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In Hinduism , there are diverse approaches to conceptualizing GOD AND GENDER . Many Hindus focus upon impersonal Absolute ( Brahman ) which is genderless. Other Hindu traditions conceive God as androgynous (both female and male), alternatively as either male or female, while cherishing gender henotheism , that is without denying the existence of other Gods in either gender.

The Shakti tradition conceives of God as a female. Other Bhakti traditions of Hinduism have both male and female gods. In ancient and medieval Indian mythology, each masculine deva of the Hindu pantheon is partnered with a feminine devi .

CONTENTS

* 1 History

* 1.1 Brahman

* 2 Mythology

* 3 Examples

* 3.1 Smarta and Advaita * 3.2 Shiva and Vishnu * 3.3 Shakti * 3.4 Radha Krishna

* 4 See also * 5 Notes * 6 References

HISTORY

Part of a series on

HINDUISM

_

* Hindu * History

Concepts GOD / HIGHEST REALITY_

* Brahman * Ishvara * God in Hinduism * God and gender

_LIFE_

* Atman * Maya * Karma * Samsara

* Purusharthas

* Dharma * Artha * Kama * Moksha

_ETHICS_

* Niti shastra * Yamas * Niyama * Ahimsa * Asteya * Aparigraha * Brahmacharya * Satya * Damah * Dayā * Akrodha * Ārjava * Santosha * Tapas * Svādhyāya * Shaucha * Mitahara * Dāna

_LIBERATION _

* Bhakti yoga * Jnana yoga * Karma yoga

Schools _SIX ASTIKA SCHOOLS _

* Samkhya * Yoga * Nyaya * Vaisheshika * Mimamsa

* Vedanta

* _ Advaita _ * _ Dvaita _ * _ Vishishtadvaita _

_OTHER SCHOOLS_

* Pasupata * Saiva * Pratyabhijña * Raseśvara * Pāṇini Darśana * Charvaka

Deities TRIMURTI

* Brahma * Vishnu * Shiva

------------------------- OTHER MAJOR DEVIS / DEVAS

* _Vedic _ * Indra * Agni * Prajapati * Rudra * Devi * Saraswati * Ushas * Varuna * Vayu

* _Post-Vedic _ * Durga * Ganesha * Hanuman * Kali * Kartikeya * Krishna * Lakshmi * Parvati * Radha * Rama * Shakti * Sita

Texts SCRIPTURES VEDAS

* Rigveda * Yajurveda * Samaveda * Atharvaveda

_DIVISIONS_

* Samhita * Brahmana * Aranyaka * Upanishad

UPANISHADS

* _Rigveda:_ * Aitareya * Kaushitaki

* _Yajurveda:_ * Brihadaranyaka * Isha * Taittiriya * Katha * Shvetashvatara * Maitri

* _Samaveda:_ * Chandogya * Kena

* _Atharvaveda:_ * Mundaka * Mandukya * Prashna

_OTHER SCRIPTURES _

* Bhagavat Gita * Agama (Hinduism)

OTHER TEXTS _VEDANGAS _

* Shiksha * Chandas * Vyakarana * Nirukta * Kalpa * Jyotisha

_PURANAS _

* Vishnu Purana * BHAGAVATA PURANA * Nāradeya Purana * Vāmana Purana * Matsya Purana * Garuda Purana * Brahma Purana * Brahmānda Purana * Brahma Vaivarta Purana * Bhavishya Purana * Padma Purana * Agni Purana * Shiva Purana * Linga Purana * Kūrma Purana * Skanda Purana * Varaha Purana * Mārkandeya Purana

_ITIHASAS _

* Ramayana * Mahabharata

_UPAVEDAS _

* Ayurveda * Dhanurveda * Gandharvaveda * Sthapatyaveda

_SHASTRAS AND SUTRAS _

* Dharma Shastra * Artha Śastra * Kamasutra * Brahma Sutras * Samkhya Sutras * Mimamsa Sutras * Nyāya Sūtras * Vaiśeṣika Sūtra * Yoga Sutras * Pramana Sutras * Charaka Samhita * Sushruta Samhita * Natya Shastra * Divya Prabandha * Tirumurai * Ramcharitmanas * Yoga Vasistha * Swara yoga * Shiva Samhita * Panchadasi * Stotra * Sutras

