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Eva María Duarte de Perón
Perón
(7 May 1919 – 26 July 1952) was the wife of Argentine President Juan Perón
Juan Perón
(1895–1974) and First Lady of Argentina
Argentina
from 1946 until her death in 1952. She is usually referred to as Eva Perón
Eva Perón
or Evita. She was born in poverty in the rural village of Los Toldos, in the Pampas, as the youngest of five children. At 15 in 1934, she moved to the nation's capital of Buenos Aires
Buenos Aires
to pursue a career as a stage, radio, and film actress. She met Colonel Juan Perón
Juan Perón
there on 22 January 1944 during a charity event at the Luna Park Stadium to benefit the victims of an earthquake in San Juan, Argentina. The two were married the following year. Juan Perón
Juan Perón
was elected President of Argentina
Argentina
in 1946; during the next 6 years, Eva Perón
Eva Perón
became powerful within the pro-Peronist trade unions, primarily for speaking on behalf of labor rights. She also ran the Ministries of Labor and Health, founded and ran the charitable Eva Perón
Eva Perón
Foundation, championed women's suffrage in Argentina, and founded and ran the nation's first large-scale female political party, the Female Peronist Party. In 1951, Eva Perón
Eva Perón
announced her candidacy for the Peronist nomination for the office of Vice President of Argentina, receiving great support from the Peronist political base, low-income and working-class Argentines who were referred to as descamisados or "shirtless ones". However, opposition from the nation's military and bourgeoisie, coupled with her declining health, ultimately forced her to withdraw her candidacy.[1] In 1952, shortly before her death from cancer at 33, Eva Perón
Eva Perón
was given the title of "Spiritual Leader of the Nation" by the Argentine Congress.[2][3][4] She was given a state funeral upon her death, a prerogative generally reserved for heads of state. Eva Perón
Eva Perón
has become a part of international popular culture,[5][page needed] most famously as the subject of the musical Evita (1976).[6] Even today, Evita has never left the collective consciousness of Argentines.[3] Cristina Fernández de Kirchner, the first elected female President of Argentina, and many other leaders attest that women of her generation owe a debt to Eva for "her example of passion and combativeness".[7]

Contents

1 Early life

1.1 Early childhood 1.2 Junín 1.3 Move to Buenos Aires

2 Early relationship with Juan Perón 3 Rise to power

3.1 Juan Perón's arrest 3.2 1946 Presidential election victory

4 European tour 5 Charitable and feminist activities

5.1 Eva Foundation 5.2 Female Peronist Party
Female Peronist Party
and women's suffrage

6 1952 Presidential election

6.1 Vice Presidential nomination 6.2 Declining health 6.3 Re-election and Spiritual Leader of the Nation

7 Death and aftermath

7.1 Death 7.2 Mourning 7.3 Memorial 7.4 Disappearance and return of body 7.5 Final resting place

8 Legacy and criticism

8.1 Argentina
Argentina
and Latin America 8.2 Allegations of fascism 8.3 International popular culture

9 Titles and honours

9.1 Titles and styles 9.2 Honours

9.2.1 National honours 9.2.2 Foreign honours

10 See also 11 References 12 Bibliography 13 Further reading 14 External links

Early life[edit]

Eva Duarte at her First Holy Communion, 1926

Early childhood[edit] Eva's autobiography, La Razón de mi Vida,[8] contains no dates or references to childhood occurrences, and does not list the location of her birth or her name at birth.[9][page needed] According to Junín's civil registry, a birth certificate shows that one María Eva Duarte was born on 7 May 1922. Her baptismal certificate, however, lists the date of birth as 7 May 1919 under the name Eva María Ibarguren.[10][11] It is thought[by whom?] that in 1945 the adult Eva Perón
Perón
created a forgery of her birth certificate for her marriage.[12][page needed] Eva Perón
Eva Perón
spent her childhood in Junín, Buenos Aires
Buenos Aires
province. Her father, Juan Duarte, was descended from French Basque immigrants. Her mother Juana Ibarguren, was descended from Spanish Basque immigrants.[13] Juan Duarte, a wealthy rancher from nearby Chivilcoy, already had a wife and family there. At that time in rural Argentina, it was not uncommon for a wealthy man to have multiple families.[14] When Eva was a year old, Duarte returned permanently to his legal family, leaving Juana Ibarguren and her children in penury. Ibarguren and her children were forced to move to the poorest area of Junín. Los Toldos
Los Toldos
was a village in the dusty region of Las Pampas, with a reputation as a desolate place of abject poverty. To support herself and her children, Ibarguren sewed clothes for neighbors. The family was stigmatized by the abandonment of the father and by the illegitimate status of the children under Argentine law, and was consequently somewhat isolated. A desire to expunge this part of her life might have been a motivation for Eva to arrange the destruction of her original birth certificate in 1945.[12][page needed][15] When Duarte suddenly died and his mistress and their children sought to attend his funeral, there was an unpleasant scene at the church gates. Although Juana and the children were permitted to enter and pay their respects to Duarte, they were promptly directed out of the church. Mrs. Juan Duarte did not want her husband's mistress and children at the funeral and, as those of the legitimate wife, her orders were respected. Junín[edit] Prior to abandoning Juana Ibarguren, Juan Duarte had been her sole means of support. Biographer John Barnes writes that after this abandonment, all Duarte left to the family was a document declaring that the children were his, thus enabling them to use the Duarte surname.[16][page needed] Soon after, Juana moved her children to a one-room apartment in Junín. To pay the rent on their single-roomed home, mother and daughters took up jobs as cooks in the houses of the local estancias. Eventually, owing to Eva's older brother's financial help, the family moved into a bigger house, which they later transformed into a boarding house.[12][page needed] During this time, young Eva often participated in school plays and concerts. One of her favorite pastimes was the cinema. Though Eva's mother apparently had a few plans for Eva, wanting to marry her off to one of the local bachelors, Eva herself dreamed of becoming a famous actress.[16][page needed] Eva's love of acting was reinforced when, in October 1933, she played a small role in a school play called Arriba estudiantes (Students Arise), which Barnes describes as "an emotional, patriotic, flag-waving melodrama."[16][page needed] After the play, Eva was determined to become an actress.[16][page needed] Move to Buenos Aires[edit]

Eva Duarte in 1939 at age 20, photographed by Annemarie Heinrich

In her autobiography, she explained that all the people from her own town who had been to the big cities described them as "marvelous places, where nothing was given but wealth". In 1934, at the age of 15, Eva escaped her poverty-stricken village when, according to popular myth, she ran off with a young musician to the nation's capital of Buenos Aires. The young couple's relationship would end almost as quickly as it began, but Eva remained in Buenos Aires. She began to pursue jobs on the stage and the radio, and eventually became a film actress. Eva had a series of relationships, and via some of these men she did acquire a number of her modeling appointments. She bleached her natural black hair to blond, a look she would maintain for the duration of her life.[9][page needed] It is often reported that Eva traveled to Buenos Aires
Buenos Aires
by train with tango singer Agustín Magaldi.[5][page needed][16][page needed] However, biographers Marysa Navarro and Nicholas Fraser maintain that this is unlikely, as there is no record of the married Magaldi performing in Junín in 1934 (and, even if he had, he usually traveled with his wife). Eva's sisters maintain that Eva traveled to Buenos Aires
Buenos Aires
with their mother. The sisters also claim that Doña Juana accompanied her daughter to an audition at a radio station and arranged for Eva to live with the Bustamante family, who were friends of the Duarte family.[17] While the method of Eva's escape from her bleak provincial surroundings is debated, she did begin a new life in Buenos Aires.

Buenos Aires
Buenos Aires
in the 1930s was known as the "Paris of South America". The center of the city had many cafés, restaurants, theaters, movie houses, shops and bustling crowds. In direct contrast, the 1930s were also years of great unemployment, poverty and hunger in the capital, and many new arrivals from the interior were forced to live in tenements, boardinghouses and in outlying shanties that became known as villas miserias.[17]

Eva Duarte and Libertad Lamarque
Libertad Lamarque
in La Cabalgata del Circo, 1945

Upon arrival in Buenos Aires, Eva Duarte was faced with the difficulties of surviving without formal education or connections. The city was especially overcrowded during this period because of the migrations caused by the Great Depression. On 28 March 1935, she had her professional debut in the play Mrs. Perez (la Señora de Pérez), at the Comedias Theater. In 1936, Eva toured nationally with a theater company, worked as a model, and was cast in a few B-grade movie melodramas. In 1942, Eva experienced some economic stability when a company called Candilejas (sponsored by a soap manufacturer) hired her for a daily role in one of their radio dramas called Muy bien, which aired on Radio El Mundo (World Radio), the most important radio station in the country at that time.[5][page needed] Later that year, she signed a five-year contract with Radio Belgrano, which assured her a role in a popular historical-drama program called Great Women of History, in which she played Elizabeth I of England, Sarah Bernhardt, and the last Tsarina of Russia. Eventually, Eva Duarte came to co-own the radio company. By 1943, Eva Duarte was earning five or six thousand pesos a month, making her one of the highest-paid radio actresses in the nation. Pablo Raccioppi, who jointly ran Radio El Mundo with Eva Duarte, is said to have not liked her, but to have noted that she was "thoroughly dependable".[18] Eva also had a short-lived film career, but none of the films in which she appeared were hugely successful. In one of her last films, La cabalgata del circo
La cabalgata del circo
(The Circus Cavalcade), Eva played a young country girl who rivaled an older woman, the movie's star, Libertad Lamarque. As a result of her success with radio dramas and the films, Eva achieved some financial stability. In 1942, she was able to move into her own apartment in the exclusive neighborhood of Recoleta, on 1567 Calle Posadas. The next year Eva began her career in politics, as one of the founders of the Argentine Radio Syndicate (ARA).[12][page needed] Early relationship with Juan Perón[edit]

Evita and Juan Perón
Juan Perón
in 1947.

