EERO SAARINEN (Finnish pronunciation: ) (August 20, 1910 – September 1, 1961) was a 20th-century Finnish American architect and industrial designer noted for his neo-futuristic style.
* 1 Early life and education * 2 Architectural career * 3 Non-architectural activities * 4 Honours and awards * 5 Personal life * 6 Death * 7 Legacy * 8 See also * 9 References and notes * 10 Further reading * 11 External links
EARLY LIFE AND EDUCATION
Eero Saarinen was born on August 20 1910 to Finnish architect Eliel Saarinen and his second wife, Louise, on his father's 37th birthday. They immigrated to the United States in 1923, when Eero was thirteen. He grew up in Bloomfield Hills, Michigan , where his father taught and was dean of the Cranbrook Academy of Art , and he took courses in sculpture and furniture design there. He had a close relationship with fellow students Charles and Ray Eames , and became good friends with Florence Knoll (née Schust) .
Saarinen began studies in sculpture at the Académie de la Grande Chaumière in Paris, France, in September 1929. He then went on to study at the Yale School of Architecture , completing his studies in 1934. Subsequently, he toured Europe and North Africa for a year and returned for a year to his native Finland.
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Womb Chair, Model No. 70, Designed 1947-1948 Brooklyn Museum
After his tour of Europe and North Africa, Saarinen returned to Cranbrook to work for his father and teach at the academy. The firm was "Saarinen, Swansen and Associates", headed by Eliel Saarinen and Robert Swansen from the late 1930s until Eliel's death in 1950. The firm was located in Bloomfield Hills , Michigan, until 1961 when the practice was moved to Hamden , Connecticut.
Saarinen first received critical recognition, while still working for his father, for a chair designed together with Charles Eames for the "Organic Design in Home Furnishings" competition in 1940, for which they received first prize. The " Tulip Chair ", like all other Saarinen chairs, was taken into production by the Knoll furniture company, founded by Hans Knoll , who married Saarinen family friend Florence (Schust) Knoll . Further attention came also while Saarinen was still working for his father, when he took first prize in the 1948 competition for the design of the Jefferson National Expansion Memorial , St. Louis , not completed until the 1960s. The competition award was mistakenly sent to his father. "Pedestal" Armchair and Seat Cushion, Designed 1956 Brooklyn Museum
During his long association with Knoll he designed many important pieces of furniture including the "Grasshopper" lounge chair and ottoman (1946), the "Womb" chair and ottoman (1948), the "Womb" settee (1950), side and arm chairs (1948–1950), and his most famous "Tulip " or "Pedestal" group (1956), which featured side and arm chairs, dining, coffee and side tables, as well as a stool. All of these designs were highly successful except for the "Grasshopper" lounge chair, which, although in production through 1965, was not a big success. Saarinen's Gateway Arch in St. Louis, Missouri , U.S.
One of Saarinen's earliest works to receive international acclaim is the Crow Island School in Winnetka, Illinois (1940). The first major work by Saarinen, in collaboration with his father, was the General Motors Technical Center in Warren , Michigan , which follows the rationalist design Miesian style , incorporating steel and glass, but with the added accent of panels in two shades of blue. The GM Technical Center was constructed in 1956, with Saarinen using models, which allowed him to share his ideas with others, and gather input from other professionals.
With the success of the scheme, Saarinen was then invited by other major American corporations such as John Deere , IBM , and CBS to design their new headquarters or other major corporate buildings. Despite their rationality, however, the interiors usually contained more dramatic sweeping staircases, as well as furniture designed by Saarinen, such as the Pedestal Series. In the 1950s he began to receive more commissions from American universities for campus designs and individual buildings; these include the Noyes dormitory at Vassar , Hill College House at the University of Pennsylvania , as well as an ice rink, Ingalls Rink , Ezra Stiles ">
Saarinen served on the jury for the Sydney Opera House commission in 1957 and was crucial in the selection of the now internationally known design by Jørn Utzon . A jury which did not include Saarinen had discarded Utzon's design in the first round; Saarinen reviewed the discarded designs, recognized a quality in Utzon's design, and ultimately assured the commission of Utzon. Miller House in Columbus, Indiana
After his father's death in July 1950, Saarinen founded his own architect's office, " Eero Saarinen and Associates". He was the principal partner from 1950 until his death in 1961. Under Eero Saarinen, the firm carried out many of its most important works, including the Bell Labs Holmdel Complex in Holmdel Township, New Jersey , Jefferson National Expansion Memorial (including the Gateway Arch ) in St. Louis, Missouri , the Miller House in Columbus, Indiana , the TWA Flight Center at John F. Kennedy International Airport that he worked on with Charles J. Parise, the main terminal of Dulles International Airport near Washington, D.C. , the new East Air Terminal of Athens airport which opened in 1967 etc. Many of these projects use catenary curves in their structural designs. TWA Flight Center at JFK International Airport
One of the best-known thin-shell concrete structures in America is the Kresge Auditorium (MIT), which was designed by Saarinen. Another thin-shell structure that he created is Yale's Ingalls Rink , which has suspension cables connected to a single concrete backbone and is nicknamed "the whale". Undoubtedly, his most famous work is the TWA Flight Center, which represents the culmination of his previous designs and demonstrates his neofuturistic expressionism and the technical marvel in concrete shells.
