''Ginevra de' Benci'' is a portrait painting by

Leonardo da Vinci Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially res ...

of the 15th-century Florentine aristocrat

Ginevra de' Benci ''Ginevra de' Benci'' is a portrait painting by Leonardo da Vinci of the 15th-century Florentine aristocrat Ginevra de' Benci (born ). Exhibited at the National Gallery of Art in Washington, D.C., it is the only painting by Leonardo on publi ...

(born ). Exhibited at the

National Gallery of Art The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of char ...

in Washington, D.C., it is the only painting by Leonardo on public view in the

Americas The Americas, which are sometimes collectively called America, are a landmass comprising the totality of North and South America. The Americas make up most of the land in Earth's Western Hemisphere and comprise the New World. Along with th ...

Subject

Ginevra de' Benci, a well-known young Florentine woman, is universally considered to be the portrait's sitter. Leonardo painted the portrait in Florence between 1474 and 1478, possibly to commemorate Ginevra's marriage to Luigi di Bernardo Niccolini at the age of 16. More likely, it commemorates the engagement. Commonly, contemporary portraits of females were commissioned for either of two occasions:

betrothal An engagement or betrothal is the period of time between the declaration of acceptance of a marriage proposal and the marriage itself (which is typically but not always commenced with a wedding). During this period, a couple is said to be ''fi ...

or marriage. Wedding portraits traditionally were created in pairs, with the woman on the right, facing left; since this portrait faces right, it more likely represents betrothal. The

juniper Junipers are coniferous trees and shrubs in the genus ''Juniperus'' () of the cypress family Cupressaceae. Depending on the taxonomy, between 50 and 67 species of junipers are widely distributed throughout the Northern Hemisphere, from the Arcti ...

bush that surrounds Ginevra's head and fills much of the background, serves more than mere decorative purposes. In

Renaissance Italy The Italian Renaissance ( it, Rinascimento ) was a period in Italian history covering the 15th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Europe and marked the trans ...

, the juniper was regarded a symbol of female virtue, while the Italian word for juniper, ''ginepro'', also makes a play on Ginevra's name. The imagery and text on the reverse of the panel—a juniper sprig encircled by a wreath of

laurel Laurel may refer to: Plants * Lauraceae, the laurel family * Laurel (plant), including a list of trees and plants known as laurel People * Laurel (given name), people with the given name * Laurel (surname), people with the surname * Laurel (mus ...

and

palm Palm most commonly refers to: * Palm of the hand, the central region of the front of the hand * Palm plants, of family Arecaceae **List of Arecaceae genera * Several other plants known as "palm" Palm or Palms may also refer to: Music * Palm (ba ...

, memorialized by the Latin motto ("Beauty adorns virtue")—further support the identification of the portrait. The phrase is understood as symbolizing the intricate relationship between Ginevra's intellectual and moral virtue on the one hand, and her physical beauty on the other. The sprig of juniper, encircled by laurel and palm, suggests her name. The laurel and palm are in the personal emblem of

Bernardo Bembo Bernardo Bembo (19 October 1433 – 28 May 1519) was a Venetian humanist, diplomat and statesman.Angelo Ventura and Marco Pecoraro"Bembo, Bernardo" in ''Dizionario Biografico degli Italiani'', Volume 8 (Rome: Istituto dell'Enciclopedia Italiana, 1 ...

, a Venetian ambassador to Florence whose platonic relationship with Ginevra is revealed in poems exchanged between them. Infrared examination has revealed Bembo's motto "Virtue and Honor" beneath Ginevra's, making it likely that Bembo was somehow involved in the commission of the portrait. The portrait is one of the highlights of the National Gallery of Art, and is admired by many for its portrayal of Ginevra's temperament. Ginevra is beautiful, but austere; she has no hint of a smile and her gaze, although forward, seems indifferent to the viewer. At some point, the bottom of the painting was removed, presumably owing to damage, and Ginevra's arms and hands are thought to have been lost. Using the

golden section In mathematics, two quantities are in the golden ratio if their ratio is the same as the ratio of their sum to the larger of the two quantities. Expressed algebraically, for quantities a and b with a > b > 0, where the Greek letter phi ...