Official portrait of Juan Domingo Perón
Juan Domingo Perón
and Evita, by Numa Ayrinhac in 1948. He is the only Argentine President accompanied by the First Lady in an official portrait.

On 15 January 1944 an earthquake occurred in the town of San Juan, Argentina, killing some 10,000 people. In response, Perón, who was then the Secretary of Labour, established a fund to raise money to aid the victims. He devised a plan to have an "artistic festival" as a fundraiser, and invited radio and film actors to participate. After a week of fundraising, all participants met at a gala held at Luna Park Stadium in Buenos Aires
Buenos Aires
to benefit earthquake victims. It was at this gala, on 22 January 1944, that Eva Duarte first met Colonel Juan Perón.[19] Eva promptly became the colonel's mistress. Eva referred to the day she met her future husband as her "marvelous day".[20] Fraser and Navarro write that Juan Perón
Juan Perón
and Eva left the gala together at around two in the morning.[21] Fraser and Navarro claim that Eva Duarte had no knowledge of or interest in politics prior to meeting Perón. Therefore, she never argued with Perón
Perón
or any of his inner circle, but merely absorbed what she heard.[22] Juan Perón
Juan Perón
later claimed in his memoir that he purposefully selected Eva as his pupil, and set out to create in her a "second I."[23] Fraser and Navarro, however, suggest that Juan Perón allowed Eva Duarte such intimate exposure and knowledge of his inner circle because of his age: he was 48 and she was 24 when they met. He had come to politics late in life, and was therefore free of preconceived ideas of how his political career should be conducted, and he was willing to accept whatever aid she offered him.[22] In May 1944, it was announced that broadcast performers must organize themselves into a union, and that this union would be the only one permitted to operate in Argentina. Shortly after the union formed, Eva Duarte was elected its president. Fraser and Navarro speculate that Juan Perón
Juan Perón
made the suggestion that performers create a union, and the other performers likely felt it was good politics to elect his mistress. Shortly after her election as president of the union, Eva Duarte began a daily program called Toward a Better Future, which dramatized in soap opera form the accomplishments of Juan Perón. Often, Perón's own speeches were played during the program. When she spoke, Eva Duarte spoke in ordinary language as a regular woman who wanted listeners to believe what she herself believed about Juan Perón.[24] Rise to power[edit] Juan Perón's arrest[edit]

Part of a series on the

History of Argentina

Pre-Columbian

Indigenous peoples in Argentina Inca Empire

Colonial Argentina

Governorate of New Andalusia (1534-1542) Governorate of the Río de la Plata (1549-1776) Royal Audiencia of Buenos Aires (1661-1671), (1759-1788) Viceroyalty of the Río de la Plata (1776–1814)

Independence

May Revolution War of Independence Congress of Tucumán

Civil Wars

Bernardino Rivadavia Juan Manuel de Rosas French blockade of the Río de la Plata Anglo-French blockade of the Río de la Plata

Rise of Argentine Republic

1853 Constitution Conquest of the Desert Generation of '80 Radical Phase (1916–30) The Infamous Decade

Peronism

Juan Perón
Juan Perón
and Eva Perón General Confederation of Labour

Post-WW II (1955 to 1976)

Revolución Libertadora Arturo Frondizi 1963 Argentine Navy revolt Arturo Umberto Illia Argentine Revolution Montoneros
Montoneros
and ERP

National Reorganization Process

Dirty War Falklands War (Guerra de las Malvinas)

Return to democracy

Trial of the Juntas Raúl Alfonsín December 2001 riots Kirchnerism

Argentina
Argentina
portal

v t e

Demonstration for Perón's release, on 17 October 1945. The Casa Rosada is seen in the background.

By early 1945, a group of Army officers called the GOU for "Grupo de Oficiales Unidos" (United Officers Group), nicknamed "The Colonels", had gained considerable influence within the Argentine government. President Pedro Pablo Ramírez
Pedro Pablo Ramírez
became wary of Juan Perón's growing power within the government and was unable to curb that power. On 24 February 1944, Ramírez signed his own resignation paper, which Fraser and Navarro claim was drafted by Juan Perón
Juan Perón
himself. Edelmiro Julián Farrell, a friend of Juan Perón, became President. Juan Perón returned to his job as Labor Minister. Fraser and Navarro claim that, by this point, Perón
Perón
was the most powerful man in the Argentine government.[25] On 9 October 1945 Juan Perón
Juan Perón
was arrested by his opponents within the government who feared that due to the strong support of the descamisados, the workers and the poor of the nation, Perón's popularity might eclipse that of the sitting president. Six days later, between 250,000 and 350,000 people gathered in front of the Casa Rosada, Argentina's government house, to demand Juan Perón's release, and their wish was granted. At 11 pm, Juan Perón stepped onto the balcony of the Casa Rosada
Casa Rosada
and addressed the crowd. Biographer Robert D. Crassweller claims that this moment was very powerful because it was very dramatic and recalled many important aspects of Argentine history. Crassweller writes that Juan Perón enacted the role of a caudillo addressing his people in the tradition of Argentine leaders Rosas and Yrigoyen. Crassweller also claims that the evening contained "mystic overtones" of a "quasi-religious" nature.[26] Eva Perón
Eva Perón
has often been credited with organizing the rally of thousands that freed Juan Perón
Juan Perón
from prison on 17 October 1945. This version of events was popularized in the movie version of the Lloyd Webber musical. Most historians, however, agree that this version of events is unlikely.[27] At the time of Perón's imprisonment, Eva was still merely an actress. She had no political clout with the various labor unions, and it is claimed that she was not well-liked within Perón's inner circle, nor was she liked by many within the film and radio business at this point. When Juan Perón
Juan Perón
was imprisoned, Eva Duarte was suddenly disenfranchised. In reality, the massive rally that freed Perón
Perón
from prison was organized by the various unions, such as General Labor Confederation, or CGT as they came to be known. To this day, the date of 17 October is something of a holiday for the Justicialist Party
Justicialist Party
in Argentina
Argentina
(celebrated as Día de la Lealtad, or "Loyalty Day"). What would follow was shocking and nearly unheard of. The well connected and politically rising star, Juan Peron, married Eva. Despite Eva's childhood illegitimacy, and having an uncertain reputation, Peron was in love with Eva, and her loyal devotion to him even while he had been under arrest touched him deeply, and so he married her, providing a respectability she had never known. Eva and Juan were married discreetly in a civil ceremony in Junín on 18 October 1945 and in a church wedding on 9 December 1945. 1946 Presidential election victory[edit] After his release from prison, Juan Perón
Juan Perón
decided to campaign for the presidency of the nation, which he won in a landslide. Eva campaigned heavily for her husband during his 1946 presidential bid. Using her weekly radio show, she delivered powerful speeches with heavy populist rhetoric urging the poor to align themselves with Perón's movement. Though she had become wealthy from her radio and modeling success, she highlighted her own humble upbringing as a way of showing solidarity with the impoverished classes.[citation needed] Along with her husband, Eva visited every corner of the country, becoming the first woman in Argentina's history to appear in public on the campaign trail with her husband. Eva's appearance alongside her husband often offended the establishment of the wealthy, the military, and those in political life. However, she was very popular with the general public who knew her from her radio and motion picture appearances. It was during this phase of her life that she first encouraged the Argentine population to refer to her not as "Eva Perón" but simply as "Evita", which is a Spanish diminutive or affectionate nickname roughly equivalent to "Little Eva" or "Evie."[citation needed] European tour[edit]