Eero also worked with his father, mother and sister designing elements of the Cranbrook campus in Bloomfield Hills, Michigan, including the Cranbrook School, Kingswood School, the Cranbrook Art Academy and the Cranbrook Science Institute. The younger Saarinen's leaded glass designs are a prominent feature of these buildings throughout the campus.
Saarinen was recruited by Donal McLaughlin , an architectural school friend from his Yale days, to join the military service in the Office of Strategic Services (OSS). Saarinen was assigned to draw illustrations for bomb disassembly manuals and to provide designs for the Situation Room in the White House. Saarinen worked full-time for the OSS until 1944.
HONOURS AND AWARDS
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Eero Saarinen was elected a Fellow of the American Institute of Architects in 1952. He was elected a member of the National Institute of Arts and Letters in 1954. In 1962, he was posthumously awarded a gold medal by the American Institute of Architects.
Saarinen became a naturalized citizen of the United States in 1940.
Saarinen married sculptor Lilian Swann in 1939, with whom he had two children, Eric and Susan. He married Aline Bernstein Louchheim , an art critic at _ The New York Times _, in 1954, the year following his divorce from Lilian. They had a son, Eames, named after Saarinen's collaborator Charles Eames .
Saarinen died on September 1, 1961, at the age of 51 while undergoing an operation for a brain tumor. He was in Ann Arbor, Michigan overseeing the completion of a new music building for the University of Michigan School of Music, Theatre "> There has been a surge of interest in Saarinen's work in recent years, including a major exhibition and several books. This is partly because the Roche and Dinkeloo office has donated its Saarinen archives to Yale University, but also because Saarinen's oeuvre can be said to fit in with present-day concerns about pluralism of styles. He was criticized in his own time—most vociferously by Yale's Vincent Scully —for having no identifiable style; one explanation for this is that Saarinen adapted his neo-futuristic vision to each individual client and project, which were never exactly the same.
The papers of Aline and Eero Saarinen papers, from 1906-1977, were donated in 1973 to the Archives of American Art , Smithsonian Institution (by Charles Alan, Aline Saarinen 's brother and executor of her estate). In 2006, the bulk of these primary source documents on the couple were digitized and posted online on the Archives' website.
An exhibition of Saarinen's work, _Eero Saarinen: Shaping the Future_, was organized by the Finnish Cultural Institute in New York in collaboration with Yale School of Architecture , the National Building Museum , and the Museum of Finnish Architecture . The exhibition toured in Europe and the US from 2006 to 2010. From May to August 2008, the exhibit was at the National Building Museum in Washington, DC. The exhibition was accompanied by the book _Eero Saarinen. Shaping the Future_.
REFERENCES AND NOTES
* ^ _A_ _B_ Staff of Arkkitehtuurimuseo (2012). "Arkkitehtiesittely: Eero Saarinen". _MFA.fi_ (in Finnish). Helsinki, FIN: Arkkitehtuurimuseo . Retrieved December 28, 2016. * ^ _A_ _B_ Staff of Arkkitehtuurimuseo (2012). "Arkkitehtiesittely: Eliel Saarinen". _MFA.fi_ (in Finnish). Helsinki, FIN: Arkkitehtuurimuseo . Retrieved December 28, 2016. * ^ _A_ _B_ Coir, Mark (2006). "The Cranbrook Factor". In Pelkonen, Eeva-Liisa & Albrecht, Donald. _Eero Saarinen: Shaping the Future_. New Haven, CT: Yale University Press. ISBN 097248812X . Retrieved March 21, 2017. CS1 maint: Uses editors parameter (link ) * ^ Still, Sylvia (2016). "Eero Saarinen". _Art-Directory.info_. Muenchen, DEU: Art Directory GmbH. Retrieved December 28, 2016. * ^ "Eero Saarinen". * ^ "Experts Pick Best-Designed Produ