Rosé wine Roséwein.jpg

A rosé () is a type of wine that incorporates some of the color from the grape skins, but not enough to qualify it as a red wine. It may be the oldest known type of wine, as it is the most straightforward to make with the skin contact method. The pink color can range from a pale "onionskin" orange to a vivid near-purple, depending on the grape varieties used and winemaking techniques. Usually, the wine is labelled ''rosé'' in French, Portuguese, and English-speaking countries, rosado in Spanish, or rosato in Italian.

There are three major ways to produce rosé wine: skin contact, ''saignée'', and blending. Rosé wines can be made still, semi-sparkling or sparkling and with a wide range of sweetness levels from highly dry Provençal rosé to sweet White Zinfandels and blushes. Rosé wines are made from a wide variety of grapes and can be found all around the globe.J. Robinson (ed) ''"The Oxford Companion to Wine"'' Third Edition pg 593 Oxford University Press 2006 O. Clarke ''Oz Clarke's Encyclopedia of Wine'' pgs 15, 225, 320, 360 Time Warner Books, London 2003

When rosé wine is the primary product, it is produced with the skin contact method. Black-skinned grapes are crushed and the skins are allowed to remain in contact with the juice for a short period, typically two to twenty hours. The grape must is then pressed and the skins discarded, rather than left in contact throughout fermentation (as with red wine making). The longer the skins are left in contact with the juice, the more intense the color of the final wine.R. Jackson ''"Wine Science: Principles and Applications"'' Third Edition pgs 9, 214, 289-300, 333-339, 447, 548, 642 Academic Press 2008

When a winemaker desires to impart more tannin and color to red wine, some of the pink juice from the must can be removed at an early stage in what is known as the ''Saignée'' (from French bleeding) method. The red wine remaining in the vats is intensified as a result of the bleeding, because the volume of juice in the must is reduced, and the must involved in the maceration becomes more concentrated. The pink juice that is removed can be fermented separately to produce rosé.

The simple mixing of red wine into white wine to impart color is uncommon and is discouraged in most wine growing regions, especially in France, where it is forbidden by law, except for Champagne. Even in Champagne, several high-end producers do not use this method but rather the saignée method.

History

It is not known when the first wine labeled as a rosé was produced, but it is very likely that many of the earliest red wines made were closer in appearance to today's rosés than they would be to modern red wines. This is because many of the winemaking techniques used to make today's darker, more tannic red wines (such as extended maceration and harder pressing) were not widely practised in ancient winemaking. Both red and white wine grapes were often pressed soon after harvest, (with very little maceration time) by hand, feet or even sack cloth, creating juice that was only lightly pigmented.H. Johnson ''Vintage: The Story of Wine'' pp 10-31, 35-46, 59-63, 147, 210–219 Simon and Schuster 1990

Even after the development of newer, more efficient wine presses, many ancient and early winemakers still preferred making the lighter colored and fruitier style of wines. There was an understanding, as early as the time of the Ancient Greeks and Roman winemakers, that harder pressing and letting the juice "sit" for a period with the skins would make darker, heartier wines, but the resulting wines were often considered too harsh and less desirable. This sentiment lasted well into the Middle Ages, when the pale clarets from Bordeaux were starting to gain the world's attention. To the powerful English market, the most prized clarets were, according to wine historian Hugh Johnson, the ''vin d'une nuit'' or "wine of one night", which were pale-rosé colored wines made from juice that was allowed only a single night of skin contact. The darker wine produced from must that had longer skin contact were known as the ''vin vermeilh'' (or ''pinpin'' to the English) was considered to be of much lesser quality.

Similarly, in the early history of Champagne, the wines produced from this region during the Middle Ages were nothing like the sparkling white wines associated with the region today. Instead they were pale red and even pinkish, with some Champenois winemakers using elderberries to add more red color to the wines as they competed with the wines of Burgundy for the lucrative Flemish wine trade. In the 16th and 17th century, the region achieved some acclaim for their "white" wines made from Pinot noir grapes, but rather than actually being white, these wines were instead a pale "greyish pink" that was reminiscent of a "partridge's eye" and earned the nickname '' Œil de Perdrix''—a style of rosé still being produced in Switzerland. In the late 17th century, the Champenois (aided by the work of Dom Perignon) learned how to better separate the skins from the must and produce truly white wine from red wine grapes.

