HOME
The Info List - Groucho Marx





Julius Henry Marx (October 2, 1890 – August 19, 1977), known professionally as Groucho
Groucho
Marx (/ˈɡraʊtʃoʊ ˈmɑːrks/), was an American comedian, writer, stage, film, radio, and television star.[1] He was known as a master of quick wit and is widely considered one of the best comedians of the modern era.[2] He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life.[1] His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as Groucho glasses: a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache.[3]

Contents

1 Early life 2 Career

2.1 Hollywood 2.2 Mustache, eyebrows, and walk

3 Personal life 4 Later years

4.1 You Bet Your Life 4.2 Other work

5 Death 6 Legacy 7 Filmography

7.1 Features 7.2 Short subjects

8 Bibliography

8.1 Books by Groucho
Groucho
Marx 8.2 Essays and reporting

9 References 10 Further reading 11 External links

Early life[edit] Julius Marx was born on October 2, 1890, in the Manhattan
Manhattan
borough, of New York City, New York.[4] Marx stated that he was born in a room above a butcher's shop on East 78th Street, "Between Lexington & 3rd", as told to Dick Cavett
Dick Cavett
in a 1969 television interview.[5][6] The Marx children grew up on East 93rd Street off Lexington Avenue in a neighborhood now known as Carnegie Hill
Carnegie Hill
on the Upper East Side
Upper East Side
of the borough of Manhattan. The turn-of-the-century building that his brother Harpo called "the first real home they ever knew" (in his memoir Harpo Speaks) was populated with European immigrants, mostly artisans. Just across the street were the oldest brownstones in the area, owned by people such as the well-connected Loew Brothers and William Orth. The Marx family lived at this location "for about 14 years", Groucho
Groucho
also told Cavett.

The only known photo of all five Marx brothers with their parents in New York City, 1915; from left: Groucho, Gummo, Minnie (mother), Zeppo, Frenchie (father), Chico, and Harpo

Marx's family was Jewish.[7] Groucho's mother was Miene "Minnie" Schoenberg, whose family came from Dornum
Dornum
in northern Germany when she was 16 years old. His father was Simon "Sam" Marx, who changed his name from Marrix, and was called "Frenchie" by his sons throughout his life because he and his family came from Alsace in France.[8] Minnie's brother was Al Schoenberg, who shortened his name to Al Shean
Al Shean
when he went into show business as half of Gallagher and Shean, a noted vaudeville act of the early 20th century. According to Groucho, when Shean visited he would throw the local waifs a few coins so that when he knocked at the door he would be surrounded by adoring fans. Marx and his brothers respected his opinions and asked him on several occasions to write some material for them. Minnie Marx
Minnie Marx
did not have an entertainment industry career but had intense ambition for her sons to go on the stage like their uncle. While pushing her eldest son Leonard (Chico Marx) in piano lessons she found that Julius had a pleasant soprano voice and the ability to remain on key. Julius's early career goal was to become a doctor, but the family's need for income forced him out of school at the age of twelve. By that time young Julius had become a voracious reader, particularly fond of Horatio Alger. Marx would continue to overcome his lack of formal education by becoming very well-read. After a few stabs at entry-level office work and jobs suitable for adolescents, Julius took to the stage as a boy singer with the Gene Leroy Trio, debuting at the Ramona Theatre in Grand Rapids, MI
Grand Rapids, MI
on July 16, 1905.[9] Marx reputedly claimed that he was "hopelessly average" as a vaudevillian, but this was typical Marx, wisecracking in his true form. By 1909 Minnie Marx
Minnie Marx
had assembled her sons into an undistinguished vaudeville singing group billed as "The Four Nightingales". The brothers Julius, Milton (Gummo Marx) and Arthur (originally Adolph, from 1911 Harpo Marx) and another boy singer, Lou Levy, traveled the U.S. vaudeville circuits to little fanfare. After exhausting their prospects in the East the family moved to La Grange, Illinois, to play the Midwest. After a particularly dispiriting performance in Nacogdoches, Texas, Julius, Milton, and Arthur began cracking jokes onstage for their own amusement. Much to their surprise, the audience liked them better as comedians than as singers. They modified the then-popular Gus Edwards comedy skit "School Days" and renamed it "Fun In Hi Skule". The Marx Brothers would perform variations on this routine for the next seven years. For a time in vaudeville all the brothers performed using ethnic accents. Leonard, the oldest, developed the Italian accent he used as Chico Marx
Chico Marx
to convince some roving bullies that he was Italian, not Jewish. Arthur, the next oldest, donned a curly red wig and became "Patsy Brannigan", a stereotypical Irish character. His discomfort when speaking on stage led to his Uncle Al Shean's suggestion that he stop speaking altogether and play the role in mime. Julius Marx's character from "Fun In Hi Skule" was an ethnic German, so Julius played him with a German accent. After the sinking of the RMS Lusitania in 1915, public anti-German sentiment was widespread, and Marx's German character was booed, so he quickly dropped the accent and developed the fast-talking wise-guy character that became his trademark. The Marx Brothers
Marx Brothers
became the biggest comedic stars of the Palace Theatre in New York, which billed itself as the "Valhalla of Vaudeville". Brother Chico's deal-making skills resulted in three hit plays on Broadway. No other comedy routine had ever so infected the Broadway circuit. All of this stage work predated their Hollywood career. By the time the Marxes made their first movie, they were already major stars with sharply honed skills; and by the time Groucho was relaunched to stardom on You Bet Your Life, he had been performing successfully for half a century. Career[edit] Hollywood[edit]

The Marx Brothers
Marx Brothers
in 1931 (from top, Chico, Harpo, Groucho, and Zeppo)

