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Getz/Gilberto
Getz/Gilberto
is an album by American saxophonist Stan Getz
Stan Getz
and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim
Antônio Carlos Jobim
(Tom Jobim), who also composed many of the tracks. It was released in March 1964 on Verve Records. The album features the vocals of Astrud Gilberto
Astrud Gilberto
on two tracks, "Garota de Ipanema" ("The Girl from Ipanema") and "Corcovado". The artwork was done by artist Olga Albizu. Getz/Gilberto
Getz/Gilberto
is a jazz and bossa nova album, and includes tracks such as "Desafinado", "Corcovado", and "Garota de Ipanema". The latter received a Grammy Award
Grammy Award
for Record of the Year, and launched Astrud Gilberto
Astrud Gilberto
to international stardom. "Doralice" and "Para Machucar Meu Coração" strengthened Gilberto's and Jobim's respect for the tradition of pre-bossa nova samba. Getz/Gilberto
Getz/Gilberto
is considered the record that popularized bossa nova worldwide, and was one of the best-selling jazz albums of all time. The album was also a commercial success, selling more than 2 million copies in 1964. It was later featured in Rolling Stone's and Vibe's lists of best albums of all time. Getz/Gilberto
Getz/Gilberto
was widely acclaimed by music critics, who praised Gilberto's vocals and the album's bossa nova groove and minimalism. Getz/Gilberto
Getz/Gilberto
received Grammy Awards for Best Jazz
Jazz
Instrumental Album, Individual or Group and Best Engineered Recording - Non-Classical; it also became the first non-American album to win one for Album
Album
of the Year, in 1965.

Contents

1 Background 2 Recording and composition 3 Artwork 4 Reception 5 Track listing 6 Personnel 7 Footnotes

7.1 Notes 7.2 References 7.3 Bibliography

Background[edit]

Bossa nova
Bossa nova
rhythm[1]

Bossa nova
Bossa nova
was introduced in 1958, with the song "Chega de Saudade" ("No More Blues"), sung by Elizeth Cardoso in her album Canção do Amor Demais. Arranged by Tom Jobim
Tom Jobim
and João Gilberto, the song received both praise and criticism for its rhythmic and harmonic elements unusual for samba.[2] Gilberto also played acoustic guitar on another track, "Outra Vez", composed by Jobim. A few months later, Gilberto recorded his first single, "Chega de Saudade"/"Bim-Bom", the latter his own composition. The single defined the new aesthetic in música popular brasileira.[2] This would lead to his debut album, Chega de Saudade (1959). Jazz, however, suffered a commercial and artistic crisis, due to the advent of other popular genres such as rock and roll, and desperately sought a renewal.[3][4] In 1961, Tony Bennett
Tony Bennett
made a trip to Brazil along with bassist Don Payne, and both became familiar with modern Brazilian popular music. Payne took numerous Brazilian records when he returned to United States; he then showed them to his friend and neighbor Stan Getz.[5] Getz was excited about the sound of bossa nova, and released two records: Jazz
Jazz
Samba
Samba
and Big Band Bossa Nova, both in 1962. Bossa nova
Bossa nova
became so popular that the title Big Band Bossa Nova was also used for three other 1962 albums: by Quincy Jones, Oscar Castro-Neves and Enoch Light. Jazz
Jazz
Samba, featuring Charlie Byrd, quickly sold a million copies[6][a] and received positive reviews in United States. However, the record labels' rush to exploit the new Brazilian sound led to musicians introducing serious errors in melody and harmony in the music.[8] For example, the sheet music of "Desafinado" as published in The New Real Book (1995)—a compilation of jazz and bossa nova songs—is the Charlie Byrd
Charlie Byrd
version from Jazz
Jazz
Samba, which contains many errors.[8] There was a third Getz release, Jazz
Jazz
Samba
Samba
Encore!, featuring Brazilian singer and guitarist Luiz Bonfá. The album sold well,[b] but the "trilogy" did not satisfy the producers commercially to compete with Elvis Presley, Bobby Darin, Pat Boone, Henry Mancini and others.[9] On November 21, 1962, the first North American concert of Bossa Nova – the New Brazilian Jazz
Jazz
– was presented at Carnegie Hall
Carnegie Hall
by João Gilberto, Tom Jobim, Bonfá, Roberto Menescal
Roberto Menescal
and Sérgio Mendes
Sérgio Mendes
among others.[2] According to critic Liliana Harb Bollos,[2] the goal of this concert was to "spread música popular brasileira in the capital of jazz". By this time bossa nova had declined in Brazil, but continued to enjoy popularity in other countries.[11] After the Carnegie Hall
Carnegie Hall
concert record producer Creed Taylor
Creed Taylor
wanted Jobim and Gilberto to meet Getz for an "historical documentation" of the genre's style.[12][13] This happened in 1963 with Getz/Gilberto, released five years after the birth of bossa nova in Brazil.[14] Recording and composition[edit] The recording sessions commenced on March 18, 1963, at A&R Recording Studios[15] in New York and were completed on the following day.[16] Phil Ramone, who owned A&R Recording Studios, was the album's sound engineer.[13] Produced by Creed Taylor, the album was released by Verve Records.[17] The rhythm section backing Getz was Jobim on piano, Sebastião Neto (pt) on bass and Milton Banana on drums,[16] (Neto was not credited after being hired by another record label, Audio Fidelity. As a result, the double bassist credited on Getz/Gilberto
Getz/Gilberto
is Tommy Williams, Getz' regular bassist. Williams, however, did not perform at the recording sessions.)[9][18] Interestingly, the rhythm section plays in a binary (2 4) time signature, which is typical for samba although Getz used jazz's usual quaternary time signature (common time).[19]

