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Ruins () are the remains of a civilization's architecture. The term refers to formerly intact structures that have fallen into a state of partial or total disrepair over time due to a variety of factors, such as lack of maintenance, deliberate destruction by humans, or uncontrollable destruction by List of natural phenomena, natural phenomena. The most common root causes that yield ruins in their wake are Natural disaster, natural disasters, War, armed conflict, and population decline, with many structures becoming progressively derelict over time due to long-term weathering and Scavenger, scavenging. There are famous ruins all over the world, with notable sites originating from History of China, ancient China, the Indus Valley civilisation, Indus Valley and other regions of History of India, ancient India, History of Iran, ancient Iran, History of Israel, ancient Israel and Judea, History of Mesopotamia, ancient Iraq, ancient Greece, ancient Egypt, Ancient Rome, Roman sites throughout the Mediterranean Basin, and Inca Empire, Incan and Maya civilization, Mayan sites in the Americas. Ruins are of great importance to historians, archaeology, archaeologists and anthropology, anthropologists, whether they were once individual fortifications, Place of worship, places of worship, Ancient higher-learning institutions, ancient universities, houses and utility buildings, or entire villages, towns, and cities. Many ruins have become World Heritage Site, UNESCO World Heritage Sites in recent years, to identify and preserve them as areas of outstanding value to humanity.


Cities

Ancient cities were often highly militarized and had fortified defensive Human settlement, settlements. In times of war, they were the central focus of War, armed conflict and would be looting, sacked and ruined in defeat. Delhi, the capital of India, has been destroyed and ransacked seven to ten times and subsequently rebuilt. Every ruler decided to build the city in their own way either overlapping the ruins or next to the ruins. Ruins of seven cities of Delhi can still be traced in the modern-day city. Although less central to modern conflict, vast areas of 20th-century cities such as Warsaw, Dresden, Coventry, Volgograd, Stalingrad, Königsberg, and Berlin were left in ruins following World War II, and a number of major cities around the world – such as Beirut, Kabul, Sarajevo, Grozny, and Baghdad – have been partially or completely ruined in recent years as a result of more localized warfare. Entire cities have also been ruined, and some occasionally lost completely, to Natural disaster, natural disasters. The Ancient Rome, ancient Roman city of Pompeii in modern-day Italy was completely destroyed during a Types of volcanic eruptions, volcanic eruption in the 1st century CE, and its uncovered ruins are now preserved as a World Heritage Site. The city of Lisbon in Portugal was also 1755 Lisbon earthquake, completely destroyed in 1755 by a massive earthquake and tsunami; and the 1906 San Francisco earthquake in the United States had left the city in almost complete ruin.


Deliberate destruction

Apart from acts of war, some important historic buildings have fallen victim to deliberate acts of destruction as a consequence of social, political and economic factors. The spoliation of public monuments in Rome was under way during the fourth century, when it was covered in protective legislation in the Theodosian Code and in new legislation of Majorian. The dismantling increased once popes were free of imperial restrictions. Marble was still being burned for agricultural lime in the Roman Campagna into the nineteenth century. In Europe, many religious buildings suffered as a result of the politics of the day. In the 16th century, the English monarch Henry VIII of England, Henry VIII set about confiscating the property of monastic institutions in a campaign which became known as the Dissolution of the Monasteries. Many abbeys and monastery, monasteries fell into ruin when their assets, including lead roofs, were stripped. In the 20th century, a number of European historic buildings fell into ruin as a result of taxation policies, which required all structures with roofs to pay substantial property tax. The owners of these buildings, like Fetteresso Castle (now restored) and New Slains Castle, Slains Castle in Scotland, deliberately destroyed their roofs in protest at, and defiance of, the new taxes. Other decrees of government have had a more direct result, such as the case of Beverston Castle, in which the English parliament ordered significant destruction of the castle to prevent it being used by opposition Cavalier, Royalists. Post-colonial Ireland has encouraged the ruin of grand Georgian houses, symbols of British imperialism.


Relics of steel and wooden towers

As a rule, towers built of steel are dismantled, when not used any more, because their construction can be either rebuilt on a new site or if the state of construction does not allow a direct reuse, the metal can be recycled economically. However, sometimes tower basements remain, because their removal can sometimes be expensive. One example of such a basement is the basement of the former radio mast of Deutschlandsender Herzberg/Elster. The basements of large wooden towers such as Transmitter Ismaning may also be left behind, because removing them would be difficult. The contemplation of "rust belt" post-industrial ruins is in its infancy.


Aesthetics

In the Middle Ages Roman ruins were inconvenient impediments to modern life, quarries for pre-shaped blocks for building projects, or marble to be burnt for agricultural lime, and subjects for satisfying commentaries on the triumph of Christianity and the general sense of the world's decay, in what was assumed to be its last age, before the Second Coming. With the Renaissance, ruins took on new roles among a cultural elite, as examples for a consciously revived and purified architecture ''all' antica'', and for a new aesthetic appreciation of their innate beauty as objects of venerable decay. The chance discovery of Nero's Domus Aurea at the turn of the sixteenth century, and the early excavations at Herculaneum and Pompeii had marked effects on current architectural styles, in Raphael's Rooms at the Vatican and in Neoclassical architecture, neoclassical interiors, respectively. The new sense of historicism that accompanied neoclassicism led some artists and designers to conceive of the modern classicising monuments of their own day as they would one day appear as ruins. In the period of Romanticism ruins (mostly of castles) were frequent object for painters, place of meetings of romantic poets, nationalist students etc. (e.g. Bezděz Castle in Bohemia, Hambach Castle in Germany, Devin Castle in Slovakia). Ruin value (german: Ruinenwert) is the concept that a building be designed such that if it eventually collapsed, it would leave behind aesthetically pleasing ruins that would last far longer without any maintenance at all. Joseph Michael Gandy completed for Sir John Soane in 1832 an atmospheric watercolor of the architect's vast Bank of England rotunda as a picturesquely overgrown ruin, that is an icon of Romanticism. ''Ruinenwert'' was popularized in the 20th century by Albert Speer while planning for the 1936 Summer Olympics and published as ''Die Ruinenwerttheorie'' ("The Theory of Ruin Value"). Ruins remain a popular subject for painting and creative photographySimon O'Corra: ''France in Ruins, Buildings in Decay'', London 2011 and are often romanticized in film and literature, providing scenic backdrops or used as metaphors for other forms of decline or decay. For example, the ruins of Dunstanburgh Castle in England inspired J. M. W. Turner, Turner to create several paintings; in 1989 the ruined Dunnottar Castle in Scotland was used for filming of ''Hamlet (1990 film), Hamlet''.


See also

*Modern ruins *Dissolution of the monasteries *Ephemerality *Folly, for garden ruins *Ghost town *''Ozymandias'', an English poem about ruins *Romanticism *Shipwreck


References


External links


Robert Ginsberg, The Aesthetics of Ruins (New York/Amsterdam: Rodopi, 2004)
*Rose Macaulay, Macaulay, Rose, ''The Pleasure of Ruins''
Ruin Memories Project
{{Authority control Ruins,