Groucho
Groucho
Marx made 26 movies, 13 of them with his brothers Chico and Harpo.[10] Marx developed a routine as a wisecracking hustler with a distinctive chicken-walking lope, an exaggerated greasepaint mustache and eyebrows, and an ever-present cigar, improvising insults to stuffy dowagers (often played by Margaret Dumont) and anyone else who stood in his way. As the Marx Brothers, he and his brothers starred in a series of popular stage shows and movies. Their first movie was a silent film made in 1921 that was never released,[10] and is believed to have been destroyed at the time. A decade later, the team made two of their Broadway hits—The Cocoanuts and Animal Crackers[10]—into movies. Other successful films were Monkey Business, Horse Feathers, Duck Soup, and A Night at the Opera.[10] One quip from Marx concerned his response to Sam Wood, the director of A Night at the Opera. Furious with the Marx Brothers' ad-libs and antics on the set, Wood yelled in disgust: "You can't make an actor out of clay." Groucho
Groucho
responded, "Nor a director out of Wood."[11] Marx also worked as a radio comedian and show host. One of his earliest stints was a short-lived series in 1932, Flywheel, Shyster, and Flywheel, costarring Chico. Though most of the scripts and discs were thought to have been destroyed, all but one of the scripts were found in 1988 in the Library of Congress. In 1947 Marx was asked to host a radio quiz program You Bet Your Life. It was broadcast by ABC and then CBS before moving to NBC. It moved from radio to television on October 5, 1950 and ran for eleven years. Filmed before a live audience, the show consisted of Marx bantering with the contestants and ad-libbing jokes before briefly quizzing them. The show was responsible for popularizing the phrases "Say the secret word and the duck will come down and give you fifty dollars," "Who's buried in Grant's Tomb?" and "What color is the White House?" (asked to reward a losing contestant a consolation prize). Throughout his career he introduced a number of memorable songs in films, including "Hooray for Captain Spaulding" and "Hello, I Must Be Going", in Animal Crackers, "Whatever It Is, I'm Against It", "Everyone Says I Love You" and "Lydia the Tattooed Lady". Frank Sinatra, who once quipped that the only thing he could do better than Marx was sing, made a film with Marx and Jane Russell
Jane Russell
in 1951 entitled Double Dynamite. Mustache, eyebrows, and walk[edit] See also: Groucho
Groucho
glasses In public and off-camera, Harpo and Chico were hard to recognize, without their wigs and costumes, and it was almost impossible for fans to recognize Groucho
Groucho
without his trademark eyeglasses, fake eyebrows, and mustache.

Groucho
Groucho
and Eve Arden
Eve Arden
in a scene from At the Circus
At the Circus
(1939)

The greasepaint mustache and eyebrows originated spontaneously prior to a vaudeville performance in the early 1920s when he did not have time to apply the pasted-on mustache he had been using (or, according to his autobiography, simply did not enjoy the removal of the mustache every night because of the effects of tearing an adhesive bandage off the same patch of skin every night). After applying the greasepaint mustache, a quick glance in the mirror revealed his natural hair eyebrows were too undertoned and did not match the rest of his face, so Marx added the greasepaint to his eyebrows and headed for the stage. The absurdity of the greasepaint was never discussed on-screen, but in a famous scene in Duck Soup, where both Chicolini (Chico) and Pinky (Harpo) disguise themselves as Groucho, they are briefly seen applying the greasepaint, implicitly answering any question a viewer might have had about where he got his mustache and eyebrows. Marx was asked to apply the greasepaint mustache once more for You Bet Your Life when it came to television, but he refused, opting instead to grow a real one, which he wore for the rest of his life. By this time, his eyesight had weakened enough for him actually to need corrective lenses; before then, his eyeglasses had merely been a stage prop. He debuted this new, and now much-older, appearance in Love Happy, the Marx Brothers's last film as a comedy team. He did paint the old character mustache over his real one on a few rare performing occasions, including a TV sketch with Jackie Gleason on the latter's variety show in the 1960s (in which they performed a variation on the song "Mister Gallagher and Mister Shean," co-written by Marx's uncle Al Shean) and the 1968 Otto Preminger
Otto Preminger
film Skidoo. In his late 70s at the time, Marx remarked on his appearance: "I looked like I was embalmed." He played a mob boss called "God" and, according to Marx, "both my performance and the film were God-awful!" The exaggerated walk, with one hand on the small of his back and his torso bent almost 90 degrees at the waist was a parody of a fad from the 1880s and 1890s.[citation needed] Fashionable young men of the upper classes would affect a walk with their right hand held fast to the base of their spines, and with a slight lean forward at the waist and a very slight twist toward the right with the left shoulder, allowing the left hand to swing free with the gait. (Edmund Morris, in his biography The Rise of Theodore Roosevelt, describes a young Roosevelt, newly elected to the State Assembly, walking into the House Chamber for the first time in this trendy, affected gait, somewhat to the amusement of the older and more rural members.)[12] Groucho exaggerated this fad to a marked degree, and the comedy effect was enhanced by how out of date the fashion was by the 1940s and 1950s. Personal life[edit]

The Marx Brothers
Marx Brothers
(clockwise from bottom: Groucho, Chico, and Harpo) by Yusuf Karsh, 1946

Groucho's three marriages all ended in divorce. His first wife was chorus girl Ruth Johnson. He was 29 and she 19 at the time of their wedding. The couple had two children, Arthur Marx and Miriam Marx. His second wife was Kay Marvis (m. 1945–51), née Catherine Dittig,[13] former wife of Leo Gorcey. Groucho
Groucho
was 54 and Kay 21 at the time of their marriage. They had a daughter, Melinda Marx. His third wife was actress Eden Hartford. During the early 1950s, Groucho
Groucho
described his perfect woman: “Someone who looks like Marilyn Monroe
Marilyn Monroe
and talks like George S. Kaufman.”[14] Groucho
Groucho
was denied membership in an informal symphonietta of friends (including Harpo) organized by Ben Hecht, because he could play only the mandolin. When the group began its first rehearsal at Hecht's home, Groucho
Groucho
rushed in and demanded silence from the "lousy amateurs". The musicians discovered him conducting the Los Angeles Symphony Orchestra in a performance of the overture to Tannhäuser in Hecht's living room. Groucho
Groucho
was allowed to join the symphonietta.[15] Later in life, Groucho
Groucho
would sometimes note to talk show hosts, not entirely jokingly, that he was unable to actually insult anyone, because the target of his comment would assume that it was a Groucho-esque joke, and would laugh.

On the set of You Bet Your Life
You Bet Your Life
with daughter Melinda, 1953

Despite his lack of formal education, he wrote many books, including his autobiography, Groucho
Groucho
and Me (1959) and Memoirs of a Mangy Lover (1963). He was a friend of such literary figures as Booth Tarkington, T. S. Eliot
T. S. Eliot
and Carl Sandburg. Much of his personal correspondence with those and other figures is featured in the book The Groucho Letters (1967) with an introduction and commentary on the letters written by Groucho, who donated[16] his letters to the Library of Congress. His daughter Miriam published a collection of his letters to her in 1992 titled Love, Groucho. Groucho
Groucho
made serious efforts to learn to play the guitar. In the 1932 film Horse Feathers, Groucho
Groucho
performs the film’s love theme “Everyone Says I Love You” for costar Thelma Todd
Thelma Todd
on a Gibson L-5.[17] Irving Berlin
Irving Berlin
quipped, "The world would not be in such a snarl, had Marx been Groucho
Groucho
instead of Karl".[18] In his book The Groucho
Groucho
Phile, Marx says "I've been a liberal Democrat all my life", and "I frankly find Democrats a better, more sympathetic crowd.... I'll continue to believe that Democrats have a greater regard for the common man than Republicans do".[19] However, just as some of the other Democrats of the time, Marx also said in a television interview that he disliked the women's liberation movement.[20] Marx & Lennon: The Parallel Sayings was published in 2005; the book records similar sayings between Groucho
Groucho
Marx and John Lennon. Later years[edit] You Bet Your Life[edit] Groucho's radio career was not as successful as his work on stage and in film, though historians such as Gerald Nachman and Michael Barson suggest that, in the case of the single-season Flywheel, Shyster, and Flywheel (1932), the failure may have been a combination of a poor time slot and the Marx Brothers' returning to Hollywood to make another film.

