Gilda Gray

Gilda Gray (born Marianna Michalska; October 24, 1901 – December 22, 1959) was a Polish-American dancer and actress who popularized a dance called the "shimmy" which became fashionable in 1920s films and theater productions.

Early life and 'the shimmy'

According to her own statement, Gilda Gray was born on 24 October 1901 in Kraków (then part of Galicia-Lodomeria, Austria-Hungary, and now part of Poland) and she was an adopted child of Maksymilian (Max) and Wanda Michalski (née Kuras).Giordano, Ralph G. (2008)
''Satan in the Dance Hall: Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City''
Lanham, Md: Scarecrow Press. p. 119. . However, according to her birth certificate she was born on 25 October 1895 in a village Rydlewo near Żnin ( Żnin County, Kuyavian-Pomeranian Voivodeship) and Maksymilian (Max) and Wanda Michalski (née Kuras) were her biological parents.Góralczyk, Iwona, ''Gwiazda Hollywood z... Rydlewa pod Żninem. Oto informacje o Mariannie Michalskiej, znanej jako Gilda Gray'', naszemiasto.pl
/ref> In 1903 she emigrated with her parents to the United States. She had one sister, Josephine, who was born on 1904 in Bayonne, New Jersey. At the age of only 14 or 15, Gray entered into an arranged marriage with John Gorecki, a concert violinist, who was the son of Socialist and union leader Martin Gorecki. The couple had one child, then divorced in 1923. Their son later became a bandleader, performing under the name Martin Gray (1913–1969).Cullen, Frank, Florence Hackman, and Donald McNeilly (2007)
''Vaudeville, Old & New: An Encyclopedia of Variety Performers in America''
New York: Routledge. p. 452. .

Although the shimmy is said to have been introduced to American audiences by Gray in New York in 1919, the term was widely used before, and the shimmy was already a well-known dance move. Gray appropriated it as her own, saying that she had accidentally invented the shimmy while dancing at her father-in-law's saloon and "shaking her chemise" (or her "shimee", as her Polish accent rendered it).Slide, Anthony (2010). ''Silent Players: A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses''. University Press of Kentucky. p. 153. .

Gray attributed the origin of the shimmy to the American Indian in an interview published in the July 8, 1919 issue of ''Variety''. The article notes she was working at the time at Reisenweber's with her partner Mildred Vernon. Gray had just been signed to perform in the ''Gaieties of 1919'' when she described the dance, saying "The original shimmy dance has never been properly introduced in New York. I know for I studied the dancing characteristics of the Indians for a long time and they are really responsible for the shimmy which they labeled the 'Shima Shiwa'. There have been continual efforts on the part of this dancer and that one, with each declaring that his or her version is the 'original.' There is no doubt but that the shimmy dance as it was constructed by the American Indians...would have a greater popularity were it done right."

Career

Her desire to continue her burgeoning career (she used the professional name Mary Gray for a while) and her faltering relationship with her husband prompted her to relocate to Chicago, where she was noticed by a talent agent, Frank Westphal, who took her to New York and introduced her to his wife, singer Sophie Tucker. It was Tucker who prompted her to change her first name to Gilda. By 1919, she was appearing in a J.J. Shubert show, ''The Gaieties of 1919''. By 1920, Gray found a new manager, Gaillard T. "Gil" Boag. She was subsequently hired by Florenz Ziegfeld to perform in the 1922 Ziegfeld Follies, and her shimmy became a national craze.

After her divorce from her first husband, she married Gil Boag in 1923 and took her successful vaudeville act to Hollywood, California; they divorced four years later. She quickly abandoned vaudeville to become a film star, and between 1919 and 1936, Gray made several movies, in all of which she performed her famous shimmy. Her second role was a small part in ''Girl with the Jazz Heart''.

Jesse Lasky signed her to a contract with Famous Players-Lasky, which released films through Paramount Pictures. With him she made '' Aloma of the South Seas'' (1926), which grossed $3 million in its first three months. The success of this Paramount film was enhanced by Gray's personal appearances doing the shimmy as a promotion. In 1927, she made two more films, ''The Devil Dancer'' and ''Cabaret''.

By January 1929, she had sued Gil Boag for divorce on grounds of cruel treatment. He, in turn, accused her of an affair with C.D. Krepps, her tour manager.

In 1928, she went to England to star in ''Piccadilly'', a 1929 silent film written for her by Arnold Bennett that appeared in the United States with added sound and effects. In his July 15, 1929, review, ''The New York Times'' critic Mordaunt Hall

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