TEXT CLASSIFICATION

* Śruti Smriti

* _TIMELINE OF HINDU TEXTS _

Practices WORSHIP

* Puja * Temple * Murti * Bhakti * Japa * Bhajana * Yajna * Homa * Vrata * Prāyaścitta * Tirtha * Tirthadana * Matha * Nritta-Nritya

_MEDITATION AND CHARITY_

* Tapa * Dhyana * Dāna

_YOGA _

* Asana * Hatha yoga * Jnana yoga * Bhakti yoga * Karma yoga * Raja yoga

RITES OF PASSAGE

* Garbhadhana * Pumsavana * Simantonayana * Jatakarma * Namakarana * Nishkramana * Annaprashana * Chudakarana * Karnavedha * Vidyarambha * Upanayana * Keshanta * Ritushuddhi * Samavartana * Vivaha * Antyeshti

_ASHRAMA DHARMA_

* Ashrama : Brahmacharya * Grihastha * Vanaprastha * Sannyasa

FESTIVALS

* Diwali * Holi * Shivaratri

* Navaratri

* Durga Puja * Ramlila * Vijayadashami-Dussehra

* Raksha Bandhan * Ganesh Chaturthi * Vasant Panchami * Rama Navami * Janmashtami * Onam * Makar Sankranti * Kumbha Mela * Pongal * Ugadi

* Vaisakhi

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* Ratha Yatra

Gurus, saints, philosophers _ANCIENT_

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_MEDIEVAL_

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_MODERN_

* Aurobindo * Coomaraswamy * Bhaktivinoda Thakur * Chinmayananda * Dayananda Saraswati * Mahesh Yogi * Krishnananda Saraswati * Narayana Guru * Prabhupada * Ramakrishna * Ramana Maharshi * Radhakrishnan * Sarasvati * Sivananda * U. G. Krishnamurti * Sai Baba * Vivekananda * Nigamananda * Yogananda * Ramachandra Dattatrya Ranade * Tibbetibaba * Trailanga

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Male and female deities are extensively mentioned in the Vedas. The earliest _mandalas_ ("Books"; the authorship of each _mandala_ is traditionally ascribed to a particular _rishi _ or that _rishi'_s family) of the Rigveda , estimated to have been composed sometime in the 2nd millennium BCE, invoke and praise both gods and goddesses. _ Ushas _ (" Goddess of Dawns") is praised in twenty Hymns of Chapters VI.64, VI.65, VII.78 and X.172, with Hymn VI.64.5 declaring goddess Ushas as the one who must be worshipped first.

HYMN TO USHAS (Abridged): The shining tints of the Dawn have spread like the waves of the waters, Beautifying the world, she renders all good roads easy to traverse, She who is replete with delight, excellence and health, Divine Ushas, though art seen auspicious, thou shinest afar, thy bright rays spread over the sky, lovely and radiant with great splendour; Do thou Ushas bring me opulence, daughter of heaven; thou who art divine, who art lovely, who art to be worshipped at the first daily rite; At thy dawning, divine Ushas, birds fly from their resting places, men arise to work; Thou, divine Ushas, bring ample wealth to the mortal, the offerer of these prayers. — Rigveda, VI.64

Goddesses, other than Ushas, mentioned in early Vedic literature include _Prthivi_ (earth), _Aditi_ (mother of gods, abundance), _Sarasvati_ (river, nourishment), _Vac_ (sound and speech), and _Nirrti_ (death, destruction). Similarly male gods feature prominently in the Vedas, with _Indra_ (rain, lightning), _Agni_ (fire), _Varuna_ (rta, law), _Dyaus_ (sky, virility), _Savitr_ (_Surya_, sun), and _Soma_ (drink) some of the most mentioned. The two deities most mentioned in Rigveda are Indra and Agni , both male. Surya is the third most revered god, again a male. Each is mentioned, anywhere rain and fire is evoked. They are profusely praised, with ceremonies and prayers to all gods and goddesses symbolically organized around fire ( Agni yajna ). The hymns seek strengthening of fire, and it is god Indra who increases the energy of the fire, while god Surya increases his brightness. Max Muller states that, while there are difference in frequency of mentions, gods and goddesses in Rig veda are "neither superior nor inferior; almost every one is represented as supreme and absolute".

