ is widely preserved in Ireland, so that, for example, horse and hoarse are not merged in most Irish English dialects; however, they are usually merged in Belfast and new Dublin.
^9 In local Dublin, due to the phenomenon of "vowel breaking" [(j)uːɹ] may in fact be realised as [(j)uʷə(ɹ)].
The defining consonants of Hiberno-English:
The consonants of Hiberno-English mostly align to the typical English consonant sounds. However, a few Irish English consonants have distinctive, varying qualities. The following consonant features are defining characteristics of Hiberno-English:
Unique consonants in various Hiberno-English dialects:
|English diaphoneme||Ulster1||West &
|/ð/||[ð]||[d]||[d̪]||this, writhe, wither|
(/l/ at the end of a syllable
or between a vowel and
|[l] or [ɫ]||[l]||[l] or [ɫ]||ball, soldier, milk|
|/r/3||[ɻ]||[ɹˠ]||prevocalic/intervocalic: [ɹˠ] or [ɾ]
postvocalic: [∅] or [ɹˠ]
|[ɻ]||[ɹˠ] or [ɻ]||rot, shirt, tar|
|/t/ between vowels||[ɾ], [ʔ], or [∅]||[ɾ] or [θ̠]4||[ʔh]||[ɾθ̠]4||[ɾ] or [θ̠]4||battle, Italy, water|
|/t/ in word-final position||[t] or [ʔ]||[θ̠]||[h] or [∅]||[θ̠]||cat, get, right|
|/θ/||[θ]||[t]||[t̪]||lethal, thick, wrath|
|/hw/5||[w]||[ʍ]||[w]||[ʍ] or [w]||awhile, whale, when|
^2 Local Dublin also undergoes cluster simplification, so that stop consonant sounds occurring after fricatives or sonorants may be left unpronounced, resulting, for example, in "poun(d)" and "las(t)".
^3 Rhoticity: Every major accent of Irish English is strongly rhotic (pronounces "r" after a vowel sound), though to a weaker degree with the local Dublin accent. The accents of local Dublin and some smaller eastern towns like Drogheda were historically non-rhotic and now only very lightly rhotic or variably rhotic, with the rhotic consonant being an alveolar approximant, [ɹ]. In extremely traditional and conservative accents (exemplified, for instance, in the speech of older speakers throughout the country, even in South-West Ireland, such as Mícheál Ó Muircheartaigh and Jackie Healy-Rae), the rhotic consonant, before a vowel sound, can also be an alveolar tap, [ɾ]. The rhotic consonant for the northern Ireland and new Dublin accents is a retroflex approximant, [ɻ]. Dublin's retroflex approximant has no precedent outside of northern Ireland and is a genuine innovation of the past two decades. A guttural/uvular [ʁ] is found in north-east Leinster. Otherwise, the rhotic consonant of virtually all other Irish accents is the postalveolar approximant, [ɹ].
The naming of the letter H as "haitch" is standard.
A number of Irish-language loan words are used in Hiberno-English, particularly in an official state capacity. For example, the head of government is the Taoiseach, the deputy head is the Tánaiste, the parliament is the Oireachtas and its lower house is Dáil Éireann. Less formally, people also use loan words in day-to-day speech, although this has been on the wane in recent decades and among the young.
|Word||Part of speech||Meaning|
|Abú||Interjection||Hooray! Used in sporting occasions, espec. for Gaelic games – Ath Cliath abú! – 'hooray for Dublin!'|
|Fáilte||Noun||Welcome – often in the phrase Céad míle fáilte 'A hundred thousand welcomes'|
|Garsún / gasúr||Noun||Boy|
|Gaeltacht||Noun||Officially designated region where Irish is the primary spoken language|
|Grá||Noun||Love, affection, not always romantic – 'he has a great grá for the dog'|
|Plámás||Noun||Smooth talk, flattery|
|Sláinte||Interjection||[To your] health!/Cheers!|
Another group of Hiberno-English words are those derived from the Irish language. Some are words in English that have entered into general use, while others are unique to Ireland. These words and phrases are often Anglicised versions of words in Irish or direct translations into English. In the latter case, they often give a meaning to a word or phrase that is generally not found in wider English use.
