Don't Bother to Knock
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''Don't Bother to Knock'' is a 1952 American
psychological Psychology is the scientific study of mind and behavior. Psychology includes the study of conscious and unconscious phenomena, including feelings and thoughts. It is an academic discipline of immense scope, crossing the boundaries bet ...
film noir Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American '' ...
thriller Thriller may refer to: * Thriller (genre), a broad genre of literature, film and television ** Thriller film, a film genre under the general thriller genre Comics * ''Thriller'' (DC Comics), a comic book series published 1983–84 by DC Comics i ...
starring
Richard Widmark Richard Weedt Widmark (December 26, 1914March 24, 2008) was an American film, stage, and television actor and producer. He was nominated for an Academy Award for his role as the villainous Tommy Udo in his debut film, ''Kiss of Death'' (1947) ...
and
Marilyn Monroe Marilyn Monroe (; born Norma Jeane Mortenson; 1 June 1926 4 August 1962) was an American actress. Famous for playing comedic " blonde bombshell" characters, she became one of the most popular sex symbols of the 1950s and early 1960s, as wel ...
and directed by Roy Ward Baker. The screenplay was written by
Daniel Taradash Daniel Taradash (January 29, 1913 – February 22, 2003) was an American screenwriter. Taradash's credits include '' Golden Boy'' (1939), ''From Here to Eternity'' (1952), ''Rancho Notorious'' (1952), ''Don't Bother to Knock'' (1952), '' Dési ...
, based on the 1951 novel ''Mischief'' by
Charlotte Armstrong Charlotte Armstrong Lewi (May 2, 1905, in Vulcan, Michigan – July 18, 1969 in Glendale, California) was an American writer. Under the names Charlotte Armstrong and Jo Valentine she wrote 29 novels, as well as short stories, plays, and screen ...
. Monroe is featured as a disturbed babysitter watching a child at the same New York hotel where a pilot, played by Widmark, is staying. He starts flirting with her, but over the evening her strange behaviour makes him increasingly aware that she is the last person with whom the parents should have entrusted their daughter.


Plot

Lyn Lesley, the bar singer at New York's McKinley Hotel, wonders if airline pilot Jed Towers will show up. She had ended their six-month relationship with a letter. When Jed does register at the hotel, she explains that she sees no future with him because of his coldness and cynicism, or as Lyn puts it, because he lacks an understanding heart. Meanwhile, elevator operator Eddie introduces his shy niece, Nell Forbes, to guests Peter and Ruth Jones as a babysitter for their daughter Bunny. The Joneses go down to a function being held in the hotel's banqueting hall. After the child is put to bed, Nell tries on Ruth's lacy negligee, jewelry, perfume and lipstick. Seeing Nell from his room directly opposite, Jed calls her on the telephone, but she is not interested. When Eddie checks up on Nell, he is appalled to find her wearing Ruth's property and orders her to take them off. He tells her she can obtain such luxuries for herself by finding another boyfriend to replace the one who was killed in an aircraft accident. After Eddie leaves, Nell invites Jed over. Nell lies to keep Jed believing that she herself is a guest. She is startled when Jed reveals that he is a pilot. She confides that her boyfriend Philip died while flying a plane to Hawaii. Bunny comes out and unmasks Nell's charade. Furious, Nell shakes the child and orders her back to bed. Jed comforts the crying Bunny and lets her stay up. When Bunny looks out the open window, however, it appears that Nell is considering pushing her out. Though Jed snatches the girl away, the incident is witnessed by long-term hotel resident Emma Ballew. Nell escorts the child to bed, then accuses Bunny of spying on her and implies that something might happen to her favourite toy if she makes any more trouble. Jed has decided to seek Lyn's forgiveness, but Nell begs him not to leave. As he is fending off a kiss from her, Jed sees scars on her wrists. Nell confesses that, after Philip died, she tried to kill herself with a razor. When Eddie checks up on Nell after his shift is over, Nell makes Jed hide in the bathroom. Eddie is irate that Nell is still wearing Ruth's things. He orders her to change clothes, then harshly rubs off her lipstick. This enrages Nell, who accuses Eddie of being just like her repressive parents. Then, when he suspects there is someone in the bathroom, she hits him over the head with a heavy ashtray. While Jed tends to Eddie, Nell goes into Bunny's room. A suspicious Emma Ballew (accompanied by her skeptical husband) knocks on the door. Fearing for his job, Eddie persuades Jed to hide, while he slips into the closet. Jed sneaks into Bunny's room. In the dark, he doesn’t notice that the child is now bound and gagged. When the Ballews see him exit from the door of the adjoining room, they assume that Jed had forced his way in and was holding Nell captive. They alert the hotel detective. Nell, who is now so deluded that she believes Jed is Philip, locks Eddie in the closet and goes into Bunny's room. At the bar, Jed tells Lyn about Nell. She is pleasantly surprised by his concern. Suddenly realising that Bunny was on the wrong bed, Jed rushes back up. Ruth Jones arrives first and screams when she enters Bunny's room. The two women grapple. Jed pulls Nell away, and unties Bunny, but Nell slips away in the confusion when the hotel detective arrives. Eddie admits that Nell had spent the previous three years in a mental institution following her suicide attempt. In the lobby, Nell steals some razor blades. When she is surrounded, she considers using one. Lyn tries to calm her down. Then Jed persuades Nell to give him the blade, and tries to talk her into realising that he is not Philip. He finally manages to convince her that she should go with the police officers who arrive, telling her that they will get her the help she needs. Seeing that Jed does have
empathy Empathy is the capacity to understand or feel what another person is experiencing from within their frame of reference, that is, the capacity to place oneself in another's position. Definitions of empathy encompass a broad range of social, co ...
after all, Lyn reconciles with him.


