Garrett Lynch
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Garrett Lynch (born 1977) is an Irish
new media artist New media art includes artworks designed and produced by means of new media, electronic media technology, technologies, comprising virtual art, computer graphics, computer animation, digital art, interactive art, sound art, Internet art, video g ...
working with networked technologies in a variety of forms including online art, installation, performance and writing.


Career

Since 2000 Lynch has a developed an artistic practice centred on the use of networks. He has published papers including "Google and Art: A commercial/cultural new media art economy?" in the ISEA, Inter-Society for the Electronic Arts newsletter and "Net Art : au-delà du navigateur… un monde d’objets" (Net.art: beyond the browser to a world of things) in Terminal no. 101, "Net Art, Technologie ou Création?" (Net Art, Technology or Creation), spoken at conferences and events, curated exhibitions and live events, exhibited and performed in a number of international exhibitions and events including "Notes on a New Nature" at 319 Scholes, "The Vending Machine" at the 54th Venice Biennale, "REFF – Remix the World, Reinvent Reality" at Furtherfield Gallery, Jouable; Art, Jeu et Interactivité, and "Liminality: The Space Between Worlds" at Antena.


Work

Lynch's work has developed based on a conceptual consideration of the use of networks within artistic practice. Moving initially from a
net.art net.art refers to a group of artists who have worked in the medium of Internet art since 1994. Some of the early adopters and main members of this movement include Vuk Ćosić, Jodi.org, Alexei Shulgin, Olia Lialina, Heath Bunting, Daniel Gar ...
practice and its emphasis on the web and the web browser as artistic form to a networked practice that explores networks in their widest interpretation, his work uses networks as "a means, site and context for artistic initiation, creation and discourse". Informed by Cybernetics and Communication theory, his discourse frequently deals with issues concerning nodes and their arrangement, the spaces between or the internodal and the behaviour that can occur between nodes in a network. As such he views his work dealing with these concepts and issues as largely
opportunist Opportunism is the practice of taking advantage of circumstances – with little regard for principles or with what the consequences are for others. Opportunist actions are expedient actions guided primarily by self-interested motives. The term ...
, potentially
parasitic Parasitism is a close relationship between species, where one organism, the parasite, lives on or inside another organism, the host, causing it some harm, and is adapted structurally to this way of life. The entomologist E. O. Wilson ha ...
in nature and his practice as essentially one of arrangements aligning it with key concerns within
conceptual art Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called insta ...
. He states that his networked practice aims "to get people to think about the ideas I'm making connections or links between. I personally like work that makes me think so I try to make work to make others think…What obsesses me is not the internet per se but the idea of networks, all sorts of networks, technological (digital, electronic and electrical), social, biological etc. My work is starting to be a networked art rather than net.art, an internet art". Since 2001 curating has been a part of Garrett's practice. Initially curating online net.art works through the "Banner Art Collective", in 2006 he co-founded the sonic arts events "Open Ear" which ran ten live events at various locations in England and
Wales Wales ( cy, Cymru ) is a country that is part of the United Kingdom. It is bordered by England to the east, the Irish Sea to the north and west, the Celtic Sea to the south west and the Bristol Channel to the south. It had a population in ...
until 2009. Lynch created the site-specific work for the online virtual world of
Second Life ''Second Life'' is an online multimedia platform that allows people to create an avatar for themselves and then interact with other users and user created content within a multi player online virtual world. Developed and owned by the San Fra ...
"Between Saying and Doing" in 2008 as a critical comment on performance and virtual worlds. This initiated a series of installation and performance works dealing with ideas of identity and place as they relate to networked spaces that remains ongoing. In these works Lynch explores the "real" and the "virtual" through the transposing of his own identity to virtual worlds without any attempt to masquerade or imagine a new identity. This process involves the use of his real name for his "representation" or avatar, word play that references his names origins as both real and Irish and the use of a
sandwich board A sandwich board is a type of advertisement tool composed of two boards with a message or graphic on it and being either carried by a person, with one board in front and one behind in a triangle shape, hinged along the top, creating a "sandwich" ...
prop stating this that is worn continuously.


References

{{DEFAULTSORT:Lynch, Garrett Irish contemporary artists New media artists Net.artists Irish multimedia artists Postmodern artists Living people Irish digital artists Irish performance artists École nationale supérieure des arts décoratifs alumni 1977 births