Perón
Perón
arrives in Madrid

In 1947, Eva embarked on a much-publicized "Rainbow Tour" of Europe, meeting with numerous dignitaries and heads of state, such as Francisco Franco
Francisco Franco
and Pope Pius XII. Biographers Fraser and Navarro write that the tour had its genesis in an invitation the Spanish leader had extended to Juan Perón. For political reasons it was decided that Eva, rather than Juan Perón, should make the visit. Fraser and Navarro write that Argentina
Argentina
had only recently emerged from its "wartime quarantine", thus taking its place in the United Nations and improving relations with the United States. Therefore, a visit to Franco, with António Salazar of Portugal, the last remaining west European authoritarian leaders in power, would be diplomatically frowned upon internationally. Fraser and Navarro write that Eva decided that, if Juan Perón
Juan Perón
would not accept Franco's invitation for a state visit to Spain, then she would. Advisors then decided that Eva should visit many European countries in addition to Spain. This would make it seem that Eva's sympathies were not specifically with Franco's fascist Spain
Spain
but with all of Europe. The tour was billed not as a political tour but as a non-political "goodwill" tour.[28] Eva was well received in Spain, where she visited the tombs of Spanish monarchs Ferdinand and Isabella in the Capilla Real de Granada. Francoist Spain
Francoist Spain
had not recovered from the Spanish Civil War
Spanish Civil War
(the autarkic economy and the UN embargo meant that the country could not feed its people). During her visit to Spain, Eva handed out 100-peseta notes to many poor children she met on her journey. She also received from Franco the highest award given by the Spanish government, the Order of Isabella the Catholic. Eva then visited Rome, where the reception was not as warm as it had been in Spain. Though Pope Pius XII
Pope Pius XII
did not give her a Papal decoration, she was allowed the time usually allotted queens and was given a rosary. [29] Her next stop was France, where she was generally well received. She visited the Palace of Versailles, among other sites. She also met with Charles de Gaulle. She promised France two shipments of wheat. While in France, Eva received word that George VI would not receive her when she planned to visit Britain, regardless of what his Foreign Office might advise,[30] and that her visit would not be viewed as a state visit. Fraser and Navarro wrote that Eva regarded the royal family's refusal to meet her as a snub, and canceled the trip to the United Kingdom. Eva, however, gave "exhaustion" as the official reason for not going on to Britain. Eva also visited Switzerland during her European tour, a visit that has been viewed as the worst part of the trip. According to the book Evita: A Biography by John Barnes, while she traveled down a street with many people crowding her car, someone threw two stones and smashed the windshield. She threw her hands up in shock, but was not injured. Later, while sitting with the Foreign Minister, protesters threw tomatoes at her. The tomatoes hit the Foreign Minister and splattered on Eva's dress. After these two events, Eva had had enough, and after two months returned to Argentina. Members of the Peronist opposition speculated that the true purpose of the European tour was to deposit funds in a Swiss bank account. "The opposition in Buenos Aires", write Fraser and Navarro, "assumed that the genuine purpose of the whole European visit was for Eva and her husband to deposit money in Swiss bank accounts, and that the rest had been devised to conceal this. Many wealthy Argentines did this, but there are many more convenient and less conspicuous ways of depositing money in Swiss accounts than meeting the Swiss Foreign Minister and being shown around a watch factory."[31] Fraser and Navarro conclude, "Was there a Swiss bank account? It seems unlikely."[32] During her tour to Europe, Eva Perón
Eva Perón
was featured in a cover story for Time magazine. The cover's caption–"Eva Perón: Between two worlds, an Argentine rainbow"–was a reference to the name given to Eva's European tour, The Rainbow Tour. This was the only time in the periodical's history that a South American first lady appeared alone on its cover. (In 1951, Eva appeared again with Juan Perón.) However, the 1947 cover story was also the first publication to mention that Eva had been born out of wedlock. In retaliation, the periodical was banned from Argentina
Argentina
for several months.[33] After returning to Argentina
Argentina
from Europe, Evita never again appeared in public with the complicated hairdos of her movie star days. The brilliant gold color became more subdued in tone, and even the style changed, her hair being pulled back severely into a heavy braided chignon. Additionally, her extravagant clothing became more refined after the tour. No longer did she wear the elaborate hats and form-fitting dresses of Argentine designers. Soon she adopted simpler and more fashionable Paris couture and became particularly attached to the fashions of Christian Dior and the jewels of Cartier. In an attempt to cultivate a more serious political persona, Eva began to appear in public wearing conservative though stylish tailleurs (a business-like combination of skirts and jackets), which also were made by Dior and other Paris couture houses. Charitable and feminist activities[edit] See also: Feminism in Argentina Eva Foundation[edit]

Perón
Perón
meets with the public in her foundation's office

The Sociedad de Beneficencia (Society of Beneficence), a charity group made up of 87 society ladies, was responsible for most charity works in Buenos Aires
Buenos Aires
prior to the election of Juan Perón. Fraser and Navarro write that at one point the Sociedad had been an enlightened institution, caring for orphans and homeless women, but that those days had long since passed by the time of the first term of Juan Perón. In the 1800s, the Sociedad had been supported by private contributions, largely those of the husbands of the society ladies. But by the 1940s, the Sociedad was supported by the government.[5][page needed] It had been the tradition of the Sociedad to elect the First Lady of Argentina
Argentina
as president of the charity. But the ladies of the Sociedad did not approve of Eva Perón's impoverished background, lack of formal education, and former career as an actress. Fraser and Navarro write that the ladies of the Sociedad were afraid that Evita would set a bad example for the orphans, therefore the society ladies did not extend to Evita the position of president of their organization. It has often been said that Evita had the government funding for the Sociedad cut off in retaliation. Fraser and Navarro suggest that this version of events is in dispute, but that the government funding that had previously supported the Sociedad now went to support Evita's own foundation. The Fundación María Eva Duarte de Perón
Perón
was created on 8 July 1948. It was later renamed to, simply, the Eva Perón Foundation. Its funding began with 10,000 pesos provided by Evita herself.[34] In The Woman with the Whip, the first English language biography of Eva Perón, author Mary Main writes that no account records were kept for the foundation because it was merely a means of funneling government money into private Swiss bank accounts
Swiss bank accounts
controlled by the Peróns.[35][page needed] Fraser and Navarro, however, counter these claims, writing that Ramón Cereijo, Minister of Finance, kept records, and that the foundation "began as the simplest response to the poverty (Evita) encountered each day in her office" and "the appalling backwardness of social services—or charity, as it was still called—in Argentina."[36] Crassweller writes that the foundation was supported by donations of cash and goods from the Peronist unions and private businesses, and that the Confederación General del Trabajo donated three man-days (later reduced to two) of salary for every worker per year. Tax on lottery and movie tickets also helped to support the foundation, as did a levy on casino and revenue from horse races. Crassweller also notes that there were some cases of businesses being pressured to donate to the foundation, with negative repercussions resulting if requests for donations were not met.[37] Within a few years, the foundation had assets in cash and goods in excess of three billion pesos, or over $200 million at the exchange rate of the late 1940s. It employed 14,000 workers, of whom 6,000 were construction workers, and 26 priests. It purchased and distributed annually 400,000 pairs of shoes, 500,000 sewing machines, and 200,000 cooking pots. The foundation also gave scholarships, built homes, hospitals, and other charitable institutions. Every aspect of the foundation was under Evita's supervision. The foundation also built entire communities, such as Evita City, which still exists today. Fraser and Navarro claim that due to the works and health services of the foundation, for the first time in history there was no inequality in Argentine health care.[38]

Eva kicks off the Youth Football Championship, 1948.

Fraser and Navarro write that it was Evita's work with the foundation that played a large role in her idealization, even leading some to consider her a saint. Though it was unnecessary from a practical standpoint, Evita set aside many hours per day to meet with the poor who requested help from her foundation. During these meetings with the poor, Evita often kissed the poor and allowed them to kiss her. Evita was even witnessed placing her hands in the suppurated wounds of the sick and poor, touching the leprous, and kissing the syphilitic. Fraser and Navarro write that though Argentina
Argentina
is secular in many respects, it is essentially a Catholic country. Therefore, when Evita kissed the syphilitic and touched the leprous she "...ceased to be the President's wife and acquired some of the characteristics of saints depicted in Catholicism." Poet José María Castiñeira de Dios, a man from a wealthy background, reflected on the times he witnessed Evita meeting with the poor: "I had had a sort of literary perception of the people and the poor and she had given me a Christian one, thus allowing me to become a Christian in the profoundest sense...."[39] Fraser and Navarro write that toward the end of her life, Evita was working as many as 20 to 22 hours per day in her foundation, often ignoring her husband's request that she cut back on her workload and take the weekends off. The more she worked with the poor in her foundation, the more she adopted an outraged attitude toward the existence of poverty, saying, "Sometimes I have wished my insults were slaps or lashes. I've wanted to hit people in the face to make them see, if only for a day, what I see each day I help the people."[40] Crassweller writes that Evita became fanatical about her work in the foundation and felt on a crusade against the very concept and existence of poverty and social ills. "It is not surprising", writes Crassweller, "that as her public crusades and her private adorations took on a narrowing intensity after 1946, they simultaneously veered toward the transcendental." Crassweller compares Evita to Ignatius Loyola, saying she came to be akin to a one-woman Jesuit Order.[41] Female Peronist Party
Female Peronist Party
and women's suffrage[edit]