Cast

*
Richard Widmark Richard Weedt Widmark (December 26, 1914March 24, 2008) was an American film, stage, and television actor and producer. He was nominated for an Academy Award for his role as the villainous Tommy Udo in his debut film, ''Kiss of Death'' (1947) ...
as Jed Towers *
Marilyn Monroe Marilyn Monroe (; born Norma Jeane Mortenson; 1 June 1926 4 August 1962) was an American actress. Famous for playing comedic " blonde bombshell" characters, she became one of the most popular sex symbols of the 1950s and early 1960s, as wel ...
as Nell Forbes * Anne Bancroft as Lyn Lesley *
Donna Corcoran Donna Corcoran (born September 29, 1942) is an American former child actress who appeared in nine Hollywood films from 1951 through 1955. She notably appeared in two aquatic musicals that featured Esther Williams (playing swimmer Annette Kellerm ...
as Bunny Jones *
Jeanne Cagney Jeanne Carolyn Cagney (March 25, 1919 – December 7, 1984) was an American film, stage, and television actress. Early years Born in New York City, Cagney and her four older brothers were raised by her widowed mother Carolyn Elizabeth Cag ...
as Rochelle *
Lurene Tuttle Lurene Tuttle (August 29, 1907 – May 28, 1986) was an American actress and acting coach, who made the transition from vaudeville to radio, and later films and television. Her most enduring impact was as one of network radio's more versatile a ...
as Ruth Jones * Elisha Cook Jr. as Eddie Forbes * Jim Backus as Peter Jones *
Verna Felton Verna Arline Felton (July 20, 1890December 14, 1966) was an American actress, best known for providing many voices in numerous Disney animated films. She also provided the voice for Fred Flintstone's mother-in-law, Pearl Slaghoople in Hanna-Bar ...
as Emma Ballew *
Willis Bouchey Willis Ben Bouchey (May 24, 1907 – September 27, 1977) was an American character actor who appeared in almost 150 films and television shows. He was born in Vernon, Michigan, but raised by his mother and stepfather in Washington state. ...
as Joe the Bartender (as Willis B. Bouchey) *
Don Beddoe Donald Theophilus Beddoe (July 1, 1903 – January 19, 1991) was an American character actor. Early years Born in Pittsburgh, Pennsylvania, Beddoe was the son of Dan Beddoe, a Welsh classical singer, and his wife Mary. He graduated from the ...
as Mr. Ballew


Reception


Critical response

Film critic Dennis Schwartz gave the film a mostly positive review, and seems to be captured by Monroe's performance. He wrote, "Wacko
psychological thriller Psychological thriller is a genre combining the thriller and psychological fiction genres. It is commonly used to describe literature or films that deal with psychological narratives in a thriller or thrilling setting. In terms of context and c ...
, set entirely in a NYC hotel, and helmed without urgency by Roy Ward Baker ('' The Vault of Horror''/'' Asylum''/''
Scars of Dracula ''Scars of Dracula'' is a 1970 British horror film directed by Roy Ward Baker for Hammer Films. It stars Christopher Lee as Count Dracula, along with Dennis Waterman, Jenny Hanley, Patrick Troughton, and Michael Gwynn. Although disparaged by som ...
''). It lacks emotional depth, but is diverting as it gives off nervous energy and remains watchable throughout. Marilyn Monroe was in 12 previous films, but this was her first co-starring headliner role. Playing someone mentally deranged, Marilyn wonderfully channels how her mentally troubled mom acted and gives a believable performance (she's the best reason for seeing this forgettable pic). It's based on a novel by Charlotte Armstrong and is written by Daniel Taradash." The film's reputation has improved since its release, with many modern critics considering Monroe's performance as initially underrated. It is now considered by Monroe fans to contain some of her best acting. It has a rare 100% critics score on Rotten Tomatoes, although this is based on only 11 reviews.


Accolades

The film is recognised by
American Film Institute The American Film Institute (AFI) is an American nonprofit film organization that educates filmmakers and honors the heritage of the motion picture arts in the United States. AFI is supported by private funding and public membership fees. Lead ...
in these lists: * 2001: AFI's 100 Years...100 Thrills – Nominated


References


External links

* * * * * * {{DEFAULTSORT:Don't Bother To Knock 1952 films 1950s psychological thriller films 20th Century Fox films American psychological thriller films American black-and-white films Film noir Films based on American novels Films directed by Roy Ward Baker Films set in hotels Films set in New York City Films based on works by Charlotte Armstrong 1950s English-language films 1950s American films