Francis Grasso
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Francis Grasso (March 25, 1949 – March 20, 2001) was an American disco music
disc jockey A disc jockey, more commonly abbreviated as DJ, is a person who plays recorded music for an audience. Types of DJs include radio DJs (who host programs on music radio stations), club DJs (who work at a nightclub or music festival), mobil ...
from New York City, best known for inventing the technique of
beatmatching Beatmatching or pitch cue is a disc jockey technique of pitch shifting or timestretching an upcoming track to match its tempo to that of the currently playing track, and to adjust them such that the beats (and, usually, the bars) are synchron ...
(sometimes referred to as mixing or blending) which is the foundation of the modern club DJ's technique. Grasso, who attended
Brooklyn Technical High School Brooklyn Technical High School, commonly called Brooklyn Tech and administratively designated High School 430, is an elite public high school in New York City that specializes in science, technology, engineering, and mathematics. It is one of ...
and
Long Island University Long Island University (LIU) is a private university with two main campuses, LIU Post and LIU Brooklyn, in the U.S. state of New York. It offers more than 500 academic programs at its main campuses, online, and at multiple non-residential. LIU ...
, started his DJ career in 1968 at a New York
nightclub A nightclub (music club, discothèque, disco club, or simply club) is an entertainment venue during nighttime comprising a dance floor, lightshow, and a stage for live music or a disc jockey (DJ) who plays recorded music. Nightclubs gen ...
called Salvation II. When the primary DJ Terry Noel failed to show up on time one night, the owners offered Grasso a chance at the job. The crowd responded almost immediately and soon he had his first regular gig. It was there and at subsequent New York clubs such as Tarots and his most famous nightclub, Sanctuary — a former German Baptist church at 43rd Street & 9th Avenue (featured in the movie '' Klute'') — where Grasso perfected his craft. Grasso was the first DJ outside of the radio broadcasting business to require
headphones Headphones are a pair of small loudspeaker drivers worn on or around the head over a user's ears. They are electroacoustic transducers, which convert an electrical signal to a corresponding sound. Headphones let a single user listen to an a ...
as part of his setup. This allowed him to preview a record on one turntable while another played on the second turntable. By using headphones in combination with
slip-cueing Slip-cueing is a turntable-based DJ technique which consists of holding a record still while the platter rotates underneath the slipmat and releasing it at the right moment. In this way the record attains the right speed almost immediately, with ...
, he changed the art of DJing. The records that Grasso was mixing used live drummers and not beat machines. It took skill and a good ear to mix these records for more than a few seconds which Grasso perfected into longer and longer sequences. The most impressive addition Grasso brought to DJ culture was music programming, or the art of picking up on the energy of the crowd and sending that energy right back to them via the next track. Early on, Grasso used Thorens turntables although they were a far cry from the Technics turntables most DJs use in clubs today. Soon he taught others, including a neighborhood youngster, MONDO, who went on to become a NYC lawyer and Techno DJ and Grasso spread the art of mixing by maintaining a constant beat and working the crowd with the music throughout New York. Though he died in March 2001, the skills and techniques he pioneered remain the foundation of what is heard in a modern nightclub. Francis was interviewed in Josell Ramos' 2003 feature-length documentary ''Maestro''.IMDB, ''Maestro (2003)''.
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Musical stylings

DJ Francis completely changed the game of Disco music. Before him, DJs submitted to what the patrons wanted, supplying recognizable music that would appeal to the crowd. Occasionally, DJs would add a different spin on top of these popular charts. DJ Francis wasn’t interested in what the customers wanted, and instead provided a new, exotic array of songs, which the crowd would not have thought to ask for. He offered a full, creative performance with a narrative. He demonstrated to the DJs of later generations that the power belonged to them to create environmental moods, and that there were techniques for creating different atmospheres, and thus manipulating dancers. His musical choices were also quite different from his predecessors. He played on the funkier side of rock music, using The Rolling Stones or Led Zeppelin on top of heavy black rhythms such as Dyke & The Blazers or Kool & The Gang. He introduced drum-heavy African sounds, and used Latin beats to entice people to dance, as well as James Brown and Motown (including The Four Tops, The Supremes, and the Temptations).


Cultural Significance

While DJing at the Sanctuary, a New York dance club known as "the first totally uninhibited gay discothèque in America," Grasso was known for the danceability of his musical work. On nights when he was DJing, doormen were known to stop counting entrances of audience members after they got to the thousands, even though the Sanctuary had a capacity of 346 people. Being a safe haven for newly sexually liberated gay men and women, DJ Francis's music was the backdrop for recreational drug usage and promiscuity. With his long-held position at the Sanctuary, Grasso was able to develop his musical techniques and perfect his powers to mesmerize crowds.


References


Bibliography

* Goldman, Albert. ''Disco''. New York: Hawthorne Books, 1979.


External links

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- used by Grasso {{DEFAULTSORT:Grasso, Francis 1949 births 2001 deaths American DJs Club DJs DJs from New York City Radio personalities from New York City 20th-century American musicians Brooklyn Technical High School alumni Electronic dance music DJs