Gross states that ancient and medieval Hindu literature is richly endowed with gods, goddesses and androgynous representations of God. This, states Gross, is in contrast with several monotheistic religions, where God is often synonymous with "He" and theism is replete with male anthropomorphisms. In Hinduism, goddess-imagery does not mean loss of male-god, rather the ancient literature presents the two genders as balancing each other and complementary. The Goddesses in Hinduism, states Gross, are strong, beautiful and confident, symbolizing their vitality in cycle of life. While masculine Gods are symbolically represented as those who act, the feminine Goddesses are symbolically portrayed as those who inspire action. Goddesses in Hinduism are envisioned as the patrons of arts, culture, nurture, learning, arts, joys, spirituality and liberation.

God is not either male or female concept in ancient Indian literature. Androgynous concepts of god are common place as well.

BRAHMAN

Major schools of Hindu philosophy focus their philosophical discourse on an Universal Absolute called Brahman , which is a grammatically genderless noun. This Universal Absolute, states Zimmer, is "beyond the differentiating qualifications of sex, beyond any and all limitations, individualizing characteristics whatsoever". The _Brahman_ is the Great Cosmic Spirit, the Ultimate True Reality, the Supreme Self. It is a transcendental concept that includes all virtues, forms, genders, characteristics, capacities, knowledge and being-ness. The history of the genderless concept of Brahman, as the omnipresent Absolute Spirit and Supreme Self, can be traced back to Vedas, and extensively in the earliest Upanishads, such as hymns 1.4.10 and 4.4.5 of Brihadaranyaka Upanishad, and hymn 6.2.1 of Chandogya Upanishad 6.2.1.

Zimmer clarifies the notion of gender in Sanskrit language and its relation to the concepts of Brahman and God in Hinduism, as follows:

It must be understood that in Sanskrit, grammatical gender is not always a sign of physical sex. Gender infers function, sex infers form; so that an individual may be masculine from one point of view and feminine from another. (...) Brahman can be regarded as the "womb" of life, and as in Christianity "this man" and "this woman" are equally "feminine to God" . Absolutely, Brahman, although grammatically neuter, is the principle of all such differentiation. Essence and nature are respectively masculine and feminine, logically distinct, but "one in God," who is neither this nor that , and therefore "It" rather than "He" or "She" specifically. — Heinrich Zimmer , Myths and Symbols in Indian Art and Civilization

MYTHOLOGY

Hindu mythology incorporates numerous devas (gods) and devis (goddesses). These are symbolic stories that synthesize God and gender, with ideas and values. The Vishnu Purana , for example, recites one such myth describes male gods and female goddesses with names that is loaded with symbolism. An excerpt of the story is as follows,

The progeny of Dharma by the daughters of Daksha were as follows: by Sraddhá (devotion) he had Kama (desire); by Lakshmí (wealth, prosperity), was born Darpa (pride); by Dhriti (courage), the progeny was Niyama (precept); by Tusht́i (inner comfort), Santosha (contentment); by Pusht́i (opulence), the progeny was Lobha (cupidity, greed); by Medhá (wisdom, experience), Sruta (sacred tradition); by Kriyá (hard work, labour), the progeny were Dańd́a, Naya, and Vinaya (justice, politics, and education); by Buddhi (intellect), Bodha (understanding); by Lajjá (shame, humility), Vinaya (good behaviour); by Vapu (body, strength), Vyavasaya (perseverance). Shanti (peace) gave birth to Kshama (forgiveness); Siddhi (excellence) to Sukha (enjoyment); and Kírtti (glorious speech) gave birth to Yasha (reputation). These were the sons of Dharma; one of whom, Kama (love, emotional fulfillment) had baby Hersha (joy) by his wife Nandi (delight). The wife of Adharma (vice, wrong, evil) was Hinsá (violence), on whom he begot a son Anrita (falsehood), and a daughter Nikriti (immorality): they intermarried, and had two sons, Bhaya (fear) and Naraka (hell); and twins to them, two daughters, Máyá (deceit) and Vedaná (torture), who became their wives. The son of Bhaya (fear) and Máyá (deceit) was the destroyer of living creatures, or Mrityu (death); and Dukha (pain) was the offspring of Naraka (hell) and Vedaná (torture). The children of Mrityu were Vyádhi (disease), Jará (decay), Soka (sorrow), Trishńa (greediness), and Krodha (wrath). These are all called the inflictors of misery, and are characterised as the progeny of Vice (Adharma). They are all without wives, without posterity, without the faculty to procreate; they perpetually operate as causes of the destruction of this world. On the contrary, Daksha and the other Rishis, the elders of mankind, tend perpetually to influence its renovation: whilst the Manus and their sons, the heroes endowed with mighty power, and treading in the path of truth, as constantly contribute to its preservation. —  Vishnu Purana, Chapter 7, Translated by Horace Hayman Wilson