, Susan Dorothea White has drawn an interpretation of how her arms and hands may have been positioned in the original. The adaptation is based on drawings of hands by Leonardo thought to be studies for this painting.

Trivia

* As a woman of renowned beauty, Ginevra de' Benci was also the subject of ten poems written by members of the Medici circle,

Cristoforo Landino Cristoforo Landino (1424 in Pratovecchio, Casentino, Florence – 24 September 1498 in Borgo alla Collina, Casentino) was an Italian humanist and an important figure of the Florentine Renaissance. Biography From a family with ties to th ...

and Alessandro Braccesi, and of two sonnets by

Lorenzo de' Medici Lorenzo di Piero de' Medici (; 1 January 1449 – 8 April 1492) was an Italian statesman, banker, ''de facto'' ruler of the Florentine Republic and the most powerful and enthusiastic patron of Renaissance culture in Italy. Also known as Lorenzo ...

himself. * According to

Giorgio Vasari Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculpt ...

, Ginevra de' Benci was also included in the fresco by

Domenico Ghirlandaio Domenico di Tommaso Curradi di Doffo Bigordi (, , ; 2 June 1448 – 11 January 1494), professionally known as Domenico Ghirlandaio, also spelled as Ghirlandajo, was an Italian Renaissance painter born in Florence. Ghirlandaio was part of ...

of the Visitation of Mary and Elizabeth in the church of

Santa Maria Novella Santa Maria Novella is a church in Florence, Italy, situated opposite, and lending its name to, the city's main railway station. Chronologically, it is the first great basilica in Florence, and is the city's principal Dominican church. The chu ...

in Florence, but it is now believed that Vasari made a mistake and that Ghirlandaio painted Giovanna Tornabuoni. * Ginevra's brother Giovanni (1456–1523) was a friend of Leonardo. When Vasari wrote his ''

Lives Lives may refer to: * The plural form of a '' life'' * Lives, Iran, a village in Khuzestan Province, Iran * The number of lives in a video game * '' Parallel Lives'', aka ''Lives of the Noble Greeks and Romans'', a series of biographies of famous ...

'', Leonardo's unfinished ''

Adoration of the Magi The Adoration of the Magi or Adoration of the Kings is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having found Jesus by following a star, ...

'' was in the house of Amerigo Benci, Giovanni's son. * In 2017, the researcher and cryptographer Carla Glori anagrammatized fifty Latin sentences signed VINCI, formed with the very same alphabetical letters of the motto VIRTVTEM FORMA DECORAT when supplemented with the Latin word ''iuniperus'' (juniper

prig A prig () is a person who shows an inordinately zealous approach to matters of form and propriety—especially where the prig has the ability to show superior knowledge to those who do not know the protocol in question. They see little need to con ...

. Glori argues that the anagrams form a coherent text and have a meaning that unequivocally refers to the portrait and to the biography of Ginevra Benci.

References

For an unorthodox view on Ginevra de' Benci see: or the Second Revised Edition of the same book, by Gingko Edizioni, Verona, For an in depth analysis of the "motions of the mind" (moti mentali) of Ginevra de Benci see Glori C, I moti mentali e la biografia di Ginevra de Benci in https://www.academia.edu/41930706/I_moti_mentali_e_la_biografia_di_Ginevra_Benci_Ritrar_listoria_nel_segno_della_psicoanalisi_e_dellarte_contemporanea

Sources

* Hand, J. O. (2004). ''National Gallery of Art: Master Paintings from the Collection''. New York: National Gallery of Art, Washington. . p. 28. * Brown, David Alan (2003). ''Virtue and Beauty: Leonardo's Ginevra de' Benci and Renaissance Portraits of Women''. Princeton University Press. .

External links

''Ginevra de' Benci''
at the National Gallery of Art website
''Leonardo da Vinci: anatomical drawings from the Royal Library, Windsor Castle''
exhibition catalog fully online as PDF from the Metropolitan Museum of Art, which contains material on ''Ginevra de' Benci'' (see index) {{DEFAULTSORT:Ginevra De Benci 1476 paintings 15th-century portraits Collections of the National Gallery of Art Paintings by Leonardo da Vinci

Subject

Trivia

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References

Sources

External links