Gabriel Figueroa
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Gabriel Figueroa Mateos (April 24, 1907 – April 27, 1997) was a Mexican cinematographer who is regarded as one of the greatest cinematographers of the
Golden Age of Mexican cinema The Golden Age of Mexican cinema ( es, Época de Oro del Cine Mexicano) is a period in the history of the Cinema of Mexico between 1930 and 1969 when the Mexican film industry reached high levels of production, quality and economic success of its ...
. He has worked in over 200 films, which cover a broad range of genres, and is best known for his technical dominance, his careful handling of framing and
chiaroscuro Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achi ...
, and affinity for the aesthetics of artists.


Early life and career

Born in 1907, Figueroa grew up in
Mexico City Mexico City ( es, link=no, Ciudad de México, ; abbr.: CDMX; Nahuatl: ''Altepetl Mexico'') is the capital city, capital and primate city, largest city of Mexico, and the List of North American cities by population, most populous city in North Amer ...
, where he studied painting at the Academy of San Carlos, and violin at the National Conservatory. He was the grandson of the famous lawyer, journalist and liberal writer
Juan A. Mateos ''Juan'' is a given name, the Spanish and Manx versions of ''John''. It is very common in Spain and in other Spanish-speaking communities around the world and in the Philippines, and also (pronounced differently) in the Isle of Man. In Spanish, t ...
and
first cousin Most generally, in the lineal kinship system used in the English-speaking world, a cousin is a type of familial relationship in which two relatives are two or more familial generations away from their most recent common ancestor. Commonly, ...
to Mexican president Adolfo Lopez Mateos. His mother died after giving birth to him and his father, unable to cope with the loss of his wife, left Gabriel and his brother Roberto to be cared for by their aunts. He then fled to Paris, where he eventually succumbed to alcohol and despair. When the family fortune ran dry, Figueroa "had to leave the Academy and go into the darkroom to make a living". He first started learning photography, which became his source of income, with Lalo Guerrero. He worked in a studio on
Colonia Guerrero Colonia Guerrero is a colonia of Mexico City located just north-northwest of the historic center. Its borders are formed by Ricardo Flores Magón to the north, Eje Central Lazaro Cardenas and Paseo de la Reforma to the east, Eje1 Poniente Guerre ...
, where people would get their pictures taken with painted curtains in the background and under natural light. Towards the end of the 1920s, Figueroa went on to work with photographers Juan de la Peña and
José Guadalupe Velasco José is a predominantly Spanish and Portuguese form of the given name Joseph. While spelled alike, this name is pronounced differently in each language: Spanish ; Portuguese (or ). In French, the name ''José'', pronounced , is an old vernacul ...
, before establishing his own studio with his friend
Gilberto Martínez Solares Mario Gilberto Agustin Martinez Solares (January 19, 1906 – January 18, 1997) was a Mexican director, cinematographer, screenwriter, and actor who is considered one of the most prolific filmmakers in Mexican cinema having directed more than ...
. In 1932, thanks to his friend Gilberto, Figueroa met cinematographer Alex Phillips. Convinced by his talent, Phillips managed to start Figueroa's career in the movie industry as a
still photographer A unit still photographer, or simply a still photographer, is a person who creates film stills, still photographic images specifically intended for use in the marketing and publicity of feature films in the motion picture industry and network tele ...
for the film ''
Revolución Revolución, the Spanish word for revolution, may refer to: Music *''Revolución'', a 1985 album by La Polla Records * ''Revolución'' (WarCry album), a 2008 album by WarCry * ''Revolución'' (The Dead Daisies album), a 2015 album by The Dead Dais ...
'' (1933), directed by
Miguel Contreras Torres Miguel Contreras Torres (September 28, 1899 – June 5, 1981) was a Mexican-born actor, screenwriter, film producer and director. Selected filmography Director * '' Juárez y Maximiliano'' (1934) * '' No te engañes corazón'' (1936) * ''La palo ...
. Figueroa and Phillips would continue to work alongside each other on several other films. As a result of marked growth in the field of Mexican film production, in 1933 Figueroa was able to continue and develop his work as a still photographer on at least 9 films, some of them of enormous significance in the history of national cinema. Towards the end of June 1933, Figueroa made his debut as a cinematographer in several shots of the medium-length documentary ''
El vuelo glorioso de Barberán y Collar EL, El or el may refer to: Religion * El (deity), a Semitic word for "God" People * EL (rapper) (born 1983), stage name of Elorm Adablah, a Ghanaian rapper and sound engineer * El DeBarge, music artist * El Franco Lee (1949–2016), American po ...
'' (1933), directed by
René Cardona René Cardona (October 8, 1905 in Havana, Cuba – April 25, 1988, in Mexico City) was a director, actor, producer, screenwriter, and film editor in the Golden Age of Mexican cinema. Biography René Cardona was born in Havana, Cuba, on Oc ...
. And, between October and November, he was one of the camera operators of the multiple sequences filmed for ''
Viva Villa! ''Viva Villa!'' is a 1934 American pre-Code film directed by Jack Conway and starring Wallace Beery as Mexican revolutionary Pancho Villa. The screenplay was written by Ben Hecht, adapted from the 1933 book '' Viva Villa!'' by Edgecumb Pinchon a ...
'' (1934), directed by Jack Conway. On November 13, 1934, Figueroa would begin working on the film ''
Tribu (La Raza indómita) Tribu may refer to: *Tribu, a ceremonial bell in Tibetan Buddhism *La Tribu, a Canadian independent record label founded in 1999 in Quebec * ''Tribu'' (film), a 2007 Filipino crime drama film *SEAT Tribu The SEAT Tribu was a compact SUV concept ...
'' (1935) with fellow collaborator Miguel Contreras Torres, who Figueroa had his first job as a still photographer in 1932. ''Tribu'' marked another milestone in Figueroa's career, as it was the first time he shared credit with his teacher Alex Phillips, in addition to his stillman work. In 1935,
Rico Pani The Racketeer Influenced and Corrupt Organizations (RICO) Act is a United States federal law that provides for extended criminal penalties and a civil cause of action for acts performed as part of an ongoing criminal organization. RICO was en ...
, son of prominent politician Alberto J. Pani, approached Figueroa with a contract to work as a cinematographer for a newly founded production company. To consolidate his knowledge, he obtained from the magnate a scholarship to go study in Hollywood, Los Angeles, Hollywood, seeing closely the work of Gregg Toland, then considered one of the best cinematographers in the world. As a student, he saw Toland work on the film ''Splendor (1935 film), Splendor'' (1935) and learned how to create foreboding shadows and render a melancholy ambiance. Upon arrival, Figueroa checked-in to the famous The Hollywood Roosevelt Hotel, Roosevelt Hotel from where he called the only person he knew in the city, Charles L. Kimball, Charlie Kimball, editor of the movie ''María Elena (film), Maria Elena'' (1936), of which Figueroa had worked as an illuminator and stillman in February 1935. The call was answered by Gerardo Hanson, producer of ''Maria Elena'', who later took him out to a villa on Vine Street. Figueroa always considered Toland as his teacher. The following year, in 1936, Gabriel returned to Mexico and it was here that he began to produce his distinctive images. His first feature, ''Allá en el Rancho Grande'' (1936), which would become one of the most popular films in Mexico and Latin America and is considered to be the one that started the
Golden Age of Mexican cinema The Golden Age of Mexican cinema ( es, Época de Oro del Cine Mexicano) is a period in the history of the Cinema of Mexico between 1930 and 1969 when the Mexican film industry reached high levels of production, quality and economic success of its ...
, gained international recognition when it won a prize at the 6th Venice International Film Festival, Venice Film Festival and broke box-office records. He filmed 235 movies over 50 years, including ''Los Olvidados'' by Luis Buñuel, ''The Fugitive (1947 film), The Fugitive'' by John Ford, ''Río Escondido (1948 film), Río Escondido'' by Emilio Fernández, and ''The Night of the Iguana (film), The Night of the Iguana'' by John Huston for which he was nominated for the Academy Award for Best Cinematography in 1964. One of his main collaborators was Fernández, with whom he shot twenty films, some of which won prizes at the Venice Film Festival, the Cannes Film Festival, and the Berlin Film Festival. After collaborating with Fernández and Buñuel on their films with such actors as Dolores del Río, Pedro Armendáriz, María Félix, Jorge Negrete, Columba Domínguez, and Silvia Pinal. Gabriel Figueroa has come to be regarded as one of the most influential cinematographers of México.


