Hans Burgkmair the Elder
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Hans Burgkmair the Elder (1473–1531) was a German
painter Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ...
and
woodcut Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas tha ...
printmaker Printmaking is the process of creating work of art, artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand proce ...
.


Background

Hans Burgkmair was born in
Augsburg Augsburg (; bar , Augschburg , links=https://en.wikipedia.org/wiki/Swabian_German , label=Swabian German, , ) is a city in Swabia, Bavaria, Germany, around west of Bavarian capital Munich. It is a university town and regional seat of the ' ...
, the son of painter Thomas Burgkmair. His own son, Hans the Younger, later became a painter as well. From 1488, Burgkmair was a pupil of
Martin Schongauer Martin Schongauer (c. 1450–53, Colmar – 2 February 1491, Breisach), also known as Martin Schön ("Martin beautiful") or Hübsch Martin ("pretty Martin") by his contemporaries, was an Alsatian engraver and painter. He was the most important ...
in
Colmar Colmar (, ; Alsatian: ' ; German during 1871–1918 and 1940–1945: ') is a city and commune in the Haut-Rhin department and Grand Est region of north-eastern France. The third-largest commune in Alsace (after Strasbourg and Mulhouse), it i ...
. Schongauer died in 1491, before Burgkmair was able to complete the normal period of training. He may have visited Italy at this time, and certainly did so in 1507, which greatly influenced his style. From 1491, he worked in Augsburg, where he became a master and eventually opened his own workshop in 1498. Burgkmair was a Lutheran.


Career

German art historian Friedrich Wilhelm Hollstein ascribes 834 woodcuts to Burgkmair, the majority of which were intended for book illustrations. Slightly more than a hundred are “single-leaf” prints which were not intended for books. His work shows a talent for striking compositions which blend Italian Renaissance forms with the established German style. From about 1508, Burgkmair spent much of his time working on the
woodcut Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas tha ...
projects of Maximilian I until the Emperor's death in 1519. He was responsible for nearly half of the 135 prints in the ''Triumphs of Maximilian'', which are large and full of character. He also did most of the illustrations for ''Weiss Kunig'' and much of ''Theurdank''. He worked closely with the leading blockcutter
Jost de Negker Jost de Negker (c. 1485–1544) was a cutter of woodcuts and also a printer and publisher of prints during the early 16th century, mostly in Augsburg, Germany. He was a leading "formschneider" or blockcutter of his day, but always to the design ...
, who became in effect his publisher. He was an important innovator of the chiaroscuro woodcut, and seems to have been the first to use a tone block, in a print of 1508. His '' Lovers Surprised by Death'' (1510) is the first chiaroscuro print to use three blocks, and also the first print that was designed to be printed only in colour, as the line block by itself would not make a satisfactory image. Other chiaroscuro prints from around this date by Baldung and Cranach had line blocks that could be and were printed by themselves. He produced one etching, ''Venus and Mercury'' (c1520), etched on a steel plate, but never tried
engraving Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an in ...
, despite his training with
Schongauer Martin Schongauer (c. 1450–53, Colmar – 2 February 1491, Breisach), also known as Martin Schön ("Martin beautiful") or Hübsch Martin ("pretty Martin") by his contemporaries, was an Alsatian engraver and painter. He was the most important ...
. Burgkmair was also a successful painter, mainly of religious scenes, portraits of Augsburg citizens, and members of the Emperor's court. Many examples of his work are in the galleries of
Munich Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the third-largest city in Germany, after Berlin and ...
,
Vienna en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST ...
and elsewhere. Burgkmair died at Augsburg in 1531.


Burgkmair and the foundation of modern ethnology

Burgkmair's time was a period of development for ethnography and the new Humanist science of chorography (promoted by Celtis at the University of Vienna). Using commercial ventures of the Welsers in Augsburg as a pretext, the humanist Konrad Peutinger goaded Emperor Maximilian into backing his ethnographical interests in the Indians and supporting the 1505–1506 voyage of Balthasar Springer around Africa to India. Based on an instruction dictated by Maximilian in 1512 regarding Indians in the Triumphal Procession, Jörg Kölderer executed a series of (now lost) drawings, which served as the guideline for Altdorfer's miniatures in 1513–1515, which in turn became the model for woodcuts (half of them based on now lost 1516–1518 drawings by Burgkmair) showing "the people of Calicut." In 1508, Burgkmair produced the ''People of Africa and India'' series, focusing on depicting the peoples whom Springer encountered along coastal Africa and India. The series brought into being "a basic set of analytic categories that ethnography would take as its methodological foundation".


Gallery

File:Hans Burgkmair d. Ä. 005.jpg, Emperor Frederick III File:Hans Burgkmair d. Ä. 006.jpg,
Eleanor of Portugal, Holy Roman Empress Eleanor of Portugal (18 September 1434 – 3 September 1467) was Empress of the Holy Roman Empire. A Portuguese ''infanta'' (princess), daughter of King Edward of Portugal and his wife Eleanor of Aragon, she was the consort of Holy Roman Emper ...
File:Triumphzug Kaiser Maximilians 1.jpg, Print in the ''Triumphs of Maximilian'' File:Hans Burgkmair d. Ä. 001.jpg, Altarpiece of John the Evangelist, 1518 (
Alte Pinakothek The Alte Pinakothek (, ''Old Pinakothek'') is an art museum located in the Kunstareal area in Munich, Germany. It is one of the oldest galleries in the world and houses a significant collection of Old Master paintings. The name Alte (Old) Pi ...
)


See also

*
German Renaissance The German Renaissance, part of the Northern Renaissance, was a cultural and artistic movement that spread among German thinkers in the 15th and 16th centuries, which developed from the Italian Renaissance. Many areas of the arts and scienc ...
* Quaternion Eagle


Notes


References

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External links

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Burgkmair's Flodden woodcut

Prints & People: A Social History of Printed Pictures
an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Burgkmair (see index) {{DEFAULTSORT:Burgkmair, Hans 1473 births 1531 deaths Artists from Augsburg 15th-century German painters German male painters 16th-century German painters German printmakers Woodcut designers History of Augsburg