HOME
The Info List - Fernando Solanas



--- Advertisement ---


(i)

FERNANDO EZEQUIEL \'PINO\' SOLANAS (born 16 February 1936) is an Argentine film director , screenwriter and politician. His films include La hora de los hornos (1968), Tangos: el exilio de Gardel (1985), Sur (1988), El viaje (1992), La nube (1998) and Memorias del saqueo (2004), among many others. Since 2013, he has been a National Senator representing the Autonomous City of Buenos Aires .

Solanas studied theatre, music and law. In 1962, he directed his first short feature Seguir andando and in 1968 he covertly produced and directed his first long feature film La Hora de los Hornos , a documentary on neo-colonialism and violence in Latin America
Latin America
. The film won several international awards and was screened around the world. Solanas has won the Special
Special
Jury Award and the Critics Award at the Venice Film Festival
Venice Film Festival
and the Prix de la mise en scène at the Cannes Film Festival
Cannes Film Festival
. In 1999 he was the President of the Jury at the 21st Moscow International Film Festival . He was awarded a special Golden Bear
Golden Bear
at the 2004 Berlin Film Festival
Berlin Film Festival
. He collaborated with tango composer and musician Ástor Piazzolla
Ástor Piazzolla
on the soundtracks for various movies.

CONTENTS

* 1 Context * 2 Political work * 3 Filmography * 4 Quotes * 5 References * 6 Further reading * 7 External links

CONTEXT

Solanas was at the forefront of the Grupo Cine Liberación that shook Argentine cinema in the 1970s, developing its social conscience and political voice. He was active in the campaign to support Perón . Threatened by right-wing forces in the 1970s, one of his actors was assassinated and he himself was almost kidnapped.

Together with Octavio Getino , Solanas wrote the manifesto "Toward a Third Cinema". The idea of a political Third Cinema , opposed to Hollywood cinema and European auteur cinema , inspired film makers in many so-called developing countries.

Solanas went into exile in Paris
Paris
in 1976, only returning to Argentina with the arrival of democracy in 1983. Solanas accepting a Silver Mayahuel award at the Guadalajara Film
Film
Festival , 2008.

POLITICAL WORK

He continued to make political films and was an outspoken critic of Carlos Menem
Carlos Menem
, the Argentine President. Three days after such a public criticism, on 21 May 1991, Solanas was shot six times in his legs. Despite dealing with the attack and disability, Solanas became even more involved in politics and stood to be a Senator for Buenos Aires
Buenos Aires
, receiving 7% of the vote in 1992. A year later he was elected a National Deputy for the Frente Grande
Frente Grande
list, although he left the party after a year.

Solanas continues to write and direct, including the 2005 film La Dignidad de los Nadies and the recently 2008 film La última estación. His son, Juan Solanas , is also a noted film director.

In October 2007, Solanas was a presidential candidate in the Argentine general election, 2007 for the Authentic Socialist Party . He became the 5th most voted candidate, with 1.58% of the vote.

In 2009, Solanas was elected as National Deputy for the city of Buenos Aires
Buenos Aires
on the June 28th parliamentary elections , as his party Proyecto Sur became the 2nd force on the city by collecting 24.2% of the votes. In 2013 , Solanas was elected National Senator , representing Buenos Aires
Buenos Aires
City in the 2013-2019 period.

FILMOGRAPHY

* Seguir andando (1962) (short) * Reflexión ciudadana (1963) (short) * La hora de los hornos (The Hour of the Furnaces) (1968) * Argentina, Mayo de 1969: los caminos de la liberación (1969) * Perón, la revolución justicialista (1971) * Perón: actualización política y doctrinaria para la toma del poder (1971) * Los hijos de fierro (1972) * La mirada de los otros (1980) Filmed in Paris
Paris
, France
France
* El exilio de Gardel (Tangos) (1985) * Sur (1988) * El viaje (1992) * La nube (1998) * Afrodita, el sabor del amor (2001) * Memoria del saqueo (2004) * La dignidad de los nadies (2005) * Argentina
Argentina
latente (2007) * La próxima estación (2008) * La tierra sublevada (2009)

QUOTES

"The possibility of making a new cinema completely outside the system depends on whether or not filmmakers can transform themselves from 'directors' into total filmmakers. And no one can become a total filmmaker without being a film technician, without being capable of handling the production."

REFERENCES

* ^ "