Even as Champenois moved towards producing sparkling wines, they continued to produce both sparkling and still rosés often by means of blending a small amount of red wine to "color up" an already-made white wine. The depth of color was dependent on the amount red wine added, with the red wine having more influence on the resulting flavor of the wine if added in larger volumes.

After World War II

The history of rosé would take a dramatic turn following the conclusion of World War II when two Portuguese wine producer families both released sweet, slightly sparkling rosés to the European and American markets. These wines, Mateus and Lancers, would go on to set record sales in Europe and the US and dominate the Portuguese wine industry for most of the 20th century, but their popularity has declined in the recent years of the 21st century. While they still have a presence in the European and US markets, the trend towards traditional, drier rosés, as well as the development of American "blush" wines like White Zinfandel, have cut into their market shares.

In the early 1970s, demand for white wine exceeded the availability of white wine grapes, so many California producers made "white" wine from red grapes, in a form of saignée production with minimal skin contact, the "whiter" the better.Mead, Jerry D. (1996
Mill Creek Revisited
Mead on Wine Vol. I No. 6 In 1975, Sutter Home's "White Zinfandel" wine experienced a stuck fermentation, a problem in which the yeast goes dormant, or in some cases dies off before all the sugar is turned to alcohol.Dunne, Mike (2005) Wines of yesteryear still kicking. ''The Sacramento Bee'', 29 July 2005 Winemaker Bob Trinchero put it aside for two weeks, then upon tasting it he decided to sell this pinker, sweeter wine.Murphy, Linda (2003
White Zinfandel, now 30, once ruled the U.S. wine world
''San Francisco Chronicle'', 3 July 2003.

In 1976, wine writer Jerry D. Mead visited Mill Creek Vineyards in Sonoma County, California. Charles Kreck had been one of the first to plant Cabernet Sauvignon vines in California, and offered Mead a wine made from Cabernet that was a pale pink and not yet named. Kreck would not call it "White Cabernet" as it was much darker in color than red grape "white" wines of the time, though not as dark as the rosés he had known. Mead jokingly suggested the name "Cabernet Blush"; later that evening, he phoned Kreck to say that he no longer thought the name to be a joke. In 1978 Kreck trademarked the word "Blush". The name caught on as a marketing name for the semi-sweet wines from producers such as Sutter Home and Beringer. Today, Blush wine appears on wine lists more often as a category, rather than a specific wine. In 2010 Mill Creek produced a rosé wine for the first time in years, although Jeremy Kreck (Charles' grandson and current winemaker) chose not to use the Blush name.

Although "blush" originally referred to a color (pale pink), it now tends to indicate a relatively sweet pink wine, typically with 2.5% residual sugar; in North America, dry pink wines are usually marketed as rosé but sometimes as blush. In Europe, almost all pink wines are referred to as rosé regardless of sugar levels, even semi-sweet ones from California. As the term ''rosé'' regained popularity in the US market, shares of wine labeled "blush" declined from 22% of all wines consumed in the US in 1997 to 15% in 2003.

In the United States, a record 2005 California crop has resulted in an increased production and proliferation of varietals used for rosés, as winemakers chose to make rosé rather than leave their reds unsold.Voss, Roger. Heimoff, Stev
''Wine Enthusiast Online''
July 2007

Rosé became a viral drink in 2015, with men who drink rosé being referred to as brosé. In summer 2016, a slushy variation, frosé, was developed at the Bar Primi in New York.

Winemaking methods

Rosés can be produced in a variety of ways with the most common method being early pressing of red grape varieties after a very short period, usually 12–24 hours, of skin-contact (maceration). During maceration, phenolics such as the anthocyanins and tannins that contribute to color as well as many flavor components are leached from the skins, seeds and any stems left in contact with the must. In addition to adding color and flavor, these phenolics also serve as antioxidants, protecting the wine from degradation of oxygen exposure. While red wines will often have maceration last several days to even several weeks, the very limited maceration of rosés means that these wines will have less stable color, potential flavor components and oxygen protection. This contributes to wines with shorter shelf-life that are meant to be consumed soon after release.