EXAMPLES

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SMARTA AND ADVAITA

The Smarta tradition, which by and large, follows Advaita philosophy believes all forms, male and female, to be different forms of the impersonal Absolute, Brahman which is of neuter gender and can never be defined. Brahman is viewed as without personal attributes (Nirguna Brahman ) or with attributes (Saguna Brahman , equated with Ishvara ) as God . In Advaita Vedanta , Ishvara is Brahman. Thus according to Smarta views, the divine can be with attributes, Saguna Brahman , and also be viewed with whatever attributes, (e.g., a goddess) a devotee conceives.

SHIVA AND VISHNU

In Vaishnavism and Shaivism , God, Vishnu or Shiva respectively, is personified as male. God, however, transcends gender in these sub-schools, and the male form is used as an icon to help focus the Puja (worship). The use of icons is not restricted to male forms. It takes various forms and shapes. The Shaivites and Vaishnavites worship God in non-anthropomorphic, symbolic male-female images as well, such as the linga -yoni and Saligram respectively. In their literature, the principle of God's true nature as sexless is emphasized as in the Vishnu sahasranama .

Thus, the first few names, of Vishnu sahasranama, in particular, do not describe features of Vishnu in detail and hence are not anthropomorphic .

SHAKTI

Shaktism , on the other hand, is a denomination of Hinduism that worships Shakti , or Devi Mata —the Hindu name for the Great Divine Mother —in all of her forms whilst not rejecting the importance of masculine and neuter divinity (which are however deemed to be inactive in the absence of the Shakti). In pure Shaktism, the Great Goddess, or Devi , is worshiped. N. N. Bhattacharyya explained that " who worship the Supreme Deity exclusively as a Female Principle are called Shakta .

Alternative interpretations of Shaktism, however—primarily those of Shaivite scholars, such as Satguru Sivaya Subramuniyaswami —argue that the feminine manifest is ultimately only the vehicle through which the masculine Un-manifest Parasiva is ultimately reached.

RADHA KRISHNA

Main article: Radha Krishna

The common separation of Sakti and Saktiman, i.e. Female and Male principle in god arrives at the conclusion Sakti and Saktiman are the same. Each and every god has its partner, 'better-half' or Sakti and without this Sakti he is sometimes viewed being without essential power. In some Bhakti schools, devotees of Hinduism worship both genders as a God-pair, rather than a specific gender.

From the Vaishnava point of view the divine feminine energy (_Shakti_) implies a divine source of energy, i.e. God as _shaktiman_. " Sita relates to Rama ; Lakshmi belongs to Narayana ; Radha has Her Krishna ." The female, in these pairs, is viewed as the source of energy and essence of the male.

One of the prominent features of Vaishnavism in Manipur, for example, is the worship of the two genders together. Devotees do not worship Krishna alone, or Radha alone, but Radha-Krishna. _Rasa _ and other dances are a feature of the regional folk and religious tradition and often, for example, a female dancer will portray both 'male' Krishna and his consort, Radha, in the same piece.

SEE ALSO

* God and gender * Radha Krishna * Ardhanarishvara * Ardhanari * Sky father * Feminism * God * God (male deity) * Goddess

NOTES

* ^ John Renard (1999), Responses to 101 Questions on Hinduism, Paulist, ISBN 978-0809138456 , pages 74-76 * ^ _What is Hinduism?_, p. PR17, at Google Books , Hinduism Today, Hawaii * ^ The Concept of Shakti: Hinduism as a Liberating Force for Women * ^ _A_ _B_ _C_ David R. Kinsley (1986), Hindu Goddesses: Visions of the Divine Feminine in the Hindu Religious Tradition, University of California Press, ISBN 978-0520053939 * ^ Rigveda Hymn VI.64.5, HH Wilson (Translator), Trubner & Co London, page 7