"The Girl from Ipanema"

Astrud Gilberto, along with João Gilberto
João Gilberto
and Stan Getz's "The Girl from Ipanema" from Getz/Gilberto

Problems playing this file? See media help.

Astrud Gilberto, who had never sung professionally before was featured on two tracks, [13][20][21] "The Girl from Ipanema" and "Corcovado (Quiet Nights of Quiet Stars)". Like João Gilberto, Astrud Gilberto has a quiet, almost whispered vocal style which would become an important influence on female vocalists in bossa nova.[20] On João Gilberto's first three albums—Chega de Saudade, O Amor, o Sorriso e a Flor (1960) and João Gilberto
João Gilberto
(1961)—the vibrato in his voice is not entirely absent like on Getz/Gilberto.[22] Stylistic features of bossa nova such as restraint and lyrical objectivity are further developed in Getz/Gilberto
Getz/Gilberto
building on Gilberto's previous albums.[23] Jobim's piano performance is minimalist, contributing only what is needed.[24] Besides playing piano, Jobim was also responsible for some of the arrangements and co-wrote nearly all of the songs except "Doralice" and "Pra Machucar Meu Coração", both old sambas, which are more polished and serious in Gilberto's version.[25] All the other songs are compositions by Jobim and Vinicius de Moraes
Vinicius de Moraes
("The Girl from Ipanema", "Só Danço Samba" and "O Grande Amor") and Jobim and Newton Mendonça (in "Desafinado"). "Corcovado (Quiet Nights of Quiet Stars)" and "Vivo Sonhando" were composed solely by Jobim. According to Ruy Castro, Gilberto and Getz often disagreed on which was the best take leaving the choice to producer Creed Taylor.[21] During one session, Gilberto, who did not speak English, and impatient with Getz's rhythmic style, told Antônio Carlos Jobim: "Tell this gringo he is an idiot". Jobim then translated: "Stan, João is saying that his dream always was to record with you".[13][21] Getz's harder approach to the music did not please Gilberto who preferred a more delicate style.[26] Due to these artistic differences, Getz/Gilberto #2 features Getz and his quartet on side A, and Gilberto, by himself, on side B.[27][28] In spite of the tension in the studio Gilberto would continue to collaborate with Getz. Ten years after the release of Getz/Gilberto
Getz/Gilberto
the pair reunited at the Keystone Korner club, in San Francisco for a six-day engagement promoting their new album, The Best of Two Worlds.[c] Gene Lees wrote the English lyrics for "Corcovado". Norman Gimbel, who wrote the English lyrics for "Garota de Ipanema", felt that the reference to "Ipanema" wouldn't mean anything to Americans[13] but Jobim insisted on keeping the reference to the beach.[d] Producer Taylor shelved the project for nearly a year, because he was afraid the record might be a commercial failure.[16] As a consequence, Getz/Gilberto
Getz/Gilberto
was finally released in March 1964. Artwork[edit] The artwork featured on the cover of the album is the work of Puerto Rican artist Olga Albizu.[31] An abstract expressionist[31][32] plastic artist, she also designed the covers of several other bossa nova albums by Getz. Susan Noye Platt, art critic and historian, wrote about Albizu's relationship with bossa nova:

“ There is a controlled and subtle sensuality to her [Albizu's] work, that speaks of hidden layers of emotion, rather than letting everything appear on the surface to be consumed. In the case of Albizu, the connection to music, and particularly bossa nova, as well as her exposure to Hans Hofmann's ideas of "push and pull", allows for the work to exist without other reference points. The colors do indeed move like large full sounds, a connection that takes us all the way back to Kandinsky.[32] ”

Reception[edit]

Professional ratings

Review scores

Source Rating

AllMusic [33]

The Rolling Stone
Rolling Stone
Jazz
Jazz
Record Guide [34]

It won the 1965 Grammy Awards for Best Album
Album
of the Year, Best Jazz Instrumental Album, Individual or Group and Best Engineered Recording - Non-Classical. "The Girl from Ipanema" also won the award for Record of the Year in 1965. This was the first time a jazz album received Album
Album
of the Year. It was the only jazz album to win the award until Herbie Hancock's River: The Joni Letters 43 years later, in 2008. JazzTimes
JazzTimes
(11/94, pp. 88–89) – "...essential for all serious jazz collections...served as proof that it is possible for music to be both artistically and commercially successful...this relatively sparse setting with the great Getz perfectly fit the music, resulting in a true gem..." Vibe (12/99, p. 158) – Included in Vibe's 100 Essential Albums of the 20th Century. In 2012, Rolling Stone
Rolling Stone
ranked the album number 447 on its list of The 500 Greatest Albums of All Time.[35] It was listed by Rolling Stone
Rolling Stone
Brazil as one of the 100 best Brazilian albums in history.[36] The album was inducted into the Latin Grammy Hall of Fame in 2001.[37] The album was included in Robert Dimery's 1001 Albums You Must Hear Before You Die.[38] Track listing[edit]

No. Title Songwriters Length

1. "The Girl from Ipanema" Antônio Carlos Jobim, Vinicius de Moraes, Norman Gimbel 5:21

2. "Doralice" Antônio Almeida, Dorival Caymmi 2:47

3. "Para Machucar Meu Coração" Ary Barroso 5:07

4. "Desafinado" Jobim, Newton Mendonça 4:09

5. "Corcovado (Quiet Nights of Quiet Stars)" Jobim 4:17

6. "Só Danço Samba" Jobim, de Moraes 3:42

7. "O Grande Amor" Jobim, de Moraes 5:27

8. "Vivo Sonhando" Jobim 2:56

Total length: 33:46

1997 CD re-release

No. Title Length

9. "The Girl from Ipanema" 2:54

10. "Corcovado" 2:20

Total length: 39:00

Personnel[edit]

Stan Getz
Stan Getz
– tenor saxophone João Gilberto
João Gilberto
– guitar, vocals Antônio Carlos Jobim
Antônio Carlos Jobim
– piano Sebastião Neto – double bass Milton Banana – drums, pandeiro Astrud Gilberto
Astrud Gilberto
– vocals on "The Girl from Ipanema", "Corcovado", "The Girl from Ipanema" (45 rpm issue) and "Corcovado" (45 rpm issue)"

Reissues incorrectly list Tommy Williams as bassist.[39][40] Footnotes[edit] Notes[edit]

^ Furthermore, Getz' and Byrd's version of "Desafinado" stayed in the Billboard Hot 100
Billboard Hot 100
chart for 16 weeks.[7] ^ Jazz
Jazz
Samba
Samba
Encore! was placed in number 88 in the Billboard Hot 100 for 11 weeks—these three records competed with more popular albums; that explains why it is deemed a relative success.[9][10] ^ After the shows promoting Getz/Gilberto, both reunited in the Keystone Korner club, in San Francisco
San Francisco
for a six-day show promoting The Best of Two Worlds
The Best of Two Worlds
(1976).[29] ^ Jobim himself told about the disagreement in the book O Cancioneiro Jobim: "The American version made me fight much with Norman Gimbel. The Americans refuse anything they don't understand, they don't know [...] All I wanted was to pass forward the spirit of the girl from Ipanema, this carioca and poetic thing. I think we did it, but it was a harsh fight."[30]

References[edit]