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Perón
Perón
supported the female vote

Biographers Fraser and Navarro wrote that Eva Perón
Eva Perón
has often been credited with gaining the right to vote for Argentine women. While Eva did make radio addresses in support of women's suffrage and also published articles in her Democracia newspaper asking male Peronists to support women's right to vote, ultimately the ability to grant to women the right to vote was beyond Eva's powers. Fraser and Navarro claim that Eva's actions were limited to supporting a bill introduced by one of her supporters, Eduardo Colom, a bill that was eventually dropped. A new women's suffrage bill was introduced, which the Senate of Argentina
Argentina
sanctioned on 21 August 1946. It was necessary to wait more than a year before the House of Representatives sanctioned it on 9 September 1947. Law 13,010 established the equality of political rights between men and women and universal suffrage in Argentina. Finally, Law 13,010 was approved unanimously. In a public celebration and ceremony, however, Juan Perón
Juan Perón
signed the law granting women the right to vote, and then he handed the bill to Eva, symbolically making it hers. Eva Perón
Eva Perón
then created the Female Peronist Party, the first large female political party in the nation. Navarro and Fraser write that by 1951, the party had 500,000 members and 3,600 headquarters across the country. Navarro and Fraser write that while Eva Perón
Eva Perón
did not consider herself a feminist, her impact on the political life of women was decisive. Thousands of previously apolitical women entered politics because of Eva Perón. They were the first women active in Argentine politics. The combination of female suffrage and the organization of the Female Peronist Party
Female Peronist Party
granted Juan Perón
Juan Perón
a large majority (sixty-three percent) of the vote in the 1951 presidential elections. 1952 Presidential election[edit] Vice Presidential nomination[edit]

A crowd of an estimated two million gathers in 1951 to show support for the Perón- Eva Perón
Eva Perón
ticket

In 1951, Evita set her sights on earning a place on the ballot as candidate for vice-president. This move angered many military leaders who despised Evita and her increasing powers within the government. According to the Argentine Constitution, the Vice President automatically succeeds the President in the event of the President's death. The possibility of Evita becoming president in the event of Juan Perón's death was not something the military could accept.[5][page needed] She did, however, receive great support from the working class, the unions, and the Peronist Women's Party. The intensity of the support she drew from these groups is said to have surprised even Juan Perón himself. Fraser and Navarro write that the wide support Evita's proposed candidacy generated indicated to him that Evita had become as important to members of the Peronist party as Juan Perón
Juan Perón
himself was.[42]

Perón
Perón
embraces her husband during the 1951 joint ticket rally, unable to accept popular calls that she run for Vice-President

On 22 August 1951, the unions held a mass rally of two million people called "Cabildo Abierto." (The name "Cabildo Abierto" was a reference and tribute to the first local Argentine government of the May Revolution, in 1810.) The Peróns addressed the crowd from the balcony of a huge scaffolding set up on the Avenida 9 de Julio, several blocks away from the Casa Rosada, the official government house of Argentina. Overhead were two large portraits of Eva and Juan Perón. It has been claimed that "Cabildo Abierto" was the largest public display of support in history for a female political figure.[17] At the mass rally, the crowd demanded that Evita publicly announce her candidacy as vice president. She pleaded for more time to make her decision. The exchange between Evita and the crowd of two million became, for a time, a genuine and spontaneous dialogue,[citation needed] with the crowd chanting, "¡Evita, Vice-Presidente!" When Evita asked for more time so she could make up her mind, the crowd demanded, "¡Ahora, Evita, ahora!" ("Now, Evita, now!"). Eventually, they came to a compromise. Evita told the audience that she would announce her decision over the radio a few days later. Declining health[edit]

Eva Perón
Eva Perón
addresses the Peronists on 17 October 1951. By this point she was too weak to stand without Juan Perón's aid.

Eventually, she declined the invitation to run for vice-president. She said her only ambition was that in the large chapter of history to be written about her husband, the footnotes would mention a woman who brought the "...hopes and dreams of the people to the president", a woman who eventually turned those hopes and dreams into "glorious reality". In Peronist rhetoric, this event has come to be referred to as "The Renunciation", portraying Evita as having been a selfless woman in line with the Hispanic myth of marianismo. Most biographers, however, postulate that Evita did not so much renounce her ambition as bow to pressure from her husband, the military, and the Argentine upper class, who preferred that she not enter the race.

Perón's renunciation speech (in Spanish). Source: Radio Nacional. RTA. Argentina

On 9 January 1950, Evita fainted in public and underwent surgery three days later. Although it was reported that she had undergone an appendectomy, she was diagnosed with advanced cervical cancer.[43] Fainting continued through 1951 (including the evening after "Cabildo abierto"), with extreme weakness and severe vaginal bleeding. By 1951, it had become evident that her health was rapidly deteriorating. Although her diagnosis was withheld from her by Juan,[44] she knew she was not well, and a bid for the vice-presidency was not practical. Only a few months after "the Renunciation", Evita underwent a secret radical hysterectomy in an attempt to eradicate her advanced cervical cancer.[45][page needed] In 2011, a Yale neurosurgeon, Dr. Daniel E. Nijensohn studied Evita's skull x-rays and photographic evidence and said that Perón
Perón
may have been given a prefrontal lobotomy in the last months of her life, "...to relieve the pain, agitation and anxiety she suffered in the final months of her illness."[46][47][48][49][50] Re-election and Spiritual Leader of the Nation[edit] On 4 June 1952, Evita rode with Juan Perón
Juan Perón
in a parade through Buenos Aires in celebration of his re-election as President of Argentina. Evita was by this point so ill that she was unable to stand without support. Underneath her oversized fur coat was a frame made of plaster and wire that allowed her to stand. She took a triple dose of pain medication before the parade, and took another two doses when she returned home. In a ceremony a few days after Juan Perón's second inauguration, Evita was given the official title of "Spiritual Leader of the Nation." Death and aftermath[edit]

Evita's elaborately adorned funeral

Death[edit] Although Perón
Perón
had undergone a hysterectomy performed by the American surgeon George T. Pack,[51] the cervical cancer had metastasized and returned rapidly.[45][page needed] She was the first Argentine to undergo chemotherapy (a novel treatment at that time). Despite all available treatment, she became emaciated, weighing only 36 kg (79 lb) by June 1952.[citation needed] Eva died at the age of 33, at 8:25 p.m. on Saturday, 26 July 1952. Radio broadcasts throughout the country were interrupted with the announcement that "The Press Secretary's Office of the Presidency of the Nation fulfills its very sad duty to inform the people of the Republic that at 20:25 hours Mrs. Eva Perón, Spiritual Leader of the Nation, died."[52][page needed] Ordinary activities ceased; movies stopped playing; restaurants were closed and patrons were shown to the door. Mourning[edit] Immediately after Perón's death, the government suspended all official activities for two days and ordered all flags flown at half-staff for ten days. It soon became apparent, however, that these measures fell short of reflecting popular grief. The crowd outside of the presidential residence, where Evita died, grew dense, congesting the streets for ten blocks in each direction.

Nearly three million people attended Evita's funeral in the streets of Buenos Aires

The morning after her death, while Evita's body was being moved to the Ministry of Labour Building, eight people were crushed to death in the throngs. In the following 24 hours, over 2000 people were treated in city hospitals for injuries sustained in the rush to be near Evita as her body was being transported, and thousands more would be treated on the spot.[16][page needed] For the following two weeks, lines would stretch for many city blocks with mourners waiting hours to see Evita's body lie at the Ministry of Labour. The streets of Buenos Aires
Buenos Aires
overflowed with huge piles of flowers. Within a day of Perón's death, all flower shops in Buenos Aires
Buenos Aires
had run out of stock. Flowers would be flown in from all over the country, and as far away as Chile.[16][page needed] Despite the fact that Eva Perón
Eva Perón
never held a political office, she was eventually given a state funeral usually reserved for a head of state,[53] along with a full Roman Catholic requiem mass. A memorial was held for the Argentine team during the 1952 Summer Olympics
1952 Summer Olympics
in Helsinki due to Eva Perón's death during those games.[54] On 9 August, Saturday, the body was transferred to the Congress Building for an additional day of public viewing, and a memorial service attended by the entire Argentine legislative body. The next day, after a final Mass, the coffin was laid on a gun carriage pulled by CGT officials. It was followed by Peron, his cabinet, Eva's family and friends, the delegates and representatives of the Partido Peronista Femenino—then workers, nurses and students of the Eva Peron Foundation. Flowers were thrown from balconies and windows. There were different interpretations of the popular mourning of Eva Perón's death. Some reporters viewed the mourning as authentic, others saw a public succumbing to another of the "passion plays" of the Peronist regime. Time magazine reported that the Peronist government enforced the observance of a daily period of five minutes of mourning following a daily radio announcement.[55] During Perón's time, children born to unmarried parents did not have the same legal rights as those born to married parents. Biographer Julie M. Taylor, professor of anthropology at Rice University,[56] has said that Evita was well aware of the pain of being born "illegitimate." Taylor speculates that Evita's awareness of this may have influenced her decision to have the law changed so that "illegitimate" children would henceforth be referred to as "natural" children.[57] Upon her death, the Argentine public was told that Evita was only 30. The discrepancy was meant to dovetail with Evita's earlier tampering with her birth certificate. After becoming the first lady in 1946, Evita had her birth records altered to read that she had been born to married parents, and placed her birth date three years later, making herself younger.[5][page needed] Memorial[edit]