Groucho
Groucho
as host of You Bet Your Life, 1953

In the mid-1940s, during a depressing lull in his career (his radio show Blue Ribbon Town
Blue Ribbon Town
had failed, he failed to sell his proposed sitcom The Flotsam Family only to see it become a huge hit as The Life of Riley with William Bendix
William Bendix
in the title role, and the Marx Brothers as film performers were well past their prime), Groucho
Groucho
was scheduled to appear on a radio show with Bob Hope. Annoyed that he was made to wait in the green room for 40 minutes, Groucho
Groucho
went on the air in a foul mood. Hope started by saying "Why, Groucho
Groucho
Marx! (applause) Groucho, what are you doing out here in the desert?" Groucho
Groucho
retorted, "Huh, desert, I've been sitting in the dressing room for forty minutes! Some desert alright..." Groucho
Groucho
continued to ignore the script, and although Hope was a formidable ad-libber in his own right, he could not begin to keep up with Groucho, who lengthened the scene well beyond its allotted time slot with a veritable onslaught of improvised wisecracks. Listening in on the show was producer John Guedel, who had a brainstorm. He approached Groucho
Groucho
about doing a quiz show, to which Groucho
Groucho
derisively retorted, "A quiz show? Only actors who are completely washed up resort to a quiz show!" Undeterred, Guedel went on to explain that the quiz would be only a backdrop for Groucho's interviews of people, and the storm of ad-libbing that they would elicit. Groucho
Groucho
replied, "Well, I've had no success in radio, and I can't hold on to a sponsor. At this point, I'll try anything!" You Bet Your Life
You Bet Your Life
debuted in October 1947 on ABC radio (which aired it from 1947 to 1949), sponsored by costume jewelry manufacturer Allen Gellman;[21] and then on CBS (1949–50), and finally NBC, continuing until May 1961—on radio only, 1947–1950; on both radio and television, 1950–1960; and on television only, 1960–1961. The show proved a huge hit, being one of the most popular on television by the mid-1950s. With George Fenneman
George Fenneman
as his announcer and straight man, Groucho
Groucho
entertained his audiences with improvised conversation with his guests. Since You Bet Your Life
You Bet Your Life
was mostly ad-libbed and unscripted—although writers did pre-interview the guests and feed Groucho
Groucho
ready-made lines in advance—the producers insisted that the network prerecord it (instead of it being broadcast live).[citation needed] There were two reasons for this: prerecording provided Groucho with time to fish around for funny exchanges and any intervening dead spots to be edited out; and secondly to protect the network, since Groucho
Groucho
was a notorious loose cannon and known to say almost anything. The television show ran for 11 successful seasons until it was canceled in 1961. Automobile marque DeSoto was a longtime major sponsor. For the DeSoto ads Marx would sometimes say: "Tell 'em Groucho
Groucho
sent you", or "Try a DeSoto before you decide". The program's theme music was an instrumental version of "Hooray for Captain Spaulding", which became increasingly identified as Groucho's personal theme song. A recording of the song with Groucho
Groucho
and the Ken Lane singers with an orchestra directed by Victor Young
Victor Young
was released in 1952. Another recording made by Groucho
Groucho
during this period was "The Funniest Song in the World", released on the Young People's Records label in 1949. It was a series of five original children's songs with a connecting narrative about a monkey and his fellow zoo creatures. The show's most famous remark supposedly occurred as Groucho
Groucho
was interviewing Charlotte Story, who had borne 20 children. When Marx asked why she had chosen to raise such a large family, Mrs. Story is said to have replied, "I love my husband"; to which Marx responded, "I love my cigar, but I take it out of my mouth once in awhile." The remark was judged too risqué to be aired, according to the anecdote, and was edited out before broadcast.[22] Charlotte Story and her husband Marion, indeed parents of 20 children, were real people who appeared on the program in 1950.[23] Audio recordings of the interview exist,[24] and a reference to cigars is made ("With each new kid, do you go around passing out cigars?"), but there is no evidence of the famous line. Marx and Fenneman both denied that the incident took place.[25] "I get credit all the time for things I never said," Marx told Roger Ebert, in 1972. "You know that line in You Bet Your Life? The guy says he has seventeen kids and I say, 'I smoke a cigar, but I take it out of my mouth occasionally'? I never said that."[26] Marx's 1976 memoir recounts the episode as fact,[27] but co-writer Hector Arce relied mostly on sources other than Groucho
Groucho
himself—who was by then in his mid eighties, in ill health and mentally compromised—and was probably unaware that Groucho
Groucho
had specifically denied making the legendary observation.[28] Other work[edit] By the time You Bet Your Life
You Bet Your Life
debuted on TV on October 5, 1950, Groucho
Groucho
had grown a real mustache (which he had already sported earlier in the films Copacabana and Love Happy). During a tour of Germany in 1958, accompanied by then-wife Eden, daughter Melinda, Robert Dwan and Dwan's daughter Judith, he climbed a pile of rubble that marked the site of Adolf Hitler's bunker, the site of Hitler's death, and performed a two-minute Charleston.[29] He later remarked to Richard J. Anobile in The Marx Brothers
Marx Brothers
Scrapbook, "Not much satisfaction after he killed six million Jews!"