^ Blatter, Alfred (2007). Revisiting music theory: a guide to the practice, p.28. ISBN 0-415-97440-2. ^ a b c d Bollos 2005, p. 56 ^ Scarabelot 2005, p. 5 ^ Lima, Carlos Eduardo (July 25, 2014). "50 anos de Getz/Gilberto
Getz/Gilberto
- Quando a Bossa Nova Conquistou a América". Monkey Buzz (in Portuguese). Archived from the original on March 3, 2016. Retrieved October 14, 2017.  ^ Mello 2001 ^ Castro 1990 ^ "Billboard". Billboard. January 12, 1963. p. 20. Retrieved October 21, 2017.  ^ a b Bollos 2005, p. 58 ^ a b c Castro, Ruy (June 26, 2008). "Anatomia de um disco". Brasileiros (pt) (in Portuguese). Archived from the original on August 11, 2017. Retrieved October 14, 2017.  ^ "Billboard". Billboard. p. 32. Retrieved October 21, 2017.  ^ Ariza 2006, p. 31 ^ Rocha, Antônio do Amaral (2007). "Listas - Os 100 Maiores Discos da Música Brasileira - Getz/Gilberto
Getz/Gilberto
Gil Featuring A. C. Jobim - Stan Getz, João Gilberto
João Gilberto
e Antonio Carlos Jobim (1963, Verve)". Rolling Stone Brasil (in Portuguese). Archived from the original on 2017-03-07.  ^ a b c d e Muggiati, Roberto (March 15, 2013). "Há 50 anos era gravado Getz/Gilberto
Getz/Gilberto
o LP que colocou o Brasil no mapa". Gazeta do Povo (pt). Archived from the original on 2016-03-03.  ^ Ariza 2006, p. 75 ^ Simons 2004, pp. 60–61 ^ a b c Pinheiro, Marcelo (March 20, 2014). "Getz/Gilberto: 50 anos de um clássico". Brasileiros (pt) (in Portuguese). Archived from the original on March 3, 2016. Retrieved October 14, 2017.  ^ Cunha 2014, p. 40 ^ Castro 1990 ^ Fabris 2006, p. 19 ^ a b Diniz & Soares 2012, p. 6 ^ a b c Lichote, Leonardo (February 17, 2013). "Disco Getz/Gilberto completa 50 anos e se mantém influente". O Globo
O Globo
(in Portuguese). Archived from the original on March 25, 2017.  ^ Pianta 2010, p. 57 ^ Pianta 2010, p. 17 ^ "Getz/Gilberto". Music Story. Archived from the original on 2014-09-06.  ^ Pianta 2010, p. 49 ^ "Revista Brasileiros" (7-11 ed.). p. 57. Archived from the original on March 4, 2016.  ^ Palmer 1988, p. 46 ^ Mello 2001, p. 65 ^ Evangelista, Ronaldo (June 9, 2015). "Gravadora lança disco com registros de shows de João Gilberto
João Gilberto
e Stan Getz". Folha de S.Paulo. Archived from the original on March 4, 2016.  ^ ""Getz / Gilberto": a Bossa Nova conhecida no mundo!". Prêmio da Música Brasileira. May 27, 2013. Archived from the original on March 3, 2016.  ^ a b "Verve Records: 20 classic album covers". The Telegraph. May 17, 2016. Archived from the original on December 8, 2015. Retrieved October 14, 2017.  ^ a b Platt, Susan Noye (March 10, 2014). ""Our America" Abstraction and Identity". Art and Politics Now. Archived from the original on March 3, 2016. [self-published source] ^ AllMusic review ^ Swenson 1985, p. 83 ^ Wenner 2012 ^ "Os 100 maiores discos da música brasileira" (in Portuguese). Umas Linhas. 2007-12-20. Archived from the original on 2009-10-08. Retrieved 2009-04-20.  ^ "Latin GRAMMY Hall Of Fame". Latin Grammy Award. Latin Academy of Recording Arts & Sciences. 2001. Retrieved August 19, 2014.  ^ Dimery & Lydon 2010 ^ See recording session photos showing bassist Sebastião Neto in Castro 1990 ^ "Archived copy" (PDF). Archived (PDF) from the original on 2007-09-27. Retrieved 2007-08-20.  (Liner notes by Arnaldo de Souteiro from a 2004 compilation, mentioning incorrect listing – PDF file)

Bibliography[edit]