Saignée

The saignée (; French for "bleed") method is the practice of removing ("bleeding off") some of the juice from the must in order to more deeply concentrate the phenolics, color and flavor the red wine. It has a long history of use in the French wine regions of Bordeaux and Burgundy but wasn't always used for rosé production. For some red winemakers, the juice bleed off is simply poured down the drain or used as "topping wine" to fill the ''ullage'' (the headspace of barrels and tanks) during storage. Its use in rosé production is sometimes considered an afterthought, as a way to increase cash-flow by producing a second wine to a primary red wine that can be released much sooner and available to market. While many wineries have been able to produce critically acclaimed rosé using the saignée method, its use has provoked criticism from wine personalities such as François Millo, president of the Provence Wine Council (CIVP) who claim that saignée method rosés are “not true rosés" because the bleeding process (which is not pressed with the must) is more of an afterthought.

Vin gris

Unlike the maceration method which gives some, albeit very brief, time for the juice to be in contact with the skins ''vin gris'' are wines made from the immediate pressing of red skin grapes without any maceration time. Despite the name ''vin gris'', the resulting juice is actually not grey but rather a very pale pink that is usually much lighter than traditionally made rosés using the limited maceration and saignée methods. Under French wine laws, wines labelled ''gris de gris'' must only be made from lightly tinted grape varieties such as Cinsault, Gamay and Grenache gris. The style is a specialty of the Lorraine ''Appellation d'Origine Contrôlée'' (AOC) Côtes de Toul made from Gamay and in Morocco where the orange-pink wine is made from a blend of Cinsault, Grenache and Cabernet Sauvignon.

Decolorization

Another method of producing rosé is to severely decolorize a red wine using absorbent charcoal such as activated carbon. This purer form of charcoal obtained by the dry distillation of carbon compounds (such as wood or peat) has a high ratio of surface area to weight that absorbs color compounds as well as other phenolics and colloids in a wine. While it can be used to decolorize a wine, often much more than just color is stripped from the wine which makes this method very rarely used in the production of quality rosés.

Color

With the exception of very few varieties, known as teinturiers, most wine grapes produce clear or colorless juice. This includes such well known red wine grape varieties such as Cabernet Sauvignon and Pinot noir. The color in red wine comes from phenolics in the skin called anthocyanins that react with other components in wine (such as tannins, acetaldehyde and pyruvic acid) to form polymeric pigments. The anthocyanins are extracted from the skin during the process of maceration which can last from a few hours in the case of some rosés (which usually only have 20–50 mg/L of anthocyanins) to several days in the case of most red wines (which often have in excess of 250 mg/L of anthocyanins).

Anthocyanins have the ability to change into three different forms—colorless, red and blue—depending on the pH/acidity levels of the solution they are in. At wine pH (typically 2.9-4.0), most of the grape anythocyanins are in the colorless form unless they have reacted with tannins or other molecules (such as tannins also extracted from the skin as well as grape seeds, stems and from oak wine barrels) to form a stabilized pigment. So producers wishing to make rosé work to not only limit the amount of anthocyanins extracted into the wine but also limit the wine's exposure to tannins (either by less maceration time, gentle pressing of the grapes or using only stainless tanks instead of oak) as well as protective anti-oxidative winemaking techniques that limit the development of acetaldehyde and other browning pigments that could add color to the wine.

According to ''Conseil Interprofessionnel des Vins de Provence'' in France, rosés in Provence display one of the different colors: melon (cantaloupe), peach, redcurrant, grapefruit, mango, mandarin.

Many studies have shown that the color of wine influences consumers' perceptions about the wine. While these studies have shown that consumers tend to prefer on visual inspection the darker rosés, in blind taste tests where color could not be visually discerned (such as using black wine glasses), often consumers preferred the lighter-colored rosés.

For these reasons, many rosé winemakers are mindful of the color quality of their rosé and make winemaking decisions based on this factor. This includes the extent of maceration, whether or not to do a ''saignee'' from a darker red wine and even to do a color adjustment by blending in some finished red wine in order to reach the desired color.

Aromas and flavors

The aromas and flavor of rosés are primarily influenced by the particular grape varieties used to produce the wine, but the method of production also plays an important part. The light, fruity character of many rosés come from volatile thiols that are found as flavor precursors in the grape skins. The most prominent of these are 3-mercaptohexanol-1-ol and 3-mercaptohenyl acetate. These are extracted from the grape skins during maceration but are less likely to be extracted at temperatures below 20 °C (68 °F). As a result, producers doing a " cold soak" maceration (with much lower temperature) to limit microbial and oxidative activity may extract less of these compounds. During fermentation, other flavor components such as the esters phenethyl acetate and isoamyl acetate also form and contribute to a wine's aromas.

