Ever Ever After
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"Ever Ever After" is a song by American singer Carrie Underwood, written by composer Alan Menken and lyricist
Stephen Schwartz Stephen Lawrence Schwartz (born March 6, 1948) is an American musical theatre lyricist and composer. In a career spanning over five decades, Schwartz has written such hit musicals as ''Godspell'' (1971), ''Pippin'' (1972), and ''Wicked'' (20 ...
for '' Enchanted ''(2007). The song, which was the last of several written for the film, appears as the fifth track on its soundtrack album. A mid-tempo
country pop Country pop (also known as pop country or urban cowboy) is a fusion genre of country music and pop music that was developed by members of the country genre out of a desire to reach a larger, mainstream audience. Country pop music blends genres ...
ballad that incorporates elements of both pop and rock music, the lyrics of "Ever Ever After" speak of falling in love and discovering one's happily ever after, as well as several other traditional elements that are often associated with fairy tales. "Ever Ever After" was written by Menken and Schwartz to replace a duet by actors
Idina Menzel Idina Kim Menzel ( ; ; born May 30, 1971) is an American actress and singer. Particularly known for her work in musicals on the Broadway stage and having achieved mainstream success across stage, film and music, Menzel has garnered the honori ...
and
James Marsden James Paul Marsden (born September 18, 1973) is an American actor, singer, and former model. Marsden began his acting career guest starring in the television shows '' Saved by the Bell: The New Class'' (1993), '' Touched by an Angel'' (1995), ' ...
that was meant to take place during the film's narrative. "Ever Ever After" appears as a voiceover following the film's climax. Most music critics have received the song with enthusiasm, praising its catchy melody and Underwood's vocals.


Background

The musical numbers featured in '' Enchanted'' are meant to serve as
plot device A plot device or plot mechanism is any technique in a narrative used to move the plot forward. A clichéd plot device may annoy the reader and a contrived or arbitrary device may confuse the reader, causing a loss of the suspension of disbelie ...
s, gradually progressing and modernizing in terms of style, theme and composition as the film approaches its end, evolving from a traditional musical or Broadway score into a more contemporary one. The final song to appear in the film, composer Alan Menken described "Ever Ever After" as the most modern of ''Enchanteds musical numbers. Actress
Amy Adams Amy Lou Adams (born August 20, 1974) is an American actress. Known for both her comedic and dramatic roles, she has been featured three times in annual rankings of the world's highest-paid actresses. She has received various accolades, incl ...
, who portrays the film's heroine Giselle, commented, "we end up with Carrie Underwood's 'Ever Ever After' which is a country rock ballad. So the music continues to evolve in the film". "Ever Ever After" was the last song to be written for '' Enchanted''. Originally, a traditional "Disney-style" musical number titled "Enchanted" was written by Menken and Schwartz, scheduled to appear in the film as a duet between Broadway performer Idina Menzel, who portrays the character Nancy Tremaine, and actor James Marsden, who portrays Prince Edward. However, the filmmakers got the impression that the duet only succeeded in slowing down the pace of film. Menken explained, "it was just really extremely difficult that late in the game to deliver that kind of song." Ultimately, the songwriters decided to replace it with country singer Carrie Underwood's voiceover performance "Ever Ever After" that occurs following the film's climax. In the film, the song is first heard after Giselle and Robert finally confess their love for each other after they defeat Queen Narissa. While Giselle and Robert reunite with Robert's daughter Morgan during the montage, Edward and Nancy, who were both at one point affianced to Giselle and Robert respectively, are shown deciding to marry each other.


Composition

"Ever Ever After" is a country power ballad, described by lyricist Stephen Schwartz as "a grown-up, contemporary pop number". The song also incorporates some elements of country rock. According to Musicnotes.com, "Ever Ever After" is written in
common time The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note val ...
in the key of
G major G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor. The G major scale is: Notable composi ...
at a moderately fast tempo of 112
beats per minute Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery ...
. The song's instrumentation includes both guitar and piano, as well as a combination of both lead and background vocals.


Critical reception

"Ever Ever After" has been positively received by music critics. ''
Entertainment Weekly ''Entertainment Weekly'' (sometimes abbreviated as ''EW'') is an American digital-only entertainment magazine based in New York City, published by Dotdash Meredith, that covers film, television, music, Broadway theatre, books, and popular cu ...
's ''Joy Piedmont described the song as both "catchy" and listenable. She also praised Underwood's vocal performance, writing, "she sounds great singing it." Jacqueline Rupp of
Common Sense Media Common Sense Media (CSM) is an organization that reviews and provides ratings for media and technology with the goal of providing information on their suitability for children.
wrote, "Carrie Underwood's power ballad, 'Ever Ever After' will have widespread appeal for all ages". Retrieved July 4, 2013.
Allmusic AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the databa ...
commented, "Carrie Underwood steals the show with her rapturous pop tune".
Amazon.com Amazon.com, Inc. ( ) is an American multinational technology company focusing on e-commerce, cloud computing, online advertising, digital streaming, and artificial intelligence. It has been referred to as "one of the most influential econo ...
reviewer Elisabeth Vincentelli wrote, "Carrie Underwood brings us back into the 21st century with the single 'Ever Ever After'".
Filmtracks.com Filmtracks.com is a modern film score review website created and maintained by its sole reviewer, Christian Clemmensen. Since the launch of Filmtracks in 1996, the website has reviewed nearly two-thousand soundtracks dating as far back as 1954, t ...
reacted less favorably towards the song, describing it as "stale" and "a bit too grating in its instrumentation and vocalization".


Music video

The release of "Ever Ever After" was accompanied by a music video, in which Underwood appears as its protagonist. The video was directed by
Roman White Roman White is a music video and film director who has directed most of Carrie Underwood's videos. He has also directed music videos for Taylor Swift, Kelly Clarkson, Florida Georgia Line, Kelsea Ballerini, Cassadee Pope, Josh Groban, Easton Corbin ...
, who has directed the majority of Underwood's music videos, and borrows its visual style from ''Enchanted ''by combining both animated and live-action sequences and "interspersing them with scenes from the film." In the video, Underwood first appears as an animated version of herself in the fictional kingdom of Andalasia, eventually transporting into the live-action world of present-day Manhattan, New York, much like Giselle does in the film. Once in New York, Underwood enamors a young man who pursues her as she makes her way through the city, all-the-while singing the song's lyrics that appear to have a positive influence on many of city's residents. The video concludes with Underwood finally uniting with her pursuer. They finally get married in Andalasia, imitating a scene from the film. Critical reception towards the video, although generally taciturn, has been mostly mixed. PopSugar wrote, "as ridiculous as the video is, it definitely made me giggle". Joy Piedmont of ''Entertainment Weekly'' questioned the video's logic. The reviewer also felt that Underwood is less expressive than her animated counterpart.


Charts


References

{{authority control 2000s ballads 2007 singles 2007 songs Animated music videos Songs from Enchanted (film) Carrie Underwood songs Songs written by Stephen Schwartz (composer) Music videos directed by Roman White Songs with music by Alan Menken Song recordings produced by Mark Bright (record producer) Walt Disney Records singles