Ariza, Adonay (2006). Electronic samba: a música brasileira no contexto das tendências internacionais. Annablume.  Blatter, Alfred (2007). Revisiting music theory: a guide to the practice. ISBN 0-415-97440-2.  Bollos, Liliana Harb (2005). "A bossa nova através da crítica musical: renovação à custa de mal-estar". Sessões do Imaginário. No. 13. Porto Alegre. pp. 56–61.  Campos, A (1968). Balanço da Bossa – antologia crítica da moderna música popular brasileira. São Paulo: Perspectiva.  Castro, Ruy (1990). Chega de Saudade (3 ed.). São Paulo: Companhia das Letras.  Cunha, Flávio Régis (2014). "Fluxos musicais do arranjador Claus Ogerman em contextos transacionais". Modus. Vol. 9 no. 15.  Debolt; Baugess (2011). "Encyclopedia of the Sixties: A Decade of Culture and Counterculture: A Decade of Culture and Counterculture". ABC-CLIO.  Dimery, Robert; Lydon, Michael (2010). 1001 Albums You Must Hear Before You Die: Revised and Updated Edition. Universe. ISBN 978-0-7893-2074-2.  Fabris, Bernardo; Borém, Fausto (2006). Catita na leadsheet de K-Ximbinho e na interpretação de Zé Bodega... Belo Horizonte: Per Musi. pp. 5–28.  Mello, Zuza Homem de (2001). João Gilberto. São Paulo: Publifolha.  Moon, Tom (2008). 1,000 Recordings to Hear Before You Die. Workman Publishing. ISBN 978-0-76-115385-6.  Palmer, Richard (1988). Stan Getz. Apollo.  Pianta, Carlo Machado (2010). A Gênese da Bossa Nova: João Gilberto e Tom Jobim. Porto Alegre: Universidade Federal do Rio Grande do Sul.  Scarabelot, André Luis (2005). "Música Brasileira e Jazz
Jazz
- O Outro Lado da História. Entrevistas com músicos jazzistas". Revista Digital Art&. Ano III. No. 3.  Simons, David (2004). Studio Stories – How the Great New York Records Were Made. San Francisco: Backbeat Books.  Swenson, J., ed. (1985). The Rolling Stone
Rolling Stone
Jazz
Jazz
Record Guide. USA: Random House/Rolling Stone. p. 83. ISBN 0-394-72643-X.  Wenner, Jann S., ed. (2012). " Rolling Stone
Rolling Stone
Special
Special
Collectors Issue – The 500 Greatest Albums Of All Time". USA: Wenner Media Specials. ISBN 978-7-09-893419-6. 

v t e

Grammy Award
Grammy Award
for Album
Album
of the Year

1959–1979

The Music from Peter Gunn
The Music from Peter Gunn
Henry Mancini
Henry Mancini
(1959) Come Dance with Me! – Frank Sinatra
Frank Sinatra
(1960) The Button-Down Mind of Bob Newhart
The Button-Down Mind of Bob Newhart
Bob Newhart
Bob Newhart
(1961) Judy at Carnegie Hall
Carnegie Hall
Judy Garland
Judy Garland
(1962) The First Family – Vaughn Meader
Vaughn Meader
(1963) The Barbra Streisand
Barbra Streisand
Album
Album
Barbra Streisand
Barbra Streisand
(1964) Getz/Gilberto
Getz/Gilberto
– Stan Getz, João Gilberto
João Gilberto
(1965) September of My Years Frank Sinatra
Frank Sinatra
(1966) A Man and His Music Frank Sinatra
Frank Sinatra
(1967) Sgt. Pepper's Lonely Hearts Club Band
Sgt. Pepper's Lonely Hearts Club Band
The Beatles
The Beatles
(1968) By the Time I Get to Phoenix – Glen Campbell
Glen Campbell
(1969) Blood, Sweat & Tears – Blood, Sweat & Tears (1970) Bridge over Troubled Water
Bridge over Troubled Water
– Simon & Garfunkel (1971) Tapestry – Carole King
Carole King
(1972) The Concert for Bangladesh – Various (1973) Innervisions
Innervisions
Stevie Wonder
Stevie Wonder
(1974) Fulfillingness' First Finale
Fulfillingness' First Finale
Stevie Wonder
Stevie Wonder
(1975) Still Crazy After All These Years
Still Crazy After All These Years
Paul Simon
Paul Simon
(1976) Songs in the Key of Life
Songs in the Key of Life
Stevie Wonder
Stevie Wonder
(1977) Rumours – Fleetwood Mac
Fleetwood Mac
(1978) Saturday Night Fever – Bee Gees/Various (1979)