The stability of these aromas is very dependent on the amount of anthocyanins and other phenolics that protect these compounds from oxidation. One of the reasons why rosés have a very limited shelf-life is because of their low phenolic levels due to the very limited skin contact and extraction time. Within a year of production, the level of 3-mercaptohexanol-1-ol in the wine has usually dropped to half its fermentation level, with the presence of 3-mercaptohenyl acetate undetectable in most wines. This is why most wine experts recommend that rosés be consumed as soon after release as possible.

French rosés

Many of the earliest red wines produced in such notable wine regions as Bordeaux, Burgundy and Champagne were "rosé-style" wines made from juice that had only brief periods of skin contact during winemaking. But even as the trend in these regions evolved towards more modern ideas of "red wines", rosés still hold a prominent place in many of France's major wine regions.P. Saunders ''Wine Label Language'' pg 37-107 Firefly Books 2004 Today rosé is produced throughout France from the cooler climate rosé Champagnes and Loire Valley wines to the warm Mediterranean influence climates of Provence and the southern Rhone Valley.K. MacNeil ''The Wine Bible'' pg 176, 246-266, 312, 579 Workman Publishing 2001

Provence

Rosés account for vast majority of Provence's wine production, ranging from half to almost two thirds of all the wine produced in the regionE. McCarthy & M. Ewing-Mulligan ''"French Wine for Dummies"'' pgs 158-178, 208-237 Wiley Publishing 2001 The rosés of Provence are often known for their food and wine pairing matches with the local Mediterranean cuisine of the region, particularly the garlicky aioli sauces and tangy bouillabaisse stews that are the hallmark of Provençal cuisine.

The large Cotes de Provence AOC includes 85 communes between the towns of Nice and Marseille and is responsible for nearly 75% of all Provençal wine with rosés alone accounting for 80% of that total. Grenache is the dominant grape of the region, comprising at least 60% of the blend with Syrah, Cinsault, Mourvedre, Tibouren, Carignan and Cabernet Sauvignon playing supporting roles.

The Coteaux d'Aix-en-Provence AOC is the second largest AOC in Provence, covering 50 communes in the west and northwestern part of the region. Here rosé accounts for around 35% of the AOC's production with Grenache, Cinsault and Mourvedre being the dominant varieties and Counoise, Carignan, Syrah and Cabernet Sauvignon rounding out the blends.

Located in the hilly central region of Provence, rosés account for almost two-thirds of the production in the Coteaux Varois AOC. Here the wines are blends of Grenache, Syrah and Mourvedre accounting for at least 80% of the wine with Cinsault, Cabernet Sauvignon and Carignan permitted to fill in the remainder.

The Bandol AOC in southwest Provence is dominated by the late-ripening Mourvedre grape which produces well in the limestone, silicon rich stony soils of the region. While the AOC produces mostly red wines, at least 33% of its yearly production is made up of rosé wines with Grenache, Cinsault, Syrah and Carignan playing supporting roles to Mourvedre.

Around the city of Nice in southeast Provence is Bellet AOC where the hot summers is tempered by the cooling sea coast breeze off the Mediterranean. Here rosé is made in roughly equal proportions with the red wines made from Braquet, Folle Noire, Grenache and Cinsault.

Tavel

While most of the southern Rhône Valley is dominated by red wines, rosé is the only permitted wine style made in the Tavel AOC with more than half of the AOC production done by the local winemakers' co-operative. According to wine expert Karen MacNeil, the Tavel is "southern France's self-styled capital of rosé". This is due, in part, to its long history of rosé production and its proximity to the tourist-rich regions of southern France where, like Provençal rosé, Tavel is often served at beach-side cafes overlooking the Mediterranean.

Located 10 miles southwest of the Châteauneuf-du-Pape AOC, just across the Rhône River, the AOC has more than 950 ha (2347 acres) planted. The wines of Tavel are dominated by the southern wine grape Grenache which makes up to 60% of the blend. Under AOC laws the remaining blend must be at least 15% Cinsault with the remainder of the wine permitted to include Carignan, Syrah, Bourboulenc, Calitor, Mourvedre and Picpoul.