Filmography


Cinematographer


Camera operator


Still photographer


Awards and nominations


Academy Awards


Golden Globe Awards


Ariel Awards


Film festivals


Exhibition

* 2011: Rencontres d'Arles Festival, France. * 2013-2014: Los Angeles County Museum of Art, Los Angeles. Detailed retrospective of Figueroa's photography, cinematography, and progressive politics. The Los Angeles County Museum of Art (LACMA) organized the retrospective exhibition titled "Under the Mexican Sky: Gabriel Figueroa—Art and Film." The exhibit, featuring Figueroa's work from the early 1930s to the early 1980s, included film clips, paintings, photographs, posters and documents both from Figueroa's archive and the Televisa Foundation collections. "Under the Mexican Sky" recognizes Figueroa's contribution to Mexico's Golden Age of Film, both technically, and stylistically. LACMA curators highlight the artist's works across genres that "…helped forge an evocative and enduring image of Mexico." The exhibit ran from September 22, 2013, through February 2, 2014 in the Art of the Americas Building, Level 1.


See also

*Emmanuel Lubezki *Henner Hofmann *Alfonso Cuarón *Alejandro González Iñárritu *Guillermo del Toro * Adolfo López Mateos * Esperanza López Mateos *Rosalío Solano *Cinema of Mexico


References


Sources

* * * * *


External links


Gabriel Figueroa's Official website


*[http://www.cinematographers.nl/GreatDoPh/figueroa.htm Great Cinematographers - Gabriel Figueroa]
La Visión del Mago Gabriel Figueroa

Trayectora de Gabriel Figueroa

LACMA and The Academy co-present a major U.S. exhibition highlighting the prolific career of Mexican cinematographer Gabriel Figueroa
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Histórico de nominados y ganadores al Ariel
{{DEFAULTSORT:Figueroa, Gabriel 1907 births 1997 deaths Ariel Award winners Golden Age of Mexican cinema Golden Ariel Award winners Golden Globe Award winners Mexican cinematographers People from Mexico City Movie stills photographers