Fai chun
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''Fai chun'' () is a traditional decoration that is frequently used during
Chinese New Year Chinese New Year is the festival that celebrates the beginning of a new year on the traditional lunisolar and solar Chinese calendar. In Chinese and other East Asian cultures, the festival is commonly referred to as the Spring Festival () a ...
. People put ''fai chun'' in the doorways to create a jubilant festive atmosphere since the phrases written on it means good luck and prosperity. Customarily, ''fai chun'' is written by hand but owing to convenience, printed versions are mass-produced nowadays. ''fai chun'' is in either square or rectangular shape. It can be hung vertically or horizontally. Not only does it exist in Greater China but also in
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History

''Fai chun'' originated from ''taofu'' (桃符; peach wood charms) in ancient times. Peach wood charms are the long pieces of wood hung from peach trees. They are about seven to eight inches long and slightly more than one inch wide. According to the legend, there was a peach tree in the East China Sea that was the gate where the ghosts passed through between the underworld and the world of the living. Two gods, Shentu and Yulei, were responsible for guarding this gate. The ghosts travelling the world at night time were required to return to the underworld before the early morning. It was believed that the two gods could dispel all the demons which did harm to human at night time. People, therefore, used the peach wood to make two puppets of the two gods and put them at the entrance of their home in order to protect their family. Then, as early as the
Han dynasty The Han dynasty (, ; ) was an Dynasties in Chinese history, imperial dynasty of China (202 BC – 9 AD, 25–220 AD), established by Emperor Gaozu of Han, Liu Bang (Emperor Gao) and ruled by the House of Liu. The dynasty was preceded by th ...
, people found that it was hard and complicated to make puppets, so they simplified the puppets to two peach wood boards on which they drew portraits of the gods. Later on, people simply wrote down the names of the gods on pieces of peach wood and hung them on both sides of the door. Around the
Tang dynasty The Tang dynasty (, ; zh, t= ), or Tang Empire, was an Dynasties in Chinese history, imperial dynasty of China that ruled from 618 to 907 AD, with an Zhou dynasty (690–705), interregnum between 690 and 705. It was preceded by the Sui dyn ...
, commoners no longer wrote the names of the gods only but add some blessings to symbolize good fortune as well as express their hope and best wishes in the new year. Since
Ming dynasty The Ming dynasty (), officially the Great Ming, was an Dynasties in Chinese history, imperial dynasty of China, ruling from 1368 to 1644 following the collapse of the Mongol Empire, Mongol-led Yuan dynasty. The Ming dynasty was the last ort ...
, pieces of peach wood were replaced by square red papers. There is another story which is related to Fai Chun history. According to the legend, there was a monster who lived in the deep sea and had a lion-like head and an ox-like body, who was named ''Nian'' (年). Around New Year, it scared the villagers by eating their crops, livestock and even the villagers themselves. One time, during a rampage, Nian was seen running away from a house which had a red shirt hanging outside and then later, from a light. Consequently, the villagers discovered that the monster was afraid of red color, loud noise and flaming light. Since then, before every New Year, people paste red couplets in and outside their house, and let off firecrackers and fireworks, in order to scare the monster away. After Nian went back to the sea, people would come out and celebrate the New Year. This became a tradition every year, with people keep pasting red couplets every year, which is called ''Fai Chun'' now.


Colour

Traditional ''fai chun'' is in bright red color with black or gold characters inscribed on it with a brush. Similar to the color of fire, red color was chosen as to scare the legendary fierce and barbarous beast “ Nian”, which ate up villagers’ crops, livestock and even villagers themselves on the eve of the new year.


Forms of ''fai chun''

In the past, ''fai chun'' was presented in Xuan paper, also named rice-paper. Its fine and soft texture enables vivid and dynamic artistic expression of Chinese calligraphy. In this age of technology, city dwellers seldom write their own ''fai chun''. Instead, they purchase them in the stationery stores or shopping malls where a wide diversity of styles is offered. Thanks to the advancement in technology, ''fai chun'' can be printed in multiple colors. Commercialization of ''fai chun'' can be seen when animated characters are used to attract children while sparkling decoration are used to attract adults. Moreover, the material of ''fai chun'' is no more limited to mere paper. Fai chun made by cloth, plastic and layers of cardboards are quite common. Nevertheless, the practice of writing ''fai chun'' continues in traditional areas, particularly in walled villages.


Types of ''fai chun''

The types of ''fai chun'' are as follows:


''Doufang''

''Doufang'' (斗方) is a square that its angles point to four cardinal points. Owing to the limited space, this type of ''fai chun'' only displays one character such as “Chun” (春; Spring), “Man” (滿; Full) and “Fu” (福; Good fortune). “Man” is stuck on rice bins of refrigerators hoping for abundant food. “Fu” is always hung inverted on the center of the door on purpose. The reason behind this is the superstition that the homonymy of the Mandarin words “inverted” (倒) and “arrival” (到) suggests the arrival of happiness and good fortune. Combined words, a non-existent word that encompasses parts of Chinese characters, is also very common.


''Chuntiao''

''Chuntiao'' (春條) is a vertical or horizontal rectangle that carries two or four Chinese characters. Auspicious phases are expressed based on various contexts. For example, “Gōngxǐ fācái” 恭喜發財 is an ubiquitous phrase that wishes people to become affluent so it can be seen in all occasions. Regarding workplace, “Cáiyuán gǔngǔn” (財源滾滾; Merchandise will turn like a wheel) is a term that suggest prosperity. At home, “niánnián yǒuyú” (年年有餘; Surplus year-after-year) are deemed to wish for excess family possessions in the end of the year. Children usually paste “Xuéyè jìnbù” (學業進步; Progress in studies) on their bedroom doors hoping for higher form position in the coming academic year while the elderly hang “Lóng mǎ jīngshén” (龍馬精神; Spirits of dragon and horse), which is conceived to be able to shelter them from diseases.


''Chunlian'' (Spring couplets)

''Chunlian'' (春聯) is a
couplet A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the ...
, typically seven characters, on two sides of the door frame, whose content is related to spring. Lexical and tonal rules are always adhered, though not strictly, as ''chunlian'' is transformed from metrical poems. Sometimes, concurrently, a horizontal scroll with four to five characters is hung on the crosspiece of the door. Its content is mostly about the beauty of nature, patriotism of China and their earnestness of a splendid future. Besides being hung on door frames, ''chunlian'' are necessary items that are unfurled at the end of a dragon dance.


References

{{reflist Chinese New Year Chinese calligraphy