While Tavel rosé can be made using the saignee and skin-contact method, the tradition in the region is to do a type of co-ferment with both red and white grapes that combines elements of both methods. The grapes are loaded, whole clusters, into a tank all together where under the gravity of their own weight the grapes are gently pressed and the juice trickles down to the bottom. There the juice receives its period of brief skin contact with the crushed red skins on the bottom before the lightly colored free-run juice is then drained off, like a saignee, and the wine then fermented as normal. This method produces what Karen MacNeil describes as "rugged wines with robust, spicy berry flavor."

Other Rhône rosés

Outside of Tavel, rosés are produced in some significant quantities in the Gigondas AOC on the eastern side of the Rhône valley. Here at least 15% of the wine must be made from Syrah and Mourvedre with Grenache permitted to make up to 80% of the blend and Cinsault and Carignan playing minor roles. Next door to the south in the Vacqueyras AOC rosés only account for around 4% of the yearly production using the same grapes as Gigondas.

Across the river from Châteauneuf-du-Pape just north of Tavel is the Lirac AOC which, like it southern neighbor, has a long history of exporting dry rosé wines to the United States and United Kingdom. While often overshadowed by neighboring Tavel, some critics, such as wine expert Oz Clarke, describe them as having noticeable strawberry notes and being "breezier, more refreshing" than its more prominent neighbor. However, rosés usually account for less than a fifth of this region's yearly production. Here in the sandy soil on the banks of the Rhône, Grenache makes up to 40% of the blend with Cinsault, Mourvedre, Syrah and Carignan making up the remainder.

Loire

Rosé making has a long history in the Loire valley, particularly in the Anjou wine region around the town of Angers where two AOCs, ''Rosé d'Anjou'' and ''Cabernet d'Anjou'' exist. The former, made from the Groslot (Grolleau) grapes that are often harvested to very high yields around 50 hl/ha, tends to be lighter and often sweet. The latter, made from Cabernet Franc and Cabernet Sauvignon, is often drier (though some styles can be sweet), with grapes that are limited to smaller harvests of no more than 40 hl/ha. Cabernet d'Anjou are usually noted for their high acidity levels that give these rosé the rather unusual capability of being able to age for a decade or more.

For most of the 20th century, the sweeter Rosé d'Anjou was the most prominent Rosé but even as the trend of consumers moving to more drier versions of rosé, the AOC still produces an estimated 18 million bottles of wine a year. In addition to Groslot, Gamay and Malbec are also permitted varieties in the wine.

A larger ''Rosé de Loire'' appellation exist that includes wines made from Anjou, Saumur and Touraine. Cabernet grapes must account for at least 30% of the blend with Groslot, Pineau d'Aunis, Pinot noir and Gamay permitted to fill out the rest of the blend. According to wine expert Jancis Robinson, the wines are always dry with a quality level that falls somewhere between Rosé d'Anjou and Cabernet d'Anjou. Wine expert Karen MacNeil describes well made examples of Rosé de Loire as being fruity with light cherry flavors and moderate acidity.

Champagne

Rosé Champagnes account for between 3-5% of Champagne's yearly production. These Champagnes are distinct from ''Blanc de noirs'' (white of blacks or white from black grapes) in that rosé Champagnes are often noticeably and intentionally colored, with hues that span from "baby pink" to copper salmon, while ''Blanc de noirs'' are white wines with only sometimes the palest of coloring that could range from a "white-grey" to a light salmon. This color traditionally comes from the very brief skin contact of the black grapes (Pinot noir and Pinot Meunier) during pressing that the Champagne producer decides not to remove by any decolorizing techniques.T. Stevenson, ed. ''The Sotheby's Wine Encyclopedia (4th Edition)'' pg 169–178 Dorling Kindersley 2005 However, many modern rosé Champagnes are produced as regular Champagnes but are later "colored up" by adding red Pinot noir wines to the finished wine. According to wine expert Karen MacNeil, some Champagne producers believe this second method adds more richness and age-ability to the wine.

In the Aube

HOME


Content is Copyleft
Website design, code, and AI is Copyrighted (c) 2014-2017 by Stephen Payne


Consider donating to Wikimedia



As an Amazon Associate I earn from qualifying purchases