Dr. Ara inspects Eva Perón's embalmed corpse

Shortly after Evita's death, Dr. Pedro Ara was approached to embalm the body. Fraser and Navarro write that it is doubtful that Evita ever expressed a wish to be embalmed, and suggest that it was most likely Juan Perón's decision. Ara was a professor of anatomy who had studied in Vienna and maintained an academic career in Madrid. His work was occasionally referred to as "the art of death." His highly advanced embalming technique consisted of replacing the corpse's blood with glycerine, which preserved all organs including the brain and created a lifelike appearance, giving the body the appearance of "artistically rendered sleep." Ara was known in Buenos Aires
Buenos Aires
society for his work. Among the people he had embalmed was Spanish composer Manuel de Falla.[58] Ara claims that his embalming of Evita's corpse began on the night of her death and that by the next morning, "the body of Eva Perón
Perón
was completely and infinitely incorruptible" and suitable for display to the public.[59] In the book Peron and the Enigmas of Argentina, biographer Robert D. Crassweller claims that the English-speaking nations of North America and Europe largely misunderstood Argentina's response to the death of Perón
Perón
as well as the ornate funeral she was granted. Crassweller attributes this misunderstanding to the unique cultural makeup of the Peróns and Argentina, saying that the Peróns were of the Hispanic tradition and that their opposition was largely of British ancestry.[60] Disappearance and return of body[edit]

Perón
Perón
rests in the Recoleta Cemetery

Shortly after Evita's death, plans were made to construct a memorial in her honour. The monument, which was to be a statue of a man representing the descamisados, was projected to be larger than the Statue of Liberty. Evita's body was to be stored in the base of the monument and, in the tradition of Lenin's corpse, to be displayed for the public. While the monument was being constructed, Evita's embalmed body was displayed in her former office at the CGT building for almost two years. Before the monument to Evita was completed, Juan Perón
Juan Perón
was overthrown in a military coup, the Revolución Libertadora, in 1955. Perón
Perón
hastily fled the country and was unable to make arrangements to secure Evita's body. Following his flight, a military dictatorship took power. The new authorities removed Evita's body from display, and its whereabouts were a mystery for 16 years. From 1955 until 1971, the military dictatorship of Argentina
Argentina
issued a ban on Peronism. It became illegal not only to possess pictures of Juan and Eva Perón
Eva Perón
in one's home, but to speak their names. In 1971, the military revealed that Evita's body was buried in a crypt in Milan, Italy, under the name "María Maggi." It appeared that her body had been damaged during its transport and storage, such as compressions to her face and disfigurement of one of her feet due to the body having been left in an upright position. In 1995, Tomás Eloy Martínez
Tomás Eloy Martínez
published Santa Evita, a fictionalized work propounding many new stories about the escapades of the corpse. Allegations that her body was the object of inappropriate attentions are derived from his description of an 'emotional necrophilia' by embalmers, Colonel Koenig and his assistant Arancibia. Many primary and secondary references to his novel have inaccurately stated that her body had been defiled in some way resulting in the widespread belief in this myth. Also included are allegations that many wax copies had been made, that the corpse had been damaged with a hammer, and that one of the wax copies was the object of an officer's sexual attentions.[61] Final resting place[edit] In 1971, Evita's body was exhumed and flown to Spain, where Juan Perón
Perón
maintained the corpse in his home. Juan and his third wife, Isabel, decided to keep the corpse in their dining room on a platform near the table. In 1973, Juan Perón
Juan Perón
came out of exile and returned to Argentina, where he became president for the third time. Perón
Perón
died in office in 1974. His third wife, Isabel Perón, whom he had married on 15 November 1961, and who had been elected vice-president, succeeded him. She became the first female president in the Western Hemisphere. Isabel had Eva Perón's body returned to Argentina
Argentina
and (briefly) displayed beside her husband's. Perón's body was later buried in the Duarte family tomb in La Recoleta Cemetery, Buenos Aires. The previous removal of Evita's body was avenged by the Montoneros
Montoneros
when they in 1970 stole the corpse of Pedro Eugenio Aramburu, whom they had previously killed. Montoneros
Montoneros
then used the captive body of Aramburu to pressure for the repatriation of Evita's body. Once Evita's body arrived in Argentina, the Montoneros
Montoneros
gave up Aramburu's corpse and abandoned it in a street in Buenos Aires.[62] The Argentine government took elaborate measures to make Perón's tomb secure. The tomb's marble floor has a trapdoor that leads to a compartment containing two coffins. Under that compartment is a second trapdoor and a second compartment. That is where Perón's coffin rests. Biographers Marysa Navarro and Nicholas Fraser write that the claim is often made that her tomb is so secure that it could withstand a nuclear attack. "It reflects a fear", they write, "a fear that the body will disappear from the tomb and that the woman, or rather the myth of the woman, will reappear."[63] Legacy and criticism[edit] Argentina
Argentina
and Latin America[edit]

Refuge of the humble poster with the portrait of Eva Perón
Eva Perón
in 1948.

In all of Latin America, only one other woman has aroused an emotion, devotion and faith comparable to those awakened by the Virgin of Guadalupe. In many homes, the image of Evita is on the wall next to the Virgin. — Fabienne Rousso-Lenoir[64][page needed]

In his essay titled "Latin America" published in The Oxford Illustrated History of Christianity, John McManners claims that the appeal and success of Eva Perón
Eva Perón
are related to Latin American mythology and concepts of divinity. McManners claims that Eva Perón consciously incorporated aspects of the theology of the Virgin and of Mary Magdalene
Mary Magdalene
into her public persona.[65] Historian Hubert Herring has described Eva Perón
Eva Perón
as "Perhaps the shrewdest woman yet to appear in public life in Latin America."[66] In a 1996 interview, Tomás Eloy Martínez
Tomás Eloy Martínez
referred to Eva Perón
Eva Perón
as "the Cinderella
Cinderella
of the tango and the Sleeping Beauty
Sleeping Beauty
of Latin America." Martínez suggested she has remained an important cultural icon for the same reasons as fellow Argentine Che Guevara:

Latin American
Latin American
myths are more resistant than they seem to be. Not even the mass exodus of the Cuban raft people or the rapid decomposition and isolation of Fidel Castro's regime have eroded the triumphal myth of Che Guevara, which remains alive in the dreams of thousands of young people in Latin America, Africa and Europe. Che as well as Evita symbolize certain naive, but effective, beliefs: the hope for a better world; a life sacrificed on the altar of the disinherited, the humiliated, the poor of the earth. They are myths which somehow reproduce the image of Christ.[67]

Although not a government holiday, the anniversary of Eva Perón's death is marked by many Argentines each year. Additionally, Eva Perón has been featured on Argentine coins, and a form of Argentine currency called "Evitas" was named in her honor.[68] Ciudad Evita
Ciudad Evita
(Evita City), which was established by the Eva Perón Foundation
Eva Perón Foundation
in 1947, is located just outside Buenos Aires.

Dress of Eva Perón
Eva Perón
in the Museo del Bicentenario, Buenos Aires.

Cristina Kirchner, the first elected female president in Argentine history, is a Peronist who has occasionally been referred to as "The New Evita." Kirchner says she does not want to compare herself to Evita, claiming she was a unique phenomenon in Argentine history. Kirchner also says that women of her generation, who came of age in the 1970s during the military dictatorships in Argentina, owe a debt to Evita for offering an example of passion and combativeness.[7] On 26 July 2002, the 50th anniversary of Eva Perón's death, a museum opened in her honor called Museo Evita. The museum, created by her great-niece Cristina Alvarez Rodriguez, houses many of Eva Perón's clothes, portraits, and artistic renderings of her life, and has become a popular tourist attraction. The museum was opened in a building that was once used by the Eva Perón
Eva Perón
Foundation.[69] In the book Eva Perón: The Myths of a Woman, cultural anthropologist Julie M. Taylor claims that Evita has remained important in Argentina due to the combination of three unique factors:

In the images examined, the three elements consistently linked—femininity, mystical or spirituality power, and revolutionary leadership—display an underlying common theme. Identification with any one of these elements puts a person or a group at the margins of established society and at the limits of institutional authority. Anyone who can identify with all three images lays an overwhelming and echoing claim to dominance through forces that recognize no control in society or its rules. Only a woman can embody all three elements of this power.[70]

President Cristina Kirchner
Cristina Kirchner
in the exhibition of "Evita: Ambassador of Peace", in the State Historical Museum
State Historical Museum
of Moscow.