Groucho
Groucho
as Ko-Ko, 1960

In 1960, Groucho, a lifelong devotee of the comic operas of Gilbert and Sullivan, appeared as Ko-Ko, the Lord High Executioner, in a televised production of The Mikado
The Mikado
on NBC's Bell Telephone Hour. A clip of this is in rotation on Classic Arts Showcase. Another TV show, Tell It To Groucho, premiered January 11, 1962 on CBS, but only lasted five months. On October 1, 1962, Groucho, after acting as occasional guest host of The Tonight Show
The Tonight Show
during the six-month interval between Jack Paar
Jack Paar
and Johnny Carson, introduced Carson as the new host. In 1964, Marx starred in the "Time for Elizabeth" episode of Bob Hope Presents the Chrysler Theatre, a truncated version of a play that Groucho
Groucho
Marx and Norman Krasna wrote in 1948. In 1965, Groucho
Groucho
starred in a weekly show for British TV titled Groucho, broadcast on ITV. The program was along similar lines to You Bet Your Life, with Keith Fordyce taking on the Fenneman role. However, it was poorly received and lasted only 11 weeks. Groucho
Groucho
appeared as a gangster named God
God
in the movie Skidoo (1968), directed by Otto Preminger, and costarring Jackie Gleason
Jackie Gleason
and Carol Channing. It was released by the studio where the Marx Brothers
Marx Brothers
began their film career, Paramount Pictures. The film received almost universally negative reviews. As a side note, writer Paul Krassner published a story in the February 1981 issue of High Times, relating how Groucho
Groucho
prepared for the LSD-themed movie by taking a dose of the drug in Krassner's company, and had a moving, largely pleasant experience. Groucho
Groucho
developed friendships with rock star Alice Cooper—the two were photographed together for Rolling Stone
Rolling Stone
magazine—and television host Dick Cavett, becoming a frequent guest on Cavett's late-night talk show, even appearing in a one-man, 90-minute interview.[5] He befriended Elton John
Elton John
when the British singer was staying in California
California
in 1972, insisting on calling him "John Elton." According to writer Philip Norman, when Groucho
Groucho
jokingly pointed his index fingers as if holding a pair of six-shooters, Elton John
Elton John
put up his hands and said, "Don't shoot me, I'm only the piano player," thereby naming the album he had just completed. A film poster for the Marx Bros. movie Go West is visible on the album cover photograph as an homage to Groucho. Elton John
Elton John
accompanied Groucho
Groucho
to a performance of Jesus Christ Superstar. As the lights went down, Groucho
Groucho
called out, "Does it have a happy ending?" And during the Crucifixion scene, he declared, "This is sure to offend the Jews."[citation needed] Groucho's previous work regained popularity; new books of transcribed conversations were published by Richard J. Anobile and Charlotte Chandler. In a BBC
BBC
interview in 1975, Groucho
Groucho
called his greatest achievement having a book selected for cultural preservation in the Library of Congress. In a Cavett interview in 1971,[30] Groucho
Groucho
said being published in The New Yorker
The New Yorker
under his own name,[31] Julius Henry Marx, meant more than all the plays he appeared in.[5] As a man who never had formal schooling, to have his writings declared culturally important was a point of great satisfaction. As he passed his 81st birthday in 1971, however, Groucho
Groucho
became increasingly frail, physically and mentally, as a result of a succession of minor strokes.[32][33] In 1972, largely at the behest of his companion Erin Fleming, Groucho staged a live one-man show at Carnegie Hall
Carnegie Hall
that was later released as a double album, An Evening with Groucho, on A&M Records. He also made an appearance in 1973 on a short-lived variety show hosted by Bill Cosby. Fleming's influence on Marx was controversial. Some close to Marx believed that she did much to revive his popularity, and the relationship with a younger woman boosted his ego and vitality.[34] Others described her as a Svengali, exploiting an increasingly senile Marx in pursuit of her own stardom. Marx's children, particularly Arthur, felt strongly that Fleming was pushing their weak father beyond his physical and mental limits.[33] Writer Mark Evanier concurred.[35] On the 1974 Academy Awards telecast, Marx's final major public appearance, Jack Lemmon
Jack Lemmon
presented him with an honorary Academy Award to a standing ovation. The award honored his brothers as well: "in recognition of his brilliant creativity and for the unequalled achievements of the Marx Brothers
Marx Brothers
in the art of motion picture comedy."[36] Noticeably frail, Groucho
Groucho
took a bow for his deceased brothers. "I wish that Harpo and Chico could be here to share with me this great honor," he said, naming the two deceased brothers. He also praised the late Margaret Dumont
Margaret Dumont
as a great straight woman who never understood any of his jokes.[5][37] Groucho's final appearance was a brief sketch with George Burns
George Burns
in the Bob Hope
Bob Hope
television special Joys (a parody of the 1975 movie Jaws) in March 1976.[38] His health continued to decline the following year; when his younger brother Gummo died at age 84 on April 21, 1977, Groucho
Groucho
was never told for fear of eliciting still further deterioration of his health.[39] Groucho
Groucho
maintained his irrepressible sense of humor to the very end, however. George Fenneman, his radio and TV announcer, good-natured foil, and lifelong friend, often related a story of one of his final visits to Groucho's home: When the time came to end the visit, Fenneman lifted Groucho
Groucho
from his wheelchair, put his arms around his torso, and began to "walk" the frail comedian backwards across the room towards his bed. As he did, he heard a weak voice in his ear: "Fenneman," whispered Groucho, "you always were a lousy dancer."[40] When a nurse approached him with a thermometer during his final hospitalization, explaining that she wanted to see if he had a temperature, he responded, "Don't be silly — everybody has a temperature."[34] Actor Elliott Gould
Elliott Gould
recalled a similar incident: "I recall the last time I saw Groucho, he was in the hospital, and he had tubes in his nose and what have you," he said. "And when he saw me, he was weak, but he was there; and he put his fingers on the tubes and played them like it was a clarinet. Groucho
Groucho
played the tubes for me, which brings me to tears."[41] Death[edit]

Niche of Groucho
Groucho
Marx at Eden Memorial Park

Marx was hospitalized at Cedars-Sinai Medical Center
Cedars-Sinai Medical Center
with pneumonia on June 22, 1977 and died there more than a month later at the age of 86[42] on August 12, four months after Gummo's death.[1] Groucho
Groucho
was cremated and the ashes were interred in the Eden Memorial Park Cemetery in Los Angeles. He was survived by his three children and younger brother Zeppo, who outlived him by two years. His gravestone bears no epitaph, but in one of his last interviews he suggested one: "Excuse me, I can't stand up."[43] Protracted court battles over the disposition of his estate lasted well into the 1980s. Eventually, Arthur Marx was awarded the bulk of the estate's assets, and Erin Fleming was ordered to repay $472,000.[44] Legacy[edit]

Marx and Lennon on a 1994 Abkhazia
Abkhazia
stamp

Groucho
Groucho
Marx was, and remains, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers
Marx Brothers
movie. Groucho's trademark eyeglasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as " Groucho
Groucho
glasses", "nose-glasses," and other names) are sold by novelty and costume shops around the world. Nat Perrin, close friend of Groucho
Groucho
Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams
Gomez Addams
on the 1960s TV series The Addams Family
The Addams Family
with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit).[citation needed]

"As Groucho
Groucho
Marx once said, 'Anyone can get old - all you have to do is to live long enough'."

