Georges Didi-Huberman
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Georges Didi-Huberman FBA (born 13 June 1953) is a French philosopher and art historian.


Biography

Georges Didi-Huberman was born on 13 June 1953 in Saint-Étienne. He has been a scholar at the
French Academy in Rome The French Academy in Rome (french: Académie de France à Rome) is an Academy located in the Villa Medici, within the Villa Borghese, on the Pincio (Pincian Hill) in Rome, Italy. History The Academy was founded at the Palazzo Capranica in ...
(
Villa Medici The Villa Medici () is a Mannerist villa and an architectural complex with a garden contiguous with the larger Borghese gardens, on the Pincian Hill next to Trinità dei Monti in Rome, Italy. The Villa Medici, founded by Ferdinando I de' Medici, ...
) and resident in the Berenson Foundation of
Villa I Tatti Villa I Tatti, The Harvard Center for Italian Renaissance Studies is a center for advanced research in the humanities located in Florence, Italy, and belongs to Harvard University. It houses a collection of Italian primitives, and of Chinese and ...
in
Florence Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany Regions of Italy, region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilan ...
. He teaches at the
School for Advanced Studies in the Social Sciences The School for Advanced Studies in the Social Sciences (french: École des hautes études en sciences sociales; EHESS) is a graduate '' grande école'' and '' grand établissement'' in Paris focused on academic research in the social sciences. Th ...
, where he has been a lecturer since 1990.


Honours

He is the 2015 recipient of the Adorno Prize. In July 2017, Didi-Huberman was elected a
Corresponding Fellow of the British Academy Fellowship of the British Academy (FBA) is an award granted by the British Academy to leading academics for their distinction in the humanities and social sciences. The categories are: # Fellows – scholars resident in the United Kingdom # C ...
(FBA), the United Kingdom's
national academy A national academy is an organizational body, usually operating with State (polity), state financial support and approval, that co-ordinates scholarly research activities and standards for academic disciplines, most frequently in the sciences but ...
for the humanities and social sciences.


Published work

* ''Invention de l’hystérie. Charcot et l’Iconographie photographique de la Salpêtrière'', sur l' École de la Salpêtrière, Macula, 1982 (translated into English as ''Invention of Hysteria: Charcot and the Photographic Iconography of the Salpêtrière'', MIT Press, 2004). * ''Mémorandum de la peste. Le fléau d’imaginer'', Christian Bourgois, 1983. * ''La Peinture incarnée'' followed by ''Chef-d'œuvre inconnu'' de Balzac, Minuit, 1985. * ''Fra Angelico. Dissemblance et figuration'', Flammarion, 1990 (translated into English as ''Fra Angelico: Dissemblance and Figuration'', Univ. of Chicago Press, 1995). * ''Devant l’image. Questions posées aux fins d'une histoire de l'art'', Minuit, 1990 (translated into English as ''Confronting Images: Questioning the Ends of a Certain History of Art'', Penn State Univ. Press, 2004). * ''Ce que nous voyons, ce qui nous regarde'', Minuit, 1992. * ''Le Cube et le visage. Autour d’une sculpture d’Alberto Giacometti'' Macula, 1992 (translated into English as ''The Cube and the Face: Around a Sculpture by Alberto Giacometti'', Diaphanes, 2015). * ''L'Empreinte du ciel'', présentation des ''Caprices de la foudre'', Éditions Antigone, 1994. * ''La Ressemblance informe, ou Le gai savoir visuel selon Georges Bataille'', Macula, 1995. * ''Phasmes. Essais sur l'apparition'', Minuit 1998. * ''L’Étoilement'', sur
Simon Hantaï Simon Hantaï (7 December 1922, Biatorbágy, Hungary – Paris, 12 September 2008; took French nationality in 1966) is a painter generally associated with abstract art. Biography After studying at the Budapest School of Fine Art, he traveled th ...
, Minuit, 1998. * ''La Demeure, la souche'', sur Pascal Convert, Minuit, 1999. * ''Ouvrir Vénus. Nudité, rêve, cruauté'', Gallimard, 1999. * ''Devant le temps'', Minuit, 2000. * ''Être crâne'', sur
Giuseppe Penone Giuseppe Penone (born 3 April 1947, Garessio) is an Italian artist and sculptor, known for his large-scale sculptures of trees that are interested in the link between man and the natural world.
, Minuit, 2000 (translated into English as ''Being a Skull: Site, Contact, Thought, Sculpture'', Univocal Publishing, 2016). * ''L’Homme qui marchait dans la couleur'', sur
James Turrell James Turrell (born May 6, 1943) is an American artist known for his work within the Light and Space movement. Much of Turrell's career has been devoted to a still-unfinished work, ''Roden Crater'', a natural cinder cone crater located outsid ...
, Minuit, 2001 (translated into English as ''The Man Who Walked in Color'', Univocal Publishing, 2017). * ''Génie du non-lieu'', sur Claudio Parmiggiani, Minuit, 2001. * ''L’Image survivante'', Minuit, 2002 (translated into English as ''The Surviving Image: Phantoms of Time and Time of Phantoms'', Penn State Univ. Press, 2016). * ''Ninfa moderna. Essai sur le drapé tombé'', Gallimard, 2002. * ''Images malgré tout'', Minuit, 2004 (translated into English as ''Images in Spite of All: Four Photographs from Auschwitz'', Univ. of Chicago Press, 2012). * ''Gestes d’air et de pierre'', Minuit, 2005. * ''Le Danseur des solitudes'', sur Israel Galván, Minuit, 2006. * ''L'Image ouverte. Motifs de l'incarnation dans les arts visuels'', Gallimard, 2007. * ''La Ressemblance par contact'', Minuit, 2008. * ''L'Œil de l'histoire – Tome 1 : Quand les images prennent position'', Minuit, 2009 (translated into English as ''The Eye of History: When Images Take Positions'', MIT Press, 2018). * ''Survivance des lucioles'', Minuit, 2009 (translated into English as ''Survival of the Fireflies'', Univ. of Minnesota Press, 2018). * ''L'Œil de l'histoire – Tome 2 : Remontages du temps subi'', Minuit, 2010. * ''L’Œil de l'Histoire – Tome 3 : Atlas ou le gai savoir inquiet'', Minuit, 2011 (translated into English as ''Atlas, or the Anxious Gay Science'', Univ. of Chicago Press, 2018). * ''Écorces'', Minuit, 2011 (translated into English as ''Bark'', MIT Press, 2017). * ''L'Œil de l'histoire – Tome 4 : Peuples exposés, peuples figurants'', Minuit, 2012. * ''Essayer voir'', Minuit, 2014, .


Notes and references

*Revue ''Nunc'' numéro 26, février 2012 – Cahier G. Didi-Huberman dirigé par Jérôme de Gramont – Editions de Corlevou


External links


Bibliographie (2005–2010) du séminaire de Georges Didi-Huberman à l'EHESS, École des Hautes Études en Sciences Sociales.
« Au bord de la mémoire »
Interview with Georges Didi-Huberman for Radio Web MACBA (2015) about the problems regarding the way in which we see and interpret images.
{{DEFAULTSORT:Didi-Huberman, Georges French art historians French philosophers 1953 births Living people French male non-fiction writers Corresponding Fellows of the British Academy Prix Médicis essai winners