Taylor argues that the fourth factor in Evita's continued importance in Argentina
Argentina
relates to her status as a dead woman and the power that death holds over the public imagination. Taylor suggests that Evita's embalmed corpse is analogous to the incorruptibility of various Catholic saints, such as Bernadette Soubirous, and has powerful symbolism within the largely Catholic cultures of Latin America:

To some extent her continuing importance and popularity may be attributed not only to her power as a woman but also to the power of the dead. However, a society's vision of the afterlife may be structured, death by its nature remains a mystery, and, until society formally allays the commotion it causes, a source of disturbance and disorder. Women and the dead— death and womanhood —stand in similar relation to structured social forms: outside public institutions, unlimited by official rules, and beyond formal categories. As a female corpse reiterating the symbolic themes of both woman and martyr, Eva Perón
Eva Perón
perhaps lays double claim to spiritual leadership.[71]

John Balfour was the British ambassador in Argentina
Argentina
during the Perón regime, and describes Evita's popularity:

She was by any standard a very extraordinary woman; when you think of Argentina
Argentina
and indeed Latin America as a men dominated part of the world, there was this woman who was playing a very great role. And of course she aroused very different feelings in the people with whom she lived. The oligarchs, as she called the well-to-do and privileged people, hated her. They looked upon her as a ruthless woman. The masses of the people on the other hand worshipped her. They looked upon her as a lady bountiful who was dispensing Manna
Manna
from heaven.[72]

In 2011, two giant murals of Evita were unveiled on the building facades of the current Ministry of Social Development, located on 9 de Julio Avenue. The works were painted by Argentine artist Alejandro Marmo. On 26 July 2012, to commemorate the sixtieth anniversary of Evita's death, notes were issued in a value of 100 pesos. The controversial effigy of Julio Argentino Roca was replaced by that of Eva Duarte, making her the first actual woman to be featured on the currency of Argentina. The image in the notes is based on a 1952 design, whose sketch was found in the Mint, made by the engraver Sergio Pilosio with artist Roger Pfund. The printing totals 20 million notes; it is not clear whether the government will replace the notes that feature Roca and the Desert Campaign. Allegations of fascism[edit]

On 9 April 1951, Golda Meir, then Labor Minister of Israel, met with Eva Perón
Eva Perón
to thank her for the aid the Eva Perón Foundation
Eva Perón Foundation
had given to Israel.

Biographers Nicholas Fraser and Marysa Navarro write that Juan Perón's opponents had from the start accused Perón
Perón
of being a fascist. Spruille Braden, a diplomat from the United States who was greatly supported by Juan Perón's opponents, campaigned against Juan Perón's first candidacy on the platform that Juan Perón
Juan Perón
was a fascist and a Nazi. Fraser and Navarro also theorize that the perception of the Peróns as fascists was enhanced during Evita's 1947 European tour during which she was a guest of honor of Francisco Franco. By 1947, Franco had become politically isolated as one of the few remaining fascists to retain power. Franco, therefore, was in desperate need of a political ally. With nearly a third of Argentina's population of Spanish descent, it seemed natural for Argentina
Argentina
to have diplomatic relations with Spain. Commenting on the international perception of Evita during her 1947 European tour, Fraser and Navarro write, "It was inevitable that Evita be viewed in a fascist context. Therefore, both Evita and Perón
Perón
were seen to represent an ideology which had run its course in Europe, only to re-emerge in an exotic, theatrical, even farcical form in a faraway country."[73] Laurence Levine, the former president of the U.S.-Argentine Chamber of Commerce, writes that in contrast to Nazi
Nazi
ideology, the Peróns were not anti-Semitic. In the book Inside Argentina
Argentina
from Perón
Perón
to Menem: 1950–2000 from an American Point of View, Levine writes:

The American government demonstrated no knowledge of Perón's deep admiration for Italy (and his distaste for Germany, whose culture he found too rigid). Nor did they appreciate that although anti-Semitism existed in Argentina, Perón's own views and his political associations were not anti-Semitic. They paid no attention to the fact that Perón
Perón
sought out the Jewish community in Argentina
Argentina
to assist in developing his policies and that one of his most important allies in organizing the industrial sector was José Ber Gelbard, a Jewish immigrant from Poland.[74]

Juan Perón
Juan Perón
and future Economy Minister José Ber Gelbard

Biographer Robert D. Crassweller writes, " Peronism
Peronism
was not fascism", and " Peronism
Peronism
was not Nazism." Crassweller also refers to the comments of U.S. Ambassador George S. Messersmith. While visiting Argentina
Argentina
in 1947, Messersmith made the following statement: "There is not as much social discrimination against Jews here as there is right in New York or in most places at home."[75] Time Magazine published an article by Tomás Eloy Martínez—Argentine writer, journalist, and former director of the Latin American
Latin American
program at Rutgers University—titled "The Woman Behind the Fantasy: Prostitute, Fascist, Profligate—Eva Peron Was Much Maligned, Mostly Unfairly". In this article, Martínez writes that the accusations that Eva Perón
Eva Perón
was a fascist, a Nazi, and a thief had been made against her for decades. He wrote that the allegations were untrue:

She was not a fascist—ignorant, perhaps, of what that ideology meant. And she was not greedy. Though she liked jewelry, furs and Dior dresses, she could own as many as she desired without the need to rob others.... In 1964 Jorge Luis Borges
Jorge Luis Borges
stated that 'the mother of that woman [Evita]' was 'the madam of a whorehouse in Junín.' He repeated the calumny so often that some still believe it or, more commonly, think Evita herself, whose lack of sex appeal is mentioned by all who knew her, apprenticed in that imaginary brothel. Around 1955 the pamphleteer Silvano Santander employed the same strategy to concoct letters in which Evita figures as an accomplice of the Nazis. It is true that (Juan) Perón
Perón
facilitated the entrance of Nazi
Nazi
criminals to Argentina
Argentina
in 1947 and 1948, thereby hoping to acquire advanced technology developed by the Germans during the war. But Evita played no part.[76]

In his 2002 doctoral dissertation at Ohio State University, Lawrence D. Bell writes that the governments that preceded Juan Perón
Juan Perón
had been anti-Semitic but that his government was not. Juan Perón
Juan Perón
"eagerly and enthusiastically" attempted to recruit the Jewish community into his government and set up a branch of the Peronist party for Jewish members, known as the Organización Israelita Argentina
Argentina
(OIA). Perón's government was the first to court the Argentine Jewish community and the first to appoint Jewish citizens to public office.[77] Kevin Passmore writes that the Peronist regime, more than any other in Latin America, has been accused of being fascist. But he says that the Peronist regime was not fascist, and what passed for fascism under Perón
Perón
never took hold in Latin America. Additionally, because the Peronist regime allowed rival political parties to exist, it cannot be described as totalitarian.[78] International popular culture[edit] See also: Cultural depictions of Eva Perón

Liza Minnelli
Liza Minnelli
reading the plaque on Eva Perón's tomb, 1993. In the early 1980s, Minnelli was considered for the lead role in the movie version of the musical Evita.[79]