1980–2000

52nd Street – Billy Joel
Billy Joel
(1980) Christopher Cross
Christopher Cross
Christopher Cross
Christopher Cross
(1981) Double Fantasy
Double Fantasy
John Lennon
John Lennon
and Yoko Ono
Yoko Ono
(1982) Toto IV
Toto IV
– Toto (1983) Thriller – Michael Jackson
Michael Jackson
(1984) Can't Slow Down – Lionel Richie
Lionel Richie
(1985) No Jacket Required
No Jacket Required
Phil Collins
Phil Collins
(1986) Graceland – Paul Simon
Paul Simon
(1987) The Joshua Tree
The Joshua Tree
– U2 (1988) Faith – George Michael
George Michael
(1989) Nick of Time – Bonnie Raitt
Bonnie Raitt
(1990) Back on the Block
Back on the Block
Quincy Jones
Quincy Jones
and various artists (1991) Unforgettable... with Love Natalie Cole
Natalie Cole
(1992) Unplugged – Eric Clapton
Eric Clapton
(1993) The Bodyguard – Whitney Houston
Whitney Houston
(1994) MTV Unplugged – Tony Bennett
Tony Bennett
(1995) Jagged Little Pill
Jagged Little Pill
Alanis Morissette
Alanis Morissette
(1996) Falling into You
Falling into You
Celine Dion
Celine Dion
(1997) Time Out of Mind – Bob Dylan
Bob Dylan
(1998) The Miseducation of Lauryn Hill
The Miseducation of Lauryn Hill
Lauryn Hill
Lauryn Hill
(1999) Supernatural – Santana (2000)

2001–present

Two Against Nature
Two Against Nature
Steely Dan
Steely Dan
(2001) O Brother, Where Art Thou? Soundtrack (2002) Come Away with Me
Come Away with Me
Norah Jones
Norah Jones
(2003) Speakerboxxx/The Love Below
Speakerboxxx/The Love Below
Outkast
Outkast
(2004) Genius Loves Company
Genius Loves Company
Ray Charles
Ray Charles
and various artists (2005) How to Dismantle an Atomic Bomb
How to Dismantle an Atomic Bomb
– U2 (2006) Taking the Long Way
Taking the Long Way
Dixie Chicks
Dixie Chicks
(2007) River: The Joni Letters – Herbie Hancock
Herbie Hancock
(2008) Raising Sand
Raising Sand
Robert Plant
Robert Plant
& Alison Krauss
Alison Krauss
(2009) Fearless – Taylor Swift
Taylor Swift
(2010) The Suburbs
The Suburbs
Arcade Fire
Arcade Fire
(2011) 21 – Adele
Adele
(2012) Babel – Mumford & Sons (2013) Random Access Memories
Random Access Memories
Daft Punk
Daft Punk
(2014) Morning Phase
Morning Phase
Beck
Beck
(2015) 1989 – Taylor Swift
Taylor Swift
(2016) 25 – Adele
Adele
(2017) 24K Magic – Bruno Mars
Bruno Mars
(2018)

v t e

Antônio Carlos Jobim

Studio albums

The Composer of Desafinado, Plays
The Composer of Desafinado, Plays
(1963) The Wonderful World of Antonio Carlos Jobim
The Wonderful World of Antonio Carlos Jobim
(1965) A Certain Mr. Jobim
A Certain Mr. Jobim
(1967) Wave (1967) Tide (1970) Stone Flower (1970) Jobim (1973) Urubu (1976) Terra Brasilis
Terra Brasilis
(1980) Antonio Brasileiro
Antonio Brasileiro
(1995)

Live albums

Jazzvisions (1986)

Compilations

Sinatra–Jobim Sessions
Sinatra–Jobim Sessions
(1979)

Soundtracks

Lost Highway (1997)

Collaborations

Getz/Gilberto
Getz/Gilberto
(1963, Stan Getz) Jazz
Jazz
Samba
Samba
Encore! (1963, Stan Getz
Stan Getz
and Luiz Bonfá) Getz/Gilberto Vol. 2
Getz/Gilberto Vol. 2
(1963, Stan Getz) Francis Albert Sinatra & Antonio Carlos Jobim (1967, Frank Sinatra) Sinatra & Company (1971, Frank Sinatra) Elis & Tom (1974, Elis Regina) "Fly Me to the Moon" (1994, Frank Sinatra)