|Word or Phrase||Part of Speech||Original Irish||Meaning|
|Arra/ och / musha / yerra||Interjection||Ara / Ach / Muise / Dhera (conjunction of "A Dhia, ara")||"Yerra, sure if it rains, it rains."|
|Bockety||Adjective||Bacach (lame)||Unsteady, wobbly, broken|
|Boreen||Noun||Bóithrín||Small rural road or track|
|Ceili/Ceilidh||Noun||Céilidhe||Music and dancing session, especially of traditional music|
|Colleen||Noun||Cailín||Girl, young woman|
|Fooster||Verb||Fústar||to busy oneself in a restless way, fidget|
|Give out||Verb||Tabhair amach (lit.)||Tell off, reprimand|
|Gob||Noun||Gob||Animal's Mouth/beak (Beal = human mouth)|
|Gombeen||Noun||Gaimbín||Money lender, profiteer. Usually in the phrase 'Gombeen man'|
|Jackeen||Noun||Nickname for John (i.e. Jack) combined with Irish diminutive suffix "-ín"||A mildly pejorative term for someone from Dublin. Also a self-assertive worthless fellow". Derived from a person who followed the Union Jack during British rule after 1801, a Dublin man who supported the crown. See Shoneen|
|Shoneen||Noun||Seoinín (diminutive of Sean – 'John')||An Irishman who imitates English ways – see Jackeen|
|Sleeveen||Noun||Slíbhín||An untrustworthy, cunning person|
|Soft day||Phrase||Lá bog (lit.)||Overcast day (light drizzle/mist)|
Another class of vocabulary found in Hiberno-English are words and phrases common in Old and Middle English, but which have since become obscure or obsolete in the modern English language generally. Hiberno-English has also developed particular meanings for words that are still in common use in English generally.
|Word||Part of speech||Meaning||Origin/notes|
|Childer||Noun||Child||Survives from Old-English, genitive plural of 'child'|
|Cop-on||Noun||shrewdness, intelligence, being 'street-wise'||Middle English from French cap 'arrest'|
|Craic / Crack||Noun||Fun, entertainment. Generally now with the Gaelic spelling in the phrase – 'have the craic' from earlier usage in Northern Ireland, Scotland and northern England with spelling 'crack' in the sense 'gossip, chat'||Old English cracian via Ulster-Scots into modern Hiberno-English, then given Gaelic spelling|
|Devil||Noun||Curse (e.g., "Devil take him") Negation (e.g., for none, "Devil a bit")||middle English|
|Eejit||Noun||Irish (and Scots) version of 'idiot', meaning foolish person||English from Latin Idiōta|
|Hames||Noun||a mess, used in the phrase 'make a hames of'||Middle English from Dutch|
|Grinds||Noun||Private tuition||Old English grindan|
|Jaded||Adjective||physically tired, exhausted Not in the sense of bored, unenthusiastic, 'tired of' something||Middle English jade|
|Kip||Noun||Unpleasant, dirty or sordid place||18th-century English for brothel|
|Mitch||Verb||to play truant||Middle English|
|Sliced pan||Noun||(Sliced) loaf of bread||Possibly derived from the French word for bread (pain) or the pan it was baked in.|
|Yoke||Noun||Thing, object, gadget||Old English geoc|
|Wagon/Waggon||Noun||an unpleasant or unlikable woman||Middle English|
|Whisht||Interjection||Be quiet (Also common in Northern England and Scotland)||Middle English|
In addition to the three groups above, there are also additional words and phrases whose origin is disputed or unknown. While this group may not be unique to Ireland, their usage is not widespread, and could be seen as characteristic of the language in Ireland.