 —Queen Elizabeth II
Elizabeth II
speaking at her 80th birthday celebration in 2006.[45]

A meeting with Elton John
Elton John
led to a press photo of Groucho
Groucho
pointing both of his index fingers and thumbs at Elton like revolvers. John's spontaneous response to hold up his hands and replying "Don't shoot me! I'm only the piano player!" was so amusing that Elton John
Elton John
reused it as the title of a 1973 album. An added Marx homage was that a poster for the Marx Brothers' movie Go West was included on the cover art.[46] Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers
Marx Brothers
films. In March 1977, Groucho
Groucho
invited Queen to visit him in his Los Angeles home; there they performed "'39" a cappella.[47] A long-running ad campaign for Vlasic Pickles
Vlasic Pickles
features an animated stork that imitates Groucho's mannerisms and voice.[48] On the famous Hollywood Sign
Hollywood Sign
in California, one of the "O"s is dedicated to Groucho. Alice Cooper
Alice Cooper
contributed over $27,000 to remodel the sign, in memory of his friend. Actor Frank Ferrante has performed as Groucho
Groucho
Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a show entitled An Evening with Groucho
Groucho
in theaters throughout the United States and Canada with supporting actors and piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho
Groucho
in the off-Broadway and London show Groucho: A Life in Revue penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. In 1982, Gabe Kaplan filmed a version of the same show, entitled Groucho.[49] Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho
Groucho
costume. The highlight of the scene is an ensemble song-and-dance performance of "Hooray for Captain Spaulding"—done entirely in French. The BBC
BBC
remade the radio sitcom Flywheel, Shyster, and Flywheel, with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station BBC7. Scottish playwright Louise Oliver wrote a play named Waiting for Groucho
Groucho
about Chico and Harpo waiting for Groucho
Groucho
to turn up for the filming of their last project together. This was performed by Glasgow
Glasgow
theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in Glasgow
Glasgow
and Hamilton in 2007–08. Groucho
Groucho
was played by Scottish actor Frodo McDaniel.[50] Sidney Sheldon wrote a roman à clef on Marx and his partner Erin Fleming titled A Stranger in the Mirror, published in 1976.[51] It was made into a television movie in 1993 with actor Perry King
Perry King
playing the role inspired by Marx. Filmography[edit] Features[edit]

Films with the Marx Brothers

Title Year Role Notes

Humor Risk 1921 Villain Previewed once and never released; thought to be lost

The Cocoanuts 1929 Hammer Released by Paramount Pictures; based on a 1925 Marx Brothers
Marx Brothers
Broadway musical

Animal Crackers 1930 Captain Jeffrey Spaulding Released by Paramount; based on a 1928 Marx Brothers
Marx Brothers
Broadway musical

The House That Shadows Built 1931 Caesar's Ghost Short subject; released by Paramount

Monkey Business 1931 Groucho Released by Paramount

Horse Feathers 1932 Professor Quincy Adams Wagstaff Released by Paramount

Duck Soup 1933 Rufus T. Firefly Released by Paramount

Post-Zeppo

A Night at the Opera 1935 Otis B. Driftwood Released by Metro-Goldwyn-Mayer

A Day at the Races 1937 Dr. Hugo Z. Hackenbush Released by MGM

Room Service 1938 Gordon Miller Released by RKO
RKO
Radio Pictures; based on a 1937 Broadway play

At the Circus 1939 J. Cheever Loophole Released by MGM

Go West 1940 S. Quentin Quale Released by MGM

The Big Store 1941 Wolf J. Flywheel Released by MGM (intended to be their last film)

A Night in Casablanca 1946 Ronald Kornblow Released by United Artists

Love Happy 1949 Detective Sam Grunion Released by United Artists

Showdown at Ulcer Gulch 1957 Stage Conductor (voice) Cameo

The Story of Mankind 1957 Peter Minuit Cameo

General Electric Theater 1959 Suspect in a Police Lineup Episode: "The Incredible Jewel Robbery"

Solo filmography

Title Year Role Notes

Yours for the Asking 1936 Sunbather Uncredited cameo

The King and the Chorus Girl 1937 N/A Co-writer with Norman Krasna

Instatanes 1943 Unknown

Copacabana 1947 Lionel Q. Deveraux Released by United Artist

Mr. Music 1950 Himself Released by Paramount Pictures

You Bet Your Life 1950–61 Himself (host) Quiz show

Double Dynamite 1951 Emile J. Keck Released by RKO

A Girl in Every Port 1952 Benjamin Linn Released by RKO

Will Success Spoil Rock Hunter? 1957 George Schmidlap Uncredited; released by 20th Century Fox

The Bell Telephone Hour 1960 Ko-Ko Episode: "The Mikado" (aired April 29, 1960)

General Electric Theater 1962 John Graham Episode: "The Hold-Out"

Bob Hope
Bob Hope
Presents the Chrysler Theatre 1964 Ed Davis Episode: "Time For Elizabeth"

I Dream of Jeannie 1967 Himself Episode: "The Greatest Invention in the World"[52]

Skidoo 1968 God Released by Paramount

Julia 1968 Mr. Flywheel Episode: "Farewell, My Friends, Hello"

Short subjects[edit]

Hollywood on Parade No. 11 (1933) Screen Snapshots Series 16, No. 3 (1936) Sunday Night at the Trocadero (1937) Screen Snapshots: The Great Al Jolson (1955) Showdown at Ulcer Gulch (1956) (voice) Screen Snapshots: Playtime in Hollywood (1956)

Bibliography[edit] This list is incomplete; you can help by expanding it. Books by Groucho
Groucho
Marx[edit]

Beds (Farrar & Rinehart, 1930) Beds: revised & updated edition (Bobbs-Merrill, 1976 ISBN 0-672-52224-1) Many Happy Returns: An Unofficial Guide to Your Income-Tax Problems Illustrated by Otto Soglow
Otto Soglow
(Simon & Schuster, 1942) Groucho
Groucho
and Me (B. Geis Associates, 1959) Memoirs of a Mangy Lover (B. Geis Associates, 1963) The Groucho
Groucho
Letters: Letters From and To Groucho
Groucho
Marx (Simon & Schuster, 1967, ISBN 0-306-80607-X) The Marx Bros, Scrapbook with Richard Anobile (Darien House/W W Norton, 1973, ISBN 0-393-08371-3) The Secret Word Is Groucho
Groucho
with Hector Arce (Putnam, 1976) The Groucho
Groucho
Phile: An Illustrated Life by Groucho
Groucho
Marx with Hector Arce (Galahad, 1976, ISBN 0-88365-433-4)

Essays and reporting[edit]

Marx, Julius H. (April 4, 1925). "Boston again". New York, Etc. The New Yorker. 1 (7): 25.  — (April 11, 1925). " Vaudeville
Vaudeville
talk". New York, Etc. The New Yorker. 1 (8): 25. 

