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Central Italian School 16th century Head of God the Father

In the early medieval period God was often represented by Christ as the Logos, which continued to be very common even after the separate figure of God the Father appeared. Western art eventually required some

In the early medieval period God was often represented by Christ as the Logos, which continued to be very common even after the separate figure of God the Father appeared. Western art eventually required some way to illustrate the presence of the Father, so through successive representations a set of artistic styles for the depiction of the Father in human form gradually emerged around the tenth century CE.[67]

By the twelfth century depictions of a figure of God the Father, essentially based on the Ancient of Days in the Book of Daniel had started to appear in French manuscripts and in stained glass church windows in England. In the 14th century the illustrated Naples Bible had a depiction of God the Father in the Burning bush. By the 15th century, the Rohan Book of Hours included depictions of God the Father in human form or anthropomorphic imagery. The depiction remains rare and often controversial in Eastern Orthodox art, and by the time of the Renaissance artistic representations of God t

By the twelfth century depictions of a figure of God the Father, essentially based on the Ancient of Days in the Book of Daniel had started to appear in French manuscripts and in stained glass church windows in England. In the 14th century the illustrated Naples Bible had a depiction of God the Father in the Burning bush. By the 15th century, the Rohan Book of Hours included depictions of God the Father in human form or anthropomorphic imagery. The depiction remains rare and often controversial in Eastern Orthodox art, and by the time of the Renaissance artistic representations of God the Father were freely used in the Western Church.[69]