By the late 20th century, Eva Perón
Eva Perón
had become the subject of numerous articles, books, stage plays, and musicals, ranging from the biography The Woman with the Whip
The Woman with the Whip
to a 1981 TV movie called Evita Perón
Perón
with Faye Dunaway
Faye Dunaway
in the title role.[80] The most successful rendering of Eva Perón's life has been the musical production Evita. The musical began as a concept album co-produced by Tim Rice
Tim Rice
and Andrew Lloyd Webber
Andrew Lloyd Webber
in 1976, with Julie Covington in the title role. Elaine Paige
Elaine Paige
was later cast in the title role when the concept album was adapted into a musical stage production in London's West End
London's West End
and won the 1978 Olivier Award for Best Performance in a Musical. In 1980, Patti LuPone
Patti LuPone
won the Tony Award
Tony Award
for Best Leading Actress in a Musical for her performance as the title character in the Broadway production. Nicholas Fraser claims that to date "the musical stage production has been performed on every continent except Antarctica and has generated over $2 billion in revenue."[81] As early as 1978, the musical was considered as the basis for a movie. After a nearly 20-year production delay, Madonna was cast in the title role for the 1996 film version and won the Golden Globe Award
Golden Globe Award
for "Best Actress in a Musical or Comedy." In response to the American film, and in an alleged attempt to offer a more politically accurate depiction of Evita's life, an Argentine film company released Eva Perón: The True Story. The Argentine production starred actress Esther Goris in the title role. This movie was the 1996 Argentine submission for the Oscar in the category of "Best Foreign Language Film." Nicholas Fraser writes that Evita is the perfect popular culture icon for our times because her career foreshadowed what, by the late 20th century, had become common. During Evita's time it was considered scandalous for a former entertainer to take part in public political life. Her detractors in Argentina
Argentina
had often accused Evita of turning public political life into show business. But by the late 20th century, Fraser claims, the public had become engrossed in the cult of celebrity and public political life had become insignificant. In this regard, Evita was perhaps ahead of her time. Fraser also writes that Evita's story is appealing to our celebrity-obsessed age because her story confirms one of Hollywood's oldest clichés, the rags to riches story.[82] Reflecting on Eva Perón's popularity more than half a century after her death, Alma Guillermoprieto writes that, "Evita's life has evidently just begun."[83] Titles and honours[edit] Eva Peron appears on the 100 peso note first issued in 2012 and scheduled for replacement sometime in 2018. The titles given to Eva Peron are the following:[84][85] Titles and styles[edit]

7 May 1919 – 21 October 1945: Miss María Eva Duarte 22 October 1945 – 3 June 1946: Mrs Eva Duarte de Perón 4 June 1946 – 26 July 1952: Her Excellency Eva Perón, First Lady of the Nation 7 May 1952 – Present: Spiritual Leader of the Nation

Honours[edit] National honours[edit]

 Argentina: Grand Cross with Collar of the Order of the Liberator General San Martín  Argentina: Grand Cross of Honor of the Argentine Red Cross  Argentina: Great Peronist Medal in Extraordinary Degree

Foreign honours[edit]

 Bolivia: Grand Cross of the Order of the Condor of the Andes  Brazil: Grand Cross of the Order of the Southern Cross  Colombia: Grand Cross of the Order of Boyaca, Special
Special
Class  Netherlands: Dame Grand Cross of the Order of Orange-Nassau  Spain: Dame Grand Cross of the Order of Isabella the Catholic[86][87]  Sovereign Military Order of Malta: Dame Grand Cross of Sovereign Military Order of Malta  Mexico: Grand Cross of the Order of the Aztec Eagle  Syria: Grand Cross of the Order of Omeyades  Ecuador: Grand Cross of the Order of Merit and the Ecuadorian Red Cross  Haiti: Grand Cross of the Order of Honour and Merit  Perú: Grand Cross of the Order of the Sun of Peru  Paraguay:Grand Cross of the Merit of Paraguay

See also[edit]

Argentina
Argentina
portal Biography portal

List of suffragists and suffragettes Timeline of women's suffrage Copa Eva Duarte

References[edit]

^ Fraser & Navarro (1996:150). ^ Fraser & Navarro (1996:158). "As Evita's health continued to deteriorate that month, the city of Quilmes resolved to change its name to 'Eva Perón,' and Congress, after a special legislative session, devoted to eulogies of 'the most remarkable woman of any historical epoch', gave her the title Jefe Espiritual de la Nacion (Spiritual Leader of the Nation)." ^ a b Bolocco, Cecilia (18 November 2002). "A nation seeks salvation in Evita". The Scotsman. Retrieved 7 March 2017. On 26 July 1952, a hushed Argentina
Argentina
heard Eva Perón, the 'spiritual leader of the nation', had died, aged 33.  ^ Crassweller (1987:245). "A week later, on her thirty-third birthday, she received from Congress the title of Spiritual Leader of the Nation." ^ a b c d e f Fraser & Navarro (1996). ^ Brantley, Ben. In London, a Pious 'Evita' for a Star-Struck Age. New York Times: 3 July 2006. ^ a b "Time Magazine. Interview: Cristina Fernandez de Kirchner of Argentina". Time.com. 29 September 2007. Retrieved 27 January 2011.  ^ Published in Argentina
Argentina
in 1952; subsequently published in English-speaking countries under the titles My Mission in Life and Evita by Evita ^ a b Perón
Perón
(1952). ^ Fraser & Navarro (1996:2–3). ^ Act 495, from the Church "Capellanía Vicaria de Nuestra Señora del Pilar" registry of Baptisms for the year 1919, baptism took place on 21 November 1919 ^ a b c d Borroni & Vacca (1970). ^ Astorga, Antonio (28 April 2011). ""Evita convenció a Franco para conmutar una pena de muerte"". ABC (in Spanish). Retrieved 25 May 2016.  ^ Fraser & Navarro (1996:3). ^ Fraser & Navarro (1996:4). ^ a b c d e f g Barnes (1978). ^ a b c Quieroz (p. 14). ^ Fraser & Navarro (1996:27). ^ Fraser & Navarro (1996:32–33). ^ Perón
Perón
(1952:17). ^ Fraser & Navarro (1996:33). ^ a b Fraser & Navarro (1996:44). ^ Perón
Perón
(ISBN 84-320-6602-8) (1976). ^ Fraser & Navarro (1996:43). ^ Fraser & Navarro (1996:39). ^ Crassweller (1987:170–1). ^ A&E (1996). ^ Fraser & Navarro (1996:88–89). ^ Fraser & Navarro (1996:89). ^ Alan Michie, God Save The Queen, p. ___ (1952) ^ Fraser & Navarro (1996:98–99). ^ Fraser & Navarro (1996:208) ^ Fraser & Navarro (1996:91). ^ Fraser & Navarro (1996:117). ^ Main (1980). ^ Fraser & Navarro (1996:114). ^ Crassweller (1987:209–210). ^ Fraser & Navarro (1996:119). ^ Fraser & Navarro (1996:126–7). ^ Fraser & Navarro (1996:126). ^ Crassweller (1987:214–217) ^ Fraser & Navarro (1986:143). ^ Famous Patients, Famous Operations, 2002 – Part 6: The Case of the Politician's Wife Medscape Today, 5 December 2002. Retrieved 8 July 2010. ^ Fraser & Navarro (1996:148). ^ a b Lerner (2000). ^ Govan, Fiona (4 August 2011). "Evita 'given lobotomy while dying of cancer'". The Daily Telegraph. Retrieved 7 March 2017.  ^ Nijensohn, Daniel E.; Savastano, Luis E.; Kaplan, Alberto D.; Laws, Edward R. (2012-03-01). "New Evidence of Prefrontal Lobotomy in the Last Months of the Illness of Eva Perón". World Neurosurgery. 77 (3): 583–590. doi:10.1016/j.wneu.2011.02.036. ISSN 1878-8750. PMID 22079825.  ^ Nijensohn, Daniel E. (July 2015). " Prefrontal lobotomy
Prefrontal lobotomy
on Evita was done for behavior/personality modification, not just for pain control". Neurosurgical Focus. 39 (1): E12. doi:10.3171/2015.3.FOCUS14843. ISSN 1092-0684. PMID 26126398.  ^ Nijensohn, Daniel E.; Goodrich, Isaac (September 2014). "Psychosurgery: past, present, and future, including prefrontal lobotomy and Connecticut's contribution". Connecticut Medicine. 78 (8): 453–463. ISSN 0010-6178. PMID 25314884.  ^ Young, Grace J.; Bi, Wenya Linda; Smith, Timothy R.; Brewster, Ryan; Gormley, William B.; Dunn, Ian F.; Laws, Edward R.; Nijensohn, Daniel E. (December 2015). "Evita's lobotomy". Journal of Clinical Neuroscience: Official Journal of the Neurosurgical Society of Australasia. 22 (12): 1883–1888. doi:10.1016/j.jocn.2015.07.005. ISSN 1532-2653. PMID 26463273.  ^ Irving M. Ariel (Oct 1969). "George T. Pack, M.D.,1898-1969, a tribute". Am J Roentgenol Radium Ther Nucl Med. 107 (2): 443–6. doi:10.2214/ajr.107.2.443. PMID 4898694.  ^ Ortiz. ^ Fraser & Navarro (1996:164–166). ^ 1952 Summer Olympics
1952 Summer Olympics
official report. p. 91. – accessed 1 August 2010. ^ Time. "In Mourning." 11 August 1952.. Retrieved 9 November 2006. ^ "Rice University: Julie M. Taylor". Ruf.rice.edu. Archived from the original on 20 June 2009. Retrieved 27 January 2011.  ^ Eva Perón: Intimate Portrait. Lifetime Television. ISBN 1-57523-677-X Interview with Julie M. Taylor ^ Fraser & Navarro (1996:164). ^ Ara (1974:65). ^ Crassweller, Robert D. Peron and the Enigmas of Argentina. WW. Norton and Company: 1987. Page 248. ^ Fraser & Navarro (1996:Epilogue). ^ Negrete, Claudio R. (2010). "Canjeando muertos". Necromanía: Historia de una pasión argentina (in Spanish). Sudamericana.  ^ Fraser & Navarro (1996:192). ^ Rousso-Lenoir. ^ McManners (2001:440). ^ Adams (1993:203). ^ "Evita Or Madonna: Whom Will History Remember?" Interview with Tomas Eloy Martinez". Archived from the original on 4 May 2001. Retrieved 9 November 2009.  ^ "Argentines swap pesos for 'Evitas'", BBC. Retrieved 4 October 2006. ^ Evita Museum. Retrieved 13 October 2006 ^ Taylor (p. 147). ^ Taylor (p. 148). ^ "Interview with sir John Balfour in the documentary Eva Perón
Eva Perón
Queen of Hearts". Retrieved 2015-06-04.  ^ Fraser & Navarro (1996:100). ^ Levine (p. 23). ^ Crassweller (1987). ^ Martínez, Tomás Eloy (20 January 1997). "The woman behind the fantasy. prostitute, fascist, profligate— Eva Perón
Eva Perón
was much maligned, mostly unfairly". Time. Archived from the original on 21 December 2001. Retrieved 28 January 2009.  ^ The Jews and Perón: Communal Politics and National Identity in Peronist Argentina, 1946–1955 by Lawrence D. Bell, PhD dissertation, 2002, Ohio State University, Retrieved 2 May 2008 ^ Passmore, Kevin. Fascism: A Very Short Introduction. Oxford University Press. ISBN 0-19-280155-4. ^ Fraser & Navarro (1996:195). "Stigwood next hired the flamboyant director Ken Russell, who tested Elaine Paige, who had starred in the stage version, and Liza Minnelli." ^ Erickson, Hal. ""Evita Perón" review in New York Times". The New York Times. Archived from the original on 7 March 2016.  ^ Fraser & Navarro (1996:193). ^ Fraser & Navarro (1996:194). ^ Guillermoprieto (2002:16) ^ http://evita3.marianobayona.com/disticon.html Honours of Eva Perón ^ http://evita3.marianobayona.com/14jun06.html Distincionesa Eva Perón ^ https://s-media-cache-ak0.pinimg.com/originals/58/29/ea/5829ea9a5dc9baad81efee618664b88e.jpg ^ https://www.europeana.eu/api/v2/thumbnail-by-url.json?size=w400&uri=http%3A%2F%2Fvideo.archivioluce.com%2Ffoto%2Fhigh%2FATTUALITA%2FGP56%2FA00173095.jpg&type=IMAGE