References[edit]

^ a b c " Groucho
Groucho
Marx, Comedian, Dead. Movie Star and TV Host Was 86. Master of the Insult Groucho
Groucho
Marx, Film Comedian and Host of 'You Bet Your Life,' Dies". New York Times. August 20, 2007. p. 1.  ^ Billboard Magazine May 4, 1974 pg 35: " Groucho
Groucho
Marx was the best comedian this country ever produced – Woody Allen" ^ Giddins, Gary (2001). The New York Times
New York Times
Book
Book
Reviews 2000, volume 1. Fitzroy Dearborn Publishers. ISBN 1-57958-058-0.  "The most enduring masks of the 20th century—likely to take their place alongside Comedy and Tragedy or Pulcinella and Pierrot" ^ The WWI draft registration of 1917 as Julius Henry Marx in Chicago, Illinois uses October 2, 1890. The 1900 census has him born in October of 1890. ^ a b c d The Dick Cavett
Dick Cavett
Show: Season 3, Episode 9 Groucho
Groucho
Marx (13 Jun. 1969) – imdb q.v.: Youtube ^ 1950 radio episode of You Bet Your Life[episode needed] ^ Gary Baum (June 23, 2011). "L.A.'s Power Golf Clubs: Where the Hollywood Elite Play". The Hollywood Reporter.  ^ Bland, Frank. "The Marx Brothers
Marx Brothers
Family". Retrieved 15 May 2012.  ^ Bader, Robert S. (2016). Four of the Three Musketeers: The Marx Brothers on Stage. Evanston, IL: Northwestern University Press. p. 31. ISBN 9780810134164.  ^ a b c d " Groucho
Groucho
Marx Biography". groucho-marx.com. Retrieved 2008-06-25.  ^ Boller, Paul F.; Davis, Ronald L. (1988). Hollywood Anecdotes (reprint ed.). Ballantine Books. p. 220. ISBN 0-345-35654-3.  ^ Morris, Edmund (2001). The Rise of Theodore Roosevelt (Modern Library Paperback ed.). New York: Modern Library. pp. 143–144. ISBN 0-375-75678-7. Retrieved 9 August 2016.  ^ Boxoffice, 3 June 1939, p. 89. ^ Life With Groucho. Arthur Marx. New York: Simon and Schuster. 1954. p. 294.  ^ Friedrich, Otto (1997). City of Nets: A Portrait of Hollywood in the 1940's (reprint ed.). Berkeley and Los Angeles: University of California
California
Press. p. 43. ISBN 0520209494.  ^ " Groucho
Groucho
Marx papers, 1930-1967". Library of Congress
Library of Congress
Online Catalog. Retrieved June 18, 2017.  ^ Jerry McCulley, The Surprisingly Serious Tale of Comedian Groucho Marx and His Lifelong Quest to Master Guitar. ^ Irving Berlin, Robert Kimball, Linda Emmet. The Complete Lyrics of Irving Berlin, p. 489. Hal Leonard Corporation, 2005. ISBN 1-55783-681-7 ^ Marx, Groucho. The Groucho
Groucho
Phile, p. 238. Wallaby, 1977. ^ https://www.youtube.com/watch?v=FIArT9IPojc [dead link] ^ Charlotte Chandler. Hello, I must be going: Groucho
Groucho
and his friends. Doubleday, 1978, p 190 ^ Dwan, R. As Long As They're Laughing : Groucho
Groucho
Marx and You Bet Your Life. Baltimore, Midnight Marquee, 2000, p. 129. ISBN 188766436X ^ Kanfer, S. Groucho: The Life and Times of Julius Henry Marx. New York, Vintage, May 2001, p. 136. ISBN 0375702075 ^ "The Secret Words". snopes.com. Retrieved 13 April 2015.  ^ Stoliar, S. Raised Eyebrows: My Years Inside Groucho's House. New York, BearManor Media, October 2011, pp. 124–5. ISBN 1593936524 ^ Ebert, R. A Living Legend, Rated R. Esquire, July 1972, p. 143. Retrieved 4 October 2013. ^ Marx, G. and Arce, H. The Secret Word is Groucho. New York, G.P. Putnam's Sons, 1976, pp. 33–4. ISBN 0399116907. ^ Kaltenbach, C. Also 20 Years Dead: Groucho. Baltimore Sun, 19 August 1997, p. E-1. ^ Hallett, Judith Dwan. "What's So Funny & Why?". Sarah Lawrence College. Retrieved 2007-07-29.  ^ The Dick Cavett
Dick Cavett
Show - 5/25/1971 ^ " Groucho
Groucho
Marx - Contributors". newyorker.com. Retrieved 22 November 2016.  ^ Point of View Archived 2006-10-21 at the Wayback Machine., Mark Evanier, 1999-06-04, retrieved, 2007-08-09. ^ a b Point of View Archived 2012-07-17 at the Wayback Machine., Mark Evanier, 1999-06-11, retrieved, 2007-08-09. ^ a b "They Dressed like Groucho" NY Times Opinionator (April 20, 20120 Retrieved 5/1/2012. ^ Erin Fleming, R.I.P., Mark Evanier, 7 March 2004 ^ https://en.wikipedia.org/wiki/Academy_Honorary_Award#1950s ^ " Groucho
Groucho
Marx receiving an Honorary Oscar®". Oscars.org. 2009-11-24. Retrieved 2013-09-25.  ^ " Bob Hope
Bob Hope
Special: Bob Hope
Bob Hope
in Joys". Hope Enterprises. 1976-03-05. Retrieved 2016-11-10.  ^ "Gummo Marx, Managed Comedians". New York Times. Palm Springs, California, April 21, 2007 (Reuters) Gummo Marks, an original member of the Marx brothers' comedy team, died here today. He was 84 years old.  ^ "George Fenneman, Sidekick To Groucho
Groucho
Marx, Dies at 77" New York Times (June 5, 1997). Retrieved 2010-06-21. ^ Famed Actor Elliott Gould
Elliott Gould
Recalls Groucho
Groucho
Marx’s Final Days (July 10, 2013). Compassion & Choices Magazine archive Archived 2014-01-06 at the Wayback Machine.. Retrieved January 5, 2014. ^ " Groucho
Groucho
Marx Dies at 86 After Two-Month Illness". Pittsburgh Post-Gazette. 20 August 1977. Officials at Cedar-Sinai Medical Center, where Marx had been hospitalized for the past two months with a respiratory ailment, said he died at 7:25 p.m. PDT of pneumonia  ^ Groucho
Groucho
the Great. legacy.com. Retrieved April 20, 2015. ^ Los Angeles
Los Angeles
Times, April 15, 2011, Obituary of Arthur Marx, "In his father's declining years, Marx became a central figure behind a successful legal battle to wrest back control of Groucho's affairs from his late-in-life companion, Erin Fleming." ^ " Groucho
Groucho
marks Queen's 80th". SBS. Retrieved June 27, 2017 ^ Buckley, David (2007). Elton The Biography. Chicago Review Press. ISBN 1556527136.  ^ Queen: The Ultimate Illustrated History of the Crown Kings of Rock. p.96. Voyageur Press, 2009 ^ Stuart Elliott, Pink or Blue? These Bundles of Joy Are Always Green, New York Times, 2007-05-30. ^ Erickson, Hal. " Gabe Kaplan
Gabe Kaplan
As Groucho". All Media Guide New York Times. Retrieved 11 July 2012.  ^ Rhymes with Purple Productions – Theatre, Cabaret, Burlesque[permanent dead link]. ^ https://news.google.com/newspapers?nid=1499&dat=19760416&id=CggqAAAAIBAJ&sjid=ISkEAAAAIBAJ&pg=4280,3468441&hl=en ^ " Groucho
Groucho
Marx on Television Part Two - The Sixties and Seventies". TVparty.com. Retrieved June 18, 2017. 

