''Griselda'' is an

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...

(''

dramma per musica Dramma per musica (Italian, literally: ''drama for music'', plural: ''drammi per musica'') is a libretto. The term was used by dramatists in Italy and elsewhere between the mid-17th and mid-19th centuries. In modern times the same meaning of ''dra ...

'') in three acts composed by

Antonio Maria Bononcini Antonio Maria Bononcini (18 June 1677 – 8 July 1726) was an Italian cellist and composer, the younger brother of the better-known Giovanni Bononcini. Bononcini was born and died at Modena in Italy. Like his brother, he studied with Giovanni Pa ...

. The opera uses a slightly revised version of the 1701 Italian

libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...

Apostolo Zeno Apostolo Zeno (11 December 1668 in Venice – 11 November 1750 in Venice) was a Venetian poet, librettist, journalist, and man of letters. Early life Apostolo Zeno was born in Venice to a colonial branch of the Zeno family, an ancient Venet ...

that was based on

Giovanni Boccaccio Giovanni Boccaccio (, , ; 16 June 1313 – 21 December 1375) was an Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Born in the town of Certaldo, he became so well known as a writer that he was somet ...

's ''

The Decameron ''The Decameron'' (; it, label=Italian, Decameron or ''Decamerone'' ), subtitled ''Prince Galehaut'' (Old it, Prencipe Galeotto, links=no ) and sometimes nicknamed ''l'Umana commedia'' ("the Human comedy", as it was Boccaccio that dubbed Dan ...

'' ( X, 10, "The Patient Griselda").''The Oxford Dictionary of Opera'', by

John Warrack John Hamilton Warrack (born 1928, in London) is an English music critic, writer on music, and oboist. Warrack is the son of Scottish conductor and composer Guy Warrack. He was educated at Winchester College (1941-6) and then at the Royal College ...

and Ewan West (1992), 782 pages, The opera was dedicated to Prince Maximilian Karl von Löwenstein, the Austrian governor of Milan, who died during the opera's world première on 26 December 1718 at the

Teatro Regio Ducale The Teatro Regio Ducale (Italian, "Royal Ducal Theatre") was the opera house in Milan from 26 December 1717 until 25 February 1776, when it was burned down following a carnival gala. Many famous composers and their operas are associated with it, i ...

in Milan. Nevertheless, Bononcini's opera was well received and enjoyed several revivals during the eighteenth century. His brother,

Giovanni Bononcini Giovanni Bononcini (or Buononcini) (18 July 1670 – 9 July 1747) (sometimes cited also as Giovanni Battista Bononcini) was an Italian Baroque composer, cellist, singer and teacher, one of a family of string players and composers. Biography E ...

, wrote an even more popular version of his own to Zeno's libretto in 1722.Malcolm Boyd, Lowell Lindgren: "Griselda (i)", ''

Grove Music Online ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theo ...

'' ed. L. Macy (Accessed November 21, 2008), (subscription access)

Roles

Synopsis

The Story of Patient Griselda circa 1490

Act 1

Years before the action begins, Gualtiero, King of Sicily, had married a poor shepherdess, Griselda. The marriage was deeply unpopular with the king's subjects and when a daughter, Costanza, was born, the king had to pretend to have her killed while secretly sending her to be brought up by Prince Corrado of Apulia. Now, faced with another rebellion from the Sicilians, Gualtiero is forced to renounce Griselda and promises to take a new wife. The proposed bride is in fact Costanza, who is unaware of her true parentage. She is in love with Corrado's younger brother, Roberto, and the thought of being forced to marry Gualtiero drives her to despair.

Act 2

Griselda returns to her home in the countryside where she is pursued by the courtier Ottone, who is in love with her. She angrily rejects his advances. Gualtiero and his followers go out hunting and come across Griselda's cottage. Gualtiero foils an attempt by Ottone to kidnap Griselda and allows her back to the court, but only as Costanza's slave.

Act 3

Ottone still resolutely pursues Griselda and Gualtiero promises him her hand as soon as he himself has married Costanza. Griselda declares she would rather die and, moved by her faithfulness, Gualtiero takes her back as his wife. He reveals the true identity of Costanza and allows her to marry Roberto.

Sources

External links

Libretto
{{Authority control Operas Operas by Antonio Maria Bononcini 1718 operas Italian-language operas Operas based on literature Operas based on works by Giovanni Boccaccio