Bibliography[edit]

"Evita: The Woman Behind the Myth". A&E Biography. 1996  Adams, Jerome R (1993). Latin American
Latin American
Heroes: Liberators and Patriots from 1500 to the Present. Ballantine Books. ISBN 0-345-38384-2.  Ara, Pedro (1974). El Caso Eva Perón.  Barnes, John (1978). Evita, First Lady: A Biography of Eva Perón. New York, New York: Grove Press.  Vacca, Roberto (1970). Eva Perón. CEAL.  Crassweller, Robert D (1987). Peron and the Enigmas of Argentina. W.W. Norton & Company. ISBN 0-393-02381-8.  Fraser, Nicholas; Navarro, Marysa (1996). Evita: The Real Life of Eva Perón. W.W. Norton & Company.  Guillermoprieto, Alma (2002). Looking for History: Dispatches from Latin America. Vintage. ISBN 0-375-72582-2.  Guy, Donna. "Life and the Commodification of Death in Argentina: Juan and Eva Perón" in Death, Dismemberment, and Memory: Body Politics in Latin America, Lyman L. Johnson, ed. Albuquerque: University of New Mexico
Mexico
Press 2004, pp. 245–272. Lerner, BH (2000). "The illness and death of Eva Perón: cancer, politics, and secrecy". Lancet. 355: 1988–1991. doi:10.1016/s0140-6736(00)02337-0. PMID 10859055.  Levine, Lawrence. Inside Argentina
Argentina
from Perón
Perón
to Menem: 1950–2000 From an American Point of View. ISBN 0-9649247-7-3.  Main, Mary (1980). Evita: The Woman with the Whip. ISBN 0-396-07834-6.  McManners, John (2001). The Oxford Illustrated History of Christianity. Oxford University Press. ISBN 0-19-285439-9.  Naipaul, V.S. (1980). The Return of Eva Perón. Alfred A. Knopf.  Dujovne Ortiz, Alicia. Eva Perón. St. Martin's Press. ISBN 0-312-14599-3.  Perón, Eva (1952). La Razón de mi vida. Buro Editors.  Juan Pablo Queiroz, Tomas De Elia (eds.). Evita: An Intimate Portrait of Eva Peron. CS1 maint: Uses editors parameter (link) Rousso-Lenoir, Fabienne. America Latina. ISBN 2-84323-335-6.  Taylor, Julie M. Eva Perón: The Myths of a Woman. ISBN 0-226-79143-2.  Nasi, Kristina (2010). "Eva Peron in the Twenty-First Century: The Power of the Image in Argentina". The International Journal of the Image. pp. 99–106. 

Further reading[edit]

Guareschi, Roberto (5 November 2005). "Not quite the Evita of Argentine legend". New Straits Times, p. 21. Spaderna, Summer L. (2002) The Evolution of Eva Perón
Eva Perón
in the North American Consciousness Buenos Aires: Home of Evita, Forever Young and Beautiful by Graham Reid, The New Zealand Herald, 7 May 2009

External links[edit]

Wikimedia Commons has media related to Eva Perón.

Eva Perón
Eva Perón
Historical Foundation casahistoria pages on Perón
Perón
Les Fearns site, also links to Eva Perón pages BBC Radio 4 programme about Perón's embalmed body The Evita Project - a social media page dedicated to Evita and the preservation of her legacy

Honorary titles

Preceded by Conrada Victoria Torni First Lady of Argentina 1946–1952 Vacant Title next held by Mercedes Lonardi

New office Spiritual Leader of the Nation of Argentina 1952 Position abolished

Party political offices

New office President of the Peronist Feminist Party 1947–1952 Succeeded by Delia Parodi

Preceded by Hortensio Quijano Peronist nominee for Vice President of Argentina Withdrew 1951 Succeeded by Hortensio Quijano

Non-profit organization positions

New office President of the Eva Perón
Eva Perón
Foundation 1948–1952 Succeeded by Juan Perón

v t e

Eva Perón

Husband

Juan Domingo Perón

Politics

Eva Perón
Eva Perón
Foundation Ciudad Evita
Ciudad Evita
(Evita City) Peronista Feminist Party General Confederation of Labour European Rainbow Tour Spiritual Leader of the Nation First presidential term Second presidential term

Followers

Descamisados Peronists

Autobiography

La Razón de mi Vida
La Razón de mi Vida
(1951) Mi Mensaje
Mi Mensaje
(1952)

Cultural depictions

The Woman with the Whip
The Woman with the Whip
(1952 biography) Evita (1978 musical) Evita (1996 film) Eva Perón: The True Story (1996 film) Evita (2008 documentary) Eva Doesn't Sleep (2015 film)

Related

Copa Eva Duarte Loyalty Day

v t e

Juan Domingo Perón

Policy

Five-Year Plans of Argentina Railway nationalization in Argentina IAME Huemul Project Third Position

Politics

GOU Descamisado Loyalty Day Peronism Labour Party CGT Argentine Constitution of 1949 ATLAS Unión Popular Grupo Cine Liberación Ezeiza massacre Expulsion of Montoneros
Montoneros
from Plaza de Mayo 1946 election 1948 election 1951 election 1954 election 1973 election

Key associates

Juan Manuel Abal Medina Jorge Antonio Raúl Apold Ángel Borlenghi Juan Atilio Bramuglia Antonio Cafiero Héctor Cámpora Andrés Framini Licio Gelli Lorenzo Miguel José López Rega Domingo Mercante Delia Parodi Juan Pistarini José Ignacio Rucci Alberto Teisaire Augusto Vandor

Anti-Peronism

Ricardo Balbín Spruille Braden Bombing of Plaza de Mayo Revolución Libertadora

Personal

Early life Eva Perón Isabel Martínez de Perón Hands of Perón

See also

La vida por Perón Perón: Apuntes para una biografía Puerta de Hierro, el exilio de Perón

Authority control

WorldCat Identities VIAF: 39410524 LCCN: n79091465 ISNI: 0000 0000 8374 0442 GND: 118739980 SELIBR: 83362 SUDOC: 027367495 BNF: cb12124774g (data) BIBSYS: 90213036 NDL: 00621277 BNE: XX925219 SN

.