Further reading[edit]

Miriam Marx Allen, Love, Groucho: Letters From Groucho
Groucho
Marx to His Daughter Miriam (1992, ISBN 0-571-12915-3) Charlotte Chandler, Hello, I Must Be Going! (1979, ISBN 0-14-005222-4) Stefan Kanfer, Groucho: The Life and Times of Julius Henry Marx (2000, ISBN 0-375-70207-5) Simon Louvish, Monkey Business: The Lives and Legends of the Marx Brothers (2001, ISBN 0-312-25292-7) Arthur Marx, Life With Groucho
Groucho
(1954, revised as My Life with Groucho: A Son's Eye View 1988, ISBN 0-330-31132-8)) Arthur Marx, Son of Groucho
Groucho
(1972, ISBN 0-679-50355-2) Harpo Marx, Harpo Speaks (1961, revised as Harpo Speaks! 1985, ISBN 0-87910-036-2) Glenn Mitchell, The Marx Brothers
Marx Brothers
Encyclopedia (1996, ISBN 0-7134-7838-1) Steve Stoliar, Raised Eyebrows: My Years Inside Groucho's House (1996, ISBN 1-881649-73-3) Julius H. (Groucho) Marx v. Commissioner of Internal Revenue, 29 T.C. 88 (1957)

External links[edit]

Wikimedia Commons has media related to Groucho
Groucho
Marx.

Wikiquote has quotations related to: Groucho
Groucho
Marx

Marx, Groucho, 1890–1977 ( Library of Congress
Library of Congress
Name Authority File) Groucho
Groucho
Marx papers, 1930–1967 (Library of Congress) LCCN mm82-47845 " Groucho
Groucho
Marx - Contributors". newyorker.com.  Groucho
Groucho
Marx on IMDb Groucho
Groucho
Marx at the TCM Movie Database Groucho
Groucho
Marx at the Internet Broadway Database
Internet Broadway Database
Groucho
Groucho
Marx at Find a Grave Alistair Cooke's reflections on his friendship with Groucho Lydia's Marx Brothers
Marx Brothers
Tribute Website Groucho
Groucho
Marx - Old Time Radio - Archive.org Groucho's letter to Warner Brothers when they threatened to sue him Urban Legends Reference Page: Groucho
Groucho
Marx: "I Love My Cigar" Esquire magazine profile of Groucho
Groucho
Marx in 1972, by Roger Ebert 1922 passport photo of Groucho
Groucho
and first wife Ruth Johnson Groucho
Groucho
Marx Interview – Press Conference London June 1965 FBI Records: The Vault - Groucho
Groucho
Marx at vault.fbi.gov

v t e

Academy Honorary Award

1928–1950

Warner Bros.
Warner Bros.
/ Charlie Chaplin
Charlie Chaplin
(1928) Walt Disney
Walt Disney
(1932) Shirley Temple
Shirley Temple
(1934) D. W. Griffith
D. W. Griffith
(1935) The March of Time
The March of Time
/ W. Howard Greene and Harold Rosson (1936) Edgar Bergen
Edgar Bergen
/ W. Howard Greene / Museum of Modern Art
Museum of Modern Art
Film Library / Mack Sennett
Mack Sennett
(1937) J. Arthur Ball / Walt Disney
Walt Disney
/ Deanna Durbin
Deanna Durbin
and Mickey Rooney
Mickey Rooney
/ Gordon Jennings, Jan Domela, Devereaux Jennings, Irmin Roberts, Art Smith, Farciot Edouart, Loyal Griggs, Loren L. Ryder, Harry D. Mills, Louis Mesenkop, Walter Oberst / Oliver T. Marsh and Allen Davey / Harry Warner
Harry Warner
(1938) Douglas Fairbanks
Douglas Fairbanks
/ Judy Garland
Judy Garland
/ William Cameron Menzies / Motion Picture Relief Fund (Jean Hersholt, Ralph Morgan, Ralph Block, Conrad Nagel)/ Technicolor Company (1939) Bob Hope
Bob Hope
/ Nathan Levinson (1940) Walt Disney, William Garity, John N. A. Hawkins, and the RCA Manufacturing Company / Leopold Stokowski
Leopold Stokowski
and his associates / Rey Scott / British Ministry of Information (1941) Charles Boyer
Charles Boyer
/ Noël Coward
Noël Coward
/ Metro-Goldwyn-Mayer
Metro-Goldwyn-Mayer
(1942) George Pal
George Pal
(1943) Bob Hope
Bob Hope
/ Margaret O'Brien
Margaret O'Brien
(1944) Republic Studio, Daniel J. Bloomberg, and the Republic Studio Sound Department / Walter Wanger
Walter Wanger
/ The House I Live In / Peggy Ann Garner (1945) Harold Russell
Harold Russell
/ Laurence Olivier
Laurence Olivier
/ Ernst Lubitsch
Ernst Lubitsch
/ Claude Jarman Jr. (1946) James Baskett
James Baskett
/ Thomas Armat, William Nicholas Selig, Albert E. Smith, and George Kirke Spoor
George Kirke Spoor
/ Bill and Coo / Shoeshine (1947) Walter Wanger
Walter Wanger
/ Monsieur Vincent
Monsieur Vincent
/ Sid Grauman
Sid Grauman
/ Adolph Zukor
Adolph Zukor
(1948) Jean Hersholt
Jean Hersholt
/ Fred Astaire
Fred Astaire
/ Cecil B. DeMille
Cecil B. DeMille
/ The Bicycle Thief (1949) Louis B. Mayer
Louis B. Mayer
/ George Murphy
George Murphy
/ The Walls of Malapaga (1950)