|Word||Part of speech||Meaning||Notes|
|Acting the maggot||Phrase||Acting the fool, joking.|
|Banjaxed||Verb||Broken, ruined, or rendered incapable of use. Equivalent in meaning to the German "kaput".|
|Bowsie||Noun||a rough or unruly person. Cf. Scots Bowsie|
|Bleb||Noun, Verb||blister; to bubble up, come out in blisters.|
|Bucklepper||Noun||An overactive, overconfident person from the verb, to bucklep (leap like a buck)||Used by Patrick Kavanagh and Seamus Heaney|
|Cod||Noun||Foolish person||Usually in phrases like 'acting the cod', 'making a cod of himself'|
|Culchie||Noun||Person from the countryside|
|Delph||Noun||Dishware||From the name of the original source of supply, Delft in the Netherlands. See Delftware.|
|Feck||Verb, Interjection||an attenuated alternative/minced oath (see feck for more details)||"Feck it!", "Feck off"|
|Gurrier||Noun||a tough or unruly young man||perhaps from French guerrier 'warrior', or else from 'gur cake' a pastry previously associated with street urchins. Cf. Scots Gurry|
|Jacks||Noun||Bathroom/toilet||Similar to "jakes" as used in 16th-century England. Still in everyday use, particularly in Dublin.|
|Minerals||Noun||Soft drinks||From mineral Waters|
|Mot||Noun||Girl or young woman, girlfriend||From the Irish word 'maith' meaning good, i.e. good-looking.|
|Press||Noun||Cupboard||Similarly, hotpress in Ireland means airing-cupboard Press is an old word for cupboard in Scotland and northern England.|
|Rake||Noun||many or a lot. Often in the phrase 'a rake of pints'. Cf. Scots rake|
|Runners||Noun||Trainers/sneakers||Also 'teckies' or 'tackies', especially in and around Limerick.|
|Shore||Noun||Stormdrain or Gutter. Cf. Scots shore|
|Wet the tea/The tea is wet||Phrase||Make the tea/the tea is made|
The syntax of the Irish language is quite different from that of English. Various aspects of Irish syntax have influenced Hiberno-English, though many of these idiosyncrasies are disappearing in suburban areas and among the younger population.
The other major influence on Hiberno-English that sets it apart from modern English in general is the retention of words and phrases from Old- and Middle-English.
Irish lacks words that directly translate as "yes" or "no", and instead repeats the verb used in the question, negated if necessary, to answer. Hiberno-English uses "yes" and "no" less frequently than other English dialects as speakers can repeat the verb, positively or negatively, instead of (or in redundant addition to) using "yes" or "no".
This is not limited only to the verb to be: it is also used with to have when used as an auxiliary; and, with other verbs, the verb to do is used. This is most commonly used for intensification, especially in Ulster English.
Irish indicates recency of an action by adding "after" to the present continuous (a verb ending in "-ing"), a construction known as the "hot news perfect" or "after perfect". The idiom for "I had done X when I did Y" is "I was after doing X when I did Y", modelled on the Irish usage of the compound prepositions i ndiaidh, tar éis, and in éis: bhí mé tar éis/i ndiaidh/in éis X a dhéanamh, nuair a rinne mé Y.
A similar construction is seen where exclamation is used in describing a recent event:
When describing less astonishing or significant events, a structure resembling the German perfect can be seen:
The reflexive version of pronouns is often used for emphasis or to refer indirectly to a particular person, etc., according to context. Herself, for example, might refer to the speaker's boss or to the woman of the house. Use of herself or himself in this way often indicates that the speaker attributes some degree of arrogance or selfishness to the person in question. Note also the indirectness of this construction relative to, for example, She's coming now
There are some language forms that stem from the fact that there is no verb to have in Irish. Instead, possession is indicated in Irish by using the preposition at, (in Irish, ag.). To be more precise, Irish uses a prepositional pronoun that combines ag "at" and mé "me" to create agam. In English, the verb "to have" is used, along with a "with me" or "on me" that derives from Tá … agam. This gives rise to the frequent
Somebody who can speak a language "has" a language, in which Hiberno-English has borrowed the grammatical form used in Irish.
When describing something, many Hiberno-English speakers use the term "in it" where "there" would usually be used. This is due to the Irish word ann (pronounced "oun" or "on") fulfilling both meanings.
Another idiom is this thing or that thing described as "this man here" or "that man there", which also features in Newfoundland English in Canada.
Conditionals have a greater presence in Hiberno-English due to the tendency to replace the simple present tense with the conditional (would) and the simple past tense with the conditional perfect (would have).
Bring and take: Irish use of these words differs from that of British English because it follows the Irish grammar for beir and tóg. English usage is determined by direction; person determines Irish usage. So, in English, one takes "from here to there", and brings it "to here from there". In Irish, a person takes only when accepting a transfer of possession of the object from someone else – and a person brings at all other times, irrespective of direction (to or from).
The Irish equivalent of the verb "to be" has two present tenses, one (the present tense proper or "aimsir láithreach") for cases which are generally true or are true at the time of speaking and the other (the habitual present or "aimsir ghnáthláithreach") for repeated actions. Thus, "you are [now, or generally]" is tá tú, but "you are [repeatedly]" is bíonn tú. Both forms are used with the verbal noun (equivalent to the English present participle) to create compound tenses. This is similar to the distinction between ser and estar in Spanish.