* ^

* Original Sanskrit: एषा स्या नो दुहिता दिवोजाः क्षितीरुच्छन्ती मानुषीरजीगः । या भानुना रुशता राम्यास्वज्ञायि तिरस्तमसश्चिदक्तून् ॥१॥ वि तद्ययुररुणयुग्भिरश्वैश्चित्रं भान्त्युषसश्चन्द्ररथाः । अग्रं यज्ञस्य बृहतो नयन्तीर्वि ता बाधन्ते तम ऊर्म्यायाः ॥२॥ (...) इदा हि त उषो अद्रिसानो गोत्रा गवामङ्गिरसो गृणन्ति । व्यर्केण बिभिदुर्ब्रह्मणा च सत्या नृणामभवद्देवहूतिः ॥५॥ उच्छा दिवो दुहितः प्रत्नवन्नो भरद्वाजवद्विधते मघोनि । सुवीरं रयिं गृणते रिरीह्युरुगायमधि धेहि श्रवो नः ॥६॥ (Source: ऋग्वेद: सूक्तं ६.६५ Wikisource) * English Translation: Rigveda Hymn VI.64.5, HH Wilson (Translator), Trubner English Translation Hymn 1.4.10: Brihadaranyaka Upanishad - 1.4.10 pages 145-146; English Translation Hymn 4.4.5: Brihadaranyaka Upanishad - 4.4.5 pages 712-713; * ^ Original Sanskrit: सर्वं खल्विदं ब्रह्म तज्जलानिति शान्त उपासीत । अथ खलु क्रतुमयः पुरुषो यथाक्रतुरस्मिँल्लोके पुरुषो भवति तथेतः प्रेत्य भवति स क्रतुं कुर्वीत ॥ १ ॥ (छान्दोग्योपनिषद् Wikisource); English Translation 1: All this indeed is BRAHMAN. From It the universe comes forth, in It the universe merges, and in It the universe breathes. Therefore a man should meditate on Brahman with a calm mind. Now, a man consists of free will. As he wills in this world, so does he become. Let him, with this knowledge in mind, form his free will. (Chandogya Upanishad The Sandilya Doctrine - 3.14.1); English Translation 2: Chandogya Upanishad III.xiv.1 GN Jha (Translator), page 151 * ^ man or woman * ^ _A_ _B_ Vishnu Purana Chapter 7 * ^ Dvaita Documentation: Vaishnava FAQ * ^ Shaivam - An Introduction * ^ Surendranath Dasgupta,A History of Indian Philosophy (1991) p. 31 * ^ Santilata Dei, Del Santilata, Vaisnavism in Orissa (1988) p. 167 * ^ Beck, Guy L. (2005). _Alternative Krishnas: regional and vernacular variations on a Hindu deity_. Albany, N.Y: State University of New York Press. pp. p. 68. ISBN 0-7914-6415-6 . * ^ Kakoli Basak, (1991) Rabindranath Tagore, a Humanist - p. 11 * ^ Rosen 2002 , p. 54 * ^ Dave Symmons (1998), This is Hinduism, Nelson Thornes, ISBN 978-0748730933 , page 20 * ^ Stella Kramrisch (1975), The Indian Great Goddess, History of Religions, Vol. 14, No. 4, pages 260-263 * ^ Encyclopaedia of Indian Literature - p. 4290, Amaresh Datta, Mohan Lal,1994 * ^ Schwartz 2004 , p. 35

REFERENCES

* Schwartz, Susan (2004). _Rasa: performing the divine in India_. New York: Columbia University Press. ISBN 0-231-13145-3 . * Rosen, Steven (2002). _The hidden glory of India_. Los Angeles : Bhaktivedanta Book Trust . ISBN 0-89213-351-1 . * Valpey, Kenneth Russell (2006). _Attending Kṛṣṇa's image: Caitanya Vaiṣṇava mūrti-sevā as devotional truth_. New York: Routledge. ISBN 0-415-38394-3 . * Schweig, G.M. (2005). _Dance of divine love: The Rasa Lila of Krishna from the Bhagavata Purana, India's classic sacred love story_. Princeton University Press, Princeton, NJ; Oxford. ISBN 0-691-11446-3 .

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TEXTS

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PRACTICES

WORSHIP

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SANSKARAS

* Garbhadhana * Pumsavana * Simantonayana * Jatakarma * Namakarana * Nishkramana * Annaprashana * Chudakarana * Karnavedha * Vidyarambha * Upanayana * Keshanta * Ritushuddhi * Samavartana * Vivaha * Antyeshti

VARNASHRAMA

* Varna

* Brahmin * Kshatriya * Vaishya * Shudra

* Ashrama

* Brahmacharya * Grihastha * Vanaprastha * Sanyassa

FESTIVALS

* Diwali * Holi * Shivaratri * Raksha Bandhan

* Navaratri

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