1951–1975

Gene Kelly
Gene Kelly
/ Rashomon
Rashomon
(1951) Merian C. Cooper
Merian C. Cooper
/ Bob Hope
Bob Hope
/ Harold Lloyd
Harold Lloyd
/ George Mitchell / Joseph M. Schenck / Forbidden Games
Forbidden Games
(1952) 20th Century-Fox Film Corporation / Bell & Howell Company / Joseph Breen / Pete Smith (1953) Bausch & Lomb Optical Company / Danny Kaye
Danny Kaye
/ Kemp Niver / Greta Garbo / Jon Whiteley
Jon Whiteley
/ Vincent Winter / Gate of Hell (1954) Samurai I: Musashi Miyamoto (1955) Eddie Cantor
Eddie Cantor
(1956) Society of Motion Picture and Television Engineers
Society of Motion Picture and Television Engineers
/ Gilbert M. "Broncho Billy" Anderson / Charles Brackett / B. B. Kahane (1957) Maurice Chevalier
Maurice Chevalier
(1958) Buster Keaton
Buster Keaton
/ Lee de Forest
Lee de Forest
(1959) Gary Cooper
Gary Cooper
/ Stan Laurel
Stan Laurel
/ Hayley Mills
Hayley Mills
(1960) William L. Hendricks / Fred L. Metzler / Jerome Robbins
Jerome Robbins
(1961) William J. Tuttle
William J. Tuttle
(1964) Bob Hope
Bob Hope
(1965) Yakima Canutt
Yakima Canutt
/ Y. Frank Freeman
Y. Frank Freeman
(1966) Arthur Freed (1967) John Chambers / Onna White (1968) Cary Grant
Cary Grant
(1969) Lillian Gish
Lillian Gish
/ Orson Welles
Orson Welles
(1970) Charlie Chaplin
Charlie Chaplin
(1971) Charles S. Boren / Edward G. Robinson
Edward G. Robinson
(1972) Henri Langlois
Henri Langlois
/ Groucho
Groucho
Marx (1973) Howard Hawks
Howard Hawks
/ Jean Renoir
Jean Renoir
(1974) Mary Pickford
Mary Pickford
(1975)

1976–2000

Margaret Booth (1977) Walter Lantz
Walter Lantz
/ Laurence Olivier
Laurence Olivier
/ King Vidor
King Vidor
/ Museum of Modern Art Department of Film (1978) Hal Elias / Alec Guinness
Alec Guinness
(1979) Henry Fonda
Henry Fonda
(1980) Barbara Stanwyck
Barbara Stanwyck
(1981) Mickey Rooney
Mickey Rooney
(1982) Hal Roach
Hal Roach
(1983) James Stewart
James Stewart
/ National Endowment for the Arts
National Endowment for the Arts
(1984) Paul Newman
Paul Newman
/ Alex North (1985) Ralph Bellamy
Ralph Bellamy
(1986) Eastman Kodak
Kodak
Company / National Film Board of Canada
National Film Board of Canada
(1988) Akira Kurosawa
Akira Kurosawa
(1989) Sophia Loren
Sophia Loren
/ Myrna Loy
Myrna Loy
(1990) Satyajit Ray
Satyajit Ray
(1991) Federico Fellini
Federico Fellini
(1992) Deborah Kerr
Deborah Kerr
(1993) Michelangelo Antonioni
Michelangelo Antonioni
(1994) Kirk Douglas
Kirk Douglas
/ Chuck Jones
Chuck Jones
(1995) Michael Kidd
Michael Kidd
(1996) Stanley Donen
Stanley Donen
(1997) Elia Kazan
Elia Kazan
(1998) Andrzej Wajda
Andrzej Wajda
(1999) Jack Cardiff
Jack Cardiff
/ Ernest Lehman (2000)

2001–present

Sidney Poitier
Sidney Poitier
/ Robert Redford
Robert Redford
(2001) Peter O'Toole
Peter O'Toole
(2002) Blake Edwards
Blake Edwards
(2003) Sidney Lumet
Sidney Lumet
(2004) Robert Altman
Robert Altman
(2005) Ennio Morricone
Ennio Morricone
(2006) Robert F. Boyle (2007) Lauren Bacall
Lauren Bacall
/ Roger Corman
Roger Corman
/ Gordon Willis
Gordon Willis
(2009) Kevin Brownlow / Jean-Luc Godard
Jean-Luc Godard
/ Eli Wallach
Eli Wallach
(2010) James Earl Jones
James Earl Jones
/ Dick Smith (2011) D. A. Pennebaker
D. A. Pennebaker
/ Hal Needham
Hal Needham
/ George Stevens Jr.
George Stevens Jr.
(2012) Angela Lansbury
Angela Lansbury
/ Steve Martin
Steve Martin
/ Piero Tosi (2013) Jean-Claude Carrière
Jean-Claude Carrière
/ Hayao Miyazaki
Hayao Miyazaki
/ Maureen O'Hara
Maureen O'Hara
(2014) Spike Lee
Spike Lee
/ Gena Rowlands
Gena Rowlands
(2015) Jackie Chan
Jackie Chan
/ Lynn Stalmaster / Anne V. Coates / Frederick Wiseman (2016) Charles Burnett / Owen Roizman / Donald Sutherland
Donald Sutherland
/ Agnès Varda (2017)

v t e

The Marx Brothers

Chico Harpo Groucho Gummo Zeppo

Films

Humor Risk
Humor Risk
(1921) The Cocoanuts
The Cocoanuts
(1929) Animal Crackers (1930) The House That Shadows Built (1931) Monkey Business (1931) Horse Feathers
Horse Feathers
(1932) Duck Soup (1933) A Night at the Opera (1935) A Day at the Races (1937) Room Service (1938) At the Circus
At the Circus
(1939) Go West (1940) The Big Store
The Big Store
(1941) A Night in Casablanca (1946) Love Happy
Love Happy
(1949) The Story of Mankind (1957)

Musicals

I'll Say She Is (1924) The Cocoanuts
The Cocoanuts
(1925) Animal Crackers (1928)

Songs

"Hello, I Must Be Going" "Hooray for Captain Spaulding" "Lydia the Tattooed Lady"

Other appearances

Flywheel, Shyster, and Flywheel
Flywheel, Shyster, and Flywheel
(radio, 1932 – episodes) Blue Ribbon Town
Blue Ribbon Town
(radio, 1943–44) "The Incredible Jewel Robbery" (TV, 1959) Deputy Seraph (TV, 1959)

Family members

Minnie Marx Sam Marx Al Shean Barbara Marx Susan Fleming Eden Hartford Arthur Marx Melinda Marx Miriam Marx Gregg Marx

Related articles

An Evening with Groucho Captain Spaulding Giraffes on Horseback Salad Groucho
Groucho
Club Groucho
Groucho
glasses Hello, I Must Be Going! Marx & Lennon Minnie's Boys Groucho: A Life in Revue (1986 play) "Why a Duck?"

Book Category

Authority control

WorldCat Identities VIAF: 120720626 LCCN: n79060499 GND: 118578502 SELIBR: 225820 SUDOC: 027014525 MusicBrainz: 534370ec-59cb-49f5-84a6-d4c7c8ad6daf NDL: 00471166 SN

.