Compositions

"Água de Beber" (Drinking-Water) "Waters of March" "Chega de Saudade" (No More Blues) "Corcovado" (Quiet Nights of Quiet Stars) "Desafinado" (Slightly Out of Tune) "Dindi" "The Girl from Ipanema" "How Insensitive" "Inútil Paisagem" (If You Never Come to Me) "Meditation" "One Note Samba" "Someone to Light Up My Life" "Wave"

As contributor

Canção do Amor Demais
Canção do Amor Demais
(1958, Elizete Cardoso) Chega de Saudade (1959, João Gilberto) Do the Bossa Nova with Herbie Mann, Latin Fever
Latin Fever
(1962, Herbie Mann) The Swinger from Rio
The Swinger from Rio
(1965, Sérgio Mendes) Love, Strings and Jobim (1966, various) Abandoned Garden
Abandoned Garden
(1995, Michael Franks)

v t e

Stan Getz

Studio albums

Moonlight in Vermont (1952) Diz and Getz (1953) Stan Getz
Stan Getz
Plays (1955) Hamp and Getz
Hamp and Getz
with Lionel Hampton
Lionel Hampton
(1955) West Coast Jazz
Jazz
(1955) Stan Getz
Stan Getz
in Stockholm (1955) For Musicians Only (1956) The Soft Swing
The Soft Swing
(1957) Jazz
Jazz
Giants '58 (1957) Award Winner: Stan Getz
Stan Getz
(1957) Stan Getz
Stan Getz
and the Oscar Peterson
Oscar Peterson
Trio with Oscar Peterson
Oscar Peterson
(1957) Gerry Mulligan
Gerry Mulligan
Meets Stan Getz
Stan Getz
with Gerry Mulligan
Gerry Mulligan
(1957) Like Someone in Love (1957) Stan Meets Chet
Stan Meets Chet
with Chet Baker
Chet Baker
(1958) Cool Velvet
Cool Velvet
(1960) Focus (1961) Recorded Fall 1961
Recorded Fall 1961
(1961) Jazz
Jazz
Samba
Samba
(1962) Big Band Bossa Nova
Big Band Bossa Nova
(1962) Jazz
Jazz
Samba
Samba
Encore! (1963) Getz/Gilberto
Getz/Gilberto
(1963) Stan Getz
Stan Getz
with Guest Artist Laurindo Almeida (1963) Stan Getz
Stan Getz
& Bill Evans (1964) Bob Brookmeyer and Friends (1964) Voices (1966) Sweet Rain
Sweet Rain
(1967) Didn't We (1969) Captain Marvel (1972) But Beautiful (1974) The Best of Two Worlds
The Best of Two Worlds
Featuring João Gilberto
João Gilberto
(1976) Voyage (1986) Nobody Else But Me (1994) Bossas & Ballads – The Lost Sessions (2003)

Compilation albums

Conception (1956) People Time: The Complete Recordings (2010)

Live albums

West Coast Live (1953) Stan Getz
Stan Getz
at The Shrine (1954) Stan Getz
Stan Getz
and J. J. Johnson
J. J. Johnson
at the Opera House with J. J. Johnson (1957) At the Opera House
At the Opera House
(1957) Getz Au Go Go
Getz Au Go Go
(1964) Getz/Gilberto Vol. 2
Getz/Gilberto Vol. 2
(1966)

Related

Discography

v t e

João Gilberto

Studio albums

Chega de Saudade (1959) O Amor, o Sorriso e a Flor
O Amor, o Sorriso e a Flor
(1960) Getz/Gilberto
Getz/Gilberto
(1964) João Gilberto
João Gilberto
en México (1970) João Gilberto
João Gilberto
(1973) The Best of Two Worlds
The Best of Two Worlds
(1976) Amoroso (1976) João Gilberto
João Gilberto
Prado Pereira de Oliveira (1980) Brasil (1981) João (1991) Eu Sei que Vou Te Amar (1994) João Voz e Violão (2000)

Live albums

Getz/Gilberto Vol. 2
Getz/Gilberto Vol. 2
(1966) Live in Montreux (1986) Stan Getz
Stan Getz
Meets João & Astrud Gilberto
Astrud Gilberto
(1990) Live at Umbria Jazz
Jazz
(2002) In Tokyo (2004)

Songs

"Chega de Saudade" "The

.