The corresponding usage in English is frequently found in rural areas, especially Mayo/Sligo in the west of Ireland and Wexford in the south-east, Inner-City Dublin along with border areas of the North and Republic. In this form, the verb "to be" in English is similar to its use in Irish, with a "does be/do be" (or "bees", although less frequently) construction to indicate the continuous, or habitual, present:
In old-fashioned usage, "it is" can be freely abbreviated ’tis, even as a standalone sentence. This also allows the double contraction ’tisn’t, for "it is not".
Irish has separate forms for the second person singular (tú) and the second person plural (sibh). Mirroring Irish, and almost every other Indo European language, the plural you is also distinguished from the singular in Hiberno-English, normally by use of the otherwise archaic English word ye [jiː]; the word yous (sometimes written as youse) also occurs, but primarily only in Dublin and across Ulster. In addition, in some areas in Leinster, north Connacht and parts of Ulster, the hybrid word ye-s, pronounced "yiz", may be used. The pronunciation differs with that of the northwestern being [jiːz] and the Leinster pronunciation being [jɪz].
The word ye, yis or yous, otherwise archaic, is still used in place of "you" for the second-person plural. Ye'r, Yisser or Yousser are the possessive forms, e.g. "Where are yous going?"
The verb mitch is very common in Ireland, indicating being truant from school. This word appears in Shakespeare (though he wrote in Early Modern English rather than Middle English), but is seldom heard these days in British English, although pockets of usage persist in some areas (notably South Wales, Devon, and Cornwall). In parts of Connacht and Ulster the mitch is often replaced by the verb scheme, while in Dublin it is often replaced by "on the hop/bounce".
Another usage familiar from Shakespeare is the inclusion of the second person pronoun after the imperative form of a verb, as in "Wife, go you to her ere you go to bed" (Romeo and Juliet, Act III, Scene IV). This is still common in Ulster: "Get youse your homework done or you're no goin' out!" In Munster, you will still hear children being told, "Up to bed, let ye" [lɛˈtʃi].
Now is often used at the end of sentences or phrases as a semantically empty word, completing an utterance without contributing any apparent meaning. Examples include "Bye now" (= "Goodbye"), "There you go now" (when giving someone something), "Ah now!" (expressing dismay), "Hold on now" (= "wait a minute"), "Now then" as a mild attention-getter, etc. This usage is universal among English dialects, but occurs more frequently in Hiberno-English. It is also used in the manner of the Italian 'prego' or German 'bitte', for example a barman might say "Now, Sir." when delivering drinks.
So is often used for emphasis ("I can speak Irish, so I can"), or it may be tacked onto the end of a sentence to indicate agreement, where "then" would often be used in Standard English ("Bye so", "Let's go so", "That's fine so", "We'll do that so"). The word is also used to contradict a negative statement ("You're not pushing hard enough" – "I am so!"). (This contradiction of a negative is also seen in American English, though not as often as "I am too", or "Yes, I am".) The practice of indicating emphasis with so and including reduplicating the sentence's subject pronoun and auxiliary verb (is, are, have, has, can, etc.) such as in the initial example, is particularly prevalent in more northern dialects such as those of Sligo, Mayo and the counties of Ulster.
Sure is often used as a tag word, emphasising the obviousness of the statement, roughly translating as but/and/well. Can be used as "to be sure", the famous Irish stereotype phrase. (But note that the other stereotype of "Sure and …" is not actually used in Ireland.) Or "Sure, I can just go on Wednesday", "I will not, to be sure." The word is also used at the end of sentences (primarily in Munster), for instance "I was only here five minutes ago, sure!" and can express emphasis or indignation.
To is often omitted from sentences where it would exist in British English. For example, "I'm not let go out tonight", instead of "I'm not allowed to go out tonight".
Will is often used where British English would use "shall" or American English "should" (as in "Will I make us a cup of tea?"). The distinction between "shall" (for first-person simple future, and second- and third-person emphatic future) and "will" (second- and third-person simple future, first-person emphatic future), maintained by many in England, does not exist in Hiberno-English, with "will" generally used in all cases.
Once is sometimes used in a different way from how it is used in other dialects; in this usage, it indicates a combination of logical and causal conditionality: "I have no problem laughing at myself once the joke is funny." Other dialects of English would probably use "if" in this situation.
Irish dim. of JACK n.: A contemptuous designation for